-
Expand entry
-
Added by: M. Jimena Clavel Vázquez and Andrés Hernández VillarrealAbstract:
The cultural construction of experience and perception has been a topic of interest among scholars working in Mesoamerica for decades. Archaeological remains, art, ancient and historic textual sources, and ethnographic observations complement and inform one another in those investigations, many of which stress the particular conceptions of bodies, sensorial hierarchies, and lived experiences across the culturally and linguistically connected region extending geographically from northern Mexico to Costa Rica. This chapter provides an overview of sensorial studies in Mesoamerica that highlights the rich and diverse evidence available. It emphasizes a diachronic, comparative approach, common in Mesoamericanist archaeology, which forces scholars to go beyond the identification of specific stimuli on discrete senses and enables them to study contexts of heightened synaesthetic experience, as well as those contexts’ affective and symbolic meanings. Finally, I suggest possibilities for considering an archaeology of the senses that extends beyond the limits of a singular human body in order to more fully embrace the conceptual nature of ancient Mesoamerican experience.
Comment (from this Blueprint): Newman begins by discussing the methodological challenges of understanding the experiences of ancient cultures. One of the ideas she emphasizes from precious scholarship is the claim that perception is not seen as passive and was taken to be the centre of consciousness. Newman goes through each of the five senses, noting the relevance of multi-modality for Nahua understanding of perceptual experience. It is useful to read it accompanied by Isabel, Laack. Aztec Pictorial Narratives, and using the Mapa de Cuauhtinchan No. 2 as a reference.
-
Expand entry
-
Added by: Clotilde Torregrossa, Contributed by: Nora HeinzelmannAbstract: When I look at a colored object I have an experience of a specific phenomenal kind. Let us suppose I have an experience of pure blue. The blueness I see appears to be instantiated on the surface of the object. When I focus upon the specific phenomenal kind of visual experience I am having (on my having an experience of pure blue) I continue to carefully attend to the property the object appears to have and I do not direct my attention into some inner space. I do not get aware - by attending to my own experience - of the instantiation of any property I was not already aware of before I focused attention upon my own experience. These insights have been associated with the idea that perceptual experience is 'transparent' or 'diaphanous' and they have been taken to support a number of substantial philosophical claims about the nature of phenomenal states and about our capacity to attend to these states. It has been argued that these phenomenological insights support the claim that the phenomenal character of experiences consists in their representing objects as having specific properties (where representation is understood in a naturalistic manner). It also has appeared obvious to some philosophers that the so?called transparency of experience supports the following claim: either our experiences do not have an intrinsic phenomenal character or we are unable to attend to these intrinsic features. I will argue in this paper that the phenomenological insights associated with the term 'transparency of experience' do not support the philosophical consequences just mentioned. I will try to show that the contrary impression is a cognitive illusion that can be explained by reference to what one may call the perceptual model of phenomenal awareness and phenomenological reflection. This model is just a bad and misleading metaphor as everybody will agree when consciously considering the issue. Nonetheless, or so I claim, the metaphor is at work in the background of people's mind. If we assume that a philosopher is either him? or herself in the grip of that metaphor or implicitly interprets the view he wishes to attack along the lines of that metaphor, then we can see how it may appear obvious to him that the phenomenological insights associated with 'transparency' lead quite naturally to the strong philosophical claims they have been taken to support.1
-
Expand entry
-
Abstract:
Recently, the thesis that experience is fundamentally a matter of representing the world as being a certain way has been questioned by austere relationalists. I defend this thesis by developing a view of perceptual content that avoids their objections. I will argue that on a relational understanding of perceptual content, the fundamental insights of austere relationalism do not compete with perceptual experience being representational. As it will show that most objections to the thesis that experience has content apply only to accounts of perceptual content on which perceptual relations to the world play no explanatory role. With austere relationalists, I will argue that perceptual experience is fundamentally relational. But against austere relationalists, I will argue that it is fundamentally both relational and representational.Comment: This paper discusses two of the dominant positions regarding the content of perceptual experience. It can be used in an advanced course on philosophy of perception or as further reading.
-
Expand entry
-
Added by: Andrea BlomqvistAbstract: In discussions of perception and its relation to knowledge, it is common to distinguish what one comes to believe on the basis of perception from the distinctively perceptual basis of one's belief. The distinction can be drawn in terms of propositional contents: there are the contents that a perceiver comes to believe on the basis of her perception, on the one hand; and there are the contents properly attributed to perception itself, on the other. Siegel argues that high-level properties should be attributed to percception itself. That, high-level properties can be the content of perception.Comment: This paper is interesting to consider in the cognition/perception debate, since high-level properties such as being a natural kind, or emotions and intentions, are normally taken to be features of cognition rather than perception. It raises interesting questions about the relationship between concepts, the content of perception and perceptual experience. It would be good in a third year module on perception.
-
Expand entry
-
Added by: Andrea Blomqvist, Contributed by: Will HornettSummary: This paper argues that despite the differences between perception and belief, perception involves states that are importantly similar to beliefs: conscious visual experiences. According to the Content View, these experiences have contents in the form of accuracy conditions. The paper develops and defends the Content View, discusses its significance, and argues that contrary to what is often supposed, the Content View is compatible with Naive Realist disjunctivism.Comment: It is a fairly difficult paper because it has some technical sections and her main argument is rather dense. However, it is generally very clearly written, with numerous helpful examples, and a broad discussion of views on contemporary debate on perception. This paper could be used in a senior year or postgraduate course on the philosophy of perception as seminar reading since it is a detailed and controversial discussion of the metaphysics of perception. It has also been central to recent debates. It is is useful to teach alongside Thomas Raliegh's "Phenomenology Without Representation" (2013).
-
Expand entry
-
Added by: Giada FratantonioAbstract: properties. The book starts by analyzing the notion of the contents of experience, and by arguing that theorists of all stripes should accept that experiences have contents. It then introduces a method for discovering the contents of experience: the method of phenomenal contrast. This method relies only minimally on introspection, and allows rigorous support for claims about experience. It then applies the method to make the case that we are conscious of many kind properties, of all sorts of causal properties, and of many other complex properties. The book goes on to use the method to help analyze difficult questions about our consciousness of objects and their role in the contents of experience, and to reconceptualize the distinction between perception and sensation. The book's results are important for many areas of philosophy, including the philosophy of mind, epistemology, and the philosophy of science. They are also important for the psychology and cognitive neuroscience of vision.Comment: Good as further reading for a postgraduate course on epistemology of percpetion.
-
Expand entry
-
Added by: Giada FratantonioAbstract: This paper argues that despite the differences between perception and belief, perception involves states that are importantly similar to beliefs: conscious visual experiences. According to the Content View, these experiences have contents in the form of accuracy conditions. The paper develops and defends the Content View, discusses its significance, and argues that contrary to what is often supposed, the Content View is compatible with Naive Realist disjunctivism.Comment: This can be used as background reading for a course on epistemology of perception, insofar as the author presents clearly the Content View and its main implications (a useful overview especially in section 1).
-
Expand entry
-
Added by: Giada FratantonioSummary: In this article, the author provides a great overview on the topic of perceptual content, by addressing the following main issues: i) what are perceptual experiences? ii) what can constitute the content of our experience? iii) what is the relation between the content and our experience? iv) in virtue of what experiences have content?Comment: Great article to be used as background/overview reading for undergraduate course on the philosophy of perception.
-
Expand entry
-
Added by: Simon Fokt, Contributed by: Simon Prosser
Abstract: I argue that there are phenomenological constraints on what it is to see an object, and that these are overlooked by some theories that offer allegedly sufficient causal and counterfactual conditions on object-seeing.
Comment: Further reading on causal theories of perception; offers an interesting counterexample to the Lewisian view.
-
Expand entry
-
Added by: Simon Fokt, Contributed by: Simon Prosser
Publisher's Note: What do we see? We are visually conscious of colors and shapes, but are we also visually conscious of complex properties such as being John Malkovich? In this book, Susanna Siegel develops a framework for understanding the contents of visual experience, and argues that these contents involve all sorts of complex properties. Siegel starts by analyzing the notion of the contents of experience, and by arguing that theorists of all stripes should accept that experiences have contents. She then introduces a method for discovering the contents of experience: the method of phenomenal contrast. This method relies only minimally on introspection, and allows rigorous support for claims about experience. She then applies the method to make the case that we are conscious of many kinds of properties, of all sorts of causal properties, and of many other complex properties. She goes on to use the method to help analyze difficult questions about our consciousness of objects and their role in the contents of experience, and to reconceptualize the distinction between perception and sensation. Siegel's results are important for many areas of philosophy, including the philosophy of mind, epistemology, and the philosophy of science. They are also important for the psychology and cognitive neuroscience of vision.
Comment: Background reading on intentionalism in philosophy of perception