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Added by: Rebecca BuxtonPublisher’s Note:
Oluwole's teachings and works are generally attributed to the Yoruba school of philosophical thought, which was ingrained in the cultural and religious beliefs (Ifá) of the various regions of Yorubaland. According to Oluwole, this branch of philosophy predates the Western tradition, as the ancient African philosopher Orunmila predates Socrates by her estimate. These two thinkers, representing the values of the African and Western traditions, are two of Oluwole's biggest influences, and she compares the two in her book Socrates and Orunmila.Osborne, Catherine. Eros Unveiled: Plato and the God of Love1994, Oxford University Press.-
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Added by: Laura Jimenez
Publisher's note: This unique book challenges the traditional distinction between eros, the love found in Greek thought, and agape, the love characteristic of Christianity. Focusing on a number of classic texts, including Plato's Symposium and Lysis, Aristotle's Ethics and Metaphysics, and famous passages in Gregory of Nyssa, Origen, Dionysius the Areopagite, Plotinus, Augustine, and Thomas Aquinas, the author shows that Plato's account of eros is not founded on self-interest. In this way, she restores the place of erotic love as a Christian motif, and unravels some longstanding confusions in philosophical discussions of love.Comment: The author’s view represents a new approach to ancient views on eros and its place in the Christian tradition. It is suitable for undergraduate or postgraduate courses on Ethics and Ancient Philosophy. Perfect as a secondary reading for students working on Plato's Symposium and Lysis, or Aristotle's Ethics and Metaphysics.
Padilla, Amado, Salgado De Snyder, V. Nelly. Psychology in Pre-Columbian Mexico1988, Hispanic Journal of Behavioral Sciences, 10 (1): 55-66-
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Added by: M. Jimena Clavel Vázquez and Andrés Hernández VillarrealAbstract:
Aztec psychological thought is described in this paper. The Pre-Columbian world of the Aztecs was characterized by Spanish chroniclers as being as sophisticated in the sciences and medicine as anything found in Europe at the time of the conquest of Mexico. This knowledge included a belief structure about the development of personality and the way in which Aztec society socialized the person. Concepts of psychological equilibrium and well-being are also found within Aztec medicine. Psychological dysfunctions were identified by Aztec healers and "talking" therapies not unlike today's psychotherapeutic techniques could be found.
Comment (from this Blueprint): The sections “Psychological well-being or in ixtli – in yollotl”, “Teachers of knowledge and face”, “Illness and the community”, and “Aztec healers or psychotherapists” provide a clear and helpful discussion on the concepts of destiny, free will, precarious nature of human beings on earth, and, more generally, on Nahua psychology.
Peng Feng. Li Yu’s Theory of Drama: A Moderate Moralism2016, Philosophy East and West 66(1): 73-91.-
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Added by: Meilin Chinn
Abstract: This essay presents an interpretation of Li Yu’s theory of drama that takes it to be a moderate moralism that is different from Confucian radical moralism, Daoist radical autonomism, and the moderate autonomism of fiction. In addition to practical considerations, Li Yu’s moderate moralism of drama is based on his awareness of the ontological difference between drama and music, poetry, and fiction. Drama was seen by Li Yu as a synthetic art that includes music, poetry, and fiction. If radical autonomism is appropriate for the evaluation of music, radical moralism for poetry and prose, and moderate autonomism for fiction, then moderate moralism would be most appropriate in the evaluation of drama.Comment: Peng gives an account of the development of Chinese drama according to a contrast between Confucian moralism, in which morality controls aesthetics, and Daoist autonomism, in which aesthetics are autonomous from morality. He argues for an understanding of Li Yu’s theory of drama as a moderate moralism that evaluates drama according to a possible, yet contingent and unnecessary relation between moral and aesthetic virtue. This text is appropriate for a course on aesthetics and/or Chinese philosophy. It is particularly useful in discussions of the relationship between ethics and aesthetics.
Phemister, Pauline. The Rationalists: Descartes, Spinoza and Leibniz2006, Polity.-
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Added by: Clotilde Torregrossa, Contributed by: Pauline Phemister
Publisher's Note: Descartes, Spinoza and Leibniz stand out among their seventeenth-century contemporaries as the great rationalist philosophers. Each sought to construct a philosophical system in which theological and philosophical foundations serve to explain the physical, mental and moral universe. Through a careful analysis of their work, Pauline Phemister explores the rationalists seminal contribution to the development of modern philosophy. Broad terminological agreement and a shared appreciation of the role of reason in ethics do not mask the very significant disagreements that led to three distinctive philosophical systems: Cartesian dualism, Spinozan monism and Leibnizian pluralism. The book explores the nature of, and offers reasons for, these differences. Phemister contends that Spinoza and Leibniz developed their systems in part through engagements with and amendment of Cartesian philosophy, and critically analyses the arguments and contributions of all three philosophers. The clarity of the authors discussion of their key ideas including their views on knowledge, universal languages, the nature of substance and substances, bodies, the relation of mind and body, freedom, and the role of distinct perception and reason in morals will make this book the ideal introduction to rationalist philosophyComment:
Pitts, Andrea J.. Toward an Aesthetics of Race: Bridging the Writings of Gloria Anzaldúa and José Vasconcelos2014, Inter-American Journal of Philosophy, 5 (1): 80-100-
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Added by: Adriana Clavel-VázquezAbstract:
This paper examines the relationship between the aesthetic frameworks of José Vasconcelos and Gloria Anzaldúa. Contemporary readers of Anzaldúa have described her work as developing an “aesthetics of the shadow,” wherein the Aztec conception of Nepantilism—i.e. to be “torn between ways”—provides a potential avenue to transform traditional associations between darkness and evil, and lightness and good. On this reading, Anzaldúa offers a revaluation of darkness and shadows to build strategies for resistance and coalitional politics for communities of color in the U.S. To those familiar with the work of Vasconcelos, Anzaldúa’s aesthetics appears to contrast sharply with his conceptions of aesthetic monism and mestizaje. I propose, however, that if we read both authors as supplementing one another’s work, we can see that their theoretical points of contrast and similarity help frame contemporary philosophical discussions of racial perception.Comment (from this Blueprint): In this paper, Pitts does two things that are relevant for the aims of this blueprint. First, she understands Anzaldúa to be in dialogue with, and as a continuation of, the Latin American philosophical tradition. In this sense, rather than seeing Latinx feminism as emerging simply from an opposition to the Anglo-American intellectual tradition, she sees it as inheriting and furthering a rich Latin American philosophical tradition that, although problematic at times, has plenty to offer to contemporary philosophical thought, and which has been unfortunately ignored for too long. Second, she brings forward the role that aesthetics plays in theorizing about race and mestizo identities in Latin America, and in the constitution of social identities, as well as the centrality of aesthetics in the Latin American philosophical tradition.
Pointon, Marcia. Portrait, Fact and Fiction2013, in: Portrayal and the Search for Identity, Reaktion Books, pp. 23-46.-
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Added by: Hans Maes
Summary: Considers portraiture an unstable, destabilizing, potentially subversive art through which uncomfortable and unsettling convictions are negotiated. As such, it is primarily an instrumental art form, a kind of agency. Also argues that there is an element of the fictive involved in all portrait representations. Explains how portraiture is a slippery and seductive art.Comment: Useful in discussing portraiture, as well as depiction and representation in general.
Artworks to use with this text:
Garibaldi at Caprera, frontispiece of G.M. Trevelyan, Garibaldi and the Thousand, May 1860 (1931 edition)
A reproduction of a photograph of a copy of a many times copied portrait of the guerilla leader. Devoid of monetary or aesthetic value. Not very likely that Garibaldi looked like this or posed for the artist. The portrait works to endow the historical narrative with its illusion of a unified subject. Useful in discussing portraiture, as well as depiction and representation in general.
Artworks to use with this text:
Garibaldi at Caprera, frontispiece of G.M. Trevelyan, Garibaldi and the Thousand, May 1860 (1931 edition)
A reproduction of a photograph of a copy of a many times copied portrait of the guerilla leader. Devoid of monetary or aesthetic value. Not very likely that Garibaldi looked like this or posed for the artist. The portrait works to endow the historical narrative with its illusion of a unified subject.
Pointon, Marcia. Slavery and the Possibility of Portraiture2013, in: Portrayal and the Search for Identity, Reaktion Books, pp. 47-73.-
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Added by: Hans Maes
Summary: Draws attention to the fact that portraits of slaves are rarely exhibited or discussed; and that not all images of slaves are portraits. Reflects on the dynamics of power involved in portraiture and on the relation between subject and viewer in particular. Includes extensive commentary on the historical development of portraiture and the place of portraits of slaves therein.Comment: Useful in discussing portraiture and depiction, as well as power relations and art's role in them in general.
Artworks to use with this text:
Francis Wheatley, A Family Group in a Landscape (c.1775)
A dark clad black boy stands motionless at the extreme left of the canvass, scarcely making into the group. He is literally in the shadows. Useful in discussing portraiture and depiction, as well as power relations and art's role in them in general.
Artworks to use with this text:
Francis Wheatley, A Family Group in a Landscape (c.1775)
A dark clad black boy stands motionless at the extreme left of the canvass, scarcely making into the group. He is literally in the shadows.
Pomeroy, Sarah B.. The study of women in antiquity: Past, present, and future1991, American Journal of Philology 112 (2).-
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Added by: Clotilde Torregrossa, Contributed by: Clotilde Torregrossa
Abstract: The publication of Arethusa 6 in 1973 inaugurated the serious study of women in antiquity in our time. Classics was one of many disciplines to begin developing a subfield of women's studies in the early 1970s. Since then, has the study of women in antiquity become part of the "mainstream"? In order to answer this question I decided to examine articles and reviews published in current periodicals. I spent one day (October 1, 1990) skimming through the journals on display racks at the Ashmolean and Bodleian Libraries, assuming that they constituted a random sample. I looked at all the journals in Classics, Archaeology, and Ancient History that could conceivably have some material on women in antiquity. I checked only the titles listed in the main index of each journal; book reviews that were not listed in such an index were not noted. My criterion for including an article or review was that it could be of special value to someone teaching a specialised course or doing research on women in antiquity as well as to readers with a more casual interest in the subject. I do not claim any statistical significance for this survey. Nor is it intended to alert readers to a dearth of articles and reviews on ancient women in particular journals; for example, Arethusa frequently publishes work in this field, but I happened to examine a special issue on pastoral. I looked at forty-five journals. Of these, twenty-two did not have an article or review relevant to the study of ancient women. Twenty-three journals contained at least one title and of these Helios had devoted an entire issue to Feminist scholars, including those who are not specialists in classical antiquity, would probably be particularly interested in some of the articles in Helios and in Larissa Bonfante's study of nudity. The vast majority of the publications are traditional historical or literary studies. But I doubt that they would have been so numerous without the inspiration of feminism, however remote from the mind of some of the authors. This little survey confirmed my sense that the study of women has, indeed, become part, albeit a very small part, of the mainstream of Classical Studies.Comment:
Pomeroy, Sarah B.. The Pythagorean Women: Their History and Writings2013, The Johns Hopkins University Press-
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Added by: Clotilde Torregrossa, Contributed by: Bart Schultz
Publisher's Note: In Pythagorean Women, classical scholar Sarah B. Pomeroy discusses the groundbreaking principles that Pythagoras established for family life in Archaic Greece, such as constituting a single standard of sexual conduct for women and men. Among the Pythagoreans, women played an important role and participated actively in the philosophical life. While Pythagoras encouraged women to be submissive to men, his reasoning was based on the desire to preserve harmony in the home. Pythagorean Women provides English translations of all the earliest extant examples of literary Greek prose by Neopythagorean women, shedding light on their attitudes about marriage, the home, music, and the cosmos. Pomeroy sets the Pythagorean and Neopythagorean women vividly in their historical, ecological, and intellectual contexts, illustrated with original photographs of sites and artifacts known to these women.Comment: Great work demonstrating how ancient Pythagorean philosophy welcomedwomen philosophers.
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Oluwole, Sophie. Socrates and Ọ̀rúnmìlà: Two Patron Saints of Classical Philosophy
2014, Ark Publishers.
Comment (from this Blueprint): This book compares Socrates to Ọ̀rúnmìlà, an 'Orisha' or an important sprit in Yoruba. Both Socrates and Orunmila undertook their philosophy orally and passed their teachings and thinking onto students. Oluwole therefore challenges the western assumption that African philosophy does not have a long-standing on deep tradition.