Abstract: This notion of non-personhood denies the right of handicapped people to be recognised as equal human beings in a caring society, and it makes a mockery of the goodwill which seemingly abounded in the International Year of Disabled People. Legislation of the type proposed could well also lead to the de facto decriminalisation of the act of killing a handicapped person of any age, just as it did in Hitler'sGermany.And if it does, woe betide any handicapped people who are too ill to defend their right to life by protesting that they are in fact happy. And woe betide us all, when we get too old to be considered 'useful' and all the friends who could have spoken in our defence have already been oh so lovingly 'allowed to die'.

Abstract: Makes a case for redirecting epistemology by basing it on a virtue approach and the method of care. According to virtue epistemology, what confers epistemic value are properties of the epistemic subject: his or her epistemic character, belief?forming habits, and cognitive dispositions. The method of care is a complex, interactive process of acquiring justified beliefs or knowledge, a process that integrates the subject into a social and ethical context. Starting out with a discussion of knowledge of other minds, the writer moves on to an examination of the role the knowing self plays within the kind of epistemology she wishes to advocate. One important element of that kind of epistemology is epistemic responsibility, understood not as epistemic duty fulfillment but instead as the endeavor to cultivate and reinforce attitudes that are deemed admirable in the epistemic community.

Introduction: Western philosophers at least as far back as Plato and Aristotle have been interested in question concerning narrative art: what it is, why it engages us, and how engagement with it affects us. An important part of the philosophical discussion has focused on the relationship between narrative art and emotion, for many have thought the power and influence of anarrative art comes primarily form its ability to arouse strong emotions. In this paper I focus on one type of narrative art: narrative fiction film. In many ways the film viewing experience is ideal for the purpose of promoting emotional engagement. Due to the nature of narrative fiction film and the structure of the viewing experience, watching and experiencing film puts us in a unique position to become cognitively and emotionally engaged while remaining aware of the fact that the object of our engagement is fictional...

Abstract: "Women have been largely excluded from the work of producing the forms of thought and the images and symbols in which thought is expressed and ordered," suggests sociologist Dorothy E. Smith. "We can imagine women's exclusion organized by the formation of a circle among men who attend to and treat as significant only what men say." In this male discourse, "what men were doing was relevant to men, was written by men about men for men . . . this is how a tradition is formed" (Smith 1987, p. 18). Smith's perspective aptly describes the outer circle that delineates sociology from other equally male-centered disciplines, but it also characterizes the important inner circle of sociological theory lying at the center of the field.

Abstract: Black women have long occupied marginal positions in academic settings. I argue that many Black female intellectuals have made creative use of their marginality their "outsider within " status-to produce Black feminist thought that reflects a special standpoint on self family, and society. I describe and explore the sociological significance of three characteristic themes in such thought: (1) Black women's self-definition and self-valuation; (2) the interlocking nature of oppression; and (3) the importance of Afro-American women's culture. After considering how Black women might draw upon these key themes as outsiders within to generate a distinctive standpoint on existing sociological paradigms, I conclude by suggesting that other sociologists would also benefit by placing greater trust in the creative potential of their own personal and cultural biographies.

Introduction: June Jordan (1992) had her eye set on an understanding of freedom that challenged social inequality as being neither natural, normal, nor inevitable. Instead, she believed that power relations of racism, class exploitation, sexism, and heterosexism were socially constructed outcomes of human agency and, as such, were amenable to change. For Jordan, the path toward a reenvisioned world where 'freedom is indivisible' reflected aspirational political projects of the civil rights and Black Power movements, feminism, the antiwar movement, and the movement for gay and lesbian liberation. These social justice projects required a messy politics of taking the risks that enabled their participants to dream big dreams.

Introduction: ... A definition of Black feminist thought is needed that avoids the materialist position that being Black and/or female generates certain experiences that automatically determine variants of a Black and/or feminist consciousness. Claims that Black feminist thought is the exclusive province of African-American women, regardless of the experiences and worldview of such women, typify this position. But a definition of Black feminist thought must also avoid the idealist position that ideas cna be evaluated in isolation from the groups that create them. Definitions claiming that anyone can produce and develop Black feminist thought risk obscuring the special angle of vision that Black women bring to the knowldege production process.

Abstract: Intersectionality has attracted substantial scholarly attention in the 1990s. Rather than examining gender, race, class, and nation as distinctive social hierarchies, intersectionality examines how they mutually construct one another. I explore how the traditional family ideal functions as a privileged exemplar of intersectionality in the United States. Each of its six dimensions demonstrates specific connections between family as a gendered system of social organization, racial ideas and practices, and constructions of U.S. national identity

Publisher's Note: The first major anthology to trace the development, from the early 1800s to the present, of black feminist thought in the United States, Words of Fire is Beverly Guy-Sheftall's comprehensive collection of writings, in the feminist tradition, of more than sixty African American women. From the pioneering work of abolitionist Maria Miller Stewart and anti-lynching crusader Ida Wells-Barnett to the writings of contemporary feminist critics Michele Wallace and bell hooks, black women have been writing about the multiple jeopardies--racism, sexism, and classicm--that have made it imperative for them to forge a brand of feminism uniquely their own.

Abstract: US black feminist thought reflects the interests and standpoint of its creators. Indeed, White men have control over knowledge. And, Black women's ideas have been controlled by White men interpretation of the world. This means that Black feminist thought can best be viewed as subjugated knowledge.