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Added by: Sara PeppeAbstract:
My intellectual journey in philosophy proceeded along two mountainous paths that coincided at their base, but forked less than halfway up the incline. The first is that of my philosophical development, a steep but steady and continuous ascent. It began in my family, and accelerated in high school, art school, college, and graduate school. Those foundations propelled my philosophical research into the nature of rationality and its relation to the structure of the self, a long-term project focused on the Kantian and Humean metaethical traditions in Anglo-American analytic philosophy. It would have been impossible to bring this project to completion without the anchor, compass, and conceptual mapping provided by my prior, longstanding involvement in the practice and theory of Vedic philosophy. The second path is that of my professional route through the field of academic philosophy, which branched onto a rocky detour in graduate school, followed by a short but steep ascent, followed next by a much steeper, sustained descent off that road, into the ravine, down in flames, and out of the profession. In order to reach the summit of the first path, I had to reach the nadir of the second. It was the right decision. My yoga practice cushioned my landing.
Carter, June. La Negra as Metaphor in Afro-Latin American Poetry1985, Caribbean Quarterly, 31(1): 73–82-
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Added by: Adriana Clavel-VázquezAbstract:
Carter examines the anti-Black sentiment in Latin American culture and pays particular attention to how, even in negrista poetry aimed at contributing to the fight against oppression of Black people, Black women are used as a symbol of sensuality and primitiveness. The paper argues that when Black women feature in poetry in the figure of la mulata, they are associated with nature and portrayed as inherently evil, sensual and primitive. Moreover, while representations of Black men evolved to focus on their inner consciousness, rather than on their physical attributes, and to combat oppressive imagery and symbolism, la mulata continued being used as a satire aimed at inviting Afro-Latin communities to take positive steps towards improving their social conditions. They were used to advance a criticism for how the anti-Black sentiment at the heart of popular conceptions of mestizaje ends up being internalized by members of Afro-Latin communities, so that Black women are represented as renouncing Blackness and engaging in a “whitening” process.Comment (from this Blueprint): Carter’s discussion of Afro-Latin women offers a good opportunity to reflect on what an intersectional approach to race in Latin American needs to involve. As evidenced by the analysis of Rosario Castellanos’ Balún Canán, mestizas in Latin American societies face a double displacement: first as being in-between cultures, and second, as not quite part of the mestizo nation. In addition to this condition of mestiza womanhood, Afro-Latin women face another dimension of displacement. They are part of mestizo nations, but, as Black, they are not fully recognised as such; they are part of mestizo nations, but, as women, they are not fully recognised as such; they are part of Afro-Latin communities, but, as women, they are not fully recognised as such.
Freeland, Cynthia. But is it Art?: An Introduction to Art Theory2001, Oxford: Oxford University Press.-
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Added by: Simon Fokt
Publisher's note: From Andy Warhol's Brillo boxes to provocative dung-splattered madonnas, in today's art world many strange, even shocking, things are put on display. This often leads exasperated viewers to exclaim--is this really art? In this invaluable primer on aesthetics, Freeland explains why innovation and controversy are so highly valued in art, weaving together philosophy and art theory with many engrossing examples. Writing clearly and perceptively, she explores the cultural meanings of art in different contexts, and highlights the continuities of tradition that stretch from modern often sensational works, back to the ancient halls of the Parthenon, to the medieval cathedral of Chartres, and to African nkisi nkondi fetish statues. She explores the difficulties of interpretation, examines recent scientific research into the ways the brain perceives art, and looks to the still-emerging worlds of art on the web, video art, art museum CD-ROMS, and much more. She also guides us through the various theorists of art, from Aristotle and Kant to Baudrillard. Throughout this nuanced account of theories, artists, and works, Freeland provides us with a rich understanding of how cultural significance is captured in a physical medium, and why challenging our perceptions is, and always has been, central to the whole endeavor. It is instructive to recall that Henri Matisse himself was originally derided as a "wild beast." To horrified critics, his bold colors and distorted forms were outrageous. A century later, what was once shocking is now considered beautiful. And that, writes Freeland, is art.Comment: Chapters 2,3 and 5 of But is it art? can serve as a good basic introduction to art theory. The book is written in a light, narrative style and does not focus on the details of particular theories; instead, it is arranged in a useful historical narrative which presents theories in their contexts, showing the types of art they were inspired by. This text is best used in introductory teaching, as a background reading, or as a pre-read for higher level courses where it should be followed by more focused and specialised texts.
Hooker, Juliet. Indigenous Inclusion/Black Exclusion: Race, Ethnicity, and Multicultural Citizenship in Latin America2005, Journal of Latin American Studies, 37(2): 285-310-
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Added by: Adriana Clavel-VázquezAbstract:
This article analyses the causes of the disparity in collective rights gained by indigenous and Afro-Latin groups in recent rounds of multicultural citizenship reform in Latin America. Instead of attributing the greater success of indians in winning collective rights to differences in population size, higher levels of indigenous group identity or higher levels of organisation of the indigenous movement, it is argued that the main cause of the disparity is the fact that collective rights are adjudicated on the basis of possessing a distinct group identity defined in cultural or ethnic terms. Indians are generally better positioned than most Afro-Latinos to claim ethnic group identities separate from the national culture and have therefore been more successful in winning collective rights. It is suggested that one of the potentially negative consequences of basing group rights on the assertion of cultural difference is that it might lead indigenous groups and Afro-Latinos to privilege issues of cultural recognition over questions of racial discrimination as bases for political mobilisation in the era of multicultural politics.Comment (from this Blueprint): Given unjust social conditions faced by Afro-Latin communities in Latin America, it is important to examine the erasure of Afro-Latin identities from narratives about the constitution of mestizo national identities. While Indigenous identities are appropriated as partly constitutive of mestizo identity, Afro-Latin cultures are often regarded by mestizos as that which is Other. This results not only in the exoticization of Afro-Latinidad, but in the lack of available resources to acknowledge and address racial discrimination faced by Afro-Latin groups in many Latin American countries. Moreover, while Latin American cultures are often regarded as the result of Spanish and Indigenous mixing, it hasn’t been until recently that the African diaspora has been acknowledged as the third root of Latin American aesthetic practices.
Lewis Gordon. An Introduction to Africana Philosophy2008, Cambridge University Press-
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Added by: Sara Peppe, Contributed by: Jonathan EgidPublisher’s Note:
In this undergraduate textbook Lewis R. Gordon offers the first comprehensive treatment of Africana philosophy, beginning with the emergence of an Africana (i.e. African diasporic) consciousness in the Afro-Arabic world of the Middle Ages. He argues that much of modern thought emerged out of early conflicts between Islam and Christianity that culminated in the expulsion of the Moors from the Iberian Peninsula, and from the subsequent expansion of racism, enslavement, and colonialism which in their turn stimulated reflections on reason, liberation, and the meaning of being human. His book takes the student reader on a journey from Africa through Europe, North and South America, the Caribbean, and back to Africa, as he explores the challenges posed to our understanding of knowledge and freedom today, and the response to them which can be found within Africana philosophy.
Comment: The single best short introduction to the subject, for use in any context that requires quick acquaintance with these ideas and thinkers of the African context.
Nochlin, Linda. Why Have There Been No Great Women Artists?1971, ARTnews.-
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Added by: Clotilde Torregrossa, Contributed by: Christy Mag Uidhir
Introduction: In the field of art history, the white Western male viewpoint, unconsciously accepted as the viewpoint of the art historian, may - and does - prove to be inadequate not merely on moral and ethical grounds, or because it is elitist, but on purely intellectual ones. In revealing the failure of much academic art history, and a great deal of history in general, to take account of the unacknowledged value system, the very presence of an intruding subject in historical investigation, the feminist critique at the same time lays bare its conceptual smugness, its meta-historical naivete. At a moment when all disciplines are becoming more self-conscious, more aware of the nature of their presuppositions as exhibited in the very languages and structures of the various fields of scholarship, such uncritical acceptance of 'what is' as 'natural' may be intellectually fatal. Just as Mill saw male domination as one of a long series of social injustices that had to be overcome if a truly just social order were to be created, so we may see the unstated domination of white male subjectivity as one in a series of intellectual distortions which must be corrected in order to achieve a more adequate and accurate view of historical situations.Comment:
Olliz Boyd, Antonio. The Latin American Identity and the African Diaspora: Ethnogenesis in Context2010, Cambria Press-
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Added by: Adriana Clavel-VázquezPublisher’s Note:
Olliz Boyd’s essay examines Blackness in the Latin American literary practices with the aim of showing its centrality to Latin American cultures. He argues that the African heritage of Latin America has been erased as a result of Eurocentric mestizaje. Olliz Boyd first examines this erased heritage in the understanding of race in Latin America and its peculiar processes of racialization, before moving on to centring the analysis on aesthetic practices and literature in particular. Olliz Boyd’s essay examines the erasure of Afro-Latininidad from a perspective that differs from Hooks’ analysis of the erasure of self-identified Afro-Latin communities. He argues that mestizos in general have mixed-race roots that include not just European and Indigenous ancestry, but African as well. The erasure of Afro-Latininidad is, thus, more radical as it involves the negation of an Afro-Latin reality at the heart of mestizaje.Comment (from this Blueprint): Olliz Boyd’s work brings forward the third root of Latin America: the relevance of the African diaspora for the constitution of Latin American identities. An adequate understanding of the complexity of race in Latin America involves not just understanding the erasure of Afro-Latin communities, but the erasure of the contributions of African cultures to mestizo culture. It might be that the latter erasure partly explains the former.
Srinivasan, Amia. Normativity without Cartesian Privilege2015, Philosophical Issues: 25 (1): 273-299.-
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Added by: Jie Gao
Summary: This paper aims to explore the implication of rejecting Cartesianism for our relationship to the normative realm. It is argued that it implies that this relationship is more fraught than many would like to think. Without privileged access to our own minds, there are no norms that can invariably guide our actions, and no norms that are immune from blameless violation. This will come as bad news to those normative theorists who think that certain central normative notions - e.g. the ethical ought or epistemic justification - should be cashed out in terms of subjects' mental states precisely in order to generate norms that are action-guiding and immune from blameless vi- olation. Meanwhile Anti-Cartesianism might come as good news to those normative theorists who resist cashing out norms in terms of mental states. For Anti-Cartesnianism implies that no norms - however closely tied to the mental - can be perfectly action-guiding or totally immune from blameless violation. More generally, once we have accepted that our relationship to our own minds lacks the perfect intimacy promised by Cartesianism, we are, for better or worse, left with the view that the normative realm is suffused with ignorance and bad luck.Comment: This is a good paper for teachings on epistemic normativity, more specifically on normative externalism. Having pre-knowledge on epistemic internalism and extermalism would be helpful in understanding this paper, but not necessarily required.
Srinivasan, Amia. Are we luminous?2015, Philosophy and Phenomenological Research: 90 (2): 294-319.-
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Added by: Jie Gao
Abstract: Since its appearance over a decade ago, Timothy Williamson's anti-luminosity argument has come under sustained attack. Defenders of the luminous overwhelmingly object to the argument's use of a certain margin-for-error premise. Williamson himself claims that the premise follows easily from a safety condition on knowledge together with his description of the thought experiment. But luminists argue that this is not so: the margin-for-error premise either requires an implausible interpretation of the safety requirement on knowledge, or it requires other equally implausible assumptions. In this paper I bolster the margin-for-error premise against these attacks by recasting Williamson's own two-part defence, the first part intended to work on the assumption that there is no constitutive connection between the phenomenal and the doxastic, and the second intended to work without this assumption. Pace various luminists, I argue that the appeals to safety needed for Williamson's two-part defence are plausible. I also argue that all that is needed to generate the margin-for-error premise from these safety conditions is an empirical assumption about the kinds of creatures we are: that is, creatures whose beliefs are structured by certain dispositions. By recasting the anti-luminosity argument in this way, we can understand what is really at stake in the debate about luminosity: that is, whether we are luminous.Comment: In this paper, Sirinivasan defends Williamson's anti-luminosity argument against a general criticism having to do with a certain margin-for-error premise. It is good for teaching upper-level undergraduate or Masters courses on topics of self-knowledge, epistemic externalism or luminosity.
Srinivasan, Amia. Does Anyone Have the Right to Sex?2018, London Review of Books, 40 (6): 5-10.-
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Added by: Andrea Blomqvist, Contributed by: Nadia MehdiAbstract:
Srinivasan attempts to address the question of how we are able to dwell in the ambivalent place where we acknowledge that no one is obligated to desire anyone else, that no one has a right to be desired, but also that who is desired and who isn’t is a political question, a question usually answered by more general patterns of domination and exclusion.Comment: This text is an insightful call to bring discussions of sexual consent back to a politics of desire. It would make a great addition to syllabi covering the philosophy of sex.
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Adrian Piper. Philosophy En Route to Reality: A Bumpy Ride
2019, Journal of World Philosophies 4 (2):106-118
Comment: Discusses Adrian Piper's philosophy journey. To be used as a basis to understand Piper's further works on Kant and Hume's metaethical traditions.