Figure: Frantz Fanon
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Bhabha, Homi K. The Location of Culture
1994, London: Routledge.
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Added by: Zoé Grange-Marczak
Abstract:

This work analyzes the contemporary conditions of culture and criticizes common definitions of identity. Bhabha makes use of continental philosophy, social sciences and literature (crediting Morrison, Salman Rushdie, and even Anish Kapoor), draws on Said and Spivak, and reads Fanon extensively—blending anti-colonial critique with post-structuralism. His main object is the long-term effects of colonialism on social identities and culture, even after the departure of the colonizers or the abolition of slavery. From an inquiry concerning the effects of the awareness of social positions and the political usages of identity, he finds that culture is characterized by hybridation and going beyond established limits. Against the idea that cultures are fixed traditions belonging to identified communities, Bhabha tries to explain how social meanings are an on-going, dynamic and relational process, underlining contradictions, ambivalence, and two of the main concepts of this book: hybridity (the mixed nature of culture) and mimicry (the adoption of ideas and values from other cultures). In his view, "[d]ifferences in culture and power are constituted through the social conditions of enunciation" (p. 242), meaning that culture needs to be seen as fragmented, unstable and sometimes antagonistic. Bhabha elaborates a definition of the boundary not as a limit, but as the site for theoretical production and artistic creation, exemplified by the proliferation of "post" in contemporary theory (poststructuralism, postmodernism, etc), which he understands as a movement of going beyond, pointing towards a constant invention of oneself.

Comment: Despite its reputation for being challenging, The Location of Culture tends to be didactic and uses plenty of historical, philosophical and artistic examples. Some of its chapters have been published separately, thus offering a variety of short texts on a wide array of subjects, suitable for close readings synthesizing key issues of 21st century theory. Edited over a dozen times, it remains one of the main recent work for postcolonial theory and literary criticism, and shows the legacy of several main authors.
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Fanon, Frantz. Black Skin, White Masks
1967, Translated by C.L. Markmann. Grove Press.
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Added by: Zoé Grange-Marczak
Abstract:

Fanon (1925-1961) was born in the French West Indies and studied in France before moving to Algeria to join the independence struggle. In this text, originally published in French in 1952, he addresses the Black man's condition, and more particularly his subjectivity and experience in the colonial context of the French West Indies and of France in general, also drawing parallel with North Africa and Indochina. Black Skin, White Masks is both a minute and complex description of the violence of colonization and a sketch of a liberation from its effects. A psychiatrist by training, Fanon investigates the psychological impact of both racism and colonization, with a strong focus on inter-subjective relations, including the intersection of race and gender relations. He uses a large variety of resources: philosophy (a critical reading of Sartre, an elaboration of Hegel's slave-master dialectic, Leiris, Marcel, and contemporary linguistics) ; Marxism (materialism and alienation); psychiatry and psychoanalysis; the literary Négritude movement (Black Francophones writers who, starting in the 1930s, wrote about lived experience of blackness, displacement and colonialism). Its reception, though belated, has nevertheless made it one of the seminal works of postcolonial theory.

Comment: This work is rather difficult by its intricacy, the importance of often implicit philosophical references, and its inscription in hyper-contemporary debates in philosophy, literature and psychology. However, both its radicalism and the descriptions of lived first-person experiences make it a rather didactic and striking short essay. A classical text of postcolonial theory and French thought in general.
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Guenther, Lisa. Solitary Confinement: Social Death and its Afterlives
2013, Minneapolis: University of Minnesota Press.

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Added by: Rochelle DuFord
Abstract: Prolonged solitary confinement has become a widespread and standard practice in U.S. prisons - even though it consistently drives healthy prisoners insane, makes the mentally ill sicker, and, according to the testimony of prisoners, threatens to reduce life to a living death. In this profoundly important and original book, Lisa Guenther examines the death-in-life experience of solitary confinement in America from the early nineteenth century to today's supermax prisons. Documenting how solitary confinement undermines prisoners' sense of identity and their ability to understand the world, Guenther demonstrates the real effects of forcibly isolating a person for weeks, months, or years. -/- Drawing on the testimony of prisoners and the work of philosophers and social activists from Edmund Husserl and Maurice Merleau-Ponty to Frantz Fanon and Angela Davis, the author defines solitary confinement as a kind of social death. It argues that isolation exposes the relational structure of being by showing what happens when that structure is abused - when prisoners are deprived of the concrete relations with others on which our existence as sense-making creatures depends. Solitary confinement is beyond a form of racial or political violence; it is an assault on being.
Comment: This text serves as both a clear introduction to the history of punishment and imprisonment in the United States, as well as a clear introduction to phenomenological method. Portions of the text on the experience of social death in solitary confinement would make excellent additions to introductory courses on prisons and punishment. Some chapters would also be fitting on classes concerning race and mass incarceration.
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