Gannett, Lisa. Echoes From the Cave: Philosophical Conversations Since Plato
2014, Oup Canada.
-
Expand entry
-
Added by: Clotilde Torregrossa, Contributed by: Simon FoktPublisher's Note: Echoes from the Cave: Philosophical Conversations since Plato is an anthology of classic and contemporary readings in philosophy compiled to introduce students to the main problems discussed by philosophers past and presentComment: This is an anthology of texts on central topics in philosophy, many of which might be suitable for the DRL.
Garavaso, Pieranna. The Woman of Reason: On the Re-appropriation of Rationality and the Enjoyment of Philosophy
2015, Meta-Philosophical Reflection on Feminist Philosophies of Science, pp.185-202.
-
Expand entry
-
Added by: Franci MangravitiAbstract:
This paper starts out from two feminist criticisms of classical logic, namely Andrea Nye’s general rejection of logic and Val Plumwood’s criticism of the standard notion of negation in classical logic. I then look at some of Gottlob Frege’s reflections on negation in one of his later Logical Investigations. It will appear clear that Frege’s notion of negation is not easily pegged in the general category of ‘Otherness’ that Plumwood uses to characterize negation in classical logic. In the second half of the paper, I discuss the claim that the adversarial method of argumentation in philosophy is hostile to feminist goals and perhaps responsible for the low numbers of women engaged in academic philosophy. Against this hypothesis, I claim that a more naturalistic perspective on logic can avoid essentialism and provide a feminist friendly and pluralist view of logic, human reasoning, and philosophical argumentation.
Comment: available in this Blueprint
Garcia, Jorge L. A.. Health versus Harm: Euthanasia and Physicians’ Duties
2007, Journal of Medicine and Philsophy, 31 (1): 7-24.
-
Expand entry
-
Added by: Rochelle DuFordAbstract: This essay rebuts Gary Seay's efforts to show that committing euthanasia need not conflict with a physician's professional duties. First, I try to show how his misunderstanding of the correlativity of rights and duties and his discussion of the foundation of moral rights undermine his case. Second, I show aspects of physicians' professional duties that clash with euthanasia, and that attempts to avoid this clash lead to absurdities. For professional duties are best understood as deriving from professional virtues and the commitments and purposes with which the professional as such ought to act, and there is no plausible way in which her death can be seen as advancing the patient's medical welfare. Third, I argue against Prof. Seay's assumption that apparent conflicts among professional duties must be resolved through 'balancing' and argue that, while the physician's duty to extend life is continuous with her duty to protect health, any duty to relieve pain is subordinate to these. Finally, I show that what is morally determinative here, as throughout the moral life, is the agent's intention and that Prof. Seay's implicitly preferred consequentialism threatens not only to distort moral thinking but would altogether undermine the medical (and any other) profession and its internal ethics.Comment: This text will mostly be of use to advanced students (or courses) focusing on the ethics of physician assisted suicide or euthanasia. It presents a detailed rebuttal to Seay's "Euthanasia and Physicians' Moral Duties," so it will be of most use to students who have read Seay's text or are deeply familiar with defenses of euthanasia based in consequentialist moral reasoning.
Garcia, Laura. Ontological Arguments for God’s Existence
2017, in Kelly James Clark (ed.) Readings in the Philosophy of Reigion - Third Edition. Broadview Press.
-
Expand entry
-
Added by: Emily PaulSummary: A clear introduction to the Ontological Argument for God's existence, and different versions of it.Comment: A nice introduction to the Ontological Argument, suitable for an introductory philosophy of religion course. Would work as either a primary or secondary reading, depending on how much attention you want to give to the ontological argument.
Garcia, Laura. Teleological and Design Arguments
2008, in Charles Taliaferro & Philip Quinn (eds.) A Companion to the Philosophy of Religion, Second Edition. Wiley-Blackwell: 375-384.
-
Expand entry
-
Added by: Emily PaulSummary: This chapter takes you through the history of teleological arguments and an analysis of them: beginning with traditional teleological arguments and their origins, and moving to discuss modern day 'fine tuning' and 'many worlds' arguments. Along the way, Garcia considers criticisms of these various arguments.Comment: An excellent and thorough introduction to the Teleological Argument, suitable for an introductory philosophy of religion course as a core reading. It could be good to ask students to compare classical 'design' arguments with 'fine-tuning' arguments, based on their reading of Garcia.
Garland-Thomson, Rosemarie. Picturing People with Disabilities: classical portraiture as reconstructive narrative
2010, in: Richard Sandell, Jocelyn Dodd, & Rosemarie Garland-Thomson, Re-presenting Disability: Activism and Agency in the Museum, London: Routledge, pp. 179-193.
-
Expand entry
-
Added by: Hans MaesSummary: Provides a close reading of formal portraits of people with disabilities. Focuses on the fundamental elements of traditional portraiture: frame, pose, costume, likeness. Central argument: a conservative representational genre can act in the service of a progressive politics. Through framing, pose, costume, and likeness portraits accord dignity, authority, and symbolic capital to disabled subjects.Comment: Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.
Artworks to use with this text:
Doug Auld, Shayla (2005) Portrait of a black woman with significant burn scars
Compared and contrasted with Gilbert Stuart's portrait of George Washington (1810).
Sasha Newley, Christopher Reeve (2004)
Juxtaposed with earlier iconic portraits of the 'man of steel'.
Marc Quinn, Alison Lapper Pregnant (2006)
Powerfully asserting that a woman with significant disabilities who is evidently sexual, about to become a mother, is worthy of being seen on the Fourth Plinth in Trafalgar Square. Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.
Artworks to use with this text:
Doug Auld, Shayla (2005) Portrait of a black woman with significant burn scars
Compared and contrasted with Gilbert Stuart's portrait of George Washington (1810).
Sasha Newley, Christopher Reeve (2004)
Juxtaposed with earlier iconic portraits of the 'man of steel'.
Marc Quinn, Alison Lapper Pregnant (2006)
Powerfully asserting that a woman with significant disabilities who is evidently sexual, about to become a mother, is worthy of being seen on the Fourth Plinth in Trafalgar Square.
Gendler, Tamar. Intuition, Imagination, and Philosophical Methodology
2010, Oxford: Oxford University Press.
-
Expand entry
-
Added by: Jie GaoPublisher's Note: This volume consists of fourteen chapters that focus on a trio of interrelated themes. First: what are the powers and limits of appeals to intuition in supporting or refuting various sorts of claims? Second: what are the cognitive consequences of engaging with content that is represented as imaginary or otherwise unreal? Third: what are the implications of these issues for the methodology of philosophy more generally? These themes are explored in a variety of cases, including thought experiments in science and philosophy, early childhood pretense, self?deception, cognitive and emotional engagement with fiction, mental and motor imagery, automatic and habitual behavior, and social categorization.Comment: The book contains fourteen previously published essays. The first six essays are on thought experiments and the use of the imagination therein. Mainly, these essays take up the tasks of explaining how thought experiments produce novel beliefs and explaining whether and how thought experiments justify beliefs. Those are good papers for teachings on methodology of philosophy and intuitions. The next six essays are on imagination in general: its nature, its role in motivating action and producing emotion, and its relations to other mental states. It covers a range of topics including the paradox of fictional emotions and the nature of self-deception, the puzzle of imaginative resistance, the problem of the precipice. The topic of the last two essays is a mental state called "alief" which are highly relevant materials for teachings on mental states in action, implicit bias and etc.
Gendler, Tamar. The Puzzle of Imaginative Resistance
2000, Journal of Philosophy 97 (2):55-81
-
Expand entry
-
Added by: Andrea Blomqvist, Contributed by: Christy Mag UidhirAbstract: This chapter presents and discusses the puzzle of imaginative resistance: the puzzle of explaining our comparative difficulty in imagining fictional worlds that we take to be morally deviant. It suggests that the primary source of imaginative resistance lies not in our inability to imagine morally deviant situations, but in our unwillingness to do so. This diagnosis is then used to illuminate the nature of imagination itself: unlike belief, the contents of imagination are not restricted to those things we take to be true; but unlike mere supposition, imagination involves a certain sort of engaged participation on the part of the imaginer. The chapter also includes a brief discussion of the issue of truth‐in‐fiction. The author's views on the puzzle are contrasted with those of David Hume, Richard Moran, and Kendall Walton.Comment: Gendler argues here that there is truly a problem of imaginative restistance, and that it demonstrates something about the nature of imagination. This is a good introductory paper to the problem of imaginative resistance and the nature of imagination. It would be very suitable in a module focusing on philosophy of fiction.
Gendler, Tamar. Imaginative Resistance Revisisted
2006, In Shaun Nichols (ed.), The Architecture of the Imagination. Oxford University Press. pp. 149-173 (2006)
-
Expand entry
-
Added by: Andrea BlomqvistSummary: This chapter discusses the puzzle of imaginative resistance, partially defending and partially refining the account presented in the previous chapter. It explores imaginative resistance as a special case of a more general puzzle the author calls the puzzle of authoritative breakdown: that when an author follows standard conventions for fictionally asserting P, engaged readers typically imagine P—but in some cases this relation falls apart. The bulk of the chapter is devoted to systematically identifying and explaining where and why this breakdown occurs, and to drawing connections with the literature on metaphor and perspective‐taking. The author's views are contrasted with those of David Hume, Brian Weatherson, Gregory Currie, Stephen Yablo, and Shaun Nichols.Comment: This paper would compliment other papers on imaginative resistance well in a module where this is the focus.
Gendler, Tamar Szabó, Karson Kovakovich. Genuine Rational Fictional Emotions
2006, In Matthew Kieran (ed.), Contemporary Debates in Aesthetics and the Philosophy of Art. Blackwell 241-253.
-
Expand entry
-
Added by: Simon FoktAbstract: The “paradox of fictional emotions” involves a trio of claims that are jointly inconsistent but individually plausible. Resolution of the paradox thus requires that we deny at least one of these plausible claims. The paradox has been formulated in various ways, but for the purposes of this chapter, we will focus on the following three claims, which we will refer to respectively as the Response Condition, the Belief Condition and the Coordination Condition.Comment: This paper introduces the paradox of fiction, briefly discusses some challenges faced by those attempting to solve it, and offers a solution grounded in Damasio's research into the role of emotions in guiding action. It provides only a limited discussion of the previous debate, which makes it less suitable as an introductory text; it is best used in senior aesthetics classes or as a further reading. Its engagement with psychological literature means it can inspire discussions on the relations between philosophical and empirical explanations.
Can’t find it?
Contribute the texts you think should be here and we’ll add them soon!