Friend, Stacie. The pleasures of documentary tragedy
2007, British Journal of Aesthetics 47 (2):184-198.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirAbstract: Two assumptions are common in discussions of the paradox of tragedy: (1) that tragic pleasure requires that the work be fictional or, if non-fiction, then non-transparently represented; and (2) that tragic pleasure may be provoked by a wide variety of art forms. In opposition to (1) I argue that certain documentaries could produce tragic pleasure. This is not to say that any sad or painful documentary could do so. In considering which documentaries might be plausible candidates, I further argue, against (2), that the scope of tragic pleasure is limited to works that possess certain thematic and narrative features.Comment: This is a clearly written paper that can be used in teaching a wide array of topics in aesthetics, especially the literatures on emotional engagement with art, and documentary film. Friend does not presuppose much background knowledge on these issues. As such, this paper would make for an excellent addition to an introduction to aesthetics module, perhaps being used as a main reading for units on emotion and art. A more focused upper-division module on a subject such as philosophy of film could also benefit from this paper's inclusion.
Fusco, Coco. The Other History of Intercultural Performance
1994, The Drama Review 38(1): 143-167.
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Added by: Rossen VentzislavovSummary: Fusco's text chronicles the preparation, performance, and public reception of an artwork - "Two Undiscovered Amerindians" - she created in collaboration with Guillermo Gómez-Peña in 1992. The performance was intended as a critique of the contemporary artworld, whose shallow redemptive multiculturalism often sidelined important issues of racial difference and racialized aesthetic perception. It consisted of the two artists spending three days in a golden cage presented, in the manner of live ethnographic spectacles of the not so distant colonial past, as members of an exotic and newly discovered island nation in the Gulf of Mexico. Fusco contends that otherness is always performative and, as such, has held the entire history of performance art - from the Dadaists to the present day - captive. The resulting frequent gestures of appropriation, condescension and erasure discredit the social and intercultural consciousness most performance artists see themselves as representing. Ironically, the strange journey the "Two Undiscovered Amerindians" project has travelled has plentifully confirmed the iniquities the two artists set out to expose.Comment: While not a philosophical text per se, this article is very helpful in discussions of the political dimension of the contemporary artworld, and the race dynamics within it.
Gannett, Lisa. Echoes From the Cave: Philosophical Conversations Since Plato
2014, Oup Canada.
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Added by: Clotilde Torregrossa, Contributed by: Simon FoktPublisher's Note: Echoes from the Cave: Philosophical Conversations since Plato is an anthology of classic and contemporary readings in philosophy compiled to introduce students to the main problems discussed by philosophers past and presentComment: This is an anthology of texts on central topics in philosophy, many of which might be suitable for the DRL.
Garavaso, Pieranna. The Woman of Reason: On the Re-appropriation of Rationality and the Enjoyment of Philosophy
2015, Meta-Philosophical Reflection on Feminist Philosophies of Science, pp.185-202.
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Added by: Franci MangravitiAbstract:
This paper starts out from two feminist criticisms of classical logic, namely Andrea Nye’s general rejection of logic and Val Plumwood’s criticism of the standard notion of negation in classical logic. I then look at some of Gottlob Frege’s reflections on negation in one of his later Logical Investigations. It will appear clear that Frege’s notion of negation is not easily pegged in the general category of ‘Otherness’ that Plumwood uses to characterize negation in classical logic. In the second half of the paper, I discuss the claim that the adversarial method of argumentation in philosophy is hostile to feminist goals and perhaps responsible for the low numbers of women engaged in academic philosophy. Against this hypothesis, I claim that a more naturalistic perspective on logic can avoid essentialism and provide a feminist friendly and pluralist view of logic, human reasoning, and philosophical argumentation.
Comment: available in this Blueprint
Garcia, Jorge L. A.. Health versus Harm: Euthanasia and Physicians’ Duties
2007, Journal of Medicine and Philsophy, 31 (1): 7-24.
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Added by: Rochelle DuFordAbstract: This essay rebuts Gary Seay's efforts to show that committing euthanasia need not conflict with a physician's professional duties. First, I try to show how his misunderstanding of the correlativity of rights and duties and his discussion of the foundation of moral rights undermine his case. Second, I show aspects of physicians' professional duties that clash with euthanasia, and that attempts to avoid this clash lead to absurdities. For professional duties are best understood as deriving from professional virtues and the commitments and purposes with which the professional as such ought to act, and there is no plausible way in which her death can be seen as advancing the patient's medical welfare. Third, I argue against Prof. Seay's assumption that apparent conflicts among professional duties must be resolved through 'balancing' and argue that, while the physician's duty to extend life is continuous with her duty to protect health, any duty to relieve pain is subordinate to these. Finally, I show that what is morally determinative here, as throughout the moral life, is the agent's intention and that Prof. Seay's implicitly preferred consequentialism threatens not only to distort moral thinking but would altogether undermine the medical (and any other) profession and its internal ethics.Comment: This text will mostly be of use to advanced students (or courses) focusing on the ethics of physician assisted suicide or euthanasia. It presents a detailed rebuttal to Seay's "Euthanasia and Physicians' Moral Duties," so it will be of most use to students who have read Seay's text or are deeply familiar with defenses of euthanasia based in consequentialist moral reasoning.
Garcia, Laura. Ontological Arguments for God’s Existence
2017, in Kelly James Clark (ed.) Readings in the Philosophy of Reigion - Third Edition. Broadview Press.
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Added by: Emily PaulSummary: A clear introduction to the Ontological Argument for God's existence, and different versions of it.Comment: A nice introduction to the Ontological Argument, suitable for an introductory philosophy of religion course. Would work as either a primary or secondary reading, depending on how much attention you want to give to the ontological argument.
Garcia, Laura. Teleological and Design Arguments
2008, in Charles Taliaferro & Philip Quinn (eds.) A Companion to the Philosophy of Religion, Second Edition. Wiley-Blackwell: 375-384.
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Added by: Emily PaulSummary: This chapter takes you through the history of teleological arguments and an analysis of them: beginning with traditional teleological arguments and their origins, and moving to discuss modern day 'fine tuning' and 'many worlds' arguments. Along the way, Garcia considers criticisms of these various arguments.Comment: An excellent and thorough introduction to the Teleological Argument, suitable for an introductory philosophy of religion course as a core reading. It could be good to ask students to compare classical 'design' arguments with 'fine-tuning' arguments, based on their reading of Garcia.
Garland-Thomson, Rosemarie. Picturing People with Disabilities: classical portraiture as reconstructive narrative
2010, in: Richard Sandell, Jocelyn Dodd, & Rosemarie Garland-Thomson, Re-presenting Disability: Activism and Agency in the Museum, London: Routledge, pp. 179-193.
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Added by: Hans MaesSummary: Provides a close reading of formal portraits of people with disabilities. Focuses on the fundamental elements of traditional portraiture: frame, pose, costume, likeness. Central argument: a conservative representational genre can act in the service of a progressive politics. Through framing, pose, costume, and likeness portraits accord dignity, authority, and symbolic capital to disabled subjects.Comment: Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.
Artworks to use with this text:
Doug Auld, Shayla (2005) Portrait of a black woman with significant burn scars
Compared and contrasted with Gilbert Stuart's portrait of George Washington (1810).
Sasha Newley, Christopher Reeve (2004)
Juxtaposed with earlier iconic portraits of the 'man of steel'.
Marc Quinn, Alison Lapper Pregnant (2006)
Powerfully asserting that a woman with significant disabilities who is evidently sexual, about to become a mother, is worthy of being seen on the Fourth Plinth in Trafalgar Square. Useful in discussing portraiture and depiction, as well as empowerment and art's role in power relations in general.
Artworks to use with this text:
Doug Auld, Shayla (2005) Portrait of a black woman with significant burn scars
Compared and contrasted with Gilbert Stuart's portrait of George Washington (1810).
Sasha Newley, Christopher Reeve (2004)
Juxtaposed with earlier iconic portraits of the 'man of steel'.
Marc Quinn, Alison Lapper Pregnant (2006)
Powerfully asserting that a woman with significant disabilities who is evidently sexual, about to become a mother, is worthy of being seen on the Fourth Plinth in Trafalgar Square.
Gendler, Tamar. Intuition, Imagination, and Philosophical Methodology
2010, Oxford: Oxford University Press.
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Added by: Jie GaoPublisher's Note: This volume consists of fourteen chapters that focus on a trio of interrelated themes. First: what are the powers and limits of appeals to intuition in supporting or refuting various sorts of claims? Second: what are the cognitive consequences of engaging with content that is represented as imaginary or otherwise unreal? Third: what are the implications of these issues for the methodology of philosophy more generally? These themes are explored in a variety of cases, including thought experiments in science and philosophy, early childhood pretense, self?deception, cognitive and emotional engagement with fiction, mental and motor imagery, automatic and habitual behavior, and social categorization.Comment: The book contains fourteen previously published essays. The first six essays are on thought experiments and the use of the imagination therein. Mainly, these essays take up the tasks of explaining how thought experiments produce novel beliefs and explaining whether and how thought experiments justify beliefs. Those are good papers for teachings on methodology of philosophy and intuitions. The next six essays are on imagination in general: its nature, its role in motivating action and producing emotion, and its relations to other mental states. It covers a range of topics including the paradox of fictional emotions and the nature of self-deception, the puzzle of imaginative resistance, the problem of the precipice. The topic of the last two essays is a mental state called "alief" which are highly relevant materials for teachings on mental states in action, implicit bias and etc.
Gendler, Tamar. The Puzzle of Imaginative Resistance
2000, Journal of Philosophy 97 (2):55-81
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Added by: Andrea Blomqvist, Contributed by: Christy Mag UidhirAbstract: This chapter presents and discusses the puzzle of imaginative resistance: the puzzle of explaining our comparative difficulty in imagining fictional worlds that we take to be morally deviant. It suggests that the primary source of imaginative resistance lies not in our inability to imagine morally deviant situations, but in our unwillingness to do so. This diagnosis is then used to illuminate the nature of imagination itself: unlike belief, the contents of imagination are not restricted to those things we take to be true; but unlike mere supposition, imagination involves a certain sort of engaged participation on the part of the imaginer. The chapter also includes a brief discussion of the issue of truth‐in‐fiction. The author's views on the puzzle are contrasted with those of David Hume, Richard Moran, and Kendall Walton.Comment: Gendler argues here that there is truly a problem of imaginative restistance, and that it demonstrates something about the nature of imagination. This is a good introductory paper to the problem of imaginative resistance and the nature of imagination. It would be very suitable in a module focusing on philosophy of fiction.
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