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Added by: Andrea BlomqvistAbstract: Both imagery and imagination play an important part in our mental lives. This article, which has three main sections, discusses both of these phenomena, and the connection between them. The first part discusses mental images and, in particular, the dispute about their representational nature that has become known as the 'imagery debate'. The second part turns to the faculty of the imagination, discussing the long philosophical tradition linking mental imagery and the imagination - a tradition that came under attack in the early part of the twentieth century with the rise of behaviorism. Finally, the third part of this article examines modal epistemology, where the imagination has been thought to serve an important philosophical function, namely, as a guide to possibility.Comment: This could be used as a week 1 reading in a module introducing students to mental imagery. It's a comprehensive guide of the history of mental imagery, and its standing today.
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Added by: Petronella RandellAbstract:
David Lewis has argued that “having an experience is the best way or perhaps the only way, of coming to know what that experience is like”; when an experience is of a sufficiently new sort, mere science lessons are not enough. Developing this Lewisian line, L.A. Paul has suggested that some experiences are epistemically transformative. Until an individual has such an experience it remains epistemically inaccessible to her. No amount of stories and theories and testimony from others can teach her what it is like to have it, nor is she able to achieve this knowledge by way of imaginative projection. It’s this last claim that is the focus of this paper. In particular, I explore the case for the claim that some experiences are in principle imaginatively inaccessible to someone who has not undergone the experience itself or one relevantly similar. As I will suggest, this case is not as strong as is often thought. Close attention to the mechanisms of imagination, and in particular, to cases of skilled imaginers, suggests how techniques of imaginative scaffolding can sometimes be used to give us epistemic access to experiences we have not had, even ones that are radically different from any that we have had before. As a result, considerably fewer experiences remain imaginatively out of reach than proponents of transformative experience would have us believe. Experience may well be the best teacher, but this paper aims to show that imagination comes in a close second.
Comment: This paper would be an excellent essential or further reading for a week on transformative experiences, or challenges to Paul's concept of transformative experience. It could also be used in a module on the imagination in general, as the argument that the imagination is a skill which can be practiced (and is not as limited as most believe it to be) is interesting to engage with outside of the transformative experience debate.
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Added by: Andrea BlomqvistAbstract: Despite their intuitive appeal and a long philosophical history, imagery-based accounts of the imagination have fallen into disfavor in contemporary discussions. The philosophical pressure to reject such accounts seems to derive from two distinct sources. First, the fact that mental images have proved difficult to accommodate within a scientific conception of mind has led to numerous attempts to explain away their existence, and this in turn has led to attempts to explain the phenomenon of imagining without reference to such ontologically dubious entities as mental images. Second, even those philosophers who accept mental images in their ontology have worried about what seem to be fairly obvious examples of imaginings that occur without imagery. In this paper, I aim to relieve both these points of philosophical pressure and, in the process, develop a new imagery-based account of the imagination: the imagery model.Comment: The role of imagery in imagination is a much debated topic, and this paper could be used in teaching as an introduction to the contemporary issues in this debate.It is suitable in a third or fourth year module on imagination, perception, or representation.
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Added by: Andrea BlomqvistAbstract: Issues of pretense and imagination are of central interest to philosophers, psychologists, and researchers in allied fields. In this entry, we provide a roadmap of some of the central themes around which discussion has been focused. We begin with an overview of pretense, imagination, and the relationship between them. We then shift our attention to the four specific topics where the disciplines' research programs have intersected or where additional interactions could prove mutually beneficial: the psychological underpinnings of performing pretense and of recognizing pretense, the cognitive capacities involved in imaginative engagement with fictions, and the real-world impact of make-believe. In the final section, we discuss more briefly a number of other mental activities that arguably involve imagining, including counterfactual reasoning, delusions, and dreaming.Comment: Imagination and pretense are closely related concepts. This article could be used in teaching to get students thinking about the relationship, as well as introduce them to the vast psychological research that has been done on pretense play.
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Added by: Clotilde TorregrossaPublisher's Note: In Realism and Imagination in Ethics, author Sabina Lovibond explores the non-cognitive theory of ethics along with its objections and the alternative of moral realism. Delving into expressivism, perception, moral sense theory, objectivity, and more, this book pulls from Wittgenstein, Hegel, Bradley, Nietzsche and others to explore the many facets of ethics and perception. The discussion analyzes the language, theories, and criteria surrounding ethical action, and describes the faults and fallacies of traditional schools of thought.
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Added by: Andrea BlomqvistAbstract: I will argue that our capacity to directly read off truths from fiction, and the power of the novelist to testify to truths, is indeed limited. I will go on to argue that there are, however, further more indirect ways of coming to truths through fiction, but that even in those cases the author's power to manipulate should make the epistemically virtuous person proceed carefully. However, before I do that I want to raise three obvious kinds of response to our puzzle. These responses take issue with the claims by which the problem is set up, and I want to look at them briefly, really only to set them aside. My interest is primarily a resolution that hangs on to all three claims.Comment: This would be a good further reading for students who are interested in how we can learn from fiction, especially if they wish to write a coursework essay on the topic.
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Added by: Andrea BlomqvistAbstract: In this chapter, I discuss three aspects of the ST: the concept of simulation, high level simulation, and low level simulation. In the next section, I argue for a more precise characterization of the concept of simulation. In sections 3 and 4, I discuss high level simulation and lowI level simulations, which are quite different in some respects.Comment: This article introduces the reader to Simulation Theory, and would be a good substitute on for any introductory text by Goldman. It would be suitable in any module on social cognition for any year.
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Added by: Andrea BlomqvistAbstract: We often have affective responses to fictional events. We feel afraid for Desdemona when Othello approaches her in a murderous rage. We feel disgust toward Iago for orchestrating this tragic event. What mental architecture could explain these affective responses? In this paper I consider the claim that the best explanation of our affective responses to fiction involves imaginative desires. Some theorists argue that accounts that do not invoke imaginative desires imply that consumers of fiction have irrational desires. I argue that there are serious worries about imaginative desires that warrant skepticism about the adequacy of the account. Moreover, it is quite difficult to articulate general principles of rationality for desires, and even according to the most plausible of these possible principles, desires about fiction are not irrational.Comment: This would function well as a required reading in a week on why we have emotional reactions to fiction, probably in a course for senior undergraduate students. It is suitable for a philosophy of fiction module.
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Added by: Andrea BlomqvistAbstract: Imagination seems to play an epistemic role in philosophical and scientific thought experiments, mindreading, and ordinary practical deliberations insofar as it generates new knowledge of contingent facts about the world. However, it also seems that imagination is limited to creative generation of ideas. Sometimes we imagine fanciful ideas that depart freely from reality. The conjunction of these claims is what I call the puzzle of knowledge through imagination. This chapter aims to resolve this puzzle. I argue that imagination has an epistemic role to play, but it is limited to the context of discovery. Imagination generates ideas, but other cognitive capacities must be employed to evaluate these ideas in order for them to count as knowledge. Consideration of the Simulation Theory's so-called 'threat of collapse' provides further evidence that imagination does not, on its own, yield new knowledge of contingent facts, and it suggests a way to supplement imagination in order to get such knowledge.Comment: This is a relatively difficult paper, but it deals with the interesting topic of whether we can get knowledge through imagination. It would be suitable to suggest as a further reading for senior year undergraduate students.
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Added by: Andrea BlomqvistAbstract: Recently, philosophers have identified certain fictional propositions with which one does not imaginatively engage, even where one is transparently intended by their authors to do so. One approach to explaining this categorizes it as 'resistance', that is, as deliberate failure to imagine that the relevant propositions are true; the phenomenon has become generally known (misleadingly) as 'the puzzle of imaginative resistance'. I argue that this identification is incorrect, and I dismiss several other explanations. I then propose a better one, that in central cases of imaginative failure, the basis for the failure is the contingent incomprehensibility of the relevant propositions.Comment: The literature on imaginative resistance is a vast one in philosophy of fiction. This gives one response to the problem, and would be a useful text for students to have paired with Gendler's original paper on imaginative resistance.