Pitkin, Hanna. Obligation and Consent – I
1965, The American Political Science Review 59, December: 990-999.
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Added by: Carl Fox
Introduction: One might suppose that if political theorists are by now clear about anything at all, they should be clear about the problem of political obligation and the solution to it most commonly offered, the doctrine of consent. The greatest modern political theorists took up this problem and formulated this answer. The resulting theories are deeply imbedded in our American political tradition; as a consequence we are al- ready taught a sort of rudimentary consent theory in high school. And yet I want to suggest that we are not even now clear on what "the problem of political obligation" is, what sorts of "answers" are appropriate to it, what the con- sent answer really says, or whether it is a satis- factory answer. This essay is designed to point up the extent of our confusion, to explore some of the ground anew as best it can, and to invite further effort by others. That such effort is worthwhile, that such political theory is still worth considering and that it can be made genuinely relevant to our world, are the assump- tions on which this essay rests and the larger message it is meant to conveyComment : Still a good introduction to the topic of political obligation and does a nice job of distinguishing some of the main questions within that topic. Very thorough discussion of Locke. The third section on Tussman is a bit dated, but does discuss some of the issues surrounding political obligation and children and adults who are not fully competent.Pitkin, Hanna. Obligation and Consent – II1966, The American Political Science Review 60, March: 39-52.-
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Added by: Carl Fox
Introduction: [The doctrine of "hypothetical consent"] teaches that your obligation depends not on any actual act of consenting, past or present, by yourself or your fellow-citizens, but on the character of the government. If it is a good, just government doing what a government should, then you must obey it; if it is a tyrannical, unjust government trying to do what no government may, then you have no such obligation. Or to put it another way, your obligation depends not on whether you have consented but on whether the government is such that you ought to consent to it, whether its actions are in accord with the authority a hypothetical group of rational men in a hypothetical state of nature would have (had) to give to any government they were founding. Having shown how this formulation emerges from Locke's and Tussman's ideas, I want now to defend it as a valid response to what troubles us about political obligation, and as a response more consonant than most with the moral realities of human decisions about obedience and resistance. At the same time the discussion should also demonstrate how many different or even conflicting things that one might want to call "consent" continue to be relevant - a fact which may help to explain the tenacity of traditional consent theory in the face of its manifest difficulties. Such a defense and demonstration, with detailed attention to such decisions, are difficult; the discussion from here on will be more speculative, and will raise more questions than it answers.Comment : Largely superseded by later work (see, for instance, Stark's 'Hypothetical Consent and Justification'), but still an interesting exploration of hypothetical consent and legitimate authority, as well as offering further critique of actual consent theories of political obligation. Would make for good further reading or an option for anyone attracted to more of a history of philosophy approach.Pitts, Andrea J.. Toward an Aesthetics of Race: Bridging the Writings of Gloria Anzaldúa and José Vasconcelos2014, Inter-American Journal of Philosophy, 5 (1): 80-100-
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Added by: Adriana Clavel-VázquezAbstract:
This paper examines the relationship between the aesthetic frameworks of José Vasconcelos and Gloria Anzaldúa. Contemporary readers of Anzaldúa have described her work as developing an “aesthetics of the shadow,” wherein the Aztec conception of Nepantilism—i.e. to be “torn between ways”—provides a potential avenue to transform traditional associations between darkness and evil, and lightness and good. On this reading, Anzaldúa offers a revaluation of darkness and shadows to build strategies for resistance and coalitional politics for communities of color in the U.S. To those familiar with the work of Vasconcelos, Anzaldúa’s aesthetics appears to contrast sharply with his conceptions of aesthetic monism and mestizaje. I propose, however, that if we read both authors as supplementing one another’s work, we can see that their theoretical points of contrast and similarity help frame contemporary philosophical discussions of racial perception.Comment (from this Blueprint): In this paper, Pitts does two things that are relevant for the aims of this blueprint. First, she understands Anzaldúa to be in dialogue with, and as a continuation of, the Latin American philosophical tradition. In this sense, rather than seeing Latinx feminism as emerging simply from an opposition to the Anglo-American intellectual tradition, she sees it as inheriting and furthering a rich Latin American philosophical tradition that, although problematic at times, has plenty to offer to contemporary philosophical thought, and which has been unfortunately ignored for too long. Second, she brings forward the role that aesthetics plays in theorizing about race and mestizo identities in Latin America, and in the constitution of social identities, as well as the centrality of aesthetics in the Latin American philosophical tradition.Plumwood, Val. Feminism and the Mastery of Nature1994, Routledge.-
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Added by: Anne-Marie McCallionPublisher’s Note:
Two of the most important political movements of the late twentieth century are those of environmentalism and feminism. In this book, Val Plumwood argues that feminist theory has an important opportunity to make a major contribution to the debates in political ecology and environmental philosophy. Feminism and the Mastery of Nature explains the relation between ecofeminism, or ecological feminism, and other feminist theories including radical green theories such as deep ecology. Val Plumwood provides a philosophically informed account of the relation of women and nature, and shows how relating male domination to the domination of nature is important and yet remains a dilemma for women.
Comment : Val Plumwood (11 August 1939 – 29 February 2008) was an Australian philosopher and ecofeminist known for her work on anthropocentrism. From the 1970s she played a central role in the development of radical ecosophy. Working mostly as an independent scholar, she held positions at the University of Tasmania, North Carolina State University, the University of Montana, and the University of Sydney. Feminism and the Mastery of Nature draws on the feminist critique of reason to argue that the master form of rationality of western culture has been systematically unable to acknowledge dependency on nature, the sphere of those it has defined as ‘inferior’ others. Plumwood illuminates the relationship between women and nature, and between ecological feminism and other feminist theories. This chapter on Feminism and Ecofeminism is situated here in the list because it furthers the critical evaluation of nature which Menon draws by turning the discussion on it’s head. Whilst Menon illustrates the ways in which the of nature is utilised as a means of distorting ‘moral’ and political action, Plumwood illustrates the ways in which the concept of nature itself has been distorted and corrupted by colonial and patriarchal realities.Plumwood, Val. The Politics of Reason: Towards a Feminist Logic1993, Australasian Journal of Philosophy, 71(4): 436-462-
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Added by: Franci MangravitiAbstract:
The author argues that there is a strong connection between the dualisms that have strengthened and naturalized systematic oppression across history (man/woman, reason/emotion, etc.), and "classical" logic. It is suggested that feminism's response should not be to abandon logic altogether, but rather to focus on the development of alternative, less oppressive forms of rationality, of which relevant logics provide an example.
Comment (from this Blueprint): This is a seminal text of feminist logic, and thus a natural pick for any course wanting to discuss the topic. It could however also be assigned in a course on relevant logics interested in discussing particular applications, especially if such a course has previously spent time on the arguments in Plumwood's "False laws of logic" (or more generally, in Sylvan&co's "Relevant logics and their rivals"). Eckert and Donahue's "Towards a Feminist Logic" is a useful reading companion.Plumwood, Val. Feminism and the Logic of Alterity2002, In Falmagne, R.J. and Hass, M. eds. Representing Reason: Feminist Theory and Formal Logic. Rowman & Littlefield-
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Added by: Franci Mangraviti
Introduction: Plumwood’s second essay uses logical distinctions to map the difficult terrain of feminist theories of difference. By carefully distinguishing among forms of difference, Plumwood refutes attempts by some feminist theorists to identify dichotomous thinking with oppressive thinking.
Comment (from this Blueprint): Helpful in clarifying the views presented in Plumwood's "The politics of reason: towards a feminist logic". It is also a possible pick for any course interested in looking specifically at negation from feminist perspectives, in which case it is best paired with some of the feminist critiques of negation she challenges (e.g. Nancy Jay's "Gender and dichotomy", or Frye's "The necessity of differences").Pohlhaus, Gaile. Different Voices, Perfect Storms, and Asking Grandma What She Thinks2015, Feminist Philosophy Quarterly 1 (1): 1-24-
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Added by: Tomasz Zyglewicz, Shannon Brick, Michael GreerAbstract:
At first glance it might appear that experimental philosophers and feminist philosophers would make good allies. Nonetheless, experimental philosophy has received criticism from feminist fronts, both for its methodology and for some of its guiding assumptions. Adding to this critical literature, I raise questions concerning the ways in which “differences” in intuitions are employed in experimental philosophy. Specifically, I distinguish between two ways in which differences in intuitions might play a role in philosophical practice, one which puts an end to philosophical conversation and the other which provides impetus for beginning one. Insofar as experimental philosophers are engaged in deploying “differences” in intuitions in the former rather than the latter sense, I argue that their approach is antithetical to feminist projects. Moreover, this is even the case when experimental philosophers deploy “differences” in intuitions along lines of gender.Comment (from this Blueprint): Pohlhaus begins by presenting her argument as a critical response to both Buckwalter and Stich's controversial article, and Antony's (2012) reply to it. What follows is an argument about the way x-phi practicioners have failed to fully incorporate feminist insights about the significance of intuition difference. For Pohlhaus, a discovery that some one or some groups has a different intuitive response to one's own is the jumping off point for a potentially transformative conversation, rather than a result that either puts to rest a philosophical concept, or needs to be explained away.Pointon, Marcia. Portrait, Fact and Fiction2013, in: Portrayal and the Search for Identity, Reaktion Books, pp. 23-46.-
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Added by: Hans Maes
Summary: Considers portraiture an unstable, destabilizing, potentially subversive art through which uncomfortable and unsettling convictions are negotiated. As such, it is primarily an instrumental art form, a kind of agency. Also argues that there is an element of the fictive involved in all portrait representations. Explains how portraiture is a slippery and seductive art.Comment : Useful in discussing portraiture, as well as depiction and representation in general.Artworks to use with this text:
Garibaldi at Caprera, frontispiece of G.M. Trevelyan, Garibaldi and the Thousand, May 1860 (1931 edition)
A reproduction of a photograph of a copy of a many times copied portrait of the guerilla leader. Devoid of monetary or aesthetic value. Not very likely that Garibaldi looked like this or posed for the artist. The portrait works to endow the historical narrative with its illusion of a unified subject. Useful in discussing portraiture, as well as depiction and representation in general.
Artworks to use with this text:
Garibaldi at Caprera, frontispiece of G.M. Trevelyan, Garibaldi and the Thousand, May 1860 (1931 edition)
A reproduction of a photograph of a copy of a many times copied portrait of the guerilla leader. Devoid of monetary or aesthetic value. Not very likely that Garibaldi looked like this or posed for the artist. The portrait works to endow the historical narrative with its illusion of a unified subject.
Pointon, Marcia. Slavery and the Possibility of Portraiture2013, in: Portrayal and the Search for Identity, Reaktion Books, pp. 47-73.-
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Added by: Hans Maes
Summary: Draws attention to the fact that portraits of slaves are rarely exhibited or discussed; and that not all images of slaves are portraits. Reflects on the dynamics of power involved in portraiture and on the relation between subject and viewer in particular. Includes extensive commentary on the historical development of portraiture and the place of portraits of slaves therein.Comment : Useful in discussing portraiture and depiction, as well as power relations and art's role in them in general.Artworks to use with this text:
Francis Wheatley, A Family Group in a Landscape (c.1775)
A dark clad black boy stands motionless at the extreme left of the canvass, scarcely making into the group. He is literally in the shadows. Useful in discussing portraiture and depiction, as well as power relations and art's role in them in general.
Artworks to use with this text:
Francis Wheatley, A Family Group in a Landscape (c.1775)
A dark clad black boy stands motionless at the extreme left of the canvass, scarcely making into the group. He is literally in the shadows.
Pomeroy, Sarah B.. The study of women in antiquity: Past, present, and future1991, American Journal of Philology 112 (2).-
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Added by: Clotilde Torregrossa, Contributed by: Clotilde Torregrossa
Abstract: The publication of Arethusa 6 in 1973 inaugurated the serious study of women in antiquity in our time. Classics was one of many disciplines to begin developing a subfield of women's studies in the early 1970s. Since then, has the study of women in antiquity become part of the "mainstream"? In order to answer this question I decided to examine articles and reviews published in current periodicals. I spent one day (October 1, 1990) skimming through the journals on display racks at the Ashmolean and Bodleian Libraries, assuming that they constituted a random sample. I looked at all the journals in Classics, Archaeology, and Ancient History that could conceivably have some material on women in antiquity. I checked only the titles listed in the main index of each journal; book reviews that were not listed in such an index were not noted. My criterion for including an article or review was that it could be of special value to someone teaching a specialised course or doing research on women in antiquity as well as to readers with a more casual interest in the subject. I do not claim any statistical significance for this survey. Nor is it intended to alert readers to a dearth of articles and reviews on ancient women in particular journals; for example, Arethusa frequently publishes work in this field, but I happened to examine a special issue on pastoral. I looked at forty-five journals. Of these, twenty-two did not have an article or review relevant to the study of ancient women. Twenty-three journals contained at least one title and of these Helios had devoted an entire issue to Feminist scholars, including those who are not specialists in classical antiquity, would probably be particularly interested in some of the articles in Helios and in Larissa Bonfante's study of nudity. The vast majority of the publications are traditional historical or literary studies. But I doubt that they would have been so numerous without the inspiration of feminism, however remote from the mind of some of the authors. This little survey confirmed my sense that the study of women has, indeed, become part, albeit a very small part, of the mainstream of Classical Studies.Can’t find it?Contribute the texts you think should be here and we’ll add them soon!
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