Irvin, Sherri. Appropriation and authorship in contemporary art
2005, British Journal of Aesthetics 45 (2):123-137.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirAbstract: Appropriation art has often been thought to support the view that authorship in art is an outmoded or misguided notion. Through a thought experiment comparing appropriation art to a unique case of artistic forgery, I examine and reject a number of candidates for the distinction that makes artists the authors of their work while forgers are not. The crucial difference is seen to lie in the fact that artists bear ultimate responsibility for whatever objectives they choose to pursue through their work, whereas the forger's central objectives are determined by the nature of the activity of forgery. Appropriation artists, by revealing that no aspect of the objectives an artist pursues are in fact built in to the concept of art, demonstrate artists' responsibility for all aspects of their objectives and, hence, of their products. This responsibility is constitutive of authorship and accounts for the interpretability of artworks. Far from undermining the concept of authorship in art, then, the appropriation artists in fact reaffirm and strengthen it.Comment: This is a stub entry. Please add your comments below to help us expand it
Irvin, Sherri. Scratching an itch
2008, Journal of Aesthetics and Art Criticism 66 (1):25-35.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirIntroduction: In recent years, momentum has been gathering in defense of the appropriateness of aesthetic discourse in relation to a number of domains other than art and nature. Philosophers have argued that food, sports, and sex can be viewed aesthetically. It has been claimed that the "lower senses" of smell, taste, and touch may play legitimate or even exclusive roles in some aesthetic judgments. And there has been sustained criticism of the view that aesthetic judgments must be disinterested or must transport us out of the concerns of everyday life. Can this extension of the realm of the aesthetic be taken even further, so as to accommodate the idea that even the most mundane incidents of everyday life have an aesthetic character, or that there can be aesthetic experiences of such incidents? With attention to two especially hard cases, itches and scratches, I will argue that it is appropriate and worthwhile to think of even the simplest moments of everyday life in aesthetic terms. It is appropriate, because on the most plausible accounts of aesthetic experience there can be legitimate aesthetic experiences of itching and scratching; and it is worthwhile, because aesthetic attention to this domain offers the prospect of unique and significant satisfaction.
Irvin, Sherri. The artist’s sanction in contemporary art
2005, Journal of Aesthetics and Art Criticism 63 (4):315-326.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirIntroduction: Contemporary artworks raise a variety of ontological, epistemological, and interpretative questions that have not yet been adequately dealt with in aesthetics. Whereas traditional visual artworks have typically had a set of privi leged and (ideally) unchanging properties fixed at a particular moment early in their histories, a contemporary installation artwork may be installed differently each time it is taken out of storage, or even constituted out of different objects at each exhibition site. The resulting variation in its configuration and visual properties may simply be a function of the changing features of galleries or available materials, or it may be essential to the work's meaning. Or both: many contemporary works are site specific, essentially responsive to their environments in such a way that context is incorporated into the work's meaning
Isabel, Laack. Aztec Pictorial Narratives: Visual Strategies to Activate Embodied Meaning and the Transformation of Identity in the Mapa de Cuauhtinchan No. 2
2020, In Narrative Cultures and the Aesthetics of Religion, Dirk Johannsen, Anja Kirsch andJens Kreinath (eds.). Brill
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Added by: M. Jimena Clavel Vázquez and Andrés Hernández VillarrealAbstract:
In this chapter, Laack analyzes a migration account visually depicted in the Mexican early colonial pictorial manuscript known as the Mapa de Cuauhtinchan No. 2. This pictographic map tells the story of a group of Aztecs leaving their primordial home, changing their social, cultural, and religious identity through migration and the passing of ordeals, and finally settling in the town of Cuauhtinchan. It is painted in the style of Aztec pictography, which used visual imagery to convey thoughts and meanings in contrast to alphabetical scripts using abstract signs for linguistic sounds. Drawing on the theories of embodied metaphors and embodied meaning by philosopher Mark L. Johnson and cognitive linguist George P. Lakoff, I argue that Aztec pictography offers efficient and effective means to communicate embodied metaphors on a visual level and evokes complex layers of embodied meaning. In doing so, I intend to change perspective on the narrative powers of religious stories by transcending textual patterns of analysis and theory building and opening up to non-linguistic modes of experience and their influence on narrative structures and strategies.
Comment (from this Blueprint): This paper analyses the embodied metaphors found in the pictorial manuscript Mapa de Cuauhtinchan no. 2 (the map of Cuauhtinchan number 2) based on the theory of embodied cognition proposed by Lakoff and Johnson. According to the latter, our concepts are grounded on embodied metaphors. Laack’s proposal is that Aztec pictographic manuscript exploits these kinds of concepts to enable the communication of non-propositional meaning. It is useful to read it accompanied by Newman, Sarah E.. Sensorial experiences in Mesoamerica
Izibili, Matthew A. . African Arts and Difference
2020, In: Imafidon, E. (ed.) Handbook of African Philosophy of Difference. Cham: Springer, 205-215
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Added by: Björn Freter, Contributed by: Björn FreterAbstract: In this chapter, I examine the role African art play in the institutionalization of difference in African traditions. I am particularly interested in how aesthetic signs and symbols or other forms of art are employed by persons of an African culture to differentiate themselves or set themselves apart from other persons within the same culture or other cultures. Such forms of art of interest here include modes of dressing, tribal marks, hairstyles, and nonverbal signs of communication. I assert in this chapter that these aesthetic forms of difference are in some way institutionalized into the fabric of culture that they are taken by members of the society as objective givens and often not subject to questioning. Hence the othering is sustained and maintained through time. I also argue that these forms of differences sustained through art often promote inequality and preferential treatment of the self over and above the other. A case in mind is the preferential treatment of female folks from the royal family as against those who are not from the royal family, a difference clearly made visible through art.
Jackson, Jennifer. Telling the Truth
1991, Journal of Medical Ethics 17(1): 5-9.
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Added by: Simon FoktAbstract: Are doctors and nurses bound by just the same constraints as everyone else in regard to honesty? What, anyway, does honesty require? Telling no lies? Avoiding intentional deception by whatever means? From a utilitarian standpoint lying would seem to be on the same footing as other forms of intentional deception: yielding the same consequences. But utilitarianism fails to explain the wrongness of lying. Doctors and nurses, like everyone else, have a prima facie duty not to lie - but again like everyone else, they are not duty-bound to avoid intentional deception, lying apart; except where it would involve a breach of trust.Comment: Useful in teaching on applied ethics issues related to trust, and general values in normative ethics. To provide an interesting narrative and selection of views, this text can be used alongside Jennifer Saul's 'Just go ahead and lie' and Clea Rees' 'Better lie!'
Jackson, Jennifer. An Introduction to Business Ethics
1996, London: Blackwell.
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Publisher’s Note:
Publisher: This book is a concise overview of the relevance and application of moral philosophy to all those involved in business and employment. It is the ideal introduction for beginning students of applied philosophy, business or management ethics.Comment: This is an excellent introduction to business ethics for undergraduate students, presented mostly from a virtue ethics perspective. It is written in a very accessible way and chapters are concluded with sets of study questions. The book can be used as a textbook in applied and business ethics modules, though it might be useful to supplement it with some more general introduction to ethical theory and other readings which are not embedded in virtue ethics.
Jackson, Jennifer. Common Codes: Divergent Practices
1994, In Chadwick, Ruth (ed.), Ethics and the Professions. Avebury: Ashgate.
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Added by: Simon FoktAbstract:
Comment: Jackson explores the differences between variations in application and in interpretation of codes of ethics in professional settings, and argues that differences in application need not be problematic. She distinguishes aspirational obligations and obligations imposing side constraints in codes of ethics, and argues that they should not be confused. The text is most useful in teaching applied and professional ethics classes on codes of ethics, but can also offer a good further reading in introduction to ethics modules which aim to show the practical relevance of moral philosophy.
Jackson, Jennifer. Ethics in medicine: Virtue, Vice and Medicine
2006, Cambridge: Polity.
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Publisher’s Note:
Publisher: How, in a secular world, should we resolve ethically controversial and troubling issues relating to health care? Should we, as some argue, make a clean sweep, getting rid of the Hippocratic ethic, such vestiges of it as remain? Jennifer Jackson seeks to answer these significant questions, establishing new foundations for a traditional and secular ethic which would not require a radical and problematic overhaul of the old. These new foundations rest on familiar observations of human nature and human needs. Jackson presents morality as a loose anatomy of constituent virtues that are related in different ways to how we fare in life, and suggests that in order to address problems in medical ethics, a virtues–based approach is needed. Throughout, attention is paid to the role of philosophy in medical ethics, and how it can be used to clarify key notions and distinctions that underlie current debates and controversial issues. By reinstating such concepts as justice, cardinal virtue, and moral duty, Jackson lays the groundwork for an ethics of health care that makes headway toward resolving seeming dilemmas in medical ethics today. This penetrating and accessible book will be invaluable to students of sociology and health care, as well as those who are interested in the ethical uncertainties faced by the medical world.Comment: Particularly useful in teaching is Chapter 10 which discusses abortion, reviewing arguments made by J.J. Thompson and M. Tooley, and enquiring into what makes killing wrong. Chapter 9 looks at distributive justice in medicine, reviewing some problematic cases and distinguishing between bad luck and injustice. Chapter 5 treats on conscientious objection and issues related to toleration and imposition of values.
Jackson, Jennifer. Truth, trust and medicine
2001, London: Routledge.
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Publisher’s Note:
Publisher: Truth, Trust and Medicine investigates the notion of trust and honesty in medicine, and questions whether honesty and openness are of equal importance in maintaining the trust necessary in doctor-patient relationships. Jackson begins with the premise that those in the medical profession have a basic duty to be worthy of the trust their patients place in them. Yet questions of the ethics of withholding information and consent and covert surveillance in care units persist. This book boldly addresses these questions which disturb our very modern notions of a patient's autonomy, self-determination and informed consent.Comment: This text is best used as a further reading in medical, professional and applied ethics courses. It is very detailed and thorough in its approach, but some chapters can be used as more introductory standalone texts. In particular, chapters 3 and 4 offer a good discussion on 'Why truthfulness matters' and 'What truthfulness requires', and chapters 2 and 9 look critically at lying or withholding information for the benefit of the patient.
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