Diversity Reading List

Summary: An outline of the theory of interpretation within the language philosophies of ancient India. Chari organizes this extensive history according to topics such as verbal autonomy, intention, unity of meaning, polysemy, contextualism, and interpretation.

Summary: Sigman studies outrage and offense in the art context. The first important observation she makes is that, often enough, the public's recoiling from a piece of art comes with the assumption that the object of offense is interpretatively transparent. This is because in the absence of art-historical or theoretical wherewithal, we default to pre-conceptual reactions - fear of otherness, loss of our ethical bearings, low self-esteem etc. Since most historical offense-based arguments against art have made a claim that the particular work is demeaning to the public, Sigman carefully lays out the features of demeaning treatment - a mostly intentional act that treats persons as less than persons, usually in an abusive manner. On this description, very few artworks could be considered demeaning. Furthermore, as Sigman shows in her art-historical contextualization of artist Stelarc's performance work Street Suspension, public outrage could be tempered and/or extinguished through attentive engagement with problematic artworks.

Abstract: In the first half of this book, I offer a theory of fictional content or, as it is sometimes known, 'fictional truth'.The theory of fictional content I argue for is 'extreme intentionalism'. The basic idea - very roughly, in ways which are made precise in the book - is that the fictional content of a particular text is equivalent to exactly what the author of the text intended the reader to imagine. The second half of the book is concerned with showing how extreme intentionalism and the lessons learnt from it can illuminate cognate questions in the philosophy of fiction and imagination. For instance, I argue, my position helps us to explain how fiction can provide us with reliable testimony; it helps explain the phenomenon of imaginative resistance; and it fits with, and so supports, a persuasive theory of the nature of fiction itself. In my final chapter, I show how attending to intentionalist practices of interpreting fictional content can illuminate the nature of propositional imagining itself.

Abstract:

Logicians have always found inspiration for new research in the ordinary language that is used on a daily basis and acquired naturally in childhood. Whereas the logical issues in the foundations of mathematics motivated the development of mathematical logic with its emphasis on notions of proof, validity, axiomatization, decidability, consistency, and completeness, the logical analysis of natural language motivated the development of philosophical logic with its emphasis on semantic notions of presupposition, entailment, modality, conditionals, and intensionality. The relation between research programs in both mathematical and philosophical logic and natural language syntax and semantics as branches of theoretical linguistics has increased in importance throughout the last fifty years. This chapter reviews the development of one particularly interesting and lively area of interaction between formal logic and linguistics—the semantics of natural language. Research in this emergent field has proved fruitful for the development of empirically, cognitively adequate models of reasoning with partial information, sharing or exchanging information, dynamic interpretation in context, belief revision and other cognitive processes.