Nussbaum, Martha, Rosalind Hursthouse. Plato on Commensurability and Desire
1984, Aristotelian Society Supplementary Volume 58: 55-96.
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Added by: Simon FoktDiversifying Syllabi: Plato’s belief in the commensurability of values (shared by modern utilitarians) ultimately “cuts very deep: taken seriously, it will transform our passions as well as our decision-making, giving emotions such as love, fear, grief, and hence the ethical problems that are connected with them, an altogether different character” (56). The upshot is that “certain proposals in ethics and social choice theory that present themselves as innocuous extensions of ordinary belief and practice could actually lead, followed and lived with severity and rigor, to the end of human life as we currently know it” (56).Comment: The text is useful in teaching ethics, especially as a critique of utilitarianism. It can also be used as a reading in history of philosophy classes focusing on ancient ethics. It is rather long, but can be used in excerpts. The paper is largely reprinted in Nussbaum's Fragility of Goodness.
Nzegwu, Nkiru. African Art in Deep Time: De‐race‐ing Aesthetics and De‐racializing Visual Art
2019, Journal of Aesthetics and Art Criticism 77 (4): 367-378.
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Added by: Simon Fokt
Abstract: In two essays in the ART/Artifact(1988) exhibition catalog, white American museum curator Susan Vogel and white American philosopher Arthur Danto pronounce that Africans do not distinguish between art and nonart. Although seemingly objective empirical statements, their assertions about Africa and its art are racially based ruminations of a white supremacist worldview. I argue that in theorizing within the category of race they produced racialized aesthetics that commit the Eurocentric fallacy of upholding systemic racist objectives. I argue that (1) their assertions fail to be about African art, but about hegemony and power; (2) as the longest enduring artistic activity of humanity, African art is an important check to racialized aesthetics; (3) art is produced outside the category of race and from a critically conscious awareness of the world; and (4) art bespeaks creativity and presupposes the artistic and moral values of a culture in the manipulation and transformation of physical reality.
Comment: Written in an engaging way, this paper invites the reader to re-evaluate some common assumptions about art from different cultures. Exposing the prevalent Western approach to African art as racialised, it can be a great tool in making students understand both the structural-societal, as well as own biases in approaching other cultures. Ngzewu defends a powerful thesis: that ‘the West’s conception of art and creativity presupposes white racial hegemony.’ She exposes the way in which Western art is tacitly assumed to be a yardstick against which all is measured, and the Westerners have become the ‘purveyors of knowledge’ who apply this yardstick to decide whether works of other cultures are art, all without any need to consult the creators of those works, or to revise own concept of art. As such, the paper can be very empowering to some students, while also being very uncomfortable to others – teaching it might require some skill in leading the discussion in a constructive way. The import of Ngzewu’s argumentis that while racism and white domination rest on the assumption of cognitive and moral superiority of white people, the approach to African art she criticises serves to reinforce this assumption. This can inspire further class discussion on the importance and value of aesthetics. Best used before assigning other texts on non-Western art, which should all be read in light of Ngzewu’s criticism. Written in an engaging way, this paper invites the reader to re-evaluate some common assumptions about art from different cultures. Exposing the prevalent Western approach to African art as racialised, it can be a great tool in making students understand both the structural-societal, as well as own biases in approaching other cultures. Ngzewu defends a powerful thesis: that ‘the West’s conception of art and creativity presupposes white racial hegemony.’ She exposes the way in which Western art is tacitly assumed to be a yardstick against which all is measured, and the Westerners have become the ‘purveyors of knowledge’ who apply this yardstick to decide whether works of other cultures are art, all without any need to consult the creators of those works, or to revise own concept of art. As such, the paper can be very empowering to some students, while also being very uncomfortable to others – teaching it might require some skill in leading the discussion in a constructive way. The import of Ngzewu’s argumentis that while racism and white domination rest on the assumption of cognitive and moral superiority of white people, the approach to African art she criticises serves to reinforce this assumption. This can inspire further class discussion on the importance and value of aesthetics. Best used before assigning other texts on non-Western art, which should all be read in light of Ngzewu’s criticism.
O'Neill, Onora. Constructivism vs. Contractualism
2003, Ratio 16(4): 319-331.
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Added by: Carl FoxIntroduction: Are Constructivism and Contractualism different, and if so how? Seemingly they are not wholly different, and certainly not incompatible, since some writers have described themselves as both. As a first shot one might suggest that contractualists ground ethical or political justification in agreement of some sort, whereas constructivists ground them in some conception of reason. This will not provide any neat separation of the two approaches to justification, since agreement may provide a basis for reasons, and reasoning a way of achieving agreement. In opening up these questions a bit further I shall consider some of the moves John Rawls and Tim Scanlon make in talking about their own methods of ethics, and in particular, some of the connections they draw between their methods and the scope of their accounts of ethical reasoning.Comment: Would be a good further reading for any teaching that touches on Rawls's Kantian constructivism in particular.
O'Neill, Onora. Autonomy and Trust in Bioethics
2002, Cambridge University Press.
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Added by: Chris Howard, Contributed by: Simon FoktPublisher's Note: Onora O'Neill suggests that the conceptions of individual autonomy (so widely relied on in bioethics) are philosophically and ethically inadequate; they undermine rather than support relationships based on trust. Her arguments are illustrated by issues raised by such practices as the use of genetic information by the police, research using human tissues, new reproductive technologies, and media practices for reporting on science, medicine, and technology. The study appeals to a wide range of readers in ethics, bioethics, and related disciplines.Comment: Parts of this book are an excellent supplement to units on autonomy and informed consent in an intermediate-advanced level medical ethics course. In particular, chapters 1, 2, and 4 would be excellent additions to a unit on autonomy, and chapter 7 would be a similarly excellent addition to a unit on informed consent.
O'Neill, Onora. Constructions of Reason: Explorations of Kant’s Practical Philosophy
1989, Cambridge University Press.
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Added by: Clotilde TorregrossaPublisher's Note: Two centuries after they were published, Kant's ethical writings are as much admired and imitated as they have ever been, yet serious and long-standing accusations of internal incoherence remain unresolved. Onora O'Neill traces the alleged incoherences to attempts to assimilate Kant's ethical writings to modern conceptions of rationality, action and rights. When the temptation to assimilate is resisted, a strikingly different and more cohesive account of reason and morality emerges. Kant offers a "constructivist" vindication of reason and a moral vision in which obligations are prior to rights and in which justice and virtue are linked. O'Neill begins by reconsidering Kant's conceptions of philosophical method, reason, freedom, autonomy and action. She then moves on to the more familiar terrain of interpretation of the Categorical Imperative, while in the last section she emphasizes differences between Kant's ethics and recent "Kantian" ethics, including the work of John Rawls and other contemporary liberal political philosophers
O'Neill, Onora. Vindicating reason
1992, In Paul Guyer (ed.), The Cambridge Companion to Kant. Cambridge University Press. pp. 280--308.
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Added by: Clotilde TorregrossaAbstract: Whatever else a critique of reason attempts, it must surely criticize reason. Further, if it is not to point toward nihilism, a critique of reason cannot have only a negative or destructive outcome, but must vindicate at least some standards or principles as authorities on which thinking and doing may rely, and by which they may (in part) be judged. Critics of 'the Enlightenment project' from Pascal to Horkheimer to contemporary communitarians and postmodernists, detect its Achilles' heel in arrant failure to vindicate the supposed standards of reason that are so confidently used to criticize, attack, and destroy other authorities, including church, state, and tradition. If the authority of reason is bogus, why should such reasoned criticism have any weight? Suspicions about reason can be put innumerable ways. However, one battery of criticisms is particularly threatening, because it targets the very possibility of devising anything that could count as a vindication of reason. This line of attack is sometimes formulated as a trilemma. Any supposed vindication of the principles of reason would have to establish the authority of certain fundamental constraints on thinking or acting. However, this could only be done in one of three ways. A supposed vindication could appeal to the presumed principles of reason that it aims to vindicate - but would then be circular, so fail as vindication. Alternatively, it might be based on other starting points - but then the supposed principles of reason would lack reasoned vindication, so could not themselves bequeath unblemished pedigrees.
Obdrzalek, Suzanne. Moral transformation and the love of beauty in Plato’s symposium
2010, Journal of the History of Philosophy 48(4): 415-444
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Added by: Simon Fokt, Contributed by: AnonymousAbstract:
This paper defends an intellectualist interpretation of Diotima’s speech in Plato’s Symposium. I argue that Diotima’s purpose, in discussing the lower lovers, is to critique their erōs as aimed at a goal it can never secure, immortality, and as focused on an inferior object, themselves. By contrast, in loving the form of beauty, the philosopher gains a mortal sort of completion; in turning outside of himself, he also ceases to be preoccupied by his own incompleteness.
Comment: On Eros in the Symposium. Would be great in any course that has a unit on this.
Okin, Susan Moller. Forty acres and a mule’ for women: Rawls and feminism
2005, Politics, Philosophy and Economics 4 (2):233-248.
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Added by: Clotilde Torregrossa, Contributed by: Lizzy VenthamAbstract: This article assesses the development of Rawls's thinking in response to a generation of feminist critique. Two principle criticisms are sustainable throughout his work: first, that the family, as a basic institution of society, must be subject to the principles of justice if its members are to be free and equal members of society; and, second, that without such social and political equality, justice as fairness is as meaningful to women as the unrealized promise of 'Forty acres and a mule' was to the newly freed slaves.Comment: I would use this piece to accompany any teaching on John Rawls and his political philosophy. It provides some good summary of a number of different feminist critiques of Rawls and his responses to them, as well as providing new ideas for why Rawls still misses the mark. It can be a good basis for discussion on a number of different feminist criticisms of Rawls' philosophy.
Olberding, Amy. “The feel of not to feel it”: Lucretius’ remedy for death anxiety
2005, Philosophy and Literature 29 (1):114-129
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Added by: Deryn Mair ThomasAbstract:
Do Lucretius’ vivid evocations of pain and suffering render impotent his therapy for fear of death? Lucretius’ readers have long noted the discord between his avowed aim to provide a rational foundation for cool detachment from death and his impassioned and acute attention to nature’s often cruel brutality. I argue that Lucretius does have a viable remedy for death anxiety but that this remedy significantly departs from Epicurus’ original counsel. Lucretius’ remedy confesses its origins in a heightened, rather than benumbed, sensitivity to the affective and somatic features of human experience, culminating in “the feel of not to feel it.”
Olkowski, Dorothea. Words of Power and the Logic of Sense
2002, In Falmagne, R.J. and Hass, M. eds. Representing Reason: Feminist Theory and Formal Logic. Rowman & Littlefield
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Added by: Franci Mangraviti
From the Introduction: "Dorothea Olkowski’s chapter offers an analysis of the need to develop a logic of sense. Drawing on the work of Gilles Deleuze, Olkowski defends formal logic against feminist theorists who have urged that we organize thinking around the principles of embodiment. She warns us against the complete merging of bodily functions and sense-making activities. In Olkowski’s view, feminists need to acknowledge the usefulness of logical analyses at the same time that they must insist on formal systems that reflect and are tempered by human and humane values."
Comment: available in this Blueprint
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