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Added by: Franci MangravitiPublisher’s Note:
This book is a consideration of Hegel’s view on logic and basic logical concepts such as truth, form, validity, and contradiction, and aims to assess this view’s relevance for contemporary philosophical logic. The literature on Hegel’s logic is fairly rich. The attention to contemporary philosophical logic places the present research closer to those works interested in the link between Hegel’s thought and analytical philosophy, Koch 2014, Brandom 2014, 1-15, Pippin 2016, Moyar 2017, Quante & Mooren 2018 among others). In this context, one particularity of this book consists in focusing on something that has been generally underrated in the literature: the idea that, for Hegel as well as for Aristotle and many other authors, logic is the study of the forms of truth, i.e. the forms that our thought can assume in searching for truth. In this light, Hegel’s thinking about logic is a fundamental reference point for anyone interested in a philosophical foundation of logic.
Freeland, Cynthia. But is it Art?: An Introduction to Art Theory2001, Oxford: Oxford University Press.-
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Added by: Simon Fokt
Publisher's note: From Andy Warhol's Brillo boxes to provocative dung-splattered madonnas, in today's art world many strange, even shocking, things are put on display. This often leads exasperated viewers to exclaim--is this really art? In this invaluable primer on aesthetics, Freeland explains why innovation and controversy are so highly valued in art, weaving together philosophy and art theory with many engrossing examples. Writing clearly and perceptively, she explores the cultural meanings of art in different contexts, and highlights the continuities of tradition that stretch from modern often sensational works, back to the ancient halls of the Parthenon, to the medieval cathedral of Chartres, and to African nkisi nkondi fetish statues. She explores the difficulties of interpretation, examines recent scientific research into the ways the brain perceives art, and looks to the still-emerging worlds of art on the web, video art, art museum CD-ROMS, and much more. She also guides us through the various theorists of art, from Aristotle and Kant to Baudrillard. Throughout this nuanced account of theories, artists, and works, Freeland provides us with a rich understanding of how cultural significance is captured in a physical medium, and why challenging our perceptions is, and always has been, central to the whole endeavor. It is instructive to recall that Henri Matisse himself was originally derided as a "wild beast." To horrified critics, his bold colors and distorted forms were outrageous. A century later, what was once shocking is now considered beautiful. And that, writes Freeland, is art.Comment: Chapters 2,3 and 5 of But is it art? can serve as a good basic introduction to art theory. The book is written in a light, narrative style and does not focus on the details of particular theories; instead, it is arranged in a useful historical narrative which presents theories in their contexts, showing the types of art they were inspired by. This text is best used in introductory teaching, as a background reading, or as a pre-read for higher level courses where it should be followed by more focused and specialised texts.
Freeland, Cynthia. Portraits in Painting and Photography2007, Philosophical Studies 135(1): 95-109.-
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Added by: Hans Maes, Contributed by: Christy Mag Uidhir
Abstract: This article addresses the portrait as a philosophical form of art. Portraits seek to render the subjective objectively visible. In portraiture two fundamental aims come into conflict: the revelatory aim of faithfulness to the subject, and the creative aim of artistic expression. In the first part of my paper, studying works by Rembrandt, I develop a typology of four different things that can be meant when speaking of an image's power to show a person: accuracy, testimony of presence, emotional characterization, or revelation of the essential "air" (to use Roland Barthes' term). In the second half of my paper this typology is applied to examples from painting and photography to explore how the two media might differ. I argue that, despite photography's alleged 'realism' and 'transparency,' it allows for artistic portraiture and presents the same basic conflict between portraiture's two aims, the revelatory and the expressive.Comment: Considers two fundamental but conflicting aims of portraiture: the revelatory aim of faithfulness to the subject, and the creative aim of artistic expression. Explores how the two media of painting and photography might differ. Argues that despite photography's alleged 'realism' and 'transparency,' it allows for artistic portraiture and presents the same basic conflict between portraiture's two aims, the revelatory and the expressive.
Artworks to use with this text:
Richard Avedon, Jacob Israel Avedon (1969-1973)
Photographs of the artist's dying father. These frank portraits succeed at both artistic expression and the subtle rendering of the sitter's inner psychological states or character. Considers two fundamental but conflicting aims of portraiture: the revelatory aim of faithfulness to the subject, and the creative aim of artistic expression. Explores how the two media of painting and photography might differ. Argues that despite photography's alleged 'realism' and 'transparency,' it allows for artistic portraiture and presents the same basic conflict between portraiture's two aims, the revelatory and the expressive.
Artworks to use with this text:
Richard Avedon, Jacob Israel Avedon (1969-1973)
Photographs of the artist's dying father. These frank portraits succeed at both artistic expression and the subtle rendering of the sitter's inner psychological states or character.
1995, William Morrow-
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Added by: M. Jimena Clavel Vázquez and Andrés Hernández VillarrealPublisher’s Note:
The ancient Maya, through their shamans, kings, warriors, and scribes, created a legacy of power and enduring beauty. The landmark publication of A Forest of Kings presented the first accessible, dramatic history of this great civilization, written by experts in the translation of glyphs. Now, in Maya Cosmos, Freidel, Schele, and Parker examine Maya mythology and religion, unraveling the question of how these extraordinary people, five million strong, have managed to preserve their most sacred beliefs into modern times. In Maya Cosmos, the authors draw upon translations of sacred texts and histories spanning thousands of years to tell us a story of the Maya, not in our words but in theirs.
Comment (from this Blueprint): The book contextualises the Mayan Popol Vuh. Chapter 2 contextualizes the creation of human beings in the wider context of the Quiché creation myth. Chapter 4 introduces the Mayan notions of k’ul (ch’ul), essence or vital force, used to denote a sacred aspect of human that is not identical with their bodies but is inserted into them; chanul (also kanul) which is a supernatural guardian that accompanies a person and shares with them their vital force; and the ‘white flower’ and the idea that the soul is created and abandons the body in the moment of death.
Fuzhi, Wang. Chapter 36: Wang Fuzhi1963, In Chan,Wing-tsit (ed.), A Sourcebook in Chinese Philosophy. Princeton University Press-
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Added by: Xintong WeiAbstract:
A Source Book in Chinese Philosophy covers the entire historical development of Chinese philosophy from its ancient origins to today, providing the most wide-ranging and authoritative English-language anthology of Chinese thought available. This superb book brings together key selections from all the great thinkers and schools in every period—ancient, medieval, modern, and contemporary—and presents these texts in their entirety. Each selection is accompanied by explanatory aids and scholarly documentation that shed invaluable light on all aspects of Chinese thought. Featuring elegant and faithful translations of some of the most important classical writings, some translated here for the first time, A Source Book in Chinese Philosophy is an indispensable resource for students, scholars, and anyone interested in Chinese philosophy and culture.Comment:
available in this Blueprint
Galavotti, Maria Carla. The notion of subjective probability in the works of Ramsey and de Finetti1991, Theoria 57 (3): 239-259.-
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Added by: Sara Peppe
Introduction: The decade from the mid-twenties to the mid-thirties was undoubtedly the most crucial for the twentieth Century notion of subjective probability. It was in 1926 that Frank Ramsey wrote his essay 'Truth and probability', presented at the Moral Science Club in Cambridge and published posthumously in 1931. There he put forward for the first time a definition of probability as degree of belief, that had been anticipated only by E. Borel in 1924, in a review of J. M. Keynes' Treatise on Ten years after Ramsey's paper, namely in 1935, Bruno de Finetti gave a series of lectures at the Institut Poincare in Paris, published in 1937 under the title 'La prévision: ses lois logiques, ses sources subjectives'. In this paper subjective probability, defined in a way analogous to that adopted by Ramsey, was implemented with the notion of exchangeability, that de Finetti had already worked out in 1928- 1930. Exchangeability confers applicability to the notion of subjective probability, and fills the gap between frequency and probability as degree of belief. It was only when these two were tied together that subjectivism could become a full-fledged interpretation of probability and gain credibility among probabilists and statisticians. One can then say that with the publication of 'La prévision' the formation process of a subjective notion of probability was completed.Comment: This article is focused on subjective probability in the works of Ramsey and de Finetti even if the main part of the work is devoted to Ramsey. This text is crucial in order to understand the subjectivist line of thinking.
Gannett, Lisa. Echoes From the Cave: Philosophical Conversations Since Plato2014, Oup Canada.-
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Publisher's Note: Echoes from the Cave: Philosophical Conversations since Plato is an anthology of classic and contemporary readings in philosophy compiled to introduce students to the main problems discussed by philosophers past and presentComment: This is an anthology of texts on central topics in philosophy, many of which might be suitable for the DRL.
Garavaso, Pieranna. The Woman of Reason: On the Re-appropriation of Rationality and the Enjoyment of Philosophy2015, Meta-Philosophical Reflection on Feminist Philosophies of Science, pp.185-202.-
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Added by: Franci MangravitiAbstract:
This paper starts out from two feminist criticisms of classical logic, namely Andrea Nye’s general rejection of logic and Val Plumwood’s criticism of the standard notion of negation in classical logic. I then look at some of Gottlob Frege’s reflections on negation in one of his later Logical Investigations. It will appear clear that Frege’s notion of negation is not easily pegged in the general category of ‘Otherness’ that Plumwood uses to characterize negation in classical logic. In the second half of the paper, I discuss the claim that the adversarial method of argumentation in philosophy is hostile to feminist goals and perhaps responsible for the low numbers of women engaged in academic philosophy. Against this hypothesis, I claim that a more naturalistic perspective on logic can avoid essentialism and provide a feminist friendly and pluralist view of logic, human reasoning, and philosophical argumentation.
Comment:
available in this Blueprint
Gatens, Moira. The Art and Philosophy of George Eliot2009, Philosophy and Literature 33(1): 73-90.-
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Added by: Alison Stone
Abstract: Much remains to be said about Eliot as a philosopher. I argue that her novels should be understood as attempts to practice philosophy in an alternative key. Her decision to write novels rather than conventional philosophy reflects her desire to actively engage the imaginative and affective, as well as the cognitive, powers of her readers. On her view the imagination grounds our disposition to feel sympathy for our fellow human beings. It is this disposition and its potential for refinement as moral knowledge that she sought to realize in her novels. An appreciation of her philosophical commitments is necessary in order to understand her efforts to construct an immanent ground for moral life. The parts played by the imagination, reason and emotion in the attainment of moral knowledge were of prime concern to both Spinoza and Feuerbach. Each philosopher offered an account of the relations between these capacities and argued for their reformation. This reformative task is one that Eliot attempted in her novels. The radical holism of Spinoza and Feuerbach resonates throughout her work. She had a deep suspicion of dualistic philosophies that separate reason and imagination. Like Spinoza and Feuerbach, she understood these ruptures within our capacities, indeed within our very being, to derive in large part from religion, especially Christianity. The reform of our habitual ways of understanding the world must therefore begin with critical reflection on religion.Comment: An article that explains the philosophical standpoint underlying George Eliot's fiction and argues that her fiction and her philosophical thinking need to be regarded as a whole. Could be used in a course covering nineteenth-century philosophy, either as supplementary reading or as a primary reading perhaps paired with a piece of writing by Eliot.
Gillespie, Susan D. The Extended Person in Maya Ontology2021, Estudios Latinoamericanos, 41: 105 – 127-
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Added by: M. Jimena Clavel Vázquez and Andrés Hernández VillarrealAbstract:
For the Maya reality is a unified whole within which every entity shares in the same fundamental animating principle. This is a relational ontology whereby no phenomenon is self-contained but emerges from relations with others, including humans and non-humans, in various fi elds of action. Th is ontology correlates with a more encompassing “process metaphysic” in which reality is in constant flux, continually “becoming.” The process metaphysic envisioned by philosopher Alfred North Whitehead provides a technical language for analyzing the composition and extension of Maya persons, using the model of personhood developed by anthropologist Marcel Mauss. In life individual Maya persons assembled divergent components endowed by their maternal and paternal ancestors, which were subsequently disassembled upon their deaths. They also assembled non-corporeal components–souls and names–that linked them to existences beyond the physical boundaries and timelines of their bodies. Aspects of personhood were also shared by objects worn or manipulated by humans. Persons were thus extended in space and in time, outliving individual human beings. Maya belief and practice reveals the fundamental process known as k’ex, “replacement” or “substitution,” accounts for much of the flux and duration of the universe as a Maya-specific mode of “becoming.”
Comment:
available in this Blueprint
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Ficara, Elena. The Form of Truth: Hegel’s Philosophical Logic
2020, De Gruyter
Comment: The book could be used in any course on Hegel's logic, either as a main textbook (if focusing on the author's overall interpretation) or as further reading. The latter approach is facilitated by the structure of the book, since each part is focused on a distinct logical notion (logic, logical form, truth, validity, contradiction). Given the author's thesis that Hegel can be considered as a genuine interlocutor of philosophical logic as it is understood today, one might even try discussing some chapters in a course focusing on a particular logical notion.