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Added by: Andrea Blomqvist, Contributed by: Nadia Mehdi
Abstract: Many feminists of color have demonstrated the need to take into account differences among women to avoid hegemonic gender-essentialist analyses that represent the problems and interests of privileged women as paradigmatic. As feminist agendas become global, there is growing feminist concern to consider national and cultural differences among women. However, in attempting to take seriously these cultural differences, many feminists risk replacing gender-essentialist analyses with culturally essentialist analyses that replicate problematic colonialist notions about the cultural differences between "Western culture" and "non-Western cultures" and the women who inhabit them (Narayan 1998). Seemingly universal essentialist generalizations about "all women" are replaced by culture-specific essentialist generalizations that depend on totalizing categories such as "Western culture,' "non-Western cultures," "Indian women," and "Muslim women." The picture of the "cultures" attributed to these groups of women remains fundamentally essentialist, depicting as homogeneous groups of heterogeneous peoples whose values, ways of life, and political commitments are internally diverge.Nguyen, C. Thi, Strohl, Matthew. Cultural Appropriation and the Intimacy of Groups2019, Philosophical Studies, 176: 981–1002-
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Added by: Quentin Pharr and Clotilde TorregrossaAbstract:
What could ground normative restrictions concerning cultural appropriation which are not grounded by independent considerations such as property rights or harm? We propose that such restrictions can be grounded by considerations of intimacy. Consider the familiar phenomenon of interpersonal intimacy. Certain aspects of personal life and interpersonal relationships are afforded various protections in virtue of being intimate. We argue that an analogous phenomenon exists at the level of large groups. In many cases, members of a group engage in shared practices that contribute to a sense of common identity, such as wearing certain hair or clothing styles or performing a certain style of music. Participation in such practices can generate relations of group intimacy, which can ground certain prerogatives in much the same way that interpersonal intimacy can. One such prerogative is making what we call an appropriation claim. An appropriation claim is a request from a group member that non-members refrain from appropriating a given element of the group’s culture. Ignoring appropriation claims can constitute a breach of intimacy. But, we argue, just as for the prerogatives of interpersonal intimacy, in many cases there is no prior fact of the matter about whether the appropriation of a given cultural practice constitutes a breach of intimacy. It depends on what the group decides together.Comment (from this Blueprint): This article presents a thorough discussion of the competing interests surrounding cultural appropriation and one promising explanation of why it amounts to a harm or wrong based on the notion of intimacy - in particular, breaches of group intimacy. Although this explanation is just one of many that might be given, the hope is that readers will find tools for thinking about the previous items from this week's selections and for developing their own views on cultural appropriation.
Rettovà, Alena. Afrophone philosophies: possibilities and practice. The reflexion of philosophical influences in Euphrase Kezilahabi’s Nagona and Mzingile2004, Swahili Forum 11: 45-68-
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Added by: Sara Peppe and Björn FreterAbstract:
My paper is divided into two parts. In the first part, I will define the basic concepts, such as “African philosophy” and “Afrophone philosophies”, their relationship and the general context of the debate on “African philosophy”. I anticipate my definition here and say that “Afrophone philosophies” are those discourses that are the medium of philosophical reflexion in a given culture. Thus in the second part of my paper, I will concentrate on one specific case of a philosophical reflexion, that of reflecting philosophical influences in the late works of Euphrase Kezilahabi, Nagona (1990) and Mzingile (1991).Comment (from this Blueprint): Rettová offers an overview of the concepts of "African philosophy" and "Afrophone philosophies", helping the reader grasp these concepts. Moreover, part of the paper aims to look at the Swahili-speaking societies and how they are influenced by Western philosophy. The discussion involves considering the late works of Euphrase Kezilahabi.
Root, Deborah. Fat-Eaters and Aesthetes: The Politics of Display1996, in Cannibal Culture: Art, Appropriation, and the Commodification of Difference. USA: Westview Press.-
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Added by: Erich Hatala Matthes
Summary: Root employs Méxica mythology as a lens for revealing the consumptive, and even cannibalistic, character of power. In particular, she points to the way colonial power sets up Westerners as "experts" and arbiters of art and culture, presenting appreciation of culture as a pretext for violence and control.Comment: This chapter serves as an introduction to Root's booklength study of these themes, so the presentation only gestures at these relationships and provides a brief selection of examples that illustrate them. However, if can be useful for raising initial questions about the relationships among power, art, and culture. It provides a counterpoint to a more sanguine perspective on cross-cultural appreciation expressed by Thomas Heyd in "Rock Art Aesthetics and Cultural Appropriation."
Ruether, Rosemary R.. Symbolic and Social Connections of the Oppression of Women and the Domination of Nature1999, in Adams, C. J. (eds), Ecofeminism and the sacred, New York: Continuum.-
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Added by: Simon FoktAbstract:
Comment: This text offers an introduction to ecofeminism. It discusses the history of associating maleness with culture and femaleness with nature and identifies some of the issues which led to the current ecological crisis. The text has the potential to challenge received views and inspire a lively discussion, and as such it is best used as an introductory text in classes on environmental ethics and on feminist ethics.
Walsh, Andrea N., Dominic McIver Lopes. Objects of Appropriation2012, In Young, James O., and Conrad G. Brunk, eds. The Ethics of Cultural Appropriation: Blackwell Publishing.-
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Added by: Erich Hatala Matthes
Summary: Walsh and Lopes argue that some appropriation can be beneficial and productive: in particular, the appropriation of elements of dominant culture by members of culturally marginalized groups. They explore this idea through discussion of such appropriative artwork by a number of contemporary First Nations artists, which they argue challenges "the assumed alignment of appropriator with oppressor and appropriatee with victim"(227).Comment: This text serves as a useful counterpoint to the general framework employed in much of the other cultural appropriation literature. It is also a useful selection for course units focusing on art practice.
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Narayan, Uma. Undoing the ‘Package Picture’ of Cultures
2004, Signs: Journal of Women in Culture and Society 25 (4): 1083-1086.
Comment: This text can be used to teach about the pitfalls of imperialist feminism such as Susan M. Okin's as well as gender and cultural essentialism. It would also be excellent on any courses that attempt to discuss cultural value or cultural heritage as it complicates the idea of cultures as discrete, bounded and unified entities.