Full text Read free
Siegel, Susanna. Which Properties are Represented in Perception?
2006, In Tamar S. Gendler & John Hawthorne (eds.), Perceptual Experience. Oxford University Press: 481-503.
Expand entry
Added by: Andrea Blomqvist
Abstract: In discussions of perception and its relation to knowledge, it is common to distinguish what one comes to believe on the basis of perception from the distinctively perceptual basis of one's belief. The distinction can be drawn in terms of propositional contents: there are the contents that a perceiver comes to believe on the basis of her perception, on the one hand; and there are the contents properly attributed to perception itself, on the other. Siegel argues that high-level properties should be attributed to percception itself. That, high-level properties can be the content of perception.

Comment: This paper is interesting to consider in the cognition/perception debate, since high-level properties such as being a natural kind, or emotions and intentions, are normally taken to be features of cognition rather than perception. It raises interesting questions about the relationship between concepts, the content of perception and perceptual experience. It would be good in a third year module on perception.

Export citation in BibTeX format
Export text citation
View this text on PhilPapers
Export citation in Reference Manager format
Export citation in EndNote format
Export citation in Zotero format
Share on Facebook Share on LinkedIn Share by Email
Full text
Thompson, Judith Jarvis. Molyneux’s Problem
1974, Journal of Philosophy 71: 637-650.
Expand entry
Added by: Simon Fokt, Contributed by: Simon Prosser

Introduction: I am inclined to think that what was in Molyneux’s mind, because of which he drew that conclusion from those premises, was this: that what affects one’s touch so or so could have affected one’s sight such and such instead of so or so—i.e., that what feels so or so could have looked such and such instead of so or so. Thus, for example, that what standardly feels like a globe could have standardly looked like a cube instead of like a globe, and vice versa. Certainly anyway, if you did think this, it would seem to you plausible to say that if a man hasn’t had the experience of how things that feel so or so look, he can’t tell by sight, i.e., from how a thing looks, how it feels. And plausible, then, to reason, as Molyneux does, that, if a man hasn’t had the experience of how things that feel so or so look, he can’t tell by sight, i.e., from how a thing looks, whether it feels like, and so is, a globe, or whether it feels like, and so is, a cube. The best he can do is guess.

It’s a proposal worth looking at, in any case, whether it is Molyneux’s or not. Or rather, under some interpretations of it, it's a proposal worth looking at.

Comment: Classic article on Molyneux's problem; maybe not the main reading these days, but important background/further reading.

Export citation in BibTeX format
Export text citation
View this text on PhilPapers
Export citation in Reference Manager format
Export citation in EndNote format
Export citation in Zotero format
Share on Facebook Share on LinkedIn Share by Email
Full text
Toribio, Josefa. Nonconceptual Content
2007, Philosophy Compass, 2 (2007), 445-460
Expand entry
Added by: Simon Fokt, Contributed by: Simon Prosser

Abstract: Nonconceptualists maintain that there are ways of representing the world that do not reflect the concepts a creature possesses. They claim that the content of these representational states is genuine content because it is subject to correctness conditions, but it is nonconceptual because the creature to which we attribute it need not possess any of the concepts involved in the specification of that content. Appeals to nonconceptual content have seemed especially useful in attempts to capture the representational properties of perceptual experiences, the representational states of pre-linguistic children and non-human animals, the states of subpersonal visual information-processing systems, and the subdoxastic states involved in tacit knowledge of the grammar of a language. Nonconceptual content is also invoked in the explanation of concept possession, concept acquisition, sensorimotor behaviour, and in the analysis of the notion of self-consciousness. The notion of nonconceptual content plays an important role in many discussions about the relationships between perception and thought.

Comment: Survey article on nonconceptual content.

Export citation in BibTeX format
Export text citation
View this text on PhilPapers
Export citation in Reference Manager format
Export citation in EndNote format
Export citation in Zotero format
Share on Facebook Share on LinkedIn Share by Email
Full text Read free
Weil, Simone. Essay on the Notion of Reading (1946)
2020, Journal of Continental Philosophy 1 (1):9-15
Expand entry
Added by: Deryn Mair Thomas
Abstract:

In this essay, Weil undertakes a meditation on the idea of “reading”, which she thinks can shed new light on a diverse range of conceptual and experiential “mysteries”, especially with respect to our existential responses to the world. A central concern is how we ascribe meaning and respond to phenomena. She argues that, for the most part, our reading of the world and the things in it are immediate, not subject to “interpretation”, at least as this is regularly conceived. Further, Weil says, our readings of the world are invariably tied to particular kinds of valuation, of ethical assessment and orientation, which appear to us as both obvious and immediate. This immediacy of reading, however, does not entail that our readings cannot be changed or challenged—only that such a change or challenge requires a particular kind of labor.

Comment: This is a unique and original analysis of the experience and phenomena of perception and its relation to ethical evaluation. It constitutes a distinct contribution to the philosophical literature, in part, because the ideas developed by Weil in the essay were original to her and not in response to any other thinker. The essay also showcases a somewhat idiosyncratic style of philosophical methodology that was unique to Weil - a blend of continental style, treating philosophy as poetic prose, and analytic method, laying out an argument in sequential premises which lead the reader towards a conclusion. As such, it might constitute an interesting contribution to a course that examines alternative philosophical methodologies, or underexplored women of 20th century western philosophy. It could also be used as an alternative text in intermediate courses on the philosophy of perception and sensation.

Export citation in BibTeX format
Export text citation
View this text on PhilPapers
Export citation in Reference Manager format
Export citation in EndNote format
Export citation in Zotero format
Share on Facebook Share on LinkedIn Share by Email
Can’t find it?
Contribute the texts you think should be here and we’ll add them soon!