Diversity Reading List

Comment (from this Blueprint): Introduction into basic questions of (non-human) animal ethics.

Comment (from this Blueprint): An introduction to the groundbreaking theory of Zoopolis focussing on developing a political vision of human aninmals and non-human animals living together.

Comment (from this Blueprint): This chapter provides philosophical arguments for a better understanding of the complexity of human relationships with other animal beings through a pragmatist and ecofeminist lens.

Comment (from this Blueprint): Introduction to Joy's concept of carnism, the invisible but dominant paradigm used to defend meat consumption; argues against carnism, by showing that there is indeed a problem with eating non-human animals, that meat eating is not necessarily to be understood as normal, that carnism prevents the cognitive dissonance (of caring for animals and at the same time consuming them) by re-defining non-human animals as objects.

Comment (from this Blueprint): An interview about the status of nonhuman animals in ancient Indian philosophy and literature; a very good complement to her paper.

Comment (from this Blueprint): An overview of the role of non-human animals in Indian Thought pointing out that there is not much evidence of that presumption of a fundamental difference between human and nonhuman forms of life that allows us in English to use the word “animal” simply to mean “nonhuman animal.” The concept of the animal is thus not best suited to explore the nature of the human by contrast. Instead we more often find a background presumption of a common condition: whatever lives seeks to sustain its life, wants pleasure and not pain, wants its desires and aims satisfied rather than thwarted.

Comment (from this Blueprint): A general introduction into African philosophy and ethics with a focus on the role of non-human animal life in African philosophy, explaining that in in indigenous African thought, humans are not understood as animals, but as a class of their own superior to the class of animals.

Comment (from this Blueprint): Excerpts from Shōbōgenzō (Repository of the Eye for the Truth), the major philosophical work of Dōgen (1200–1253), founder of the Japanese school of Sōtō Zen Buddhism allowing to deepen his philosophical understanding of nature.

Comment (from this Blueprint): This article presents a thorough discussion of the competing interests surrounding cultural appropriation and one promising explanation of why it amounts to a harm or wrong based on the notion of intimacy - in particular, breaches of group intimacy. Although this explanation is just one of many that might be given, the hope is that readers will find tools for thinking about the previous items from this week's selections and for developing their own views on cultural appropriation.

Comment (from this Blueprint): This news item is an interview with Joe Corré, son of British fashion designer Vivienne Westwood and Malcolm McLaren, former manager of the Sex Pistols. In response to the 2016 events celebrating '40 years of Punk' in London, Corré announced he would burn his collection of punk artefacts, estimated to be worth £5 million (he did end up burning it on a barge on the Thames). In this interview, Corré discusses how the punk aesthetic has been appropriated by the very people and institutions that the punk movement was against - the establishment. For Corré, his collection is only worth £5 million because of the mainstream appropriation that punk has undergone - for him these items are worthless, they barely even have sentimental value. But equally, Corré, a very wealthy man himself (he co-founded the lingerie brand Agent Provocateur and sold it to private equity for £60 million), has come under fire for his decision to burn the items rather than give them to charity. As such, this piece is an interesting case study that illustrates the mechanics of class appropriation of fashion as discussed by Crane. But it can also be discussed in reference to the People's History Museum virtual exhibition from week 6, as perhaps Corré's judgement that these items are not worthy of preservation and display is itself clouded by class privilege.