Robeyns, Ingrid. Will a Basic Income Do Justice to Women?
2001, Analyse & Kritik 23 (1):88-105
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Added by: Deryn Mair ThomasAbstract:
This article addresses the question whether a basic income will be a just social policy for women. The implementation of a basic income will have different effects for different groups of women, some of them clearly positive, some of them negative. The real issues that concern feminist critics of a basic income are the gender-related constraints on choices and the current gender division of labour, which are arguably both playing at the disadvantage of women. It is argued that those issues are not adequately addressed by a basic income proposal alone, and therefore basic income has to be part of a larger packet of social policy measures if it wants to maximise real freedom for all.
Comment: This paper explores questions as the intersection of feminism and the basic income literature, offering a take on one of the classic feminist critiques of basic income: namely, that the purported conditions of freedom that basic income is supposed to bring about are only really available to members of the population who do not belong to an oppressed or marginalised class. For those that do belong to such groups - in this case, women - the availability of such conditions of freedom will be highly dependent on existing gendered divisions of labour and restrictions on choice. As such, the author argues that proposals for basic income, if they are serious about ensuring real freedom for all, must take this into consideration. The author also challenges existing (at the time of writing) contradictions in the claims being made about the effect of basic income policy on women, as opposed to men. The paper would therefore be interesting to discuss in relation to feminist politics or a survey of the basic income literature, especially assigned in tandem with some of the foundational literature, such as Phillipe Van Parijs' work.
Robinson, Jenefer. Deeper Than Reason: Emotion and its Role in Literature, Music, and Art
2005, Clarendon Press.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirPublisher's Note: Jenefer Robinson takes the insights of modern scientific research on the emotions and uses them to illuminate questions about our emotional involvement with the arts. Laying out a theory of emotion supported by the best evidence from current empirical work, she examines some of the ways in which the emotions function in the arts. Written in a clear and engaging style, her book will make fascinating reading for anyone interested in the emotions and how they work, as well as anyone engaged with the arts and aesthetics.
Robinson, Jenefer. The expression and arousal of emotion in music
1994, Journal of Aesthetics and Art Criticism 52 (1):13-22.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirAbstract: This essay is about the relation between the expression and the arousal of emotion by music. I am assuming that music frequently expresses emotional qualities and qualities of human personality such as sadness, nobility, aggressiveness, tenderness, and serenity. I am also assuming that music frequently affects us emotionally: it evokes or arouses emotions in us. My question is whether there is any connection between these two facts, whether, in particular, music ever expresses emotion by virtue of arousing emotion. Of course, what it means to say that music expresses emotion is a contentious issue and I shall not be directly addressing it here, although what I say will have implications for any theory of musical expression. Nor will I be examining all the possible contexts in which music can be said to arouse emotion. My focus in this essay will be narrower. The question I shall try to answer is this: Are the grounds on which we attribute the expression of emotion to music ever to be identified with the arousal of that same emotion in listeners?
Robinson, Jenefer, Ross, Stephanie. Women, Morality, and Fiction
1990, Hypatia 5 (2):76-90.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirAbstract: We apply Carol Gilligan's distinction between a "male" mode of moral reasoning, focussed on justice, and a "female" mode, focussed on caring, to the reading of literature. Martha Nussbaum suggests that certain novels are works of moral philosophy. We argue that what Nussbaum sees as the special ethical contribution of such novels is in fact training in the stereotypically female mode of moral concern. We show this kind of training is appropriate to all readers of these novels, not just to women. Finally, we explore what else is involved in distinctively feminist readings of traditional novels
Rooney, Phyllis. What is Distinctive about Feminist Epistemology at 25?
2012, in Sharon L. Crasnow, and Anita M. Superson (eds), Out from the Shadows: Analytical Feminist Contributions to Traditional Philosophy, Studies in Feminist Philosophy. New York: Oxford Academic.
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Added by: Jimena ClavelAbstract:
Attempts to identify feminist epistemology by picking out particular topics or projects that supposedly all feminist epistemologists engage, or by focusing on specific claims or theories about knowledge (justification, objectivity) to which all or most feminist epistemologists subscribe, often end up mischaracterizing the field. I argue that what makes feminist epistemology distinctive, a quarter century into its development, is best determined by examining what makes mainstream epistemology still so distinctively non‐feminist. For example, feminist epistemology includes a critical examination of historical and contemporary forms of epistemic subordination and disempowerment that it seeks to bring out from the shadows of traditional theorizing in epistemology, that is, forms of exclusion or distancing of women and other “others” from domains, conceptions, and idealizations of knowledge and of epistemology. This feminist project, though it encompasses quite a range of specific inquiries, is distinctive to the extent that proponents of mainstream projects or perspectives in epistemology remain hostile to, dismissive of, or notably ignorant of it. Mainstream marginalizations and dismissals of feminist work are underwritten by distinctively limited understandings of specific features of epistemological theorizing that come to the fore in an examination of the relationship between feminist and mainstream work in epistemology. These features include: a recognition of the historical situatedness of epistemology; an appreciation of different types of relationships between epistemology and politics; the promotion of epistemological reflexivity; critical re-assessments of starting concepts and questions in epistemology; and recognition of important connections between epistemic normativity and moral or political normativity.Comment: The paper is this a good introduction to the overarching project of feminist epistemology. This chapter offers not only a review of the project of feminist epistemology, but also a critical overview of mainstream epistemology by examining the reception of the former by the latter. It also highlights the crucial contributions of feminist epistemology to epistemology, more widely. In addition to epistemology courses, it can also be a good addition to courses that aim to explore how philosophers have sought to transform canonical and traditional philosophy.
Root, Deborah. Fat-Eaters and Aesthetes: The Politics of Display
1996, in Cannibal Culture: Art, Appropriation, and the Commodification of Difference. USA: Westview Press.
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Added by: Erich Hatala MatthesSummary: Root employs Méxica mythology as a lens for revealing the consumptive, and even cannibalistic, character of power. In particular, she points to the way colonial power sets up Westerners as "experts" and arbiters of art and culture, presenting appreciation of culture as a pretext for violence and control.Comment: This chapter serves as an introduction to Root's booklength study of these themes, so the presentation only gestures at these relationships and provides a brief selection of examples that illustrate them. However, if can be useful for raising initial questions about the relationships among power, art, and culture. It provides a counterpoint to a more sanguine perspective on cross-cultural appreciation expressed by Thomas Heyd in "Rock Art Aesthetics and Cultural Appropriation."
Rudder Baker, Lynne. Is the first-person perspective gendered?
2022, In McWeeny, J. and Maitra, K. (eds) Feminist Philosophy of Mind. New York: Oxford University Press, pp. 41-53
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Added by: Adriana Alcaraz Sanchez and Jodie RussellAbstract:
The notion of gender identity has been characterized as "one's sense of oneself as male, female or transgender." To have a sense of oneself at all, one must have a robust first-person perspective - a capacity to conceive of oneself as oneself in the first person. A robust first-person perspective requires that one have a language complex enough to express thoughts like "I wonder how I am going to die." Since a robust first-person perspective requires that one have a language, and languages embed whole worldviews, the question arises: in learning a language, does the robust first-person perspective itself introduce gender stereotypes? Without denying that we unconsciously acquire attitudes about gender that shape our normative expectations, this chapter argues that one's gender identity is not just attributable to the biases implicit in the language one speaks. So the robust first-person perspective itself is not responsible for which gender-specific attitudes a person acquires.Comment (from this Blueprint): Rudder Baker's chapter on the first-person perspective and gender identity is a great starting place to begin thinking about what it means to experience the world through the lens of gender. Rudder Baker's chapter also poses interesting thought experiements, such as whether a disembodied being would have a gender idetity (she argues "no") or whether it is possible to live in a gender-less society. The chapter also introduces the reader to the necessary conditons by which we might want to say that someone has a gender identity andso is a fruitful springboard for further and deeper discussions about not only gender, but language and personal identity more broadly.
Ruether, Rosemary R.. Symbolic and Social Connections of the Oppression of Women and the Domination of Nature
1999, in Adams, C. J. (eds), Ecofeminism and the sacred, New York: Continuum.
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Added by: Simon FoktAbstract:
Comment: This text offers an introduction to ecofeminism. It discusses the history of associating maleness with culture and femaleness with nature and identifies some of the issues which led to the current ecological crisis. The text has the potential to challenge received views and inspire a lively discussion, and as such it is best used as an introductory text in classes on environmental ethics and on feminist ethics.
Ruetsche,Laura. Interpreting Quantum Theories: The art of the possible
2011, Oxford University Press.
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Added by: Laura JimenezPublisher's Note: Traditionally, philosophers of quantum mechanics have addressed exceedingly simple systems: a pair of electrons in an entangled state, or an atom and a cat in Dr. Schrodinger's diabolical device. But recently, much more complicated systems, such as quantum fields and the infinite systems at the thermodynamic limit of quantum statistical mechanics, have attracted, and repaid, philosophical attention. Interpreting Quantum Theories has three entangled aims. The first is to guide those familiar with the philosophy of ordinary QM into the philosophy of 'QM infinity', by presenting accessible introductions to relevant technical notions and the foundational questions they frame. The second aim is to develop and defend answers to some of those questions. Does quantum field theory demand or deserve a particle ontology? How (if at all) are different states of broken symmetry different? And what is the proper role of idealizations in working physics? The third aim is to highlight ties between the foundational investigation of QM infinity and philosophy more broadly construed, in particular by using the interpretive problems discussed to motivate new ways to think about the nature of physical possibility and the problem of scientific realism.Comment: Really interesting book for postgraduate courses involving the study of interpretative theories of Quantum Mechanics. The argument is focused on the quantum theory of systems with infinitely many degrees of freedom. The philosophical approach is defended through careful attention to scientific details.
Russell, Gillian. Logic: A Feminist Approach
2020, In Garchar, Kimberly K. and Shew, Melissa M. (Ed.). Philosophy for girls: An invitation to a life of thought, pp. 79-98
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Added by: Franci MangravitiAbstract:
This chapter asks whether there is any such thing as feminist logic. It defines feminism and logic, and then goes on to present and evaluate four possible views, introducing and critiquing the work of Andrea Nye, Val Plumwood, and Susan Stebbing. It argues that Stebbing’s approach—on which feminism is one among many political applications of logic—is correct, but that feminist logic could do more, by providing a formal framework for the study of social hierarchies, much as it presently provides a formal framework for the study of numbers and similarity rankings among possible worlds.
Comment: Ideal for an intro course to either feminist philosophy or logic, to introduce possible interactions between the fields. More advanced courses (in either direction) might want to adopt G. Russell's "From Anti-Exceptionalism to Feminist Logic" instead, which covers the same topic in a lot more detail.
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