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Added by: Simon Fokt, Contributed by: Patricia RichAbstract: The goal of research in evolutionary psychology is to discover and understand the design of the human mind.Evolutionary psychology is an approach to psychology, in which knowledge and principles from evolutionarybiology are put to use in research on the structure of the human mind. It is not an area of study, like vision,reasoning, or social behavior. It is a way of thinking about psychology that can be applied to any topic withinit.In this view, the mind is a set of information-processing machines that were designed by natural selection tosolve adaptive problems faced by our hunter-gatherer ancestors. This way of thinking about the brain, mind,and behavior is changing how scientists approach old topics, and opening up new ones. This chapter is aprimer on the concepts and arguments that animate it.Comment: This is an enjoyable introduction to the influential evolutionary psychology research program. It touches on many issues of longstanding interest to philosophers, such as the roles of nature and nurture and the normativity of abstract reasoning. I have used it in philosophy of biology and philosophy of social science courses. For more advanced students, it can be read together with Elisabeth Lloyd's paper 'Evolutionary Psychology: The Burdens of Proof.'Difficulty: EasyRecommended use: Introductory readingComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
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Added by: Simon Fokt, Contributed by: Sharon CrasnowPublisher’s Note:
The Routledge Handbook of Feminist Philosophy of Science is a comprehensive resource for feminist thinking about and in the sciences. Its 33 chapters were written exclusively for this Handbook by a group of leading international philosophers as well as scholars in gender studies, women’s studies, psychology, economics, and political science.
The chapters of the Handbook are organized into four main parts:
- Hidden Figures and Historical Critique
- Theoretical Frameworks
- Key Concepts and Issues
- Feminist Philosophy of Science in Practice.
The chapters in this extensive, fourth part examine the relevance of feminist philosophical thought for a range of scientific and professional disciplines, including biology and biomedical sciences; psychology, cognitive science, and neuroscience; the social sciences; physics; and public policy.
The Handbook gives a snapshot of the current state of feminist philosophy of science, allowing students and other newcomers to get up to speed quickly in the subfield and providing a handy reference for many different kinds of researchers.
Comment: 33 chapters dealing with a variety of issues that feminists have addressed in philosophy of science. Separate chapters should be available electronically through university libraries so that specific topics of interest can be addressed.Difficulty: IntermediateRecommended use: Useful OverviewComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
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Added by: Simon Fokt, Contributed by: Nathan NobisAbstract: In both academic and non-academic discussions of feminism, there is sometimes a lack of appreciation for the diversity among feminist positions. Two people may be called feminists while disagreeing about a range of theoretical and practical issues, like the nature of oppression, sex work, or abortion. In this and the next essay, I lay out two general feminist approaches to sexist oppression: the sameness approach, the difference approach, and the dominance approach. This first essay focuses on the sameness approach.Comment: An introduction to 'the sameness approach' in feminism.Difficulty: EasyRecommended use: Introductory readingComments (0): read and add advice on using this text
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Added by: Simon Fokt, Contributed by: Nathan NobisAbstract: Different strands of thought that arise out of political movements are often difficult to categorize and also often answer to many names. The 'difference approach' to feminism is discussed here, following Haslanger and Hackett. This approach is sometimes also called radical, cultural, or gynocentric feminism.Comment: An introduction to feminism, focusing on 'the Difference Approach' to feminism.Difficulty: EasyRecommended use: Introductory readingComments (0): read and add advice on using this text
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Added by: Rochelle DuFordAbstract: Some political philosophers have recently argued that providing K-12 students with an adequate education suffices for social justice in education provided that the threshold of educational adequacy is properly understood. Others have argued that adequacy is insufficient for social justice. In this article I side with the latter group. I extend this debate to racial inequality in education by considering the controversial practice of paying students cash for grades to close the racial achievement gap. I then argue that framing the demand for racial justice in education solely in terms of educational adequacy leaves us unable to take issue with the cash for grades policy as a matter of principle. While this does not entail that educational adequacy is unimportant, it adds to the general case for why adequacy does not suffice for social justice.Comment: This text is a good rejoinder to Anderson and Satz's arguments concerning the shift from a focus on providing an equal education to an adequate education. Though it could be read in absence of those texts, it requires a familiarity with the idea of sufficientarianism - and so should probably be read after Anderson's "Fair Opportunity in Education: A Democratic Equality Perspective." It would have a place in a course concerning egalitarianism in education, racial justice, or education and democracy.Difficulty: IntermediateRecommended use: Further ReadingComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
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Added by: Jamie CollinAbstract: Natural theology is the branch of theology and philosophy that attempts to gain knowledge of God through non-revealed sources. In a narrower sense, natural theology is the discipline that presents rational arguments for the existence of God. Given that these arguments rarely directly persuade those who are not convinced by their conclusions, why do they enjoy an enduring appeal? This article examines two reasons for the continuing popularity of natural theological arguments: (i) they appeal to intuitions that humans robustly hold and that emerge early in cognitive development; (ii) they serve an argumen- tative function by presenting particular religious views as live options. I conclude with observations on the role of natural theology in contemporary analytic philosophy of religion.Comment: This would be useful in a course on philosophy or religion, metaphysics (where arguments for and against the existence of God are being considered), epistemology or religious epistemology. The paper is clear and non-technical. It does not provide arguments for or against the existence of God but considers the debate as a whole. It may then be useful for scene-setting, or for placing previously considered arguments in their context.Difficulty: EasyRecommended use: Introductory or further readingComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
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Added by: Clotilde Torregrossa, Contributed by: Kathleen Gill (kagill@stcloudstate.edu)Publisher's Note: Christine de Pizan (c.1364-1430) was France's first professional woman of letters. Her pioneering Book of the City of Ladies begins when, feeling frustrated and miserable after reading a male writer's tirade against women, Christine has a dreamlike vision where three virtues - Reason, Rectitude and Justice - appear to correct this view. They instruct her to build an allegorical city in which womankind can be defended against slander, its walls and towers constructed from examples of female achievement both from her own day and the past: ranging from warriors, inventors and scholars to prophetesses, artists and saints. Christine de Pizan's spirited defence of her sex was unique for its direct confrontation of the misogyny of her day, and offers a telling insight into the position of women in medieval culture.THE CITY OF LADIES provides positive images of women, ranging from warriors and inventors, scholars to prophetesses, and artists to saints. The book also offers a fascinating insight into the debates and controversies about the position of women in medieval culture.Comment:
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Added by: Alison StoneAbstract: Hegel's criticism of morality, or Moralität, has had a decisive influence in the reception of his thought. By general acknowledgment, while his writings support a broadly neo-Aristotelian ethics of self-actualization, his views on moral philosophy are exhausted by his criticisms of Kant, whom he treats as paradigmatic exponent of the standpoint of morality. The aim of this chapter is to correct this received view and show that Hegel offers a positive conception of moral willing. The main argument is presented in two parts: (a) an interpretation of the 'Morality' section of the Philosophy of Right that shows Hegel defending a guise of the good version of willing; and (b) an examination of problems raised by this view of willing, some of which are anticipated by Hegel in in his treatment of the 'Idea of the Good' in the Logic, and of the interpretative options available to deal with these problems.Comment: A useful account of Hegel's position in moral philosophy focusing on his relation to Kant. Could be used on an ethics course when covering Hegel, either as supplementary to a reading from Hegel or as primary reading introducing a further reading by Hegel the following week.Difficulty: AdvancedRecommended use: SpecialisedComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
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Added by: Clotilde Torregrossa, Contributed by: Dan DemetriouAbstract: In this chapter we focus on the debate over publicly-maintained racist monuments as it manifests in the mid-2010s Anglosphere, primarily in the US (chiefly regarding the over 700 monuments devoted to the Confederacy), but to some degree also in Britain and Commonwealth countries, especially South Africa (chiefly regarding monuments devoted to figures and events associated with colonialism and apartheid). After pointing to some representative examples of racist monuments, we discuss ways a monument can be thought racist, and neutrally categorize removalist and preservationist arguments heard in the monument debate. We suggest that both extremist and moderate removalist goals are likely to be self-defeating, and that when concerns of civic sustainability are put on moral par with those of fairness and justice, something like a Mandela-era preservationist policy is best: one which removes the most offensive of the minor racist monuments, but which focuses on closing the monumentary gap between peoples and reframing existing racist monuments.Comment: Frames debates about racist monuments (e.g., Confederate or colonialist monuments), categorizes arguments for and against removal. Suitable for an intro-level course.Difficulty: EasyRecommended use: Introductory readingComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
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Added by: Benjamin GoldbergAbstract: Whatever may be said about contemporary feminists' evaluation of Descartes' role in the history of feminism, Mary Astell herself believed that Descartes' philosophy held tremendous promise for women. His urging all people to eschew the tyranny of custom and authority in order to uncover the knowledge that could be found in each one of our unsexed souls potentially offered women a great deal of intellectual and personal freedom and power. Certainly Astell often read Descartes in this way, and Astell herself has been interpreted as a feminist - indeed, as the first English feminist. But a close look at Astell's and Descartes' theories of reason, and the role of authority in knowledge formation as well as in their philosophies of education, show that there are subtle yet crucial divergences in their thought - divergences which force us to temper our evaluation of Astell as a feminist. My first task is to evaluate Astell's views on custom and authority in knowledge formation and education by comparing her ideas with those of Descartes. While it is true that Astell seems to share Descartes' wariness of custom and authority, a careful reading of her work shows that the wariness extends only as far as the tyranny of custom over individual intellectual development. It does not extend to a wariness about social and institutional customs and authority (including, perhaps most crucially, the institution of marriage as we see in her Reflection on Marriage). The reason for this is that Astell's driving goal is to help women to come to know God's plan for women - both in their roles as human and in their roles as women. According to Astell, while it is true that, as individuals, women must develop their rational capacities to the fullest in order to honor God and his plan for women as human, as members of social institutions, including the institution of marriage, women must subordinate themselves to men, including their husbands, in this case so as to honor God and his plan for women as women. Once we understand the theological underpinnings of her equivocal reaction to authority and custom, we can see that Astell may be considered a feminist in a very tempered way. My second task is to use these initial conclusions to re-read her proposal for single-sexed education that we find in A Serious Proposal to the Ladies. It is true that Astell encourages women to join single-sexed educational institutions for the unique and empowering friendships that women can develop in such institutions. Still, my argument continues, the development of such friendships is not entirely an end in itself. Rather, Astell encourages women to develop such friendships such that they can re-enter the broader world armed with the tools that will help them endure burdensome features of the lives that await them in the world, including their lives as subordinated wives - burdens that Astell does not, in principle, challenge.Comment: This is a useful paper for understanding how an early modern woman (Astell) understood the implications of Descartes' work for women, on the subject of marriage. It would be very useful in undergraduate courses that explore the social implications of early modern philosophy, as well as more advanced courses on early modern philosophy more generally.Difficulty: Intermediate-AdvancedRecommended use: Introductory with overviewComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
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Added by: Benjamin GoldbergAbstract: According to Margaret Cavendish the entire natural world is essentially rational such that everything thinks in some way or another. In this paper, I examine why Cavendish would believe that the natural world is ubiquitously rational, arguing against the usual account, which holds that she does so in order to account for the orderly production of very complex phenomena (e.g. living beings) given the limits of the mechanical philosophy. Rather, I argue, she attributes ubiquitous rationality to the natural world in order to ground a theory of the ubiquitous freedom of nature, which in turn accounts for both the world's orderly and disorderly behavior.Comment: This article examines Cavendish's concept of order and disorder in nature, and will prove a useful complement to advanced courses in early modern thought. Usefully paired with Cavendish's works, but also those of Descartes, Malebranche, etc.Difficulty: Intermediate-AdvancedRecommended use: SpecialisedComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
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Added by: Björn Freter
Abstract: It is commonly believed that it is difficult to be happy, and there is much reason for such a belief; but it would be much easier for men to be happy if reflecting on and planning conduct preceded action. One is carried along by circumstances and indulges in hopes that never yield half of what one expects. Finally, one clearly perceives the means to be happy only when age and self- imposed fetters put obstacles in one’s way.
Comment: This accessible 18th century text lays out a hedonistic theory of happiness with interesting parallels to Epicureanism.Difficulty: EasyRecommended use: Introductory ReadingComments (0): read and add advice on using this text
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Added by: Björn Freter
Abstract: The question of freedom is the most interesting question we could examine, since one can say that all of morality depends on this single question. Something so interesting justifies departing from my subject a little bit in order to enter this discussion, and to put here in front of the reader’s eyes the main objections that people make against freedom, so that he can judge for himself their soundness.
Comment: This is an English translation of Emilie Du Châtelet's "Sur la liberté." This 18th century text discusses freedom of the will, determinism, and divine foreknowledge.Difficulty: IntermediateRecommended use: Introductory ReadingComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
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Added by: Simon Fokt
Abstract: How, if at all, are we to distinguish between the works that we call ‘art’ and those that we call ‘pornography’? This question gets a grip because from classical Greek vases and the frescoes of Pompeii to Renaissance mythological painting and sculpture to Modernist prints, the European artistic tradition is chock-full of art that looks a lot like pornography. In this paper I propose a way of thinking about the distinction that is grounded in art historical considerations regarding the function of erotic images in 16 th -century Italy. This exploration suggests that the root of the erotic art/pornography distinction was—at least in this context—class: in particular, the need for a special category of unsanctioned illicit images arose at the very time when print culture was beginning to threaten elite privilege. What made an erotic representation exceed the boundaries of acceptability, I suggest, was not its extreme libidinosity but, rather, its widespread availability and, thereby, its threat to one of the mechanisms of sustaining class privilege.
Comment: The paper has implications reaching far beyond the pornography debate. Could similar power relations not impact art classification elsewhere? It might be useful to discuss this in the context of Larry Shiner's 'The Invention of Art,' where the historical processes leading to the establishment of the modern Western system of the arts are analysed, including examples such as the exclusion of weaving as it became a female-dominated profession. Reaching even further, this can be applied to attitudes to art of other cultures, with (post)colonial power relations impacting on the way works are classified. Finally, Eaton’s text can serve as a sceptical argument against the classificatory project altogether: could all our attempts to distinguish art from non-art be just expressions of discrimination along various lines of priviledge? The paper has implications reaching far beyond the pornography debate. Could similar power relations not impact art classification elsewhere? It might be useful to discuss this in the context of Larry Shiner's 'The Invention of Art,' where the historical processes leading to the establishment of the modern Western system of the arts are analysed, including examples such as the exclusion of weaving as it became a female-dominated profession. Reaching even further, this can be applied to attitudes to art of other cultures, with (post)colonial power relations impacting on the way works are classified. Finally, Eaton’s text can serve as a sceptical argument against the classificatory project altogether: could all our attempts to distinguish art from non-art be just expressions of discrimination along various lines of priviledge?Difficulty: EasyRecommended use: Introductory readingComments (0): read and add advice on using this textExport citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirIntroduction: Two conflicting but strongly entrenched intu itions about beauty hold sway in the hearts and minds of many. On the one hand, many people believe that attributions of beauty to objects or events are unmediated-that all that matters is one's direct, personal response. If something is beautiful, one just sees it; cognitive or ethical concerns matter little. On the other hand, many people are drawn to the view that the beautiful is not independent of other human values and atti tudes-that our attributions of beauty are related to beliefs or moral judgments. At the end of the eighteenth century, Immanuel Kant represented the former view with such cleverness that his ar guments continue to disturb even those who re main unconvinced by them. At the end of the nineteenth century, partly as a result of the influ ence of Kant's theory of beauty, Leo Tolstoy felt forced to downplay the importance of beauty's role in explaining the value of art-a trend that continued for several decades. At the end of the twentieth century, increasing numbers of aes thetic theorists and practitioners are persuaded that beauty does matter in art, and although many, including me, believe that beauty is a con textual property deeply connected to factual be liefs and moral attitudes, the tug of Kant's arguments remains strong.Comment:Export citation in BibTeX formatExport text citationView this text on PhilPapersExport citation in Reference Manager formatExport citation in EndNote formatExport citation in Zotero format