Diversity Reading List

Abstract: This essay responds to a (1991) Tanner Lecture by Rorty in which he criticizes 'universalist-realist' views in ethics, as exemplified by the work of Lovibond up to 'Feminism and Postmodernism' (where he is discussed, along with Alasdair MacIntyre and Jean-Francois Lyotard, as a specimen postmodern thinker), and promotes his pragmatist philosophy as a congenial intellectual basis for feminism. The essay questions the claims of pragmatism in this respect, and reflects more generally on issues of realism, essentialism, conceptual innovation, and legitimation. It argues that to acknowledge the historically situated character of human existence is not to give up on the idea of an ethically orientated politics. Likewise, it suggests that the risk of flawed or irresponsible generality in political discourse is not all located on the side of realism. Finally, some consideration is given to the notion of gendered identity as a basis for feminist consciousness.

Abstract: In this paper I argue that Poincare's acceptance of the atom does not indicate a shift from instrumentalism to scientific realism. I examine the implications of Poincare's acceptance of the existence of the atom for our current understanding of his philosophy of science. Specifically, how can we understand Poincare's acceptance of the atom in structural realist terms? I examine his 1912 paper carefully and suggest that it does not entail scientific realism in the sense of acceptance of the fundamental existence of atoms but rather, argues against fundamental entities. I argue that Poincare's paper motivates a non-fundamentalist view about the world, and that this is compatible with his structuralism.

Abstract: A work of rare insight and irreverence, Hipparchia's Choice boldly recasts the history of philosophy from the pre-Socratics to the post-Derrideans as one of masculine texts and male problems. The position of women, therefore, is less the result of a hypothetical "femininity" and more the fault of exclusion by men. Nevertheless, women have been and continue to be drawn to "the exercise of thought." So how does a female philosopher become a conceptually adventurous woman? Focusing on the work of Sartre and Beauvoir (specifically, his sexism and her relation to it), Michele Le Doeuff shows how women philosophers can reclaim a place for feminist concerns. Is The Second Sex a work of philosophy, and, if so, what can it teach us about the relation of philosophy to experience? Now with a new epilogue, Hipparchia's Choice points the way toward a discipline that is accountable to history, feminism, and society.

Abstract: Poincare is well known for his conventionalism and structuralism. However, the relationship between these two theses and their place in Poincare's epistemology of science remain puzzling. In this paper I show the scope of Poincare's conventionalism and its position in Poincare's hierarchical approach to scientific theories. I argue that for Poincare scientific knowledge is relational and made possible by synthetic a priori, empirical and conventional elements, which, however, are not chosen arbitrarily. By examining his geometric conventionalism, his hierarchical account of science and defence of continuity in theory change, I argue that Poincare defends a complex structuralist position based on synthetic a priori and conventional elements, the mind-dependence of which precludes epistemic access to mind-independent structures.

Abstract: What is it like to be a bat? This is one of the most famous questions ever asked in the history of consciousness studies. First posed in 1950 it was made famous in a 1974 paper of that name by American philosopher Thomas Nagel. Nagel argued that understanding how mental states can be neurons firing inside the brain is a problem quite unlike understanding how water canbe H2O, or how genes can be DNA. 'Consciousness is what makes the mind-body problem really intractable,' he said (Nagel, 1974: 435; 1979:165), and by consciousness he meant subjectivity. To make this clear he asked 'What is it like to be a bat?'. Do you think that your cat is conscious? Or the birds outside in the street? Perhaps you believe that horses are conscious but not worms, or living creatures but not stones. We shall return to these questions (Chapter 12) but here let's consider what it means to say that another creature is conscious. If you say that the stone is not conscious you probably mean that it has no inner life and no point of view; that there is nothing it is like to be the stone. If you believe that the neighbour's vicious bloodhound, or the beggar you passed inthe subway, is conscious, then you probably mean that they do have a point of view; there is something it is like to be them. As Nagel put it, when we say that another organism is conscious we mean that 'there is something it is like to be that organism . . . something it is like for the organism' (1974: 436); 'the essence of the belief that bats have experience is that there is something that it is like to be a bat' (ibid.: 438). This is probably the closest we can come to a definition of consciousness - that consciousness is subjectivity, or 'what it is like to be . . .'. Here we must be careful with the phrase 'what it is like . . .'. Unfortunately there are at least two meanings in English. We might say 'this ice cream tastes like rubber' or 'lying on a beach in the sun is like heaven'. In this case we are comparing things, making analogies, or saying what they resemble. This is not what Nagel meant. The other meaning is found in such questions as: What is it like to work at McDonald's? What is it like to be able to improvise fugues at the keyboard?...to be someone inconceivably more intelligent than yourself?...to be a molecule, a microbe, a mosquito, an ant, or an ant colony? (Hofstadter and Dennett, (1981: 404-5), pose many more such provocative questions.) In other words, what is it like from the inside? Now, imagine being a bat. A bat's experience must be very different from that of a human. For a start the bat's sensory systems are quite different, which is why Nagel chose the bat for his famous question. Bats' brains, lives and sensesare well understood (Akins, 1993; Dawkins, 1986). Most use either sound or ultrasound for echolocation. That is, they detect objects by emitting rapid high-pitched clicks that bounce off any objects in the vicinity and then measuring the time taken for the echo to return. Natural selection has found ingenious solutions to the many interesting problems posed by echolocation. Some bats cruise around emitting clicks quite slowly so as not to waste energy, but then when they are homing in on prey or approaching a potential danger, they speed up. Many have mechanisms that protect their ears from the loud blastof each click and then open them to receive the faint echo. Some use the Doppler shift to work out their speed relative to prey or other objects. Others sort out the mixed-up echoes from different objects by emitting downward-swooping sounds. The echoes from distant objects take longer to come back and therefore sound higher than the echoes from nearer objects. In this way we can imagine that a whole bat world is built up in which higher sounds mean distant objects and lower sounds mean nearer objects. What would this be like? According to Oxford biologist Richard Dawkins (1986; see Profile, Chapter 10), it might be like seeing is for us. We humans do not know, or care, that colour is related to wavelength or that motion detection is carried out in the visual cortex. We just see the objects out there in depth and colour. Similarly the bat would just perceive the objects out there in depth, and perhaps even in some batty, sonar, version of colour. Living in this constructed world would be what it is like to be the bat. But can we ever know what it would really be like for the bat? As Nagel pointed out, the question is not answered by trying to imagine that you are a bat. This will not do. It is no good hanging upside down in a darkened room, making little clicks with your tongue and flapping your arms like wings. Perhaps if you could magically be transformed into a bat you would know. But even this won't do. For if you were a bat, the bat in question would notbe an ordinary bat - what with having your memories and your interest inconsciousness. But if you became an ordinary bat then this bat would have no understanding of English, no ability to ask questions about consciousness, and could not tell us what it was like. So we cannot know what it is like to be a bat even if we believe that there is something it is like to be a bat. Nagel's question clarifies the central meaning of the term 'consciousness'. It is what the American philosopher Ned Block (1995) calls 'phenomenal consciousness' or phenomenality. He explains that 'Phenomenal consciousness isexperience; what makes a state phenomenally conscious is that there is something 'it is like' to be in that state.' He distinguishes this from 'access consciousness', which is 'availability for use in reasoning and rationally guiding speech and action' (Block, 1995: 227). We will return to this distinction (Chapter 18), and consider issues to do with availability, but 'phenomenal consciousness' is what this book is all about. So what is it like to be you now? Everything I have said so far implies that there is, uncontroversially, something it is like to be you now - that the problems only begin when you start asking about what it is like to be someone orsomething else. But is this right? A thoroughly sceptical approach would meanquestioning even this. I urge you to do this chapter's 'Practice' and become a little more familiar with what it is like to be you.

Abstract: In (Chalmers, 1996), David Chalmers influentially argued that if physicalism is true then every positive truth is a priori entailed by the full physical description—this is called 'the a priori entailment thesis'. However, ascriptions of phenomenal consciousness are not so entailed and thus he concludes that Physicalism is false. As he puts it, 'zombies' are metaphysically possible. I attempt to show that this argument is refuted by considering an analogous argument in the mouth of a zombie. The conclusion of this argument is false so one of the premises is false. I argue at length that this shows that the original conceivability argument also has a false premise and so is invalid.

Abstract: The paper discusses the utility of the notion of consciousness for the behavioural and brain sciences. It describes four distinctively different senses of 'conscious', and argues that to cope with the heterogeneous phenomena loosely indicated thereby, these sciences not only do not but should not discuss them in terms of 'consciousness'. It is thus suggested that 'the problem' allegedly posed to scientists by consciousness is unreal; one need neither adopt a realist stance with respect to it, nor include the term and its cognates in the sciences' conceptual apparatus. The paper briefly examines Nagel's [1974] article, since this presents the strongest counter to the thesis proposed

Abstract: Many philosophical disputes, most prominently disputes in ontology, have been suspected of being merely verbal and hence pointless. My goal in this paper is to offer an account of merely verbal disputes and to address the question of what is problematic with such disputes. I begin by arguing that extant accounts that focus on the semantics of the disputed statement S (Chalmers, Hirsch, Sider) do not capture the full range of cases as they might arise in philosophy. Moreover, these accounts bring in heavy theoretical machinery. I attempt to show that we can capture the full range of cases with an approach that is theoretically lightweight. This approach explains verbal disputes as a pragmatic phenomenon where parties use the same utterance type S with different speaker's meaning. Moreover, it provides an answer to the crucial question Jackson's (Erkenntnis 79:31-54, 2014) pragmatic account leaves, at best, highly implicit. Based on my account, we can distinguish between different ways in which disputes can be verbal and different extents to which they are defective. Distinguishing between these varieties of verbalness furthermore allows us to specify what kind of substantive issues remain to be discussed once the linguistic confusion is resolved.

Abstract: It is argued that it is important for cognitive scientists to understand both the precise nature of RTM, and the challenges to it. The biggest foundational challenge is to develop an adequate naturalistic theory of how representational content is determined. Philosophers have proposed several ingenious theory-sketches of content determination but none accounts for the full range of semantic features mental representations arguably have. Another major challenge is the existence of non-representational competitor research programs. A likely future scenario is that we will be able to explain certain 'low-level' aspects of cognition without resort to representations but that representational hypotheses will still be needed to account for the intentionality-based features of cognition and 'representation hungry' higher-level processes.

Abstract: The diversity and increasing number of recent artistic collaborations raise new and substantive philosophical questions about the nature of authorship. In the past, the problems surrounding the authorship of collaboratively produced art were tackled primarily by film theorists, who defended the conservative view that films were on a par with other artworks, having a single author. Fortunately, this is starting to change. Recently, a number of theorists, including Berys Gaut, Paisley Livingston, and C. Paul Sellors, have argued, contra auteur theory, that films (and many other artworks) are the product of multiple authors.1 Livingston and Sellors draw on recent theories of collective intentionality, specifically theories of shared intention, in order to develop their theories of coauthorship. Although we agree entirely with this anti?individualistic movement, we think there are problems with the accounts of coauthorship on offer. Some of the accounts are too weak, failing to distinguish between mere contributors and genuine coauthors, while others rely on a theory of shared intention that does not adequately account for the range and complexity of artistic collaborations present in contemporary art. Fortunately, there is an alternative theory of collective intentionality that has yet to be considered as a point of departure in developing an account of coauthorship: Margaret Gilbert's plural subject theory. We argue that her theory provides for an account of coauthorship that successfully distinguishes between mere contributors and coauthors. It also makes sense of a number of actual cases of collaboratively produced art in which intuitively the group, rather than any set of individuals, is the author. In Section I, we rehearse Gaut's arguments against auteur theory and explain why Gaut's account of multiple authorship is problematically overpermissive. In Section II, we consider Livingston and Sellors's attempts to develop an account of coauthorship that relies on the theories of shared intentions by Michael Bratman and John Searle, respectively. Both accounts are ultimately problematic in different ways. In Section III, we turn to Margaret Gilbert's plural subject theory. At the heart of Gilbert's theory is the notion of a joint commitment. We develop a theory of coauthorship that appeals to the notion of a joint commitment, and then we show how it helps us to distinguish between mere contributors and genuine coauthors. We also present a number of actual cases of collaboratively produced art and show how Gilbert's plural subject theory can accommodate these cases in a way that other accounts of coauthorship cannot.