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Added by: Tomasz Zyglewicz, Shannon Brick, Michael GreerPublisher’s Note:
In Complaint! Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.Comment (from this Blueprint): Sara Ahmed is a renowned critical phenomenologist who resigned from her job at Goldsmiths over sexual harassment in her department and the university's handling of it. In this 2021 book, she draws on an interdisiplinary corpus, and her own ethnographic skills, to research and theorize complaint against power abuse, broadly conceived. Important are her own experiences and supportive relationships with students that led to her resignation. One thing this book argues is that complaints, and the process of complaining, are an important part of changing the university, and are in themselves useful political tools, since they challenge (and hence illuminate) hidden parts of institutional life.
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Added by: Tomasz Zyglewicz, Shannon Brick, Michael GreerPublisher’s Note:
In Complaint! Sara Ahmed examines what we can learn about power from those who complain about abuses of power. Drawing on oral and written testimonies from academics and students who have made complaints about harassment, bullying, and unequal working conditions at universities, Ahmed explores the gap between what is supposed to happen when complaints are made and what actually happens. To make complaints within institutions is to learn how they work and for whom they work: complaint as feminist pedagogy. Ahmed explores how complaints are made behind closed doors and how doors are often closed on those who complain. To open these doors---to get complaints through, keep them going, or keep them alive---Ahmed emphasizes, requires forming new kinds of collectives. This book offers a systematic analysis of the methods used to stop complaints and a powerful and poetic meditation on what complaints can be used to do. Following a long lineage of Black feminist and feminist of color critiques of the university, Ahmed delivers a timely consideration of how institutional change becomes possible and why it is necessary.Comment (from this Blueprint): Sara Ahmed is a renowned critical phenomenologist who resigned from her job at Goldsmiths over sexual harassment in her department and the university's handling of it. In this 2021 book, she draws on an interdisiplinary corpus, and her own ethnographic skills, to research and theorize complaint against power abuse, broadly conceived. Important are her own experiences and supportive relationships with students that led to her resignation. One thing this book argues is that complaints, and the process of complaining, are an important part of changing the university, and are in themselves useful political tools, since they challenge (and hence illuminate) hidden parts of institutional life.
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Abstract:
The paper suggests that we can usefully approach whiteness through the lens of phenomenology. Whiteness could be described as an ongoing and unfinished history, which orientates bodies in specific directions, affecting how they 'take up' space, and what they 'can do'. The paper considers how whiteness functions as a habit, even a bad habit, which becomes a background to social action. The paper draws on experiences of inhabiting a white world as a non-white body, and explores how whiteness becomes worldly through the noticeability of the arrival of some bodies more than others. A phenomenology of whiteness helps us to notice institutional habits; it brings what is behind to the surface in a certain way.Comment (from this Blueprint): Ahmed provides a phenomenological account of White experience as comfort and being at home, which compliments Jones's analysis of the failure of White empathy. While Ahmed's focus is on race in this paper, her analysis of the structure of Whiteness equally applies to multiple domains, such as gender, class, sexuality and disability, so while it is marked as 'further' reading here, this text could easily provide the foundation to multiple themes for this blueprint, and would also make a good starting point for those that wish to read Ahmed's excellent "Queer Phenomenology".
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Abstract:
Focusing on the "orientation" aspect of "sexual orientation", Ahmed examines what it means for bodies to be situated in space and time. Bodies take shape as they move through the world directing themselves toward or away from objects and others. Being "orientated" means feeling at home, knowing where one stands, or having certain objects within reach. Orientations affect what is proximate to the body or what can be reached. A queer phenomenology, Ahmed contends, reveals how social relations are arranged spatially, how queerness disrupts and reorders these relations by not following the accepted paths, and how a politics of disorientation puts other objects within reach, those that might, at first glance, seem awry.Comment (from this Blueprint): This paper is especially stimulating if students earlier on the course also read the text by Ahmed on the week on race, as much of "A phenomenology of whiteness" informs Queer phenomenology. This specific chapter, however, focuses on sexual orientation, and discusses some of Merleau-Ponty's philosophy. Ahmed's article may also be required reading for those exploring a distinctly phenomenological approach to sexuality and could be read in alongside Díaz-León's chapter, which follows in the analytic tradition, for a broader range of 'styles' of discussion of sexual orientation in philosophy.
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Added by: Sara PeppePublisher's Note: Hannah Arendt's last philosophical work was an intended three-part project entitled The Life of the Mind. Unfortunately, Arendt lived to complete only the first two parts, Thinking and Willing. Of the third, Judging, only the title page, with epigraphs from Cato and Goethe, was found after her death. As the titles suggest, Arendt conceived of her work as roughly parallel to the three Critiques of Immanuel Kant. In fact, while she began work on The Life of the Mind, Arendt lectured on "Kant's Political Philosophy," using the Critique of Judgment as her main text. The present volume brings Arendt's notes for these lectures together with other of her texts on the topic of judging and provides important clues to the likely direction of Arendt's thinking in this area.Comment: This book provides a good overview of Arendt's perspective on Kant's political philosophy. Previous knowledge on Kant is needed.
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Added by: Emma Holmes, David MacDonald, Yichi Zhang, and Samuel Dando-MoorePublisher’s Note:
Bartky draws on the experience of daily life to unmask the many disguises by which intimations of inferiority are visited upon women. She critiques both the male bias of current theory and the debilitating dominion held by notions of "proper femininity" over women and their bodies in patriarchal culture.Comment (from this Blueprint): Chapter 4 is about what a feminist should do when they have a sexual desire which is in tension with their feminist beliefs in a way that makes them feel ashamed. There are two natural choices: to give up the shame and continue to have the desire, or to give up the desire. Bartky examines both of these choices and finds us in a tricky situation: it is sometimes apt and understandable to feel shame about a sexual desire (when it really is in tension with your principles), but she is sceptical about the view that we can change our desires at will or with therapy.
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Added by: Andrea Blomqvist, Contributed by: Rosa VincePublisher's Note: Feminist philosophers have made important strides in altering the overwhelmingly male-centric discipline of philosophy. Yet, in Nancy Bauer’s view, most are still content to work within theoretical frameworks that are fundamentally false to human beings’ everyday experiences. This is particularly intolerable for a species of philosophy whose central aspiration is to make the world a less sexist place. How to Do Things with Pornography models a new way to write philosophically about pornography, women’s self-objectification, hook-up culture, and other contemporary phenomena. Unafraid to ask what philosophy contributes to our lives, Bauer argues that the profession’s lack of interest in this question threatens to make its enterprise irrelevant. Bauer criticizes two paradigmatic models of Western philosophizing: the Great Man model, according to which philosophy is the product of rare genius; and the scientistic model, according to which a community of researchers works together to discover once-and-for-all truths. The philosopher’s job is neither to perpetuate the inevitably sexist trope of the philosopher-genius nor to “get things right.” Rather, it is to compete with the Zeitgeist and attract people to the endeavor of reflecting on their settled ways of perceiving and understanding the world. How to Do Things with Pornography boldly enlists J. L. Austin’s How to Do Things with Words, showing that it should be read not as a theory of speech acts but as a revolutionary conception of what philosophers can do in the world with their words.Comment: This book has chapters that will be useful for feminism modules, including critiques of the pornography and silencing literature, and on objectification, and self-objectification. It also contains plenty of witty critiques of white male dominated western philosophy.
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Abstract:
Gender performativity is one of the core concepts in Judith Butler's work. In this paper Butler re-examines this term and completes it with the idea of precarity, by making a reference to those who are exposed to injury, violence and displacement, those who are in risk of not being qualified as a subject of recognition, There are issues that constantly arise in the nation-states, such as claiming a right when there is not a right to claim, or being forced to follow certain norms in order to change these norms. This is particularly relevant in the sexual policies that are shaped within the nation-states.Comment (from this Blueprint): Butler draws together muitple themes in this paper to talk about how fascets of our identity (gender, sexuality and even our national/ethnic idetitiy) are strongly determined by external strctures, even when we try to subvert those structures. While sexuality is a key theme in this paper, Butlet discusses the theme of recognition, subjecthood and precarity from multiple angles, making it a cornerstone for multiple themes in this blueprint. The discussion on assimilation and translation is also highly relevant to Ahmed's discussions both in Queer Phenomenology and "A phenomenology of whiteness".
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Added by: Björn Freter & Marc GwodogAbstract:
CHERYL DE LA REY leads a discussion with AMINA MAMA about the writer's groundbreaking work on black subjectivity. ZINE MAGUBANE presents some of the highlights of the conversation on the book BEYOND THE MASKS, held at the African Gender Institute in Cape Town.Comment (from this Blueprint): This conversation with Amina Mama on some of the core elements of her book provides an excellent guide to some of her ideas and allows to place them within the larger context.
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Added by: Zoé Grange-MarczakAbstract:
Fanon (1925-1961) was born in the French West Indies and studied in France before moving to Algeria to join the independence struggle. In this text, originally published in French in 1952, he addresses the Black man's condition, and more particularly his subjectivity and experience in the colonial context of the French West Indies and of France in general, also drawing parallel with North Africa and Indochina. Black Skin, White Masks is both a minute and complex description of the violence of colonization and a sketch of a liberation from its effects. A psychiatrist by training, Fanon investigates the psychological impact of both racism and colonization, with a strong focus on inter-subjective relations, including the intersection of race and gender relations. He uses a large variety of resources: philosophy (a critical reading of Sartre, an elaboration of Hegel's slave-master dialectic, Leiris, Marcel, and contemporary linguistics) ; Marxism (materialism and alienation); psychiatry and psychoanalysis; the literary Négritude movement (Black Francophones writers who, starting in the 1930s, wrote about lived experience of blackness, displacement and colonialism). Its reception, though belated, has nevertheless made it one of the seminal works of postcolonial theory.
Comment: This work is rather difficult by its intricacy, the importance of often implicit philosophical references, and its inscription in hyper-contemporary debates in philosophy, literature and psychology. However, both its radicalism and the descriptions of lived first-person experiences make it a rather didactic and striking short essay. A classical text of postcolonial theory and French thought in general.