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Added by: Laura JimenezSummary: In this paper, Vetter looks at the argument for Dispositional Essentialism (DE) that has been put forward by A. Bird in his recent book Nature's Metaphysics. Bird's overall argument comes in two parts, one negative and one positive, which together are to establish DE as the best contender for a theory of properties and laws. Vetter argues that, even if all their particular steps go through, both parts of the argument have significant gaps. The negative argument, if successful, shows that at least one property has an essence, but not that any property has a dispositional essence. The positive argument, which aims to demonstrate the explanatory power of DE, fails to take account of the quantitative nature of the fundamental natural properties and laws. The paper finishes by suggesting a revision of DE's doctrine that might solve the latter problem, but yet remains to be spelled out.Comment: This paper explores in detail the metaphysics of dispositions. It is a good secondary reading for those who have already read Armstrong or Alexander Bird. Vetter writes in a very clear way, but a basic background in metaphysics might be needed to fully understand the paper. This reading is then more suitable for postgraduate courses in metaphysics or philosophy of science.
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Added by: Laura JimenezAbstract: Dispositions are modal properties. The standard conception of dispositions holds that each disposition is individuated by its stimulus condition(s) and its manifestation(s), and that their modality is best captured by some conditional construction that relates stimulus to manifestation as antecedent to consequent. In this paper Vetter proposes an alternative conception of dispositions: each disposition is individuated by its manifestation alone, and its modality is closest to that of possibility - a fragile vase, for instance, is one that can break easily. The view is expounded in some detail and defended against the major objections.Comment: This article serves as a complementary reading for the book Potentiality: From Dispositions to Modality, or as a replacement for those who are only interested in Vetter's analysis of dispositions and not in her entire theory of potentialities. Recommendable for postgraduate courses in philosophy of language, metaphysics or philosophy of science.
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Added by: Andrea Blomqvist, Contributed by: Rosa VinceAbstract: This paper defends the claim that there are two previously underexplored ways in which pornography silences women. These ways that pornography silences are (1) the smothering of refusal and (2) the smothering of sexual assault reports, and they can be explained in part through Kristie Dotson’s account of “testimonial smothering.” Unlike the work of other writers in the pornography as silencing literature, my discussion of silenced refusal of sex deals with the cases where women have said yes to sex but would have said no if they had felt that they could have. I show that this, and cases where women do not report sexual assault, count as testimonial smothering through identifying rape myths as a species of “pernicious ignorance.” I make the connection to pornography in presenting evidence that pornography contributes to acceptance of rape myths. This takes us to my general conclusion: Dotson’s account of testimonial smothering gives us a way in which pornography contributes to the silencing of women, by silencing their refusal of sex and their reports of sexual assault.Comment: This paper can be used as a stand-alone argument for how some pornography might silence women, or can be viewed as part of the literature on silencing and pornography; as an alternative strategy to Rae Langton's approach, using Kristie Dotson's work instead of J L Austin's. It can also be used as an example of how Kristie Dotson's work on Testimonial Injustice has broad application.
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Added by: Clotilde Torregrossa, Contributed by: Simon FoktAbstract: It is argued that it is important for cognitive scientists to understand both the precise nature of RTM, and the challenges to it. The biggest foundational challenge is to develop an adequate naturalistic theory of how representational content is determined. Philosophers have proposed several ingenious theory-sketches of content determination but none accounts for the full range of semantic features mental representations arguably have. Another major challenge is the existence of non-representational competitor research programs. A likely future scenario is that we will be able to explain certain 'low-level' aspects of cognition without resort to representations but that representational hypotheses will still be needed to account for the intentionality-based features of cognition and 'representation hungry' higher-level processes.
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Added by: Simon Fokt, Contributed by: Simone Webb
Introduction: Mary Wollstonecraft (1759-1797) is established in the popular imagination as the “first feminist,” but another philosopher provided a systematic analysis of women’s subjugated condition and a call for female education nearly a century before Wollstonecraft’s A Vindication of the Rights of Woman (1792). Mary Astell’s (1666-1731) A Serious Proposal to the Ladies, for the Advancement of their True and Greatest Interest by a Lover of Her Sex, Parts I and II (1694, 1697) is a philosophical text that argues that women are in an inferior moral condition compared to men, analyses the causes of this problem, and presents a two-part remedy.
Comment: This is a 1000-word introductory article to Mary Astell's feminist thought as expressed in her philosophical treatise A Serious Proposal to the Ladies. It would work well as pre-class reading, or a very basic introduction to the study of the history of feminist thought or women in early modern philosophy.
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Added by: Deryn Mair ThomasAbstract:
In this essay, Weil undertakes a meditation on the idea of “reading”, which she thinks can shed new light on a diverse range of conceptual and experiential “mysteries”, especially with respect to our existential responses to the world. A central concern is how we ascribe meaning and respond to phenomena. She argues that, for the most part, our reading of the world and the things in it are immediate, not subject to “interpretation”, at least as this is regularly conceived. Further, Weil says, our readings of the world are invariably tied to particular kinds of valuation, of ethical assessment and orientation, which appear to us as both obvious and immediate. This immediacy of reading, however, does not entail that our readings cannot be changed or challenged—only that such a change or challenge requires a particular kind of labor.
Comment: This is a unique and original analysis of the experience and phenomena of perception and its relation to ethical evaluation. It constitutes a distinct contribution to the philosophical literature, in part, because the ideas developed by Weil in the essay were original to her and not in response to any other thinker. The essay also showcases a somewhat idiosyncratic style of philosophical methodology that was unique to Weil - a blend of continental style, treating philosophy as poetic prose, and analytic method, laying out an argument in sequential premises which lead the reader towards a conclusion. As such, it might constitute an interesting contribution to a course that examines alternative philosophical methodologies, or underexplored women of 20th century western philosophy. It could also be used as an alternative text in intermediate courses on the philosophy of perception and sensation.
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Added by: Deryn Mair ThomasPublisher’s Note:
In The Need for Roots, her most famous book, Weil reflects on the importance of religious and political social structures in the life of the individual. She wrote that one of the basic obligations we have as human beings is to not let another suffer from hunger. Equally as important, however, is our duty towards our community: we may have declared various human rights, but we have overlooked the obligations and this has left us self-righteous and rootless. Published posthumously, The Need for Roots was a direct result of Weil's collaboration with Charles De Gaulle, where Weil set out to address the past and to propose a road map for the future of France after World War II. She painstakingly analyzes the spiritual and ethical milieu that led to France's defeat by the German army, and then addresses these issues with the prospect of eventual French victory.
Comment: This text offers a unique and original analysis of the duty to uphold community, and the bearing of community on the life of the individual. As with much of Weil's writing, the series of essays constitute a distinct contribution to the philosophical literature, in part, because they showcase a somewhat idiosyncratic style of philosophical methodology that was unique to Weil - a blend of continental style, treating philosophy as poetic prose, and analytic method, laying out an argument in sequential premises which lead the reader towards a conclusion. As such, it might constitute an interesting contribution to a course on political philosophy, by offering an alternative approach outside of 20th century canon to examining basic human rights and collective obligations. In addition, it could also be used as supplemental text in courses examines alternative philosophical methodologies, especially in political philosophy (for example, it could be paired with work by Hannah Arendt) or underexplored women of 20th century western philosophy.
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Added by: Deryn Mair ThomasAbstract:
Comment: This text provides a novel analysis of the concept of attention and explores the role that education plays in cultivating the capacity to attend. Weil is especially interested in the relationship between attention and spiritual meditation (which she refers to as prayer) but the implications of her analysis reach well beyond the religious sphere. Her approach, as was true in the case with most of her philosophy, is idiosyncratic, employing both analytic and continential elements. As a result, the essay could be used in any course or reading group that was interested in studying alternative philosophical methodologies, or underexplored philosophical topic areas. This essay in particular is fairly short, so with careful attention and some guidance, could be used for introductory level students - but there is more than enough philosophical content for it to provide fruitful discussion to more advanced groups.
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Added by: Hans MaesSummary: Posits that aesthetic value has only rarely been the primary inspiration in the commissioning, display, and reception of portraits. Discusses the different functions that portraits and portrait collections have fulfilled. Includes sections on the portrait as biography, the portrait as document, the portrait as proxy and gift, the portrait as commemoration and memorial, the portrait as political tool.Comment: A central text for classes on portraiture. Very useful in any classes focusing on non-aesthetic function of art.
Artworks to use with this text:
Anonymous, after an engraving by Simon Van de Passe, Pocahontas (after 1616)
Words painted on a portrait were often important in establishing the authenticity of the likeness, but in this case that claim is misleading, as this portrait was a third-hand image. Moreover, Pocahantos is depicted as white, described as a Christian convert, and principally identified as the wife of John Rolfe.
Jean-Étienne Liotard, Portrait of Maria Frederike van Reede-Athlone at 7 years of age (1755-6)
Because pastel portraits rendered the person both lifelike and seemingly touchable, they potentially had an erotic and fetishistic quality and were collected obsessively. A central text for classes on portraiture. Very useful in any classes focusing on non-aesthetic function of art.
Artworks to use with this text:
Anonymous, after an engraving by Simon Van de Passe, Pocahontas (after 1616)
Words painted on a portrait were often important in establishing the authenticity of the likeness, but in this case that claim is misleading, as this portrait was a third-hand image. Moreover, Pocahantos is depicted as white, described as a Christian convert, and principally identified as the wife of John Rolfe.
Jean-Étienne Liotard, Portrait of Maria Frederike van Reede-Athlone at 7 years of age (1755-6)
Because pastel portraits rendered the person both lifelike and seemingly touchable, they potentially had an erotic and fetishistic quality and were collected obsessively.
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Added by: Hans MaesSummary: The gender of both artist and sitter needs to be taken into account when considering the history of portraiture. Explores how and why women were often portrayed in certain roles (as goddesses, historical or religious figures, allegorical embodiments of abstract notions). Discusses why many women artists before the 20th century were portraitists and considers a few examples. Also highlights changing notions of masculinity in portraiture.Comment: Useful in aesthetics classes discussing portraiture, depiction and representation, as well as philosophy of gender classes discussing representations of women.
Artworks to use with this text:
Lotte Laserstein, Self-Portrait with Cat (1928) vs Otto Dix, Portrait of the Journalist Sylvia von Harden (1926)
Both portraits were painted in 1920s Germany by artists linked to the New Objectivity art movement. Still, there is a notable difference between the 'objective' view of the male artist and the subjective self-image of the woman artist.
Elizabeth Siddal, Self-Portrait (1854)
There's a marked contrast between the unhappiness and fatigue visible in this self-portrait and the beauty and eroticism in Dante Gabriel Rossetti's Beata Beatrix (c.1862) in which he transfers the ideal qualities of Dante's Beatrice into the real portrait of Siddal.
Artemisia Gentileschi, Self-Portrait as "La Pittura" (c. 1630)
It could be said that the artist is complicit in the tendency of portraitists to generalize their women subjects as she embodied herself as the allegory of Painting. Nevertheless, Artemisia does not show herself in an idealized way and by self-consciously manipulating a set of conventions makes a unique contribution to the corpus of self-portraiture. Useful in aesthetics classes discussing portraiture, depiction and representation, as well as philosophy of gender classes discussing representations of women.
Artworks to use with this text:
Lotte Laserstein, Self-Portrait with Cat (1928) vs Otto Dix, Portrait of the Journalist Sylvia von Harden (1926)
Both portraits were painted in 1920s Germany by artists linked to the New Objectivity art movement. Still, there is a notable difference between the 'objective' view of the male artist and the subjective self-image of the woman artist.
Elizabeth Siddal, Self-Portrait (1854)
There's a marked contrast between the unhappiness and fatigue visible in this self-portrait and the beauty and eroticism in Dante Gabriel Rossetti's Beata Beatrix (c.1862) in which he transfers the ideal qualities of Dante's Beatrice into the real portrait of Siddal.
Artemisia Gentileschi, Self-Portrait as "La Pittura" (c. 1630)
It could be said that the artist is complicit in the tendency of portraitists to generalize their women subjects as she embodied herself as the allegory of Painting. Nevertheless, Artemisia does not show herself in an idealized way and by self-consciously manipulating a set of conventions makes a unique contribution to the corpus of self-portraiture.