The paper is concerned with the development of the paradoxical theme of Daoism. Based on Chad Hansen's interpretation of Daoism and Chinese philosophy in general, it traces the history of Daoism by following their treatment of the limit of language. The Daoists seem to have noticed that there is a limit to what language can do and that the limit of language is paradoxical. The 'theoretical' treatment of the paradox of the limit of language matures as Daoism develops. Yet the Daoists seem to have noticed that the limit of language and its paradoxical nature cannot be overcome. At the end, we are left with the paradoxes of the Daoists. In this paper, we jump into the abyss of the Daoists' paradoxes from which there is no escape. But the Daoists' paradoxes are fun!

In asserting something I incur certain kinds of liabilities, including a responsibility for the truth of the content I express. If I say ‘After leaving the EU, the UK will take back control of c. £350 million per week’, or I tell you that ‘The number 14 bus stops at the British Museum’, I become liable for the truth of these claims. As my audience, you could hold me unreliable or devious if it turns out that what I said is false. Yet this socio-linguistic practice – of acquiring and ascribing ‘linguistic liability’ – is complicated, especially given philosophical distinctions between the various different kinds of contents people can express (am I liable, for instance, for the claim that the number 14 bus stops at the British Museum today or only usually?). This paper explores the different kinds of contents speakers might be taken to express, arguing that our practices around linguistic liability (including in legal disputes) reveal a crucial role for a notion of context-independent, literal meaning attaching to words and sentences. These practices thus vindicate what philosophers tend to term ‘minimal semantic content’.

As philosophers and social theorists we are authorized by virtue of our academic positions to develop theories that express and encompass the ideas, needs, and goals of others. However, we must begin to ask ourselves whether this is a legitimate authority. Is the discursive practice of speaking for others ever a valid practice, and, if so, what are the criteria for validity? In particular, is it ever valid to speak for others who are unlike me or who are less privileged than me?

Kristeva (b. 1941) is known for mixing psychoanalysis, literary criticism and philosophy. In this essay, she explores depression, melancholy and mourning, starting from one of its most exaggerated manifestation. Seeing pain as "the hidden side of [her] philosophy", she investigates it through language and aesthetics. In doing so, Kristeva uncover its meaning by relying heavily on the symbolic dimensions, demonstrating how depression destabilizes language itself. With a particular focus on the feminine experience of sadness, she discusses romantic relationships and maternity, using Freud, Klein and Lacan alongside empirical observations from her psychoanalytic practice. The main thesis locates the origin of true depression in the separation from the mother, where she finds the "lost Thing" which causes melancholy without a precise loss, leading to a ruin of identity itself through an impossible mourning. Engaging with Holbein, Nerval, Dostoevsky and Duras, a large part of Kristeva's book is dedicated to a quest for the sublimation of such emotions into works of art. Deliberately fragmented and linked with poststructuralism, Black Sun is a a personal account of how subjective emotions are tied with signs and the possibility of meaning. Part of a psychoanalytic, feminist reading of feminism, Kristeva has been accused of essentialism.

It is a dominant view in the philosophical literature on the later Wittgenstein that Chomsky’s approach to the investigation of natural language stands in stark contrast to Wittgenstein’s, and that their respective conceptions of language and linguistic understanding are irreconcilable. The aim in this paper is to show that this view is largely incorrect and that the two approaches to language and its use are indeed compatible, notwithstanding their distinctive foci of interest. The author argues that there is a significant correspondence in at least five different areas of their work, and that once we pay attention to these there will be less temptation to see Wittgenstein and Chomsky as enemies.

In his post-Tractatus work on natural language use, Wittgenstein defended the notion of what he dubbed the autonomy of grammar. According to this thought, grammar - or semantics, in a more recent idiom - is essentially autonomous from metaphysical considerations, and is not answerable to the nature of things. The argument has several related incarnations in Wittgenstein's post-Tractatus writings, and has given rise to a number of important insights, both critical and constructive. In this paper I will argue for a potential connection between Wittgenstein's autonomy argument and some more recent internalist arguments for the autonomy of semantics. My main motivation for establishing this connection comes from the fact that the later Wittgenstein's comments on grammar and meaning stand in opposition to some of the core assumptions of semantic externalism. 

This paper aims to defuse the hysteria over value-laden inquiry by showing how it is based on a misapprehension of the arguments of the most careful advocates of such inquiry, an impoverished understanding of the goals of science, a mistaken model of the interaction of normative and evidential considerations in science, and a singular inattention to the empirical facts about how responsible inquirers go about their business.

A French Jew born in Algeria, philosopher and novelist Cixous (b. 1937) blends and bends the categories of theory. Originally written for a journal issue on Beauvoir, this essay tries to map out a strategy against the alienation of women through the re-apropriation of their own identity, via written work. A literary interpretation of feminism, it articulates the idea of écriture féminine (feminine writing), a type of writing particular to women. This is Cixous' strategic essentialism: according to her, the difference in women's expression should be underlined, and thus women should write in a specific style allowing for a reclamation and a reinvention of their identities, against the patriarchal system. This literary strategy is heavily embodied, and relies on representations as much as lived, practical experiences to criticize a male-centered system. However, Cixous remains a structuralist: identity is not given, but built within discourse in complex relation with other poles, and feminine writing can be found in men through sexual subversion (Genet is one example). This essay marks a specific period in both French feminism and post-structuralism, providing a perfect example of the philosophical, political and artistic questions of the period.