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Adams, Carol, and . The Sexual Politics of Meat: A Feminist-Vegetarian Critical Theory

2000, New York City: Continuum.

Back Matter: The Sexual Politics of Meat argues that what, or more precisely who, we eat is determined by the patriarchal politics of our culture, and that the meanings attached to meat eating are often clustered around virility. We live in a world in which men still have considerable power over women, both in public and in private. Carol Adams argues that gender politics is inextricably related to how we view animals, especially animals who are consumed. Further, she argues that vegetarianism and fighting for animal rights fit perfectly alongside working to improve the lives of disenfranchised and suffering people, under the wide umbrella of compassionate activism.

Comment: This is a clear and easily accessible introductory text on the relationship of feminism to vegetarianism. The text is compelling and interesting, making a chapter or two excellent for an introductory course that concerns feminism, gender politics, other animals, or vegetarianism. The text in its entirety would be excellent in an upper division course concerning ecofeminism.

Appiah, Kwame Anthony, and . Cosmopolitanism: Ethics in a World of Strangers (Issues of Our Time)

2010, WW Norton & Company.

Back matter: “A welcome attempt to resurrect an older tradition of moral and political reflection and to show its relevance to our current condition.” — John Gray “Cosmopolitanism is… of wide interest-invitingly written and enlivened by personal history… Appiah is wonderfully perceptive and levelheaded about this tangle of issues.” — Thomas Nagel “Elegantly provocative.” — Edward Rothstein “[Appiah’s] belief in having conversations across boundaries, and in recognizing our obligations to other human beings, offers a welcome prescription for a world still plagued by fanaticism and intolerance.” — Kofi A. Annan, former United Nations secretary-general “[Appiah’s] exhilarating exposition of his philosophy knocks one right off complacent balance… All is conveyed with flashes of iconoclastic humor.” — Nadine Gordimer, winner of the 1991 Nobel Prize in Literature “An attempt to redefine our moral obligations to others based on a very humane and realistic outlook and love of art… I felt like a better person after I read it, and I recommend the same experience to others.” — Orham Pamuk, winner of the 2006 Nobel Prize in Literature.

Comment: The introduction provides a particularly good entry text to ethics, race and cosmopolitanism.

Appiah, Kwame Anthony, and . Whose Culture Is It, Anyway?

2007, in Cosmopolitanism: Ethics in a World of Strangers. New York, London: W. W. Nortion & Company.

Summary: In this chapter, Appiah offers a cosmopolitan critique of the concept of cultural property/patrimony. By emphasizing the common features of our humanity and the tenuousness of certain cultural identity claims, he puts pressure on conceptions of cultural property that would exclude others, particularly those that have a nationalist character. He raises important philosophical questions about cultural continuity over time, and explores how the location of art can best facilitate its value for humanity. In general, he supports a cosmopolitan/internationalist approach to cultural property that promotes the exchange of cultural products around the world.

Comment: This text offers a clear and effective overview of philosophical issues concerning cultural property, and uses a range of cultural and artistic examples. It offers a concise summary of the legal scholar John Merryman's classic article in support of internationalism about cultural property (not included in this curriculum). It pairs well with Lindsay's article.

Bordo, Susan, and . Anorexia Nervosa: Psychopathology as the Crystallization of Culture

1993, In her Unbearable Weight: Feminism, Western Culture, and the Body. Berkeley: University of California Press.

Diversifying Syllabi: Bordo claims that the recent increase in women with Anorexia is a symptom of the “central ills” of our culture. Bordo discusses three sources of this “cultural illness” which leads to anorexia: the dualist axis, the control axis, and the gender/power axis. She spends the bulk of the paper discussing each “axis” or problematic component of society which is reflected back to us in the increasing diagnosis of anorexia. These “psychopathogolgies” are expressions of the culture, she claims.

Comment: This text is most readily applicable in teaching feminist theory and social philosophy. However, it is also very useful in at least three other contexts: (1) as a critical approach to mind-body dualism, especially when teaching on Descartes or Plato's Phaedo; (2) in teaching on the ethics of mental illness and the anti-psychiatry movement, as an example of socially constructed disorders; and (3) more broadly in teaching on personal and collective moral responsibility.

Brake, Elizabeth, and . Rawls and Feminism: What Should Feminists Make of Liberal Neutrality?

2004, Journal of Moral Philosophy 1 (3):293-309.

Abstract: I argue that Rawls’s liberalism is compatible with feminist goals. I focus primarily on the issue of liberal neutrality, a topic suggested by the work of Catharine MacKinnon. I discuss two kinds of neutrality: neutrality at the level of justifying liberalism itself, and state neutrality in political decision-making. Both kinds are contentious within liberal theory. Rawls’s argument for justice as fairness has been criticized for non-neutrality at the justificatory level, a problem noted by Rawls himself in Political Liberalism. I will defend a qualified account of neutrality at the justificatory level, taking an epistemic approach to argue for the exclusion of certain doctrines from the justificatory process. I then argue that the justification process I describe offers a justificatory stance supportive of the feminist rejection of state-sponsored gender hierarchy. Further, I argue that liberal neutrality at the level of political decision-making will have surprising implications for gender equality. Once the extent of the state’s involvement in the apparently private spheres of family and civil society is recognized, and the disproportionate influence of a sexist conception of the good on those structures—and concomitant promotion of that ideal—is seen, state neutrality implies substantive change. While—as Susan Moller Okin avowed—Rawls himself may have remained ambiguous on how to address gender inequality, his theory implies that the state must seek to create substantive, not merely formal, equality. I suggest that those substantive changes will not conflict with liberal neutrality but instead be required by it.

Comment: A sympathetic treatment of Rawls's Political Liberalism from a feminist perspective. It introduces the alleged clash between liberalism and feminism in a clear way and goes on to argue that (political) liberalism's commitment to substantive rather than merely formal equality makes it compatible with core feminist concerns.

Brand, Peg Zeglin, and . Glaring Omissions in Traditional Theories of Art

2000, in Theories of Art Today, ed. by Noel Carroll (London: The University of Wisconsin Press)

Abstract: I investigate the role of feminist theorizing in relation to traditionally-based aesthetics. Feminist artworks have arisen within the context of a patriarchal Artworld dominated for thousands of years by male artists, critics, theorists, and philosophers. I look at the history of that context as it impacts philosophical theorizing by pinpointing the narrow range of the paradigms used in defining “art.” I test the plausibility of Danto’s After the End of Art vision of a post-historical, pluralistic future in which “anything goes,” a future that unfortunately rests upon the same outdated foundation as the concept “art.”.

Comment: This text offers an overview of the feminist critique of the classificatory project. It assumes some basic knowledge and is best used after the main modern theories of art have been introduced. The pointed critique and clearly stated suggestions for constructing unbiased theories, make it excellent at inspiring a critical discussion on the subject of universalism and discrimination in both art practice and theory. Perhaps more importantly, the argument offered and the long lists of female artists and art theorists which support it, can have an empowering and validating role to many female students.

Brand, Peg Zeglin, and . Beauty as Pride: A Function of Agency’

2011, APA Newsletter 10(2): 5-9.

Abstract: This is basically a paper about artistic evaluation and how multiple interpretations can give rise to inconsistent and conflicting meanings. Images like Joel-Peter Witkin’s First Casting for Milo (2004) challenge the viewer to look closely, understand the formal properties at work, and then extract a meaning that ultimately asks, Is the model exploited or empowered? Is Karen Duffy, pictured here, vulnerable and “enfreaked” or is she potentially subversive, transgressive, and perhaps self-empowered? I will offer an argument in agreement with artist/author/ performer Ann Millett-Gallant that favors the latter interpretation, but will augment and complicate the issue by also introducing a pointed question or two taken from a recent analysis by Cynthia Freeland on objectification. I judge the works by photographer Joel-Peter Witkin to be representations of disabled persons who are empowered through agency and pride, but I also worry about the risk of multiple, conflicting interpretations on the part of viewers who do not, or cannot, entertain such enlightened readings. Like second wave feminist views about pornography that depicted women in demeaning ways, or feminist critiques of Judy Chicago’s The Dinner Party , Witkin’s photos can be judged as potentially offensive. But they are also objects of beauty – both in terms of aesthetic properties (they are magnificent studies in black and white, shadows, the human body, with many classical references) and because of the feeling of beauty and pride felt by the posers, who become performers of their own beauty and pride. I argue that beauty trumps offensiveness. Pride wins. But I’m not sure that everyone will agree.

Comment: Questions the ideal standard of beauty portrayed throughout the history of art, particularly in form of the female nude, and examines works of art that defiantly challenge that ideal. Argues that in certain representations of disabled persons the model is empowered and not exploited and that beauty trumps offensiveness. Pride wins.

Artworks to use with this text:

Joel-Peter Witkin, First Casting for Milo (2004)

Portrait of Irish artist Karen Duffy engaged in a silent performance of 'disarming' Venus. In her own words, she is aiming to 'liberate herself from histories of oppressive representations of women and disabled women in particular.'

Callahan, Joan, and . Same-Sex Marriage: Why It Matters – At Least for Now

2009, Hypatia 21 (1): 70-80.

Abstract: This paper addresses the progressive, feminist critique of same-sex marriage as articulated by Claudia Card. Although agreeing with Card that the institution of marriageas we know it is profoundly morally flawed in its origins and effects, Callahan disagrees with Card’s suggestion that queer activists in the United States should not be working for the inclusion of same-sex couples in the institution.

Comment: This article is an excellent rejoinder to Card's "Gay Divorce: Thoughts on the Legal Regulation of Marriage." (She directly addresses the Card text, so it should not be read without first reading the Card.) It would be a good addition to a course that covers same-sex marriage, social justice, or contemporary ethical problems.

Card, Claudia, and . Gay Divorce: Thoughts on the Legal Regulation of Marriage

2007, Hypatia, 22 (1): 24-38.

Abstract: Although the exclusion of LGBTs from the rites and rights of marriage is arbitrary and unjust, the legal institution of marriage is itself so riddled with injustice that it would be better to create alternative forms of durable intimate partnership that do not invoke the power of the state. Card’s essay develops a case for this position, taking up an injustice sufficiently serious to constitute an evil: the sheltering of domestic violence.

Comment: This text is very accessible and poses a unique problem for the legal regulation of romantic relationships. This text would fit well in a class that discusses sexual relations, violence, marriage, love, or justice (as Card directly discusses Rawls' Theory of Justice). Further, it would make a nice addition to a course that discusses justice for LGBT persons, as Card argues that there are more pressing legal and political issues that LGBT communities ought to agitate in favor of.

Crenshaw, Kimberlé, and . Mapping the Margins: Intersectionality, Identity Politics, and Violence Against Women of Color

1991, Stanford Law Review 43(6): 1241-1299.

Summary: The concept of intersectionality is Crenshaw’s rich contribution to our embattled understanding of identity politics. To illustrate the danger of traditional identity groupings, Crenshaw turns our attention to the complexity of inhabiting two such distinct categories at the same time as a black woman. While it is true that a black woman can hardly be considered essentially black (on account of the primacy of men of color over women of color) or essentially a woman (on account of the primacy of white women over non-white ones), intersectionality does not aim to dismantle these general categories altogether. Instead, it seeks to introduce an ethical and political pragmatics of identity. The way Crenshaw proposes this should be done in the case of black women is by treating the two inherent identity categories – black and female – conjunctively rather than disjunctively as it has always been done. The resulting approach promises to improve our sense of the reality of “social location” and is thus of great value to all agents and processes of social health and justice.

Comment: Assigning this text is best in classes on women's rights and identity politics. It will be particularly useful in inspiring discussions on different types of discrimination affecting different groups, and the relations between them.