Diversity Reading List

Abstract: Pragmatics, beyond language, is construed here as the deliberate and surreptitious use of language, not just to communicate but “to do things” or recreate some desired order. Difference is, as it were, its philosophical correlation whose syntax, with the idea of the One and the Other, has been used to “make up” or to other the peoples and cultures of colonial Africa South of the Sahara. The purpose of this chapter is to examine how the philosophical affirmations or, simply, the language of difference and the inflectional use of pragmatics on certain terms such as “native,” “primitive,” and “savage” have served as a major plank for the establishment of the social Otherness of the African colonial experience. Put differently, what role, if any, does language play in the social othering of African colonial experience? To this end, we shall seek, first, to determine briefly the sense of critical narrative of how the social othering of African colonial experience was attained via the combined themes of pragmatics and Difference. The chapter concludes that although difference and othering are necessary conditions of human existence, the denigrating othering via language of the African colonial experience by the European colonialists was a case of calling the dog a bad name in order to hang it; and its consequences remain embedded in the physical, metaphysical, and transcendental architectonics of Africa till date.

Abstract: This chapter provides introductory comments or preliminary remarks to the Handbook of African Philosophy of Difference. It begins by defending the claim that difference stands under as the foundation of the unfolding of African philosophy as an academic discipline and the unfolding of many lived experiences in African spaces both in Africa and in the Diaspora. Hence, African philosophy of difference is a critical reflection on the place of difference in the African experience. The chapters in this handbook thus explore various and specific aspects of such lived experiences and the roles difference or alterity play in their unfolding. The handbook is thus divided into five sections with each section exploring key aspects of the importance of difference in the understanding of the African experience. The first section provides conceptualizations of difference in African thought. The second section explores various aspects and provides critical comments on the question of racism, particularly the institutionalized racial discrimination by whites against blacks due to racial differences. The third section examines some key issues emerging from the role difference plays in the unfolding of African experiences such as epistemological issues, the language issue, the role of art in the institutionalization of difference, and moral issues. The fourth section explores the important roles that difference plays in questions of disability, gender, and the non-human other. The last section examines how difference plays key roles in the unfolding of lived experiences in specific African places such as the experience of xenophobia in South Africa, the Skolombos in Calabar, Nigeria, and the land distribution question in Zimbabwe. The chapter concludes that this handbook is an important contribution to alterity discourse in African philosophy not because it exhausts the issues involved, but because it provided a robust discussion that would provoke further reflections and discussions.

Abstract: It is the tradition of philosophy as a rational and critical human activity across borders to isolate specific human ideas both as syntax and as real and lived human experiences, bring them to the foreground, and make them occupy a crucial and specialized place in philosophical discourse. This is apparent in the many delimited branches of philosophy such as metaphysics – an inquiry into the fundamental principles underlying reality; epistemology – an inquiry concerning the nature, scope, and theories of human knowledge; axiology – an inquiry into the theories of human values; and philosophy of science – a critical examination of the nature, methods, and assumptions of science. African philosophy has thrived and flourished in the last six decades beginning as a reactionary scholarship to prior denial of the possibility of its existence, to becoming an established academic discipline. However, African philosophy although succeeding in establishing its general nature, themes, and problems, is still at the elementary stage of discussing specifics and delimiting its areas of inquiry into specialized fragments. Thus, beyond the general commentaries on African philosophy in existing literature, it is only recently that we find a few scholars writing and laying the groundwork on specialized themes in African philosophy such as African ethics, African epistemology, and African ontology. My goal in this chapter is to bring one essential human experience to the foreground in African philosophy as a specialized area of inquiry. The human experience that interests me here is the ubiquitous concept of difference and the peculiarities of its experience by Africans in Africa and beyond. My intention is to attempt a preliminary sketch of the meaning, nature, scope, and primary tasks of African philosophy of difference. I show, for instance, how African philosophy of difference can shift the discourse of difference from empirical manifestations of difference to an exploration of the theories that stands under such manifestations. I conclude that African philosophy of difference is crucial in understanding and dealing with the complex issues of identity, difference, and the other experienced in Africa in areas such as albinism, xenophobia, race, ethnicity, religion, disability, and politics. The possibility of such an inquiry also indicates the prospect of delimiting African philosophy to more specialized spheres of discourse.

Abstract: In this chapter, I examine the role African art play in the institutionalization of difference in African traditions. I am particularly interested in how aesthetic signs and symbols or other forms of art are employed by persons of an African culture to differentiate themselves or set themselves apart from other persons within the same culture or other cultures. Such forms of art of interest here include modes of dressing, tribal marks, hairstyles, and nonverbal signs of communication. I assert in this chapter that these aesthetic forms of difference are in some way institutionalized into the fabric of culture that they are taken by members of the society as objective givens and often not subject to questioning. Hence the othering is sustained and maintained through time. I also argue that these forms of differences sustained through art often promote inequality and preferential treatment of the self over and above the other. A case in mind is the preferential treatment of female folks from the royal family as against those who are not from the royal family, a difference clearly made visible through art.