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Added by: Olivia Maegaard NielsenAbstract:
Since the early 1980s, feminist epistemology has developed into a vibrant area of inquiry which challenges many of the taken-for-granted assumptions of traditional, mainstream theories of knowledge to work towards developing theories and practices that close a persistent gap between theories of knowledge and knowledge that matters to people in real situations. Here I will examine some of the more startling recent developments in feminist epistemology, where—perhaps improbably—epistemologies of ignorance and questions about epistemic injustice have made significant contributions to feminist knowledge projects. Together and separately, they expose the extent to which knowing is a political activity, while maintaining that it can avow its political involvement without dissolving into facile assertions that ‘might is right’.
Comment: This is a great introductory reading which provides an overview over the relationship between feminist and social epistemology and traditional epistemology. In spite of using technical terms from various philosophical subdisciplines (esp. feminist epistemology), it would still be suitable as an introduction to a class on feminist or social epistemology, or in addition to a class on epistemology in general. It goes over some of the core differences as well as some of the most important contributions by feminist and social epistemologies.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonPublisher's Note: The first major anthology to trace the development, from the early 1800s to the present, of black feminist thought in the United States, Words of Fire is Beverly Guy-Sheftall's comprehensive collection of writings, in the feminist tradition, of more than sixty African American women. From the pioneering work of abolitionist Maria Miller Stewart and anti-lynching crusader Ida Wells-Barnett to the writings of contemporary feminist critics Michele Wallace and bell hooks, black women have been writing about the multiple jeopardies--racism, sexism, and classicm--that have made it imperative for them to forge a brand of feminism uniquely their own.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: US black feminist thought reflects the interests and standpoint of its creators. Indeed, White men have control over knowledge. And, Black women's ideas have been controlled by White men interpretation of the world. This means that Black feminist thought can best be viewed as subjugated knowledge.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonIntroduction: ... A definition of Black feminist thought is needed that avoids the materialist position that being Black and/or female generates certain experiences that automatically determine variants of a Black and/or feminist consciousness. Claims that Black feminist thought is the exclusive province of African-American women, regardless of the experiences and worldview of such women, typify this position. But a definition of Black feminist thought must also avoid the idealist position that ideas cna be evaluated in isolation from the groups that create them. Definitions claiming that anyone can produce and develop Black feminist thought risk obscuring the special angle of vision that Black women bring to the knowldege production process.
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Added by: Sonja Dobroski and Quentin PharrPublisher’s Note:
Viola Cordova was the first Native American woman to receive a PhD in philosophy. Even as she became an expert on canonical works of traditional Western philosophy, she devoted herself to defining a Native American philosophy. Although she passed away before she could complete her life’s work, some of her colleagues have organized her pioneering contributions into this provocative book. In three parts, Cordova sets out a complete Native American philosophy. First she explains her own understanding of the nature of reality itself—the origins of the world, the relation of matter and spirit, the nature of time, and the roles of culture and language in understanding all of these. She then turns to our role as residents of the Earth, arguing that we become human as we deepen our relation to our people and to our places, and as we understand the responsibilities that grow from those relationships. In the final section, she calls for a new reverence in a world where there is no distinction between the sacred and the mundane. Cordova clearly contrasts Native American beliefs with the traditions of the Enlightenment and Christianized Europeans. By doing so, she leads her readers into a deeper understanding of both traditions and encourages us to question any view that claims a singular truth. From these essays—which are lucid, insightful, frequently funny, and occasionally angry—we receive a powerful new vision of how we can live with respect, reciprocity, and joyComment: available in this Blueprint
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Added by: Tomasz Zyglewicz, Shannon Brick, Michael GreerAbstract:
A core insight of some important second wave feminist writings is that, in order to qualify as truly ‘feminist’, a movement has to be politically radical. For example, there is a powerful articulation of this theme, to mention one noteworthy site, in the work of bell hooks. A guiding preoccupation of hooks’ thought, as far back as the early eighties, is to underline the pernicious and intellectually flawed character of the supposedly ‘feminist’ postures of ‘bourgeois white women’ in the U.S. whose efforts are directed toward the politically superficial goal of claiming the social privileges of bourgeois white men. hooks shows that there is no way to ‘overcome barriers that separate women from one another’ without ‘confronting the reality of racism’. She describes how the forms of gender-based subordination experienced by privileged white women are inextricable from racist and classist social mechanisms that elevate these women above women who are non-white and poor, and how the sexist obstacles that poor and non-white women encounter are in turn permeated by racism and classism. hooks concludes that if ‘feminism’ is to be dedicated to identifying and resisting sexist oppression, it needs to – in her words – ‘direct our attention to systems of domination and the interrelatedness of sex, race and class oppression.Comment (from this Blueprint): In this 2018 article Alice Crary launches a critique against analytic feminists for employing what she terms a "neutral conception of reason," which pretends that the best form of reason is one free from feelings, biases, and value, as if one may employ reason from a "view from nowhere." To the contrary, Crary thinks there is no view from nowhere, and that feminist philosophy's insistence on the important of lived experience is synonymous with it's recognition that reasoning is done from a particular social location and is always-already "ethically" valenced: one's lived experiences and affects saturate one's ethically-loaded point of view, and this is recruited for feminist ends! To illustrate this point, Crary considers Miranda Fricker's 2007 book Epistemic Injustice, which we see elsewhere on this reading list. According to Fricker's neutral conception of reason, testimonial epistemic injustice is remedied by neutralizing stereotypical prejudice in one's judgments of credibility. On Crary's reading, however, there is no neutral space of reason. Crary argues for a methodological radicalism (as opposed to what she terms Fricker's methodological conservativism) which begins with ethically-loaded perspectives on the world. Indeed, she thinks this is how we can make sense of the consciousness-raising Fricker is interested in: Crary points out that "in order to get the patterns of [problematic] behaviour constitutive of [...] abuse adequately into focus, we need to look upon the social world from a particular ethically-loaded perspective" (57).
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Added by: Simon Fokt, Contributed by: Nathan NobisAbstract: In both academic and non-academic discussions of feminism, there is sometimes a lack of appreciation for the diversity among feminist positions. Two people may be called feminists while disagreeing about a range of theoretical and practical issues, like the nature of oppression, sex work, or abortion. In this and the next essay, I lay out two general feminist approaches to sexist oppression: the sameness approach, the difference approach, and the dominance approach. This first essay focuses on the sameness approach.Comment: An introduction to 'the sameness approach' in feminism.
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Added by: Simon Fokt
Abstract: While Stephen Davies argues that a debate on cross-cultural aesthetics is possible if we adopt an attitude of mutual respect and forbearance, his fellow symposiasts shed light upon different aspects which merit a closer scrutiny in such a dialogue. Samer Akkach warns that an inclusivistic embrace of difference runs the risk of collapsing the very difference one sought to understand. Julie Nagam underscores that local knowledge carriers and/or the medium should be involved in such a cross-cultural exploration. Enrico Fongaro searches for a way of experiencing cross-cultural art such that it can lead to a transformative experience Relatedly, Meilin Chinn uses the analogy of friendship to explore the edifying dimension of experiencing an art form. Lastly, John Powell studies whether Dickie’s Institutional Theory can be meaningfully used to identify works of art in Western and non-Western traditions.
Comment: The selection of texts by Davies, Akkach, and Chinn, with a part of Davies’ reply in the end, are particularly interesting. These present an interesting tension, with Akkach and (somewhat less overtly) Chinn, criticising Davies for adopting a Western-centric attitude to studying and conceptualising art of other cultures. It can be useful to consider this in the context of Nikiru Ngzewu, ‘African Art in Deep Time: De-race-ing Aesthetics and De-racializing Visual Art’, asking to what extent the present discussion is similar to her criticism of Vogel and Danto. Given that Davies is offering a reply to the criticisms, this could offer an opportunity for a debate-style class design. The texts, and especially Davies’ reply, invite a further reflection: can one ever understand, conceptualise, or analyse the products (art?) of another culture, without doing so using the conceptual frameworks of one’s own culture in ways that are problematic? If yes, how could this be done? If not, should we just never attempt it? What role do power structures and imbalances play in such attempts? The selection of texts by Davies, Akkach, and Chinn, with a part of Davies’ reply in the end, are particularly interesting. These present an interesting tension, with Akkach and (somewhat less overtly) Chinn, criticising Davies for adopting a Western-centric attitude to studying and conceptualising art of other cultures. It can be useful to consider this in the context of Nikiru Ngzewu, ‘African Art in Deep Time: De-race-ing Aesthetics and De-racializing Visual Art’, asking to what extent the present discussion is similar to her criticism of Vogel and Danto. Given that Davies is offering a reply to the criticisms, this could offer an opportunity for a debate-style class design. The texts, and especially Davies’ reply, invite a further reflection: can one ever understand, conceptualise, or analyse the products (art?) of another culture, without doing so using the conceptual frameworks of one’s own culture in ways that are problematic? If yes, how could this be done? If not, should we just never attempt it? What role do power structures and imbalances play in such attempts?
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: This paper answers a call made by Anita Allen to genuinely assess whether the field of philosophy has the capacity to sustain the work of diverse peoples. By identifying a pervasive culture of justification within professional philosophy, I gesture to the ways professional philosophy is not an attractive working environment for many diverse practitioners. As a result of the downsides of the culture of justification that pervades professional philosophy, I advocate that the discipline of professional philosophy be cast according to a culture of praxis. Finally, I provide a comparative exercise using Graham Priest's definition of philosophy and Audre Lorde's observations of the limitations of philosophical theorizing to show how these two disparate accounts can be understood as philosophical engagement with a shift to a culture of praxis perspective.
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Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonIntroduction: The noticeable uptake of the paper 'How Is This Paper Philosophy?' (Dotson 2012a) within professional philosophy has given me the occasion to reflect about the uptake of philosophy papers. This may shed light on producing socially relevant philosophy articles and their costs. The relative success of that paper is a huge surprise to me. What I mean by success is pretty straightforward and not particularly ambitious. I am counting success as whether one regularly runs into people who have read one's paper and cite it as having had an impact on their considered or ambient positions on the paper's content. That is, it has received some uptake in a populated domain of activity. What I take to be central to ques-tions of how an article becomes socially relevant are questions of uptake. Uptake, here, is understood broadly to refer to readership that takes one's stated positions seriously enough to adopt (or be influenced by) them in part or in whole. What I have found is that many people in academic philosophy, for example, have read 'How Is This Paper Philosophy?' Some folks pay serious attention to it.