Latest additions
Brogaard, Berit. The Self-Locating Property Theory of Color
2015, Minds & Machines 25: 133-147.
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Added by: Simon Fokt, Contributed by: Simon Prosser
Abstract: The paper reviews the empirical evidence for highly significant variation across perceivers in hue perception and argues that color physicalism cannot accommodate this variability. Two views that can accommodate the individual differences in hue perception are considered: the self-locating property theory, according to which colors are self-locating properties, and color relationalism, according to which colors are relations to perceivers and viewing conditions. It is subsequently argued that on a plausible rendition of the two views, the self-locating theory has a slight advantage over color relationalism in being truer to the phenomenology of our color experiences
Comment: Idiosyncratic but interesting theory of colour perception. Background reading.
Montague, Michelle. The Life of the Mind
2015, In Paul Coates and Sam Coleman (eds.), Phenomenal Qualities: Sense, Perception and Consciousness. Oxford University Press.
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Abstract: What distinguishes a conscious occurrent thought from a non-conscious occurrent thought? I argue that the notion of 'access-consciousness' cannot provide a satisfactory answer and that we must appeal to phenomenological properties. If this is right, a further question arises about what kind of phenomenological features are required. Can we give a satisfactory account of what makes an occurrent thought a conscious thought solely by reference to sensory phenomenology - including both verbal and non-verbal imagery? I argue that we cannot, and that we must appeal to 'cognitive phenomenology' in order to be able to say what distinguishes conscious occurrent thought from non-conscious occurrent thought.
Nochlin, Linda. Why Have There Been No Great Women Artists?
1971, ARTnews.
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Added by: Clotilde Torregrossa, Contributed by: Christy Mag UidhirIntroduction: In the field of art history, the white Western male viewpoint, unconsciously accepted as the viewpoint of the art historian, may - and does - prove to be inadequate not merely on moral and ethical grounds, or because it is elitist, but on purely intellectual ones. In revealing the failure of much academic art history, and a great deal of history in general, to take account of the unacknowledged value system, the very presence of an intruding subject in historical investigation, the feminist critique at the same time lays bare its conceptual smugness, its meta-historical naivete. At a moment when all disciplines are becoming more self-conscious, more aware of the nature of their presuppositions as exhibited in the very languages and structures of the various fields of scholarship, such uncritical acceptance of 'what is' as 'natural' may be intellectually fatal. Just as Mill saw male domination as one of a long series of social injustices that had to be overcome if a truly just social order were to be created, so we may see the unstated domination of white male subjectivity as one in a series of intellectual distortions which must be corrected in order to achieve a more adequate and accurate view of historical situations.
Nagasawa, Yujin. The Existence of God: A Philosophical Introduction
2011, Routledge.
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Added by: Clotilde Torregrossa, Contributed by: Tyron GoldschmidtPublisher's Note: Does God exist? What are the various arguments that seek to prove the existence of God? Can atheists refute these arguments? The Existence of God: A Philosophical Introduction assesses classical and contemporary arguments concerning the existence of God: the ontological argument, introducing the nature of existence, possible worlds, parody objections, and the evolutionary origin of the concept of God the cosmological argument, discussing metaphysical paradoxes of infinity, scientific models of the universe, and philosophers' discussions about ultimate reality and the meaning of life the design argument, addressing Aquinas's Fifth Way, Darwin's theory of evolution, the concept of irreducible complexity, and the current controversy over intelligent design and school education. Bringing the subject fully up to date, Yujin Nagasawa explains these arguments in relation to recent research in cognitive science, the mathematics of infinity, big bang cosmology, and debates about ethics and morality in light of contemporary political and social events. The book also includes fascinating insights into the passions, beliefs and struggles of the philosophers and scientists who have tackled the challenge of proving the existence of God, including Thomas Aquinas, and Kurt Godel - who at the end of his career as a famous mathematician worked on a secret project to prove the existence of God. The Existence of God: A Philosophical Introduction is an ideal gateway to the philosophy of religion and an excellent starting point for anyone interested in arguments about the existence of GodComment: Fitting for courses on Philosophy of Religion
Mcweeny, Jennifer. Liberating Anger, Embodying Knowledge: A Comparative Study of Maria Lugones and Zen Master Hakuin
2010, Hypatia 25 (2):295 - 315.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: This paper strengthens the theoretical ground of feminist analyses of anger by explaining how the angers of the oppressed are ways of knowing. Relying on insights created through the juxtaposition of Latina feminism and Zen Buddhism, I argue that these angers are special kinds of embodied perceptions that surface when there is a profound lack of fit between a particular bodily orientation and its framing world of sense. As openings to alternative sensibilities, these angers are transformative, liberatory, and deeply epistemological.
Little, Margaret Olivia. Abortion
2008, In R. G. Frey & Christopher Wellman (eds.), A companion to applied ethics. Malden: Wiley. pp. 313-325.
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Added by: Clotilde Torregrossa, Contributed by: Simon FoktIntroduction: It is often noted that public discussion of the moral status of abortion is disappointingly crude. The positions staked out and the reasoning proffered seem to reflect little of the subtlety and nuance - not to mention ambivalence - that mark more private reflections on the subject. Despite attempts by various parties to find middle ground, the debate remains largely polarized: at its most dramatic, with extreme conservatives claiming abortion to be the moral equivalent of murder, even as extreme liberals think it devoid of moral import.To some extent, this polarization is due to the legal battle that continues to shadow moral discussions. Admission of ethical nuance, it is feared, will play as concession on the deeply contested question of whether abortion should be a legally protected option for women. But, to some extent, blame for the continued crudeness can be laid at the doorstep of moral theory itself.
Lovibond, Sabina. Feminism and pragmatism: a reply to Richard Rorty
2010, In Marianne Janack (ed.), Feminist Interpretations of Richard Rorty. Pennsylvania State University Press.
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Added by: Clotilde TorregrossaAbstract: This essay responds to a (1991) Tanner Lecture by Rorty in which he criticizes 'universalist-realist' views in ethics, as exemplified by the work of Lovibond up to 'Feminism and Postmodernism' (where he is discussed, along with Alasdair MacIntyre and Jean-Francois Lyotard, as a specimen postmodern thinker), and promotes his pragmatist philosophy as a congenial intellectual basis for feminism. The essay questions the claims of pragmatism in this respect, and reflects more generally on issues of realism, essentialism, conceptual innovation, and legitimation. It argues that to acknowledge the historically situated character of human existence is not to give up on the idea of an ethically orientated politics. Likewise, it suggests that the risk of flawed or irresponsible generality in political discourse is not all located on the side of realism. Finally, some consideration is given to the notion of gendered identity as a basis for feminist consciousness.
Ivanova, Milena. Did Perrin’s Experiments Convert Poincare to Scientific Realism?
2013, Hopos: The Journal of the International Society for the History of Philosophy of Science 3 (1):1-19.
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Added by: Chris Blake-Turner, Contributed by: Milena IvanovaAbstract: In this paper I argue that Poincare's acceptance of the atom does not indicate a shift from instrumentalism to scientific realism. I examine the implications of Poincare's acceptance of the existence of the atom for our current understanding of his philosophy of science. Specifically, how can we understand Poincare's acceptance of the atom in structural realist terms? I examine his 1912 paper carefully and suggest that it does not entail scientific realism in the sense of acceptance of the fundamental existence of atoms but rather, argues against fundamental entities. I argue that Poincare's paper motivates a non-fundamentalist view about the world, and that this is compatible with his structuralism.
Le Doeuff, Michele. Hipparchia’s Choice: An Essay Concerning Women, Philosophy, Etc
2007, Columbia University Press.
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Added by: Clotilde TorregrossaAbstract: A work of rare insight and irreverence, Hipparchia's Choice boldly recasts the history of philosophy from the pre-Socratics to the post-Derrideans as one of masculine texts and male problems. The position of women, therefore, is less the result of a hypothetical "femininity" and more the fault of exclusion by men. Nevertheless, women have been and continue to be drawn to "the exercise of thought." So how does a female philosopher become a conceptually adventurous woman? Focusing on the work of Sartre and Beauvoir (specifically, his sexism and her relation to it), Michele Le Doeuff shows how women philosophers can reclaim a place for feminist concerns. Is The Second Sex a work of philosophy, and, if so, what can it teach us about the relation of philosophy to experience? Now with a new epilogue, Hipparchia's Choice points the way toward a discipline that is accountable to history, feminism, and society.
Gover, K. E.. Artistic Freedom and Moral Rights in Contemporary Art: The Mass MoCA Controversy
2011, Journal of Aesthetics and Art Criticism 69 (4):355-365.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirIntroduction: The concept of artistic freedom, like that of academic freedom, is as potent as it is slippery. Its indeterminacy may in fact lend the concept some power, since it can be uncritically applied to many different kinds of situations involving artists and their creations. Philosopher Paul Crowther has observed that the prevailing conception of artistic freedom is essentially negative in character: it is based 'purely on the absence of ideological or conceptual restraint.' There is a widespread art-world intuition that the creative freedom of the artist should be given virtually absolute precedence in decisions about the creation, exhibition, and treatment of artworks. As a recent controversy involving Swiss artist Christoph Buchel and the Massachusetts Museum of Contemporary Art (Mass MoCA) shows, the dominant conception of artistic freedom also entails freedom from financial and logistical constraints such as museum budgets and exhibition deadlines. In this particular case, the artist and his supporters argued that the museum violated his artistic freedom by attempting to display his unfinished and abandoned artwork against his wishes. As with the Tilted Arc controversy in the 1980s, this case raises provocative questions about the nature of artistic freedom as 'artistic' as it comes into conflict with the needs and interests of the institutions that pay for, exhibit, and, in Mass MoCA's case, construct the work.