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Pitts, Andrea J.. Toward an Aesthetics of Race: Bridging the Writings of Gloria Anzaldúa and José Vasconcelos
2014, Inter-American Journal of Philosophy, 5 (1): 80-100

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Added by: Adriana Clavel-Vázquez
Abstract:
This paper examines the relationship between the aesthetic frameworks of José Vasconcelos and Gloria Anzaldúa. Contemporary readers of Anzaldúa have described her work as developing an “aesthetics of the shadow,” wherein the Aztec conception of Nepantilism—i.e. to be “torn between ways”—provides a potential avenue to transform traditional associations between darkness and evil, and lightness and good. On this reading, Anzaldúa offers a revaluation of darkness and shadows to build strategies for resistance and coalitional politics for communities of color in the U.S. To those familiar with the work of Vasconcelos, Anzaldúa’s aesthetics appears to contrast sharply with his conceptions of aesthetic monism and mestizaje. I propose, however, that if we read both authors as supplementing one another’s work, we can see that their theoretical points of contrast and similarity help frame contemporary philosophical discussions of racial perception.

Comment (from this Blueprint): In this paper, Pitts does two things that are relevant for the aims of this blueprint. First, she understands Anzaldúa to be in dialogue with, and as a continuation of, the Latin American philosophical tradition. In this sense, rather than seeing Latinx feminism as emerging simply from an opposition to the Anglo-American intellectual tradition, she sees it as inheriting and furthering a rich Latin American philosophical tradition that, although problematic at times, has plenty to offer to contemporary philosophical thought, and which has been unfortunately ignored for too long. Second, she brings forward the role that aesthetics plays in theorizing about race and mestizo identities in Latin America, and in the constitution of social identities, as well as the centrality of aesthetics in the Latin American philosophical tradition.

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Olliz Boyd, Antonio. The Latin American Identity and the African Diaspora: Ethnogenesis in Context
2010, Cambria Press

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Added by: Adriana Clavel-Vázquez
Publisher’s Note:
Olliz Boyd’s essay examines Blackness in the Latin American literary practices with the aim of showing its centrality to Latin American cultures. He argues that the African heritage of Latin America has been erased as a result of Eurocentric mestizaje. Olliz Boyd first examines this erased heritage in the understanding of race in Latin America and its peculiar processes of racialization, before moving on to centring the analysis on aesthetic practices and literature in particular. Olliz Boyd’s essay examines the erasure of Afro-Latininidad from a perspective that differs from Hooks’ analysis of the erasure of self-identified Afro-Latin communities. He argues that mestizos in general have mixed-race roots that include not just European and Indigenous ancestry, but African as well. The erasure of Afro-Latininidad is, thus, more radical as it involves the negation of an Afro-Latin reality at the heart of mestizaje.

Comment (from this Blueprint): Olliz Boyd’s work brings forward the third root of Latin America: the relevance of the African diaspora for the constitution of Latin American identities. An adequate understanding of the complexity of race in Latin America involves not just understanding the erasure of Afro-Latin communities, but the erasure of the contributions of African cultures to mestizo culture. It might be that the latter erasure partly explains the former.

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Carter, June. La Negra as Metaphor in Afro-Latin American Poetry
1985, Caribbean Quarterly, 31(1): 73–82

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Added by: Adriana Clavel-Vázquez
Abstract:
Carter examines the anti-Black sentiment in Latin American culture and pays particular attention to how, even in negrista poetry aimed at contributing to the fight against oppression of Black people, Black women are used as a symbol of sensuality and primitiveness. The paper argues that when Black women feature in poetry in the figure of la mulata, they are associated with nature and portrayed as inherently evil, sensual and primitive. Moreover, while representations of Black men evolved to focus on their inner consciousness, rather than on their physical attributes, and to combat oppressive imagery and symbolism, la mulata continued being used as a satire aimed at inviting Afro-Latin communities to take positive steps towards improving their social conditions. They were used to advance a criticism for how the anti-Black sentiment at the heart of popular conceptions of mestizaje ends up being internalized by members of Afro-Latin communities, so that Black women are represented as renouncing Blackness and engaging in a “whitening” process.

Comment (from this Blueprint): Carter’s discussion of Afro-Latin women offers a good opportunity to reflect on what an intersectional approach to race in Latin American needs to involve. As evidenced by the analysis of Rosario Castellanos’ Balún Canán, mestizas in Latin American societies face a double displacement: first as being in-between cultures, and second, as not quite part of the mestizo nation. In addition to this condition of mestiza womanhood, Afro-Latin women face another dimension of displacement. They are part of mestizo nations, but, as Black, they are not fully recognised as such; they are part of mestizo nations, but, as women, they are not fully recognised as such; they are part of Afro-Latin communities, but, as women, they are not fully recognised as such.

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Hooker, Juliet. Indigenous Inclusion/Black Exclusion: Race, Ethnicity, and Multicultural Citizenship in Latin America
2005, Journal of Latin American Studies, 37(2): 285-310

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Added by: Adriana Clavel-Vázquez
Abstract:
This article analyses the causes of the disparity in collective rights gained by indigenous and Afro-Latin groups in recent rounds of multicultural citizenship reform in Latin America. Instead of attributing the greater success of indians in winning collective rights to differences in population size, higher levels of indigenous group identity or higher levels of organisation of the indigenous movement, it is argued that the main cause of the disparity is the fact that collective rights are adjudicated on the basis of possessing a distinct group identity defined in cultural or ethnic terms. Indians are generally better positioned than most Afro-Latinos to claim ethnic group identities separate from the national culture and have therefore been more successful in winning collective rights. It is suggested that one of the potentially negative consequences of basing group rights on the assertion of cultural difference is that it might lead indigenous groups and Afro-Latinos to privilege issues of cultural recognition over questions of racial discrimination as bases for political mobilisation in the era of multicultural politics.

Comment (from this Blueprint): Given unjust social conditions faced by Afro-Latin communities in Latin America, it is important to examine the erasure of Afro-Latin identities from narratives about the constitution of mestizo national identities. While Indigenous identities are appropriated as partly constitutive of mestizo identity, Afro-Latin cultures are often regarded by mestizos as that which is Other. This results not only in the exoticization of Afro-Latinidad, but in the lack of available resources to acknowledge and address racial discrimination faced by Afro-Latin groups in many Latin American countries. Moreover, while Latin American cultures are often regarded as the result of Spanish and Indigenous mixing, it hasn’t been until recently that the African diaspora has been acknowledged as the third root of Latin American aesthetic practices.

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Mariátegui, José Carlos. Seven Interpretative Essays on Peruvian Reality
1971, Marjory Urquidi (ed.). University of Texas Press

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Added by: Adriana Clavel-Vázquez
Publisher’s Note:
In this essay, Mariátegui offers an analysis of Peruvian literary practices and a criticism of some of its central figures. He argues that what has been construed as a “national literature” erases the contributions of Indigenous cultures to Peruvian identity, and, in doing so, it partly contributes to the marginalization of Indigenous Peruvians.

Comment (from this Blueprint): Mariátegui’s criticism of the Latin American literary canon is interesting because he brings forward the way in which Eurocentric mestizaje has shaped the aesthetic practices that are regarded as constitutive of Latin American identity. Much like Adrian Piper’s criticism of critical hegemony in the arts, Mariátegui argues that the Latin American literary canon is built on “Hispanism, colonialism, and social privilege” that is passed as a neutral academic spirit. Mariátegui shows, therefore, how even in mestizaje taste remains racialized.

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Quijano, Aníbal. Coloniality of Power and Eurocentrism in Latin America
2000, International Sociology, 15 (2): 215-232

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Added by: Adriana Clavel-Vázquez
Abstract:
The globalization of the world is, in the first place, the culmination of a process that began with the constitution of America and world capitalism as a Euro-centered colonial/modern world power. One of the foundations of that pattern of power was the social classification of the world population upon the base of the idea of race, a mental construct that expresses colonial experience and that pervades the most important dimensions of world power, including its specific rationality: Eurocentrism. This article discusses some implications of that coloniality of power in Latin American history.

Comment (from this Blueprint): The coloniality of power at the centre of Latin American societies as analysed by Quijano is key to understanding why a notion like mestizaje is problematic when building national identities in multicultural States. Quijano’s notion of the coloniality of power helps explain why even when Latin American identities are purported to include Indigenous and Black culture, mestizaje often involves the “civilizing” force of European rationality. Quijano, therefore, helps in bringing forward the dangers of mestizophilia: the pseudo-integrative spirit of mestizaje into multiethnic, multicultural, multiracial society risks becoming a homogenization under whiteness.

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Melfi, Theodore. Hidden Figures
2016, [Feature film], 20th Century Fox.

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Added by: Fenner Stanley Tanswell
Abstract:
The story of a team of female African-American mathematicians who served a vital role in NASA during the early years of the U.S. space program.

Comment (from this Blueprint): This film depicts a historical biopic of African American female mathematicians working at NASA in the 1960s, focusing on the story of Katherine Johnson. In it, the plot depicts struggles with racism and sexism, as well as the impacts of the move from human calculation to the use of computers.

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Blyden, Edward Wilmot. Christianity, Islam, and the Negro Race
1887, Black Classic Press

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, Contributed by: Quentin Pharr
Publisher’s Note:
A native of St. Thomas, West Indies, Edward Wilmot Blyden (1832-1912) lived most of his life on the African continent. He was an accomplished educator, linguist, writer, and world traveler, who strongly defended the unique character of Africa and its people. Christianity, Islam and the Negro Race is an essential collection of his writings on race, culture, and the African personality.

Comment: This collection of essays is seminal in the intellectual foundations of Pan-Africanism, African Islamism, African Anti-colonialism, the Back-to-Africa Movement, and the educational revival in Liberia/West Africa. The essays are great for courses on African thought, or African anti-colonialism/postcolonialism. They would also be excellent companion texts for reading Marcus Garvey or Kwame Nkrumah, or vice versa.

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Lewis Gordon. An Introduction to Africana Philosophy
2008, Cambridge University Press

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Added by: Sara Peppe, Contributed by: Jonathan Egid
Publisher’s Note:

In this undergraduate textbook Lewis R. Gordon offers the first comprehensive treatment of Africana philosophy, beginning with the emergence of an Africana (i.e. African diasporic) consciousness in the Afro-Arabic world of the Middle Ages. He argues that much of modern thought emerged out of early conflicts between Islam and Christianity that culminated in the expulsion of the Moors from the Iberian Peninsula, and from the subsequent expansion of racism, enslavement, and colonialism which in their turn stimulated reflections on reason, liberation, and the meaning of being human. His book takes the student reader on a journey from Africa through Europe, North and South America, the Caribbean, and back to Africa, as he explores the challenges posed to our understanding of knowledge and freedom today, and the response to them which can be found within Africana philosophy.

Comment: The single best short introduction to the subject, for use in any context that requires quick acquaintance with these ideas and thinkers of the African context.

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Alena Rettová. Afrophone Philosophy: Reality and Challenges
2007, Středokluky: Zdeněk Susa

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Added by: Sara Peppe, Contributed by: Jonathan Egid
Publisher’s Note:

The point of departure of this publication is philosophy, more precisely African philosophy and the question of the possibility of using African languages in philosophical discourse. This book sees Afrophone literatures as a prominent locus of philosophical discourse in African cultures. In its eleven chapters, the book investigates literary works in African languages and reads them with respect to their contribution to philosophy. Studying Swahili, Ndebele, Shona, Bambara, Yoruba and Lingala literatures, we have found philosophical insights which sometimes amount to no more than philosophical commonplaces, but occasionally make highly original contributions to philosophy. The deeper we penetrated into Afrophone discourses, the more remote became the departure point. The issue of "philosophies in African languages" was both methodologically and empirically settled, and we found ourselves looking for "a philosophy for Afrophone literatures". Philosophy became more of a tool than a goal in this process: it has the conceptual inventory to articulate the insights found in Afrophone literatures. Drawing on both Western and African philosophical traditions, with their concepts and conceptual frameworks, provides these new articulations with the necessary distance to secure a creative reflexion of the literary texts, developing their theme and showing them in a broader context of intellectual history. This book examines literatures in six African languages, from several regions within Bantu Africa (Swahili, Lingala, Shona, Ndebele) and from West Africa (Bambara, Yoruba). With the exception of Yoruba, where (although we know the language to some extent) we used texts collected and translated by other researchers, we have always relied on original texts written (and mostly also published) by their authors.

Comment: A great survey of general approaches to African philosophy in many languages, at the cutting edge of modern research. Great for classes on philosophy and literature or on introductions to global thought best discussed alongside the primary texts it discusses.

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