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Harris, Leonard (ed.). The Critical Pragmatism of Alain Locke a Reader on Value Theory, Aesthetics, Community, Culture, Race, and Education
1999, Rowman & Littlefield Publishers.

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Added by: Chris Blake-Turner, Contributed by: Lydia Patton

Publisher's Note: In its comprehensive overview of Alain Locke's pragmatist philosophy this book captures the radical implications of Locke's approach within pragmatism, the critical temper embedded in Locke's works, the central role of power and empowerment of the oppressed and the concept of broad democracy Locke employed

Comment: Alain Locke (1885-1954) founded the philosophy department at Howard University. (The department is still housed in Locke hall, named for Alain, not John!) He was a pragmatist philosopher, who wrote on cultural relativism, pragmatism, and values. He is best known for his role as an aesthetic scholar of the Harlem Renaissance, but this work has deep connections to his work on the theory of race, on value theory and cultural relativism, and on pragmatism. (See the introductions to the anthologies above for more details.) Locke is an under-appreciated scholar of historical and philosophical significance. His work would provide excellent readings for courses in value theory, ethics and meta-ethics, aesthetics, pragmatism, and the philosophy of race, but would also be interesting reading for courses in epistemology, for instance, given his original stance on relativism, and his pragmatism about truth.

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Hartley, Christie, Watson, Lori. Equal Citizenship and Public Reason. A Feminist Political Liberalism
2018, New York: Oxford University Press

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Added by: Björn Freter, Contributed by: Saranga Sudarshan

Publisher's Note: This book is a defense of political liberalism as a feminist liberalism. The first half of the book develops and defends a novel interpretation of political liberalism. It is argued that political liberals should accept a restrictive account of public reason and that political liberals' account of public justification is superior to the leading alternative, the convergence account of public justification. The view is defended from the charge that such a restrictive account of public reason will unduly threaten or undermine the integrity of some religiously oriented citizens and an account of when political liberals can recognize exemptions, including religious exemptions, from generally applicable laws is offered. In the second half of the book, it is argued that political liberalism's core commitments restrict all reasonable conceptions of justice to those that secure genuine, substantive equality for women and other marginalized groups. Here it is demonstrated how public reason arguments can be used to support law and policy needed to address historical sites of women's subordination in order to advance equality; prostitution, the gendered division of labor and marriage, in particular, are considered.

Comment: Defends Rawlisan Political Liberalism on feminist grounds, contrary to many longstanding critiques of Rawls's views.

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Hartman, Saidiya. Venus in Two Acts
2008, Small Axe, 12 (2): 1–14

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Added by: Tomasz Zyglewicz, Shannon Brick, Michael Greer
Abstract:
This essay examines the ubiquitous presence of Venus in the archive of Atlantic slavery and wrestles with the impossibility of discovering anything about her that hasn't already been stated. As an emblematic figure of the enslaved woman in the Atlantic world, Venus makes plain the convergence of terror and pleasure in the libidinal economy of slavery and, as well, the intimacy of history with the scandal and excess of literature. In writing at the limit of the unspeakable and the unknown, the essay mimes the violence of the archive and attempts to redress it by describing as fully as possible the conditions that determine the appearance of Venus and that dictate her silence.

Comment (from this Blueprint): Content warning: very explicit details of cruelties of slavery, sexual assault. In this seminal black feminist theory text, the Foucauldian scholar Saidiya Hartman considers the “archive” which is what she terms the collection of historical evidence that one writes about the past with. She reckons with the difficulty and ethics of writing about past figures and people who were subject to immense violence, degradation and oppression, since often the only records left of their existence are those written or approved by their oppressors or people who were complict in their oppression, and those records are often at best only caricatures of the person they pretend to represent.

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Haslanger, Sally. Resisting reality: Social Construction and Social Critique
2012, OUP USA.

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Added by: Laura Jimenez

Publisher's Note: Contemporary theorists use the term "social construction" with the aim of exposing how what's purportedly "natural" is often at least partly social and, more specifically, how this masking of the social is politically significant. In these previously published essays, Sally Haslanger draws on insights from feminist and critical race theory to explore and develop the idea that gender and race are positions within a structure of social relations. On this interpretation, the point of saying that gender and race are socially constructed is not to make a causal claim about the origins of our concepts of gender and race, or to take a stand in the nature/nurture debate, but to locate these categories within a realist social ontology. This is politically important, for by theorizing how gender and race fit within different structures of social relations we are better able to identify and combat forms of systematic injustice. Although the central essays of the book focus on a critical social realism about gender and race, these accounts function as case studies for a broader critical social realism.

Comment: The book as a whole explores the interface between analytic philosophy and critical theory. As it is a collection of essays, particular chapters can easily be used separately, some serving as introductory, others as more advanced readings. It could be of interest for undergraduate or postgraduate courses in political philosophy, philosophy of language and philosophical methodology.

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Haslanger, Sally. Changing the Ideology and Culture of Philosophy: Not by Reason (Alone)
2007, Hypatia, 23 (2): 210–23.

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Added by: Rebecca Buxton
Abstract:
There is a deep well of rage inside of me. Rage about how I as an individual have been treated in philosophy; rage about how others I know have been treated; and rage about the conditions that I'm sure affect many women and minorities in philosophy, and have caused many others to leave. Most of the time I suppress this rage and keep it sealed away. Until I came to MIT in 1998, I was in a constant dialogue with myself about whether to quit philosophy, even give up tenure, to do something else. In spite of my deep love for philosophy, it just didn't seem worth it. And I am one of the very lucky ones, one of the ones who has been successful by the dominant standards of the profession. Whatever the numbers say about women and minorities in philosophy, numbers don't begin to tell the story. Things may be getting better in some contexts, but they are far from acceptable.

Comment (from this Blueprint): In her 2007 paper, Haslanger sets out the situation of women in philosophy with a particular focus on instutional academic settings. This paper discusses how women are excluded from philosophy (both contemporary and historical) as well as thinking about disciplnary boundaries: why is it that feminist philosophy is not often thought of as 'real' philosophy?

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Hass, Marjorie. Can There Be a Feminist Logic?
1999, In Emanuela Bianchi (ed.), Is Feminist Philosophy Philosophy? Northwestern University Press. pp. 190--201

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Added by: Franci Mangraviti
Abstract:

Can there be a feminist logic? By most accounts the answer would be no. What l find remarkable is the great difference in the justifications provided for this conclusion. The impossibility of feminist logic is defended, on the one hand, on the grounds that logic itself is most fundamentally a form of domination and so is inimical to feminist aims. Other philosophers, while also defending the impossibility of feminist logic, do so from the conviction that it is feminist theory rather than logic that is the problem. For these thinkers, feminism cannot make any interesting or important contribution to logic because feminist theory is fundamentally shallow or misguided. In this paper I will argue that both positions are mistaken: Logic is neither as totalizing as the one side believes nor is feminist theory as inconsequential for logic as the other pole would have it. In the course of these arguments, I describe the work of several feminist logicians, showing the possibility and value of feminist approaches to logic.

Comment (from this Blueprint): Very accessible introduction to the (early) literature on feminist logic, adequate for both a general logic course and a general feminist philosophy course (preferably together with at least one specialized reading). Its presentation of various contrasting positions on the topic should provide fertile grounds for discussion.

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Hass, Marjorie. Fluid Thinking: Irigaray’s Critique of Formal Logic
2002, In Falmagne, R.J. and Hass, M. eds. Representing Reason: Feminist Theory and Formal Logic. Rowman & Littlefield

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Added by: Franci Mangraviti

From the Introduction: "Marjorie Hass addresses the limitations of logical concepts, including negation, by illuminating the ongoing critique of these terms in the work of Luce Irigaray. In Hass’s view, Irigaray’s work calls the neutrality of logic into question, suggesting that the standard formalism is capable of expressing only distorted and partial interpretations of negation, identity, and generality. More specifically, in Irigaray’s work, standard symbolic logic is shown to be unable to represent the form of difference proper to sexual difference, the form of identity proper to feminine identity, and the form of generality proper to a feminine generic. Hass interprets and evaluates Irigaray’s critique of logic, arguing that many of Irigaray’s readers have misunderstood its nature and force."

Comment:
available in this Blueprint

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Hass, Marjorie. Feminist Readings of Aristotelian Logic
1998, In C.A. Freeland (ed.), Feminist Interpretations of Aristotle. Pennsylvania State University Press: pp. 19-40

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Added by: Franci Mangraviti and Viviane Fairbank
Abstract:

Hass examines chapters devoted to Aristotle in a recent, prominent, and controversial feminist critique of logic, Andrea Nye's Words of Power: A Feminist Reading of the History of Logic. Hass shows that Nye's criticisms of logic in general and of Aristotle in particular are misplaced. What is crucial in Nye's attack are alleged problems caused by overzealous "abstraction." But Hass argues that abstraction is not problematic; instead, it is crucial (and empowering) for feminist political theory. Although she rejects Nye's form of feminist logic critique, Hass finds more that is worthwhile in the criticisms of logic advanced by Luce lrigaray and Val Plumwood. These thinkers call for feminist alternatives to what has come to be standard deductive logic - and interestingly enough, their call is echoed in other contemporary criticisms from within the field of logic itself, for example, from intuitionist or entailment logics. The logical schemes envisaged by lrigaray and Plumwood would encompass more situated and fluid ways of using formal systems to describe and analyse reality and diverse experiences. Hass argues that, in Aristotle's case, we can glimpse something of such an alternative by looking to his account of negation, which is richer and more complex than that allowed by most contemporary formal systems.

Comment:
available in this Blueprint

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Hass, Marjorie. Feminist Readings of Aristotelian Logic
1998, In C.A. Freeland (ed.), Feminist Interpretations of Aristotle. Pennsylvania State University Press: pp. 19-40

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Added by: Franci Mangraviti and Viviane Fairbank
Abstract:
Hass examines chapters devoted to Aristotle in a recent, prominent, and controversial feminist critique of logic, Andrea Nye's Words of Power: A Feminist Reading of the History of Logic. Hass shows that Nye's criticisms of logic in general and of Aristotle in particular are misplaced. What is crucial in Nye's attack are alleged problems caused by overzealous "abstraction." But Hass argues that abstraction is not problematic; instead, it is crucial (and empowering) for feminist political theory. Although she rejects Nye's form of feminist logic critique, Hass finds more that is worthwhile in the criticisms of logic advanced by Luce lrigaray and Val Plumwood. These thinkers call for feminist alternatives to what has come to be standard deductive logic - and interestingly enough, their call is echoed in other contemporary criticisms from within the field of logic itself, for example, from intuitionist or entailment logics. The logical schemes envisaged by lrigaray and Plumwood would encompass more situated and fluid ways of using formal systems to describe and analyse reality and diverse experiences. Hass argues that, in Aristotle's case, we can glimpse something of such an alternative by looking to his account of negation, which is richer and more complex than that allowed by most contemporary formal systems.

Comment:
available in this Blueprint

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Hein, Hilde. What is public art? Time, place, and meaning
1996, Journal of Aesthetics and Art Criticism 54 (1):1-7.

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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir

Introduction: Public art is an oxymoron according to the standards of modernist art and aesthetic theory. Modern philosophical aesthetics focuses almost exclusively on subjective experience and a commodified work of art. Art is taken to be the product of an individual and autonomous act of expression, and its appreciation is, likewise, a private act of contemplation. By contrast, as a public phenomenon, art must entail the artist's self-negation and deference to a collective community. It is interesting to observe that the recognized art of nearly all cultures, including that of the western European tradition prior to the late Renaissance, embraces just such a collective model, indulging the differences among individuals as variant manifestations of a common spirit. The celebrated treasures of Greece and Rome, as well as the Christian works of the Middle Ages and the age of the fresco that succeeded them, do not exalt the private vision of individual artists so much as they bespeak the shared values and convictions of cultural communities, and are accordingly to be found in those edifices and open places where people regularly gather to commemorate those same values and convictions. Privacy was for centuries a privative concept, demarcating the dissociated and limited experience of persons cut off from and below the level of full social humanity.

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