1990, SUNY Press
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, Contributed by: Quentin PharrPublisher’s Note:
In May of this year I had the opportunity to give several talks on the topic of nihilism. Initially I intended to focus on the three themes of Nietzsche, Dostoevsky, and Buddhism. When I was twenty, the figures of Nietzsche and Dostoevsky burned a lasting impression deep into my soul-as I suppose they may still do to many young people even today-and the tremors I experienced at that time have continued to make my heart tremble ever since. The final theme, of Buddhist "emptiness," came to capture my interest more gradually. The connections among these three topics are not merely arbitrary or external. The nihilism that Dostoevsky plumbed so deeply has important connections with that of Nietzsche, as a number of critics have pointed out; and Nietzsche considers what he calls European nihilism to be the European form of Buddhism. Even though there may be in Nietzsche a radical misunderstanding of the spirit of Buddhism, the fact that he considered it in relation to nihilism shows how well attuned he was to the real issue. It was considerations such as these that inclined me toward these three themes in my discussion of nihilism.Comment: This text is an excellent overview of both some of the themes within Nishitani's work as well as European conceptions of nihilism and its overcoming. In general, some appreciation of Nietzsche and aspects of Buddhism will help students navigate this book. But, it is largely expository, so it will often inform readers of what they need in the course of reading. This text will primarily be for students who are looking for an overall perspective on nihilism - especially, a Japanese one.
Keinschmidt, Shieva. Atheistic Prayer
2017, Faith and Philosophy 34(2): 152-175.
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Added by: Emily PaulAbstract: In this paper I will argue, contrary to common assumptions, that rational atheistic prayer is possible. I will formulate and respond to two powerful arguments against the possibility of atheistic prayer: first, an argument that the act of prayer involves an intention to communicate to God, precluding disbelief in God's existence; second, an argument claiming that reaching out to God through prayer requires believing God might exist, precluding rational disbelief in God. In showing options for response to these arguments, I will describe a model on which atheistic prayer is not only possible, but is on a par with theistic prayer in many more ways than one might expect.Comment: Very useful for a unit/module on atheism and agnosticism - in particular, as a bridge into fictionalism. This paper would be a great core reading prior to a debate on e.g. the rationality of theism/atheism/agnosticism.
Kleinschmidt, Shieva. The Experiential Problem of Petitionary Prayer
2018, International Journal for Philosophy of Religion 83(3): 219-229.
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Added by: Emily PaulAbstract: Sometimes we petition God for things through prayer. This is puzzling, because if God always does what is best, it is not clear how our prayers can make a difference to what God does. Difference-Making accounts of petitionary prayer attempt to explain how our prayers can nonetheless influence what God does. I argue that, insofar as one is motivated to endorse such an account due to wanting to respect widespread intuitions about this feature of petitionary prayer, they should also be motivated to endorse an account of prayer that respects widespread intuitions about other central features of petitionary prayer. I describe three problematic cases and the intuitions we have about them, and show how these intuitions restrict any Difference-Making account of petitionary prayer.Comment: Useful in an advanced UG or masters philosophy of religion course, as it can be discussed as a more complex version of a contradiction within God's alleged attributes - and it could be good as a task to get students to boil this down. Could also of course be very useful for a unit on petitionary prayer.
Kleinschmidt, Shieva. Many-One Identity and the Trinity
2012, Oxford Studies in Philosophy of Religion (J. Kvanvig (ed.)) Vol. 4: 84-96.
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Added by: Emily PaulAbstract: Trinitarians claim there are three Divine persons each of which is God, and yet there is only one God. It seems they want three to equal one. It just so happens, some metaphysicians claim exactly that. They accept Composition as Identity: each fusion is identical to the plurality of its parts. I evaluate Composition as Identity's application to the doctrine of the Trinity, and argue that it fails to give the Trinitairan any options he or she didn't already have. Further, while Composition as Identity does give us a new way to assert polytheism, its help requires us to endorse a claim that undercuts any Trinitarian motivation for the view.Comment: An excellent paper for an advanced UG/Masters course on the metaphysics of theism, as this draws upon metaphysical issues (composition) as well as issues in the philosophy of religion. Provides a great overview of problems facing an orthodox metaphysics of the trinity. NB: this is of course focused on metaphysics of Christianity, so if for a general metaphysics of theism course, it would be important to include metaphysical issues facing other religions.
Kongzi (Confucius). Analects (Selections)
2005, In: Readings in Classical Chinese Philosophy (Second Edition). Edited by Philip J. Ivanhoe and Bryan W. Van Norden. Hackett.
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Added by: Chris Blake-TurnerSummary: Selections from the Analects of Kongzi (Confucius), a foundational text in Chinese philosophy. It is split into twenty books recounting things that the Master (Kongzi) and his disciples said and did. Much of the rest of Chinese philosophy owes a debt, more or less explicit, to this work. Kongzi seeks the cultivation of virtue through ritual, so that worthy persons will occupy positions of power and influence. Society will thereby return to some of the splendor of the bygone ages of the legendary Three Sovereigns and Five Emperors, as well as the more recent Xia, Shang, and Western Zhou dynasties.Comment: The selections are best read in their entirety, as the work is holistic and difficult to interpret piecemeal. (So reading the whole text is better still!) It's helpful to stress Kongzi's particularism, as this makes sense of seemingly contradictory pronouncements he makes in different contexts. But if you're looking to incorporate some Classical Chinese philosophy in a course without space for the whole thing, the selections from Book One include many key Confucian themes: ritual, the ideal of a junzi or gentleman, virtue, filial piety, and the appeal to tradition. Either way, it's probably wise to give students some historical context to help understand the appeal of harking back to older traditions.
Kuki Shūzō. The Structure of Iki
2004, In Hiroshi Nara (ed.). The Structure of Detachment: The Aesthetic Vision of Kuki Shūzō. Univeristy of Hawai'i Press.
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Added by: Meilin ChinnSummary: One of the most important and creative works in modern Japanese aesthetics. Kuki develops a description of a uniquely Japanese sense of taste (iki) that brings together characteristics of the geisha, samurai, and Buddhist priest.Comment: Best used by a reader with at least an introductory knowledge of Japanese aesthetics. Could be used comparatively with work on disinterest in western Aesthetics, e.g., Kant.
Kwang-Myung Kim. Korean Aesthetic Consciousness and the Problem of Aesthetic Rationality
1998, Canadian Aesthetics Journal, 2
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Added by: Meilin ChinnAbstract: Aesthetic emotions are reputed to be irrational, but, aesthetic emotions as mental phenomena bear complex relations to rationality. Emotions give us knowledge about the world. The aesthetic consciousness of Korean is the internal roots of the Korean's mentality. The aesthetic consciousness and the mentality are inseparably related to each other. The aesthetic consciousness as the analogy of reason, in the context of A.G. Baumgarten plays a role to extend the logical world. Aesthetic rationality is the common sense or the communicative rationality of it. For the argument of universality we discuss the problem of aesthetic rationality. Since the modern aesthetics, the problem of aesthetic rationality came on the stage of aesthetics. Shamanism as the deep-rooted element of Korean mentality is the most authentic cultural legacy of Koreans. Buddhism, Confucianism, Taoism, and other religious elements influence the unique nature of the Korean character together with shamanism. They play a decisive role in determining the Korean mentality or consciousness. For Koreans, nature is a mirror of the self and a world of meditation which gives life, restoring all things to their proper state. As a peculiar color consciousness, Korean monochrome is characterized by vitality, spontaneity and unconcern for technical perfection. Korean art also tends to be devoid of an artificial movement and this reflects dislike of disturbance, deformation and convention. If we are to consider Korean contemporary art from an international perspective, we must define what it means to be Korean, i.e. our cultural habits and artistic elements hidden in the artist's unconsciousness. In this age of multiculturalism, the new interpretation on tradition makes it possible to merge the Korean art with the world stage. The extension of aesthetic emotion through experimentation shows us the change of aesthetic consciousness as a new possibility of interpretation.Comment: Kim argues for aesthetic rationality, as a kind of aesthetic consciousness, at the heart of Korean identity. He traces its unique cultural legacy in Korean shamanism, Buddhism, Confucianism, and Daoism in order to account for the characteristic vitality and spontaneity in Korean art. This text is appropriate for an aesthetics course. It does not require a background in Korean philosophy, but at least an introductory knowledge of aesthetics would be beneficial.
Laozi, trans. D.C. Lau. Tao Te Ching (Laozi/ Daodejing); trans. DC Lau
1963, Columbia University Press
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, Contributed by: I Xuan ChongPublisher’s Note:
The Laozi is a key text in Daoism/Taosim (a school in Classical Chinese Philosophy), and is also the single most frequently translated Chinese classic. This is a bilingual edition of a standard translation.Comment: This is a highly influential and still excellent English translation of the Laozi. It is essential reading on Daoism.
Laozi, trans. Richard John Lynn. The Classic of the Way and Virtue: A New Translation of the Tao-te ching of Laozi as Interpreted by Wang Bi
1999, Columbia University Press
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, Contributed by: I Xuan ChongPublisher’s Note:
The Laozi is a key text in Daoism/Taoism (a school in Classical Chinese Philosophy), and is also the single most frequently translated Chinese classic. This edition features a translation "as interpreted by Wang Bi" (a highly influential ancient commentator). This approach aligns closely with common practice in the Chinese-speaking world.Comment: This is essential primary reading on Daoism that is sensitive to the Laozi's ancient reception.
Matilal, Bimal Krishna. Perception: An Essay on Classic Indian theories of Knowledge
1986, Oxford: Oxford University Press.
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Added by: Giada FratantonioAbstract: This book is a defence of a form of realism which stands closest to that upheld by the Nyaya-Vaid'sesika school in classical India. The author presents the Nyaya view and critically examines it against that of its traditional opponent, the Buddhist version of phenomenalism and idealism. His reconstruction of Nyaya arguments meets not only traditional Buddhist objections but also those of modern sense-data representationalistsComment: This can be used as a reading for a course on indian philosophy, focusing on epistemology, and philosophy of science
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