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Added by: Giada FratantonioAbstract: properties. The book starts by analyzing the notion of the contents of experience, and by arguing that theorists of all stripes should accept that experiences have contents. It then introduces a method for discovering the contents of experience: the method of phenomenal contrast. This method relies only minimally on introspection, and allows rigorous support for claims about experience. It then applies the method to make the case that we are conscious of many kind properties, of all sorts of causal properties, and of many other complex properties. The book goes on to use the method to help analyze difficult questions about our consciousness of objects and their role in the contents of experience, and to reconceptualize the distinction between perception and sensation. The book's results are important for many areas of philosophy, including the philosophy of mind, epistemology, and the philosophy of science. They are also important for the psychology and cognitive neuroscience of vision.Comment: Good as further reading for a postgraduate course on epistemology of percpetion.
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Added by: Giada FratantonioAbstract: This paper argues that despite the differences between perception and belief, perception involves states that are importantly similar to beliefs: conscious visual experiences. According to the Content View, these experiences have contents in the form of accuracy conditions. The paper develops and defends the Content View, discusses its significance, and argues that contrary to what is often supposed, the Content View is compatible with Naive Realist disjunctivism.Comment: This can be used as background reading for a course on epistemology of perception, insofar as the author presents clearly the Content View and its main implications (a useful overview especially in section 1).
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Added by: Giada FratantonioSummary: In this article, the author provides a great overview on the topic of perceptual content, by addressing the following main issues: i) what are perceptual experiences? ii) what can constitute the content of our experience? iii) what is the relation between the content and our experience? iv) in virtue of what experiences have content?Comment: Great article to be used as background/overview reading for undergraduate course on the philosophy of perception.
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Added by: Giada FratantonioSummary: The author questions the centrality of representation in perceptual experience that comes from a specific class of experience, namely, those experiences of the environment that compels you to act in a certain way.Comment: This could work as secondary reading for a postgraduate course on philosophy of perception.
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Added by: Simon Fokt, Contributed by: Simon Prosser
Abstract: I argue that there are phenomenological constraints on what it is to see an object, and that these are overlooked by some theories that offer allegedly sufficient causal and counterfactual conditions on object-seeing.
Comment: Further reading on causal theories of perception; offers an interesting counterexample to the Lewisian view.
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Added by: Simon Fokt, Contributed by: Simon Prosser
Publisher's Note: What do we see? We are visually conscious of colors and shapes, but are we also visually conscious of complex properties such as being John Malkovich? In this book, Susanna Siegel develops a framework for understanding the contents of visual experience, and argues that these contents involve all sorts of complex properties. Siegel starts by analyzing the notion of the contents of experience, and by arguing that theorists of all stripes should accept that experiences have contents. She then introduces a method for discovering the contents of experience: the method of phenomenal contrast. This method relies only minimally on introspection, and allows rigorous support for claims about experience. She then applies the method to make the case that we are conscious of many kinds of properties, of all sorts of causal properties, and of many other complex properties. She goes on to use the method to help analyze difficult questions about our consciousness of objects and their role in the contents of experience, and to reconceptualize the distinction between perception and sensation. Siegel's results are important for many areas of philosophy, including the philosophy of mind, epistemology, and the philosophy of science. They are also important for the psychology and cognitive neuroscience of vision.
Comment: Background reading on intentionalism in philosophy of perception
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Added by: Giada FratantonioAbstract: An overview of the epistemology of perception, covering the nature of justification, immediate justification, the relationship between the metaphysics of perceptual experience and its rational role, the rational role of attention, and cognitive penetrability. The published version will contain a smaller bibliography, due to space constraints in the volume.Comment: A great overview on the epistemology of perception, covering issues from the nature of justification, the rational role of experience, as well as the topic of cognitive penetrability. Good to use as background/overview reading for a course on epistemology of perception.
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Added by: Viviane FairbankAbstract:
We seem to have a good grasp of how the subject matters of truth-functional composites depends on their components: it’s simply fusion (Hawke in Australas J Philos 96:697–723, 2018, Fine in Philos Studies 177:129–171, 2020, Plebani and Spolaore in Philos Q 71:605–622, 2021, Plebani and Spolaore in Philos Stud 181:247–265, 2021, Berto in Topics of Thought, Oxford University Press, Oxford, 2022). But what relation should the subject matter of subsentential components bear to the subject matter of the sentences they feature in, and what to say about the quantified sentences of first-order predicate logic? Given how well we seem to understand sentential subject matter in the context of propositional logic, I propose a reduction of the subject matter of subsentential components and of quantified sentences to the subject matter of quantifier-free sentences. I argue that the view squares with the Fregean intuitions that gave rise to the construction of first-order logic as we know it today, motivating its adequacy as a theory of subject matter for first-order languages. I then show that this first-order aboutness theory has predictive and explanatory power, leading us to accept a modified version of Yablo’s (Aboutness, Princeton University Press, Princeton, 2014) principle of immanent closure, as well as a new conception of arbitrary objects/reference. Finally, I propose some potential developments and restrictions.Comment: This paper is a useful example of the kind of work being done in contemporary aboutness theory and its associated formal tools, and hence might be referenced in any intermediate/advanced course on such topics.
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Added by: Hans MaesSummary: Starting from our appreciation of cubist portraits, asks why it to commonplace for us to contemplate distorted depictions of faces with eagerness and enjoyment but to be repelled by real people whose physiognomies resemble the depicted ones. Argues that the aesthetic process that permits our attraction to portrayed human anomalies can be expanded so as to offset the devalued social positioning of real people whose physiognomic features are anomalous. Presenting an anomaly as originality rather than deviance is crucial.Comment: Useful in discussing portraiture and depiction, beauty, as well as the links between aesthetics and ethics.
Artworks to use with this text:
Pablo Picasso, Maya with a Doll (1938)
Cubist portrait of a child. Silvers interestingly compares this to a photo of a child with osteogenesis imperfecta. Useful in discussing portraiture and depiction, beauty, as well as the links between aesthetics and ethics.
Artworks to use with this text:
Pablo Picasso, Maya with a Doll (1938)
Cubist portrait of a child. Silvers interestingly compares this to a photo of a child with osteogenesis imperfecta.
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Added by: Hans Maes, Contributed by: Christy Mag UidhirSummary: Follow-up essay on her 'From the Crooked Timber of Humanity, Beautiful Things Can Be Made' (note the one-word difference in the title). Adds the idea that medical professionals have at least a mild duty to cultivate aesthetic judgment of individuals with biological differences. Also makes the case that beauty is not the same thing as attractiveness or normalcy.Comment: Useful in discussing portraiture and depiction, beauty, as well as the links between aesthetics and ethics.
Artworks to use with this text:
Riva Lehrer, Susan Nussbaum (1998)
This portrait of disability activist Nussbaum invokes Picasso's famous portrait of Gertrude Stein (1906). It is discussed in Garland-Thomson. Useful in discussing portraiture and depiction, beauty, as well as the links between aesthetics and ethics.
Artworks to use with this text:
Riva Lehrer, Susan Nussbaum (1998)
This portrait of disability activist Nussbaum invokes Picasso's famous portrait of Gertrude Stein (1906). It is discussed in Garland-Thomson.