Topic: Social Philosophy -> Race
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Said, Edward W.. Orientalism
1978, Pantheon Books

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Added by: Suddha Guharoy and Andreas Sorger
Publisher’s Note:

More than three decades after its first publication, Edward Said's groundbreaking critique of the West's historical, cultural, and political perceptions of the East has become a modern classic.
In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding. Essential, and still eye-opening, Orientalism remains one of the most important books written about our divided world.

Comment (from this Blueprint): Orientalism is a classic text in postcolonial theory which successfully brought out the politics of ‘othering’. It shows how the ‘Orient’ was constructed by delineating it from the supposedly morally, culturally and politically advanced (and superior) ‘Occident’. The book is not so much about the East as much as it is about how the Orient was ‘produced’ by the imperial masters of Europe and America and perceived as the ‘other’ to the rest of the ‘civilized’ world. The author traces and examines various literary and political sources which originated and perpetuated Orientalism. The abstract gives an overview of the argument and introduces the reader to the rest of the book.
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Salami, Minna. Sophie Bosede Oluwole
2020, In: The Philosopher Queens: The Lives and Legacies of Philosophy's Unsung Women. Rebecca Buxton and Lisa Whiting (eds.). Unbound
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Added by: Rebecca Buxton
Abstract:

From the Publisher: The history of philosophy has not done women justice: you’ve probably heard the names Plato, Kant, Nietzsche and Locke – but what about Hypatia, Arendt, Oluwole and Young? The Philosopher Queens is a long-awaited book about the lives and works of women in philosophy by women in philosophy. This collection brings to centre stage twenty prominent women whose ideas have had a profound – but for the most part uncredited – impact on the world. You’ll learn about Ban Zhao, the first woman historian in ancient Chinese history; Angela Davis, perhaps the most iconic symbol of the American Black Power Movement; Azizah Y. al-Hibri, known for examining the intersection of Islamic law and gender equality; and many more. For anyone who has wondered where the women philosophers are, or anyone curious about the history of ideas – it's time to meet the philosopher queens.

Comment (from this Blueprint): In this chapter, Salami offers some very useful historical background on Nigeria's pre-colonial past and Yoruba thought. This helps us understand Oluwole's situation as an African philosopher born in colonial Nigeria and influenced by Western philosophy, as well as a staunch defender of Yoruba oral genres and African philosophy as a whole. Salami also notes that Oluwole is one of the rare philosophers to have been influential and admired within and without the academy.
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Scott, Patricia Bell. Debunking Sapphire: Toward a Non-Racist and Non-Sexist Social Science
1977, The Journal of Sociology & Social Welfare, 4 (6)

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Added by: Tomasz Zyglewicz, Shannon Brick, Michael Greer
Abstract:
The term "Sapphire" is frequently used to describe an age-old image of Black women. The caricature of the dominating, emasculating Black woman is one which historically has saturated both the popular and scholarly literature. The purpose of this paper is debunk the "Sapphire" caricature as it has been projected in American social science. By exposing the racist and sexist underpinnings of this stereotype, it is hoped that more students and scholars might be sensitized and encouraged to contribute to the development of a nonracist and non-sexist social science.
Comment (from this Blueprint): In this 1977 article, Patricia Bell Scott explains how social sciences had theretofore been racist, sexist, and classist in their research of Black women. She identifies concrete failings and biases in the approach of socials sciences towards Black women, and suggests concrete agendas for research institutions, moving forward.
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Shelby, Tommie. Justice, Deviance, and the Dark Ghetto
2007, Philosophy & Public Affairs 35(2): 126-160.

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Added by: Helen Morley
Introduction: The problems I will focus on lie in the domain of the theory of justice. Specifically, my concern is to determine what kinds of criticisms of the ghetto poor’s behavior and attitudes are or are not appropriate given that the social circumstances under which they make their life choices are, at least in part, the result of injustice. If the overall social arrangement in which the ghetto poor live is unjust, this requires that we think about what their obligations are quite differently than we should if the society were judged to be just. In particular, I will argue that it is necessary to distinguish the civic obligations citizens have to each other from the natural duties all persons have as moral agents, both of which are affected, though in different ways, by the justness of social arrangements. In addition, among the natural duties all persons possess is the duty to uphold, and to assist in bringing about, just institutions, a political duty that has important, though generally overlooked, consequences for the debate about ghetto poverty.
Comment: Focuses on the moral obligations of subject to systemic and long term injustice, using a Rawlsian framework. Enhances a discussion of justice by considering the implications of justice on those treated unjustly.
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Shelby, Tommie. Justice, Work, and the Ghetto Poor
2012, The Law and Ethics of Human Rights. 6 (1): 69-96

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Added by: Deryn Mair Thomas
Abstract:
In view of the explanatory significance of joblessness, some social scientists, policymakers, and commentators have advocated strong measures to ensure that the ghetto poor work, including mandating work as a condition of receiving welfare benefits. Indeed, across the ideological political spectrum, work is often seen as a moral or civic duty and as a necessary basis for personal dignity. And this normative stance is now instantiated in federal and state law, from the tax scheme to public benefits. This Article reflects critically on this new regime of work. I ask whether the normative principles to which its advocates typically appeal actually justify the regime. I conclude that the case for a pro tanto moral or civic duty to work is not as strong as many believe and that there are reasonable responses to joblessness that do not involve instituting a work regime. However, even if we grant that there is a duty to work, I maintain that the ghetto poor would not be wronging their fellow citizens were they to choose not to work and to rely on public funds for material support. In fact, I argue that many among the black urban poor have good reasons to refuse to work. Throughout, I emphasize what too few advocates of the new work regime do, namely, that whether work is an obligation depends crucially on whether background social conditions within the polity are just.
Comment (from this Blueprint): This text is useful for several reasons. First, it introduces an argument examining a civic obligation to work; second, it discusses that obligation in relation to structural injustices regarding socio-economic and racial inequality. It can be used to discuss the intersection of these topics more generally, or to further discuss philosophical questions concerning who should have access to good work and why.
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Shuchen Xiang. The Racism of Philosophy’s Fear of Cultural Relativism
2020, Journal of World Philosophies 5 (1):99-120
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Added by: Sara Peppe, Contributed by: Jonathan Egid
Abstract:

By looking at a canonical article representing academic philosophy’s orthodox view against cultural relativism, James Rachels’ “The Challenge of Cultural Relativism,” this paper argues that current mainstream western academic philosophy’s fear of cultural relativism is premised on a fear of the racial Other. The examples that Rachels marshals against cultural relativism default to the persistent, ubiquitous, and age-old stereotypes about the savage/barbarian Other that have dominated the history of western engagement with the non-western world. What academic philosophy fears about cultural relativism, it is argued, is the barbarians of the western imagination and not fellow human beings. The same structure that informs fears of cultural relativism, whereby people with different customs are reduced to the barbarian/savage of the western imagination, can be seen in the genesis of international law which arose as a justification for the domination of the Amerindian (parsed as “barbarians”). It is argued that implicit in arguments against cultural relativism is the preservation of the same right to dominate the Other. Finally, it is argued that the appeal of the fear of cultural relativism is that, in directing moral outrage at others, one can avoid reflecting on the failures of one’s own cultural tradition.

Comment: Introductory reading to be used for students at undergraduate or graduate level claiming that current mainstream philosophy’s fear in the Western academic environment of cultural relativism is based on an intrinsic fear of the racial 'Other'.
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Smalls, James. African-American Self-Portraiture
2001, Third Text, pp. 47-62.

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Added by: Hans Maes
Summary: As 'always already' racialized object of the white patriarchal look African-Americans have enduringly suffered from having to negotiate notions of the self from a crisis position. The act of self-portraiture for the African-American artist has the value of bestowing upon the self-portraitist a sense of empowerment.
Comment: Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.

Artworks to use with this text:

Lyle Ashton Harris, Construct #10 (collection of the artist, 1988)

Harris's self-portraits are redemptive and liberatory in their focus on the self. They challenge standard discourse on identity and subjectivity to present a new sign of black power and liberation. Because his photographs expose gender as constructed and performed, they also, in the process, subvert phallocentrism and compulsory heterosexuality.

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Spencer, Quayshawn. A radical solution to the Race problem
2014, Philosophy of Science 81 (5):1025-1038
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Added by: Simon Fokt, Contributed by: Anonymous

Abstract: It has become customary among philosophers and biologists to claim that folk racial classification has no biological basis. This paper attempts to debunk that view. In this paper, I show that ‘race’, as used in current U.S. race talk, picks out a biologically real entity. I do this by, first, showing that ‘race’, in this use, is not a kind term, but a proper name for a set of human population groups. Next, using recent human genetic clustering results, I show that this set of human population groups is a partition of human populations that I call ‘the Blumenbach partition’.

Comment: This is a great paper to use for teaching metaphysics of race
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Spivak, Gayatri Chakravorty. Can the Subaltern Speak?
1988, in C. Nelson and L. Grossberg (eds.) Marxism and the interpretation of culture. Chicago: University of Illinois Press, pp. 271–313.
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Added by: Zoé Grange-Marczak
Abstract:


In this talk given in 1983 at the University of Illinois, Spivak (b. 1942) criticizes a Western understanding of the political subject by examining how Third World subjects are perceived within Western discourse. She studies the way Western representations prevent the subaltern woman from making her own voice heard. Her critique depends on a definition of the subaltern, the “Other,” who is paradoxically both constituted and erased by Western theories, and is neither heard nor answered, leading Spivak to question their very possibility to speak. She specifically uses the history of British colonialism's relation to the Hindu practice of sati, the ritual self-immolation of a widow on her husband’s funeral pyre, which was read by the British as barbarism and deprived of the social signification it holds. Spivak highlights the contradictions of the so-called “civilizing mission” of colonialism, showing how women’s rights have been used by colonialism against the subalterns themselves, thereby robbing them of their own voices. Drawing critically on French theory (Derrida, Althusser, Deleuze, Foucault), Marxism (Marx, Benjamin, Gramsci) and other postcolonial scholars (Said), this landmark essay mobilizes historical documentation alongside critical theory to produce a seminal work of political and social philosophy. At the same time, Spivak offers a meta-philosophical enquiry, pointing to a major bias in the very constitution and discourse of the discipline.

Comment: The large amount of references, along with the elaborate critique, makes this essay rather difficult and subtle. However, in addition to its great depth and sophistication, it is historically one of the foundational essay for postcolonial theory, with which it engages critically. A starting point for debates around multiculturalism and feminism, it also is a pivotal work for Subaltern Studies, and a good way to link 20th century French and American philosophy with its non-Western comments and renewals. Suitable for advanced students or further readings for a class on postcolonialism or continental philosophy.
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Starr, Ellen Gates. Art and Labour
2010, In The Craft Reader, Glenn Adamson (ed.). Berg Publishers

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Added by: Quentin Pharr and Clotilde Torregrossa
Abstract:
From the canonical texts of the Arts and Crafts Movement to the radical thinking of today's “DIY” movement, from theoretical writings on the position of craft in distinction to Art and Design to how-to texts from renowned practitioners, from feminist histories of textiles to descriptions of the innovation born of necessity in Soviet factories and African auto-repair shops, The Craft Reader presents the first comprehensive anthology of writings on modern craft. Covering the period from the Industrial Revolution to today, the Reader draws on craft practice and theory from America, Europe, Asia and Africa. The world of craft is considered in its full breadth -- from pottery and weaving, to couture and chocolate-making, to contemporary art, architecture and curation. The writings are themed into sections and all extracts are individually introduced, placing each in its historical, cultural and artistic context. Bringing together an astonishing range of both classic and contemporary texts, The Craft Reader will be invaluable to any student or practitioner of Craft and also to readers in Art and Design.
Comment (from this Blueprint): Starr highlights in this selection that art and the entirety of humanity go hand-in-hand. Firstly, she notes that art (at least, the best art) has always been, in great part, an expression of humanity's "common life" and not just an expression of its elite's interests. But, secondly and more importantly, she also argues that humans, regardless of their social status or class, cannot live without beauty in their lives. Striving for art has always been essential to joy in humanity's productive capacities, and those products have always been essential to the retention of humanity's hope in itself through our consumption of it. This selection, in conjunction with Du Bois's, makes salient that, although things are often produced by many of us without art in mind and art is often consumed by relatively few of us, such a state of affairs is ultimately not amenable to producing good societies and happy peoples. Art, as she claims, can and must be by all for all, regardless of social status or class.
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