Dissanayake, Ellen. Becoming Homo Aestheticus: Sources of Aesthetic Imagination in Mother-Infant Interactions
2001, Substance 30 (1/2):85.
-
Expand entry
-
Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirIntroduction: Along with the vital abilities to cry and to suckle, human neonates are born with remarkable capacities that predispose them for social interaction with others. For example, newborns prefer human faces and human voices to any other sight or sound (Johnson et al. 1991, 11). They can imitate face, mouth, and hand movements and respond appropriately to another person's emotional expressions of sadness, fear, and surprise. It is perhaps less well known that at birth, infants can also estimate and anticipate intervals of time and temporal sequences (DeCasper and Carstens 1980). They can remember these temporal patterns and categorize them in both time and space, and in terms of affect and arousal (Beebe, Lachman and Jaffe 1997). By six weeks of age, these innate perceptual and cognitive abilities permit normal infants to engage in complex communicative interchanges with adult partners--the playful behavior that is commonly or colloquially called "babytalk."Comment:Dissanayake, Ellen. Doing Without the Ideology of Art2011, New Literary History 42: 71–79.
-
Expand entry
-
Abstract: My invited comment on Steven Connor’s essay, “Doing Without Art,” proposes that a fuller understanding of the implications of my notion of “making special”—referred to by Connor in his essay as somewhat relevant to his own position—would expand his view of the human art impulse and allay some of his disaffections. Rather than contributing to aesthetic theory, the ideology of art, my work proposes an ethology of art: it suggests why members of the human species, in all times and places, made and otherwise engaged with the arts (plural). An ethology of art requires a new way of regarding its subject, not philosophically as an entity or essential quality but as a behavior, something that people everywhere “do.” What characterizes all instances of “doing with art,” from prehistory to the present, is making something (a rock surface, face or body, implement, sound, space, place, movement, utterance) special. A summary of the development and ramifications of the concept of “making special”—called “artifying” in my most recent work—answers Connor’s three questions and suggests that placing our modern ideology or ideologies of art in the wider and deeper context of artification enables an understanding of the arts as intrinsic and even necessary to human lives everywhere.Comment: Dissenayake makes her points clear and brief, and uses the opportunity to present the main elements of her evolutionary theory. This makes this paper not only an interesting voice in the scepticism about the definition of art debate, but also an excellent introduction to her wider work. The main question worth discussing in class is: should we replace definitions of art with an ethology of art? It might also be worth asking whether Dissenayake is right to claim that even the assumption that a theory of art is needed at all is elitist.Dōgen. Dōgen 道元 (1200–1253)2011, In James W. Heisig, Thomas P. Kasulis and John C. Maraldo (eds.) Japanese Philosophy. A Sourcebook. Honolulu: University of Hawai’i Press, pp. 141-162
-
Expand entry
-
Added by: Björn FreterAbstract: In Japanese religious history, Dōgen (1200–1253) is revered as the founder of the Japanese school of Sōtō Zen Buddhism. Tradition says he was born of an aristocratic family, orphaned, and at the age of twelve joined the Tendai Buddhist monastic community on Mt Hiei in northeastern Kyoto. In search of an ideal teacher, he soon wandered off from the central community on the mountain and ended up in a small temple in eastern Kyoto, Kennin-ji.Comment (from this Blueprint): Excerpts from Shōbōgenzō (Repository of the Eye for the Truth), the major philosophical work of Dōgen (1200–1253), founder of the Japanese school of Sōtō Zen Buddhism allowing to deepen his philosophical understanding of nature.Donaldson, Sue, Kymlicka, Will. Zoopolis: A Political Theory of Animal Rights2011, Oxford University Press
-
Expand entry
-
Added by: Björn FreterPublisher’s Note: Zoopolis offers a new agenda for the theory and practice of animal rights. Most animal rights theory focuses on the intrinsic capacities or interests of animals, and the moral status and moral rights that these intrinsic characteristics give rise to. Zoopolis shifts the debate from the realm of moral theory and applied ethics to the realm of political theory, focusing on the relational obligations that arise from the varied ways that animals relate to human societies and institutions. Building on recent developments in the political theory of group-differentiated citizenship, Zoopolis introduces us to the genuine "political animal". It argues that different types of animals stand in different relationships to human political communities. Domesticated animals should be seen as full members of human-animal mixed communities, participating in the cooperative project of shared citizenship. Wilderness animals, by contrast, form their own sovereign communities entitled to protection against colonization, invasion, domination and other threats to self-determination. `Liminal' animals who are wild but live in the midst of human settlement (such as crows or raccoons) should be seen as "denizens", resident of our societies, but not fully included in rights and responsibilities of citizenship. To all of these animals we owe respect for their basic inviolable rights. But we inevitably and appropriately have very different relations with them, with different types of obligations. Humans and animals are inextricably bound in a complex web of relationships, and Zoopolis offers an original and profoundly affirmative vision of how to ground this complex web of relations on principles of justice and compassion.Comment (from this Blueprint): An introduction to the groundbreaking theory of Zoopolis focussing on developing a political vision of human aninmals and non-human animals living together.Dotson, Kristie. A Cautionary Tale: On Limiting Epistemic Oppression2012, Frontiers: A Journal of Women Studies 33 (1):24-47.
-
Expand entry
-
Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: In this paper, first and foremost, I aim to issue a caution. Specifically, I caution that when addressing and identifying forms of epistemic oppression one needs to endeavor not to perpetuate epistemic oppression. Epistemic oppression, here, refers to epistemic exclusions afforded positions and communities that produce de? ciencies in social knowledge. An epistemic exclusion, in this analysis, is an infringement on the epistemic agency of knowers that reduces her or his ability to participate in a given epistemic community.2 Epistemic agency will concern the ability to utilize persuasively shared epistemic resources within a given epistemic community in order to participate in knowledge production and, if required, the revision of those same resources.3 A compromise to epistemic agency, when unwarranted, damages not only individual knowers but also the state of social knowledge and shared epistemic resources.Comment:Dotson, Kristie. Accumulating Epistemic Power2018, Philosophical Topics 46 (1):129-154.
-
Expand entry
-
Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: On December 3, 2014, in a piece entitled 'White America's Scary Delusion: Why Its Sense of Black Humanity Is So Skewed,' Brittney Cooper criticizes attempts to deem Black rage at state-sanctioned violence against Black people 'unreasonable.' In this paper, I outline a problem with epistemology that Cooper highlights in order to explore whether beliefs can wrong. My overall claim is there are difficult-to-defeat arguments concerning the 'legitimacy' of police slayings against Black people that are indicative of problems with epistemology because of the epistemic power they accumulate toward resilient oblivion, which can have the effect of normalizing oppressive conditions. That is to say, if one takes the value of lessening oppression as a key feature of normative, epistemological conduct, then it can generate demands on epistemological orientations that, in turn, generate wrongs for beliefs and, more specifically, beliefs as wrongs.Comment:Dotson, Kristie. How is this Paper Philosophy?2013, Comparative Philosophy 3 (1):3-29.
-
Expand entry
-
Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonAbstract: This paper answers a call made by Anita Allen to genuinely assess whether the field of philosophy has the capacity to sustain the work of diverse peoples. By identifying a pervasive culture of justification within professional philosophy, I gesture to the ways professional philosophy is not an attractive working environment for many diverse practitioners. As a result of the downsides of the culture of justification that pervades professional philosophy, I advocate that the discipline of professional philosophy be cast according to a culture of praxis. Finally, I provide a comparative exercise using Graham Priest's definition of philosophy and Audre Lorde's observations of the limitations of philosophical theorizing to show how these two disparate accounts can be understood as philosophical engagement with a shift to a culture of praxis perspective.Comment:Dotson, Kristie. On the Costs of Socially Relevant Philosophy Papers: A Reflection2019, Journal of Social Philosophy .
-
Expand entry
-
Added by: Clotilde Torregrossa, Contributed by: Corbin CovingtonIntroduction: The noticeable uptake of the paper 'How Is This Paper Philosophy?' (Dotson 2012a) within professional philosophy has given me the occasion to reflect about the uptake of philosophy papers. This may shed light on producing socially relevant philosophy articles and their costs. The relative success of that paper is a huge surprise to me. What I mean by success is pretty straightforward and not particularly ambitious. I am counting success as whether one regularly runs into people who have read one's paper and cite it as having had an impact on their considered or ambient positions on the paper's content. That is, it has received some uptake in a populated domain of activity. What I take to be central to ques-tions of how an article becomes socially relevant are questions of uptake. Uptake, here, is understood broadly to refer to readership that takes one's stated positions seriously enough to adopt (or be influenced by) them in part or in whole. What I have found is that many people in academic philosophy, for example, have read 'How Is This Paper Philosophy?' Some folks pay serious attention to it.Comment:Dotson, Kristie. Tracking Epistemic Violence, Tracking Practices of Silencing2011, Hypatia 26 (2):236-257.
-
Expand entry
-
Added by: Simon Fokt, Contributed by: Naomi Beecroft, Emily DysonAbstract: Too often, identifying practices of silencing is a seemingly impossible exercise. Here I claim that attempting to give a conceptual reading of the epistemic violence present when silencing occurs can help distinguish the different ways members of oppressed groups are silenced with respect to testimony. I offer an account of epistemic violence as the failure, owing to pernicious ignorance, of hearers to meet the vulnerabilities of speakers in linguistic exchanges. Ultimately, I illustrate that by focusing on the ways in which hearers fail to meet speaker dependency in a linguistic exchange, efforts can be made to demarcate the different types of silencing people face when attempting to testify from oppressed positions in society.Comment: This text provides an alternative framework to epistemic injustice and focuses on the positionality of black women. It encourages thought about (certain kinds of) ignorance as specific harms to others. This would suit an undergraduate class who were looking at race, gender, and/or applied epistemologies.Doyle, Jennifer. Thinking Feeling: Criticism and Emotion2013, In: Hold It Against Me: Difficulty and Emotion in Contemporary Art. Durham: Duke University Press. 69-89.
-
Expand entry
-
Added by: Rossen VentzislavovSummary: Doyle investigates the emotional dimensions of aesthetic experience in the context of controversial performance art practices. She focuses on sentimentality because it sits at the extreme end not only of the emotional spectrum but also, as a negative, on the art critical radar. Critics' charge against the sentimental is twofold - it enables vicarious experience at the expense of its direct counterpart and it gives a platform to the inauthentic. Furthermore, the overwhelming critical consensus is that the personal itself, manifested in sentimentality or otherwise, is inherently suspect. Emotion is thus framed as detrimental to "serious" art. It is also, and even more damagingly, feminized and drained of its political charge. To counter these assumptions, Doyle uses specific art-historical examples which reveal the richness and importance of emotional interest in the way art is made and experienced.Comment: This text can be used in discussions of emotion and affectivity. While much of its focus is on art, it can be used in more general classes on emotions as well.Drayson, Zoe, Andy Clark. Cognitive disability and embodied, extended minds2020, In Adam Cureton & David Wasserman (eds.), Oxford Handbook of Philosophy and Disability. Oxford University Press, pp. 580-597
-
Expand entry
-
Added by: Maria Jimena Clavel VazquezAbstract: Many models of cognitive ability and disability rely on the idea of cognition as abstract reasoning processes implemented in the brain. Research in cognitive science, however, emphasizes the way that our cognitive skills are embodied in our more basic capacities for sensing and moving, and the way that tools in the external environment can extend the cognitive abilities of our brains. This chapter addresses the implications of research in embodied cognition and extended cognition for how we think about cognitive impairment and rehabilitation, how cognitive reserve mitigates neural impairment, and the distinction between medical and social models of disability.Comment: available in this BlueprintDriver, Julia. Ethics: The Fundamentals2006, Wiley-Blackwell.
-
Expand entry
-
Added by: Nick NovelliEditor's Note: Ethics: The Fundamentals explores core ideas and arguments in moral theory by introducing students to different philosophical approaches to ethics, including virtue ethics, Kantian ethics, divine command theory, and feminist ethics. The first volume in the new Fundamentals of Philosophy series. Presents lively, real-world examples and thoughtful discussion of key moral philosophers and their ideas. Constitutes an excellent resource for readers coming to the subject of ethics for the first time.Comment: This book offers good preliminary introductions to a number of topics in ethics. Each section could be assigned individually as a starting point for the given topic. The sections on utilitarianism and consequentialism are particularly good introductions. Primarily of use to early undergraduates or students who have not studied ethics before.Droege, Paula. Why Feminists Should be Materialists and Vice Versa2022, in McWeeny, J. and Maitra, K. (eds) Feminist Philosophy of Mind. New York: Oxford University Press, pp. 255-270
-
Expand entry
-
Abstract: In this article, Droege defends a nonreductive account of materialism, which in her view, can be endorsed by feminists since it considers the dynamic relations among mind, body, and environment. Droege shows how "new materialism" or nonreductive materialism preserves the role of social interactions in explaining the constitution of mental states, while at the same time, also considers the role of the physical. Droege argues that ignoring the physical is a mistake that some feminists commit that prevents us from offering a full picture of the nature of social constructs, such as "gender". In the materialist view that Droege supports, physical causation is seen as "indeterminate, constantly in flux, and potentially both disruptive and supportive of human projects". Droege closes the article by showing how feminist methods, by taking an interdisciplinary approach, can provide a more nuanced picture of the nature of the mind, one that considers both the role of the physical and social world.Comment (from this Blueprint): Roege defends a nonreductive account of materialism, which, in her view, doesn't stand against feminist criticisms of physicalism. Similarly to Scheman's "Against Physicalism", Droeger argues that mainstream physicalist theories have ignored the role of the social in their explanations about the mental. Droeger offers an analysis of how feminist practices can illuminate work on the philosophy of mind by taking an interdisciplinary approach that brings together findings and viewpoints from different disciplines.Du Bois, W.E.B.. Criteria of Negro Art1926, The Crisis, 32: 290-297
-
Expand entry
-
Added by: Quentin Pharr and Clotilde TorregrossaAbstract: Published in The Crisis of October 1926, DuBois initially spoke these words at a celebration for the recipient of the Twelfth Spingarn Medal, Carter Godwin Woodson. The celebration was part of the NAACP's annual conference and was held in June 1926.Comment (from this Blueprint): In this selection, Du Bois discusses the nature of aesthetic value, how black artists have been historically excluded from creating it for false and racist reasons, and what role black artists actually have to play in creating beauty. Firstly, he establishes an expansive conception of aesthetic value. Secondly, he sets out various examples of how black artists have been historically excluded from producing art in general and art which portrays "blackness" more specifically. And lastly, he sets out a vision for the arts which not only includes black artists, but also recognizes the aesthetic and political value of their work for creating fair and equal societies where beauty is ever present and sought. It will help readers to understand the costs and wrongs that come with exclusionary practices in the production of aesthetic objects.Du Châtelet, Emilie. Discourse on Happiness2009, Selected Philosophical and Scientific Writings, ed. with an Introduction by Judith P. Zinsser, transl. by Isabelle Bour, Judith P. Zinsser, Chicago, London: University of Chicago Press, 349–365.
-
Expand entry
-
Added by: Björn Freter
Abstract: It is commonly believed that it is difficult to be happy, and there is much reason for such a belief; but it would be much easier for men to be happy if reflecting on and planning conduct preceded action. One is carried along by circumstances and indulges in hopes that never yield half of what one expects. Finally, one clearly perceives the means to be happy only when age and self- imposed fetters put obstacles in one’s way.
Comment: This accessible 18th century text lays out a hedonistic theory of happiness with interesting parallels to Epicureanism.Can’t find it?Contribute the texts you think should be here and we’ll add them soon!
-
-
-
This site is registered on Toolset.com as a development site. -
-
-
-
-
-
-
-
-
-
-