Inness, Julie C.. Privacy, Intimacy, and Isolation
1996, OUP USA.
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Added by: Clotilde Torregrossa, Contributed by: Simon FoktPublisher's Note: This book undermines privacy scepticism, proving a strong theoretical foundation for many of our everyday and legal privacy claims. Inness argues that intimacy is the core of privacy, including privacy appeals in tort and constitutional law. She explores the myriad of debates and puts forth an intimacy and control-based account of privacy which escapes these criticisms.Comment: This is a stub entry. Please add your comments below to help us expand it
Ipadeola, Abosede Priscilla. African Philosophy and the Shackles of Androcentrism
2022, in Feminist African Philosophy. Women and the Politics of Difference. 1st ed. London: Routledge
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Added by: Björn Freter & Marc GwodogAbstract:
The book argues that women's perspectives and gender issues must be mainstreamed across African philosophy in order for the discipline to truly represent the thoughts of Africans across the continent. African philosophy as an academic discipline emerged as a direct challenge to Western and Eurocentric hegemonies. It sought to actualize the project of decolonization and to contribute African perspectives to global discourses. There has, however, been a dominance of male perspectives in this field of human knowledge. This book argues that African philosophy cannot claim to have liberated people of African descent from marginalization until the androcentric nature of African philosophy is addressed. Key concepts such as Ujamaa, Negritude, Ubuntu, Consciencism, and African Socialism are explored as they relate to African women's lives or as models of inclusion or exclusion from politics. In addition to offering a feminist critique of African philosophy, the book also discusses topics that have been consistently overlooked in African philosophy. These topics include sex, sexuality, rape, motherhood, prostitution, and the low participation of women in politics. By highlighting the work of women feminist scholars such as Oyeronke Oyewumi, Nkiru Nzegwu, Ifi Amadiume, Amina Mama, and Bibi Bakare-Yusuf, the book engages with African philosophy from an African feminist viewpoint. This book will be an essential resource for students and researchers of African philosophy and gender studies.Comment (from this Blueprint): Ipadeola's work not only addresses the problem of the marginalization of African women philosophers but also allows us to understand that this problem has a massive impact on philosophy itself. Students can find in these two chapters (1) a solid overview of the androcentric problem and (2) an epistemological approach to how to solve not only the androcentric problem, but the problem of suppressive thought in general by claiming that whatever is used to suppress can no longer be understood as knowledge but as not-knowledge. This not-knowledge lacks any argumentative power. This is one of the most ingenious recent African ideas in philosophy.
Ipadeola, Abosede Priscilla. African Women, Illogicality and Epistemic Tyranny
2022, in Feminist African Philosophy. Women and the Politics of Difference. 1st ed. London: Routledge
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Added by: Björn Freter & Marc GwodogAbstract:
The book argues that women's perspectives and gender issues must be mainstreamed across African philosophy in order for the discipline to truly represent the thoughts of Africans across the continent. African philosophy as an academic discipline emerged as a direct challenge to Western and Eurocentric hegemonies. It sought to actualize the project of decolonization and to contribute African perspectives to global discourses. There has, however, been a dominance of male perspectives in this field of human knowledge. This book argues that African philosophy cannot claim to have liberated people of African descent from marginalization until the androcentric nature of African philosophy is addressed. Key concepts such as Ujamaa, Negritude, Ubuntu, Consciencism, and African Socialism are explored as they relate to African women's lives or as models of inclusion or exclusion from politics. In addition to offering a feminist critique of African philosophy, the book also discusses topics that have been consistently overlooked in African philosophy. These topics include sex, sexuality, rape, motherhood, prostitution, and the low participation of women in politics. By highlighting the work of women feminist scholars such as Oyeronke Oyewumi, Nkiru Nzegwu, Ifi Amadiume, Amina Mama, and Bibi Bakare-Yusuf, the book engages with African philosophy from an African feminist viewpoint. This book will be an essential resource for students and researchers of African philosophy and gender studies.Comment (from this Blueprint): Ipadeola's work not only addresses the problem of the marginalization of African women philosophers but also allows us to understand that this problem has a massive impact on philosophy itself. Students can find in these two chapters (1) a solid overview of the androcentric problem and (2) an epistemological approach to how to solve not only the androcentric problem, but the problem of suppressive thought in general by claiming that whatever is used to suppress can no longer be understood as knowledge but as not-knowledge. This not-knowledge lacks any argumentative power. This is one of the most ingenious recent African ideas in philosophy.
Iqbal, Muhammad. The Reconstruction of Religious Thought in Islam
1934, Oxford University Press, Oxford.
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Added by: Andrea Blomqvist, Contributed by: Ehsan ShahwahidPublisher's Note: The Reconstruction of Religious Thought in Islam is Muhammad Iqbal's major philosophic work: a series of profound reflections on the perennial conflict among science, religion, and philosophy, culminating in new visions of the unity of human knowledge, of the human spirit, and of God. Iqbal's thought contributed significantly to the establishment of Pakistan, to the religious and political ideals of the Iranian Revolution, and to the survival of Muslim identity in parts of the former USSR. It now serves as new bridge between East and West and between Islam and the other Religions of the Book. With a new Introduction by Javed Majeed, this edition of The Reconstruction opens the teachings of Iqbal to the modern, Western reader. It will be essential reading for all those interested in Islamic intellectual history, the renewal of Islam in the modern world, and political theory of Islam's relationship to the WestComment: Philosophy on Islamic reform, progress and development.
Irigaray, Luce. Is the Subject of Science Sexed?
1987, Hypatia, 2 (3): 65-87, trans. C. Bové
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Added by: Franci Mangraviti and Viviane FairbankAbstract:
The premise of this paper is that the language of science, like language in general, is neither asexual nor neutral. The essay demonstrates the various ways in which the non-neutrality of the subject of science is expressed and proposes that there is a need to analyze the laws that determine the acceptability of language and discourse in order to interpret their connection to a sexed logic.Comment: available in this Blueprint
Irigaray, Luce. The “Mechanics” of Fluids
1985, In This Sex Which Is Not One, trans. C. Porter and C. Burke
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Added by: Franci Mangraviti and Viviane FairbankAbstract:
The paper argues that science's focus on the ideal and stable hides, and thus contributes to the silencing of, the real and fluid, which corresponds to womanhood.Comment: available in this Blueprint
Irigaray, Luce, Carlston, Erin G.. The Language of Man
1989, Cultural Critique, 13: 191-202
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Added by: Franci Mangraviti and Viviane FairbankAbstract:
This paper enumerates Irigaray's main arguments and thoughts regarding the gendered nature of language and "the logos".Comment: available in this Blueprint
Irvin, Sherri. Appropriation and authorship in contemporary art
2005, British Journal of Aesthetics 45 (2):123-137.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirAbstract: Appropriation art has often been thought to support the view that authorship in art is an outmoded or misguided notion. Through a thought experiment comparing appropriation art to a unique case of artistic forgery, I examine and reject a number of candidates for the distinction that makes artists the authors of their work while forgers are not. The crucial difference is seen to lie in the fact that artists bear ultimate responsibility for whatever objectives they choose to pursue through their work, whereas the forger's central objectives are determined by the nature of the activity of forgery. Appropriation artists, by revealing that no aspect of the objectives an artist pursues are in fact built in to the concept of art, demonstrate artists' responsibility for all aspects of their objectives and, hence, of their products. This responsibility is constitutive of authorship and accounts for the interpretability of artworks. Far from undermining the concept of authorship in art, then, the appropriation artists in fact reaffirm and strengthen it.
Irvin, Sherri. Scratching an itch
2008, Journal of Aesthetics and Art Criticism 66 (1):25-35.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirIntroduction: In recent years, momentum has been gathering in defense of the appropriateness of aesthetic discourse in relation to a number of domains other than art and nature. Philosophers have argued that food, sports, and sex can be viewed aesthetically. It has been claimed that the "lower senses" of smell, taste, and touch may play legitimate or even exclusive roles in some aesthetic judgments. And there has been sustained criticism of the view that aesthetic judgments must be disinterested or must transport us out of the concerns of everyday life. Can this extension of the realm of the aesthetic be taken even further, so as to accommodate the idea that even the most mundane incidents of everyday life have an aesthetic character, or that there can be aesthetic experiences of such incidents? With attention to two especially hard cases, itches and scratches, I will argue that it is appropriate and worthwhile to think of even the simplest moments of everyday life in aesthetic terms. It is appropriate, because on the most plausible accounts of aesthetic experience there can be legitimate aesthetic experiences of itching and scratching; and it is worthwhile, because aesthetic attention to this domain offers the prospect of unique and significant satisfaction.
Irvin, Sherri. The artist’s sanction in contemporary art
2005, Journal of Aesthetics and Art Criticism 63 (4):315-326.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirIntroduction: Contemporary artworks raise a variety of ontological, epistemological, and interpretative questions that have not yet been adequately dealt with in aesthetics. Whereas traditional visual artworks have typically had a set of privi leged and (ideally) unchanging properties fixed at a particular moment early in their histories, a contemporary installation artwork may be installed differently each time it is taken out of storage, or even constituted out of different objects at each exhibition site. The resulting variation in its configuration and visual properties may simply be a function of the changing features of galleries or available materials, or it may be essential to the work's meaning. Or both: many contemporary works are site specific, essentially responsive to their environments in such a way that context is incorporated into the work's meaning
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