A French Jew born in Algeria, philosopher and novelist Cixous blends and bends the categories of theory. Originally written for a journal issue on Beauvoir, this essay tries to map out a strategy against the alienation of women through the re-apropriation of their own identity, via written work. A literary interpretation of feminism, it articulates the idea of écriture féminine (feminine writing), a type of writing particular to women. This is Cixous' strategic essentialism: according to her, the difference in women's expression should be underlined, and thus women should write in a specific style allowing for a reclamation and a reinvention of their identities, against the patriarchal system. This literary strategy is heavily embodied, and relies on representations as much as lived, practical experiences to criticize a male-centered system. However, Cixous remains a structuralist: identity is not given, but built within discourse in complex relation with other poles, and feminine writing can be found in men through sexual subversion (Genet is one example). This essay marks a specific period in both French feminism and post-structuralism, providing a perfect example of the philosophical, political and artistic questions of the period.

Published in French in 1949, it is usually considered the foundational book of second wave feminism, characterized by a shift from the conquering of political rights of first wave feminism (franchise, basic emancipation) to a concern for general equality, at home, in the workplace, etc. Beauvoir's first question is the very definition of a woman, and her core ideas draw from phenomenology. She elaborates an existential account of being a woman: womanhood does not consist of fixed characteristics, but is a project carried out by a free agent in a material, collective situation, creating meaning through action in a given context. Understanding the category of woman as a collective construction and the result of a series of actions and representations allows for the re-actualization of the Marxist notion of alienation, where women are stranger to themselves, operating on values imposed by men rather than found in a lived practice. In two volumes, Beauvoir seeks to highlight both the cultural, historical and economical background of genders ("Facts and Myths") and the "Lived Experience" resulting from it. Through a reading of Hegel, she rethinks gender categories as a dynamic and unequal process, and from there traces the possibility of a liberation from the perceived secondary character of women. Groundbreaking in feminist and continental philosophy, placed on the catholic Index of forbidden books, it remains a revolutionary work until today.

This article questions fundamental concepts in political philosophy and political theory, as well as the method of political philosophy and philosophy more generally. While acknowledging that concepts such as contract, higher self, or organism do not refer to anything real but function as metaphors, MacDonald nonetheless emphasizes the importance of reflecting on the reasons for and the effects of their use. This way of thinking can constitute an essential part of philosophical method.

MacDonald’s thesis is that such concepts arise in response to puzzles of social life, among which the most fundamental is perhaps the question, “Why should human beings live with others of their own kind at all?” According to MacDonald, however, there is no general answer to these puzzles that could be applied to all social situations and that would entail political obligations normative for every context. This constitutes an important implicit critique of classical political theories.

As MacDonald argues, “as rational and responsible citizens we can never hope to know once and for all what our political duties are. And so we can never go to sleep.” The impossibility of offering a universal theory of political duties thus implies the requirement of constant ethical and political vigilance.

The most sustained and innovative recent work on metaphor has occurred in cognitive science and psychology. Psycholinguistic investigation suggests that novel, poetic metaphors are processed differently than literal speech, while relatively conventionalized and contextually salient metaphors are processed more like literal speech. This conflicts with the view of “cognitive linguists” like George Lakoff that all or nearly all thought is essentially metaphorical. There are currently four main cognitive models of metaphor comprehension: juxtaposition, category-transfer, feature-matching, and structural alignment. Structural alignment deals best with the widest range of examples; but it still fails to account for the complexity and richness of fairly novel, poetic metaphors.

Academic and activist feminist inquiry has repeatedly tried to come to terms with the question of what we might mean by the curious and inescapable term "objectivity." We have used a lot of toxic ink and trees processed into paper decrying what they have meant and how it hurts us. The imagined "they" constitute a kind of invisible conspiracy of masculinist scientists and philosophers replete with grants and laboratories. The imagined "we" are the embodied others, who are not allowed not to have a body, a finite point of view, and so an inevitably disqualifying and polluting bias in any discussion of consequence outside our own little circles, where a "mass"-subscription journal might reach a few thousand
readers composed mostly of science haters.

The aim of natural language ontology is to uncover the ontological categories and structures that are implicit in the use of natural language, that is, that a speaker accepts when using a language. This article aims to clarify what exactly the subject matter of natural language ontology is, what sorts of linguistic data it should take into account, how natural language ontology relates to other branches of metaphysics, in what ways natural language ontology is important, and what may be distinctive of the ontological categories and structures reflected in natural language.

Since the early 1980s, feminist epistemology has developed into a vibrant area of inquiry which challenges many of the taken-for-granted assumptions of traditional, mainstream theories of knowledge to work towards developing theories and practices that close a persistent gap between theories of knowledge and knowledge that matters to people in real situations. Here I will examine some of the more startling recent developments in feminist epistemology, where—perhaps improbably—epistemologies of ignorance and questions about epistemic injustice have made significant contributions to feminist knowledge projects. Together and separately, they expose the extent to which knowing is a political activity, while maintaining that it can avow its political involvement without dissolving into facile assertions that ‘might is right’.

Published in French in 1990, this book is among the later conceptualizations of postcolonial and racial relations. Glissant is a novelist, and his attention to politics operates through an interest in linguistics: studying creole languages, he exposes how colonized people transformed the tool of the master, leading to the creation of a new, creolized culture and expression. He reads the long-term effects of the slave trade, where people were forcibly taken from their cultural and linguistic milieu an put in another one, characterized by an extremely violent relation of subjection. In this context, he elaborates the notion of antillanité, as a French West Indies description of the unpredictable linking and blending of cultures and languages, extending and specifying the idea of négritude found in Césaire and Senghor in the 1930s. This complex analysis leads to two seemingly contradictory concepts: first, his idea of opacity argues in favor of untranslatability and of irreducible yet non-hierarchical differences. Second, his poetics of relation leads to an understanding of identity as an extension of the connection to the other. From there, he sketches a new definition of culture, taking into account power dynamics, which is also a departure from the idea of authenticity or autochtony. Against a binary reading of colonialist relations of power, Glissant explores the formation of identities through the process of creolization, where a new language is invented as a mean of resistance, thus undermining any possibility for a pure, uniform identity.

This work analyzes the contemporary conditions of culture and criticizes common definitions of identity. Bhabha makes use of continental philosophy, social sciences and literature (crediting Morrison, Salman Rushdie, and even Anish Kapoor), draws on Said and Spivak, and reads Fanon extensively—blending anti-colonial critique with post-structuralism. His main object is the long-term effects of colonialism on social identities and culture, even after the departure of the colonizers or the abolition of slavery. From an inquiry concerning the effects of the awareness of social positions and the political usages of identity, he finds that culture is characterized by hybridation and going beyond established limits. Against the idea that cultures are fixed traditions belonging to identified communities, Bhabha tries to explain how social meanings are an on-going, dynamic and relational process, underlining contradictions, ambivalence, and two of the main concepts of this book: hybridity (the mixed nature of culture) and mimicry (the adoption of ideas and values from other cultures). In his view, "[d]ifferences in culture and power are constituted through the social conditions of enunciation" (p. 242), meaning that culture needs to be seen as fragmented, unstable and sometimes antagonistic. Bhabha elaborates a definition of the boundary not as a limit, but as the site for theoretical production and artistic creation, exemplified by the proliferation of "post" in contemporary theory (poststructuralism, postmodernism, etc), which he understands as a movement of going beyond, pointing towards a constant invention of oneself.