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Added by: Zoé Grange-MarczakAbstract:
Fanon (1925-1961) was born in the French West Indies and studied in France before moving to Algeria to join the independence struggle. In this text, originally published in French in 1952, he addresses the Black man's condition, and more particularly his subjectivity and experience in the colonial context of the French West Indies and of France in general, also drawing parallel with North Africa and Indochina. Black Skin, White Masks is both a minute and complex description of the violence of colonization and a sketch of a liberation from its effects. A psychiatrist by training, Fanon investigates the psychological impact of both racism and colonization, with a strong focus on inter-subjective relations, including the intersection of race and gender relations. He uses a large variety of resources: philosophy (a critical reading of Sartre, an elaboration of Hegel's slave-master dialectic, Leiris, Marcel, and contemporary linguistics) ; Marxism (materialism and alienation); psychiatry and psychoanalysis; the literary Négritude movement (Black Francophones writers who, starting in the 1930s, wrote about lived experience of blackness, displacement and colonialism). Its reception, though belated, has nevertheless made it one of the seminal works of postcolonial theory.
Comment: This work is rather difficult by its intricacy, the importance of often implicit philosophical references, and its inscription in hyper-contemporary debates in philosophy, literature and psychology. However, both its radicalism and the descriptions of lived first-person experiences make it a rather didactic and striking short essay. A classical text of postcolonial theory and French thought in general.
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Added by: Zoé Grange-MarczakAbstract:
Published in French in 1990, this book is among the later conceptualizations of postcolonial and racial relations. Glissant (1928–2011) is a novelist, and his attention to politics operates through an interest in linguistics: studying creole languages, he exposes how colonized people transformed the tool of the master, leading to the creation of a new, creolized culture and expression. He reads the long-term effects of the slave trade, where people were forcibly taken from their cultural and linguistic milieu an put in another one, characterized by an extremely violent relation of subjection. In this context, he elaborates the notion of antillanité, as a French West Indies description of the unpredictable linking and blending of cultures and languages, extending and specifying the idea of négritude found in Césaire and Senghor in the 1930s. This complex analysis leads to two seemingly contradictory concepts: first, his idea of opacity argues in favor of untranslatability and of irreducible yet non-hierarchical differences. Second, his poetics of relation leads to an understanding of identity as an extension of the connection to the other. From there, he sketches a new definition of culture, taking into account power dynamics, which is also a departure from the idea of authenticity or autochtony. Against a binary reading of colonialist relations of power, Glissant explores the formation of identities through the process of creolization, where a new language is invented as a mean of resistance, thus undermining any possibility for a pure, uniform identity.
Comment: Glissant's usage of poetic language, as well as the specific French colonial and postcolonial context might add difficulties to a book which which must be understood in its specificity—and, maybe, untranslatability. However, this particularity leads to Glissant's general philosophy of culture, allowing for a particularly original and thought-provoking viewpoint on social relations.
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Added by: Zoé Grange-MarczakAbstract:
Stuart Hall (1932–2014) was born in British Jamaica, and educated in Oxford. A long-term political activist, especially in anti-racism, he taught at the Open University and was a fellow of the British Academy. He co-created and headed the Creator of the Centre for Contemporary Cultural Studies, which contributed greatly to the definition and orientation of British cultural studies. In the neoliberal climate of the 1980s, Hall coined the term "Thatcherism", and generally contributed to Marxism as a founder of the New Left Review, developing a Gramsci inspired theory of power and applying textual analysis to the media. He bridged French Theory (Foucault, Derrida) with anglo-saxon race and gender theory. This 1990 paper is one example of Hall as a theorist of the Caribbean experience, diasporas, and more generally of collective cultural identities. Drawing on Senghor and Césaire, he sees in the Caribbean the intersection of several cultural traditions, and argues against an accomplished, transparent understanding of identity, trying to take into account the position of the creator of representations and the situation of discourse on identity. Hall finds two ways of thinking identity: (1) as a collective "true self" which each individual holds within themselves, the essence of which can be studied, and which he finds in Senghor or Césaire ; (2) as a "becoming" rather than a "being" (p. 225-226), in a constant transformation at the intersection of "history, culture and power". This view of identity crosses "the vector of similarity and continuity; and the vector of difference and rupture", allowing to show how something can be and not be at the same time.
Comment: This is one of Hall's most famous and discussed paper. It elaborates upon other doctrines (Césaire, Senghor, Fanon, Said), tracing their actualization in the last decades of the 20th century, and bridging them with cultural studies. It also allows to explore a specific Jamaican approach to the Caribbean, and touches on the difference between French and British post-colonization.
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Added by: Franci Mangraviti
From the Introduction: "Marjorie Hass addresses the limitations of logical concepts, including negation, by illuminating the ongoing critique of these terms in the work of Luce Irigaray. In Hass’s view, Irigaray’s work calls the neutrality of logic into question, suggesting that the standard formalism is capable of expressing only distorted and partial interpretations of negation, identity, and generality. More specifically, in Irigaray’s work, standard symbolic logic is shown to be unable to represent the form of difference proper to sexual difference, the form of identity proper to feminine identity, and the form of generality proper to a feminine generic. Hass interprets and evaluates Irigaray’s critique of logic, arguing that many of Irigaray’s readers have misunderstood its nature and force."
Comment: available in this Blueprint
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Added by: Franci Mangraviti and Viviane FairbankAbstract:
The premise of this paper is that the language of science, like language in general, is neither asexual nor neutral. The essay demonstrates the various ways in which the non-neutrality of the subject of science is expressed and proposes that there is a need to analyze the laws that determine the acceptability of language and discourse in order to interpret their connection to a sexed logic.Comment: available in this Blueprint
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Added by: Franci Mangraviti and Viviane FairbankAbstract:
The paper argues that science's focus on the ideal and stable hides, and thus contributes to the silencing of, the real and fluid, which corresponds to womanhood.Comment: available in this Blueprint
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Added by: Franci Mangraviti and Viviane FairbankAbstract:
This paper enumerates Irigaray's main arguments and thoughts regarding the gendered nature of language and "the logos".Comment: available in this Blueprint
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Added by: Laura Jimenez, Contributed by: Ivanova, MilenaAbstract: This paper examines Duhem's concept of good sense as an attempt to support a non rule-governed account of rationality in theory choice. Faced with the underdetermination of theory by evidence thesis and the continuity thesis, Duhem tried to account for the ability of scientists to choose theories that continuously grow to a natural classification. The author examines the concept of good sense and the problems that stem from it. The paper presents a recent attempt by David Stump to link good sense to virtue epistemology. It is argued that even though this approach can be useful for the better comprehension of the concept of good sense, there are some substantial differences between virtue epistemologists and Duhem. The athor proposes a possible way to interpret the concept of good sense, which overcomes the noted problems and fits better with Duhem's views on scientific method and motivation in developing the concept of good sense.Comment: Interesting article that could serve as further reading in both epistemology courses and philosophy of science classes. Really good as an in-depth study of Duhem's views on scientific method. Recommendable for postgraduates or senior undergraduates.
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Added by: Chris Blake-Turner, Contributed by: Milena IvanovaAbstract: Poincare is well known for his conventionalism and structuralism. However, the relationship between these two theses and their place in Poincare's epistemology of science remain puzzling. In this paper I show the scope of Poincare's conventionalism and its position in Poincare's hierarchical approach to scientific theories. I argue that for Poincare scientific knowledge is relational and made possible by synthetic a priori, empirical and conventional elements, which, however, are not chosen arbitrarily. By examining his geometric conventionalism, his hierarchical account of science and defence of continuity in theory change, I argue that Poincare defends a complex structuralist position based on synthetic a priori and conventional elements, the mind-dependence of which precludes epistemic access to mind-independent structures.
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Added by: Chris Blake-Turner, Contributed by: Milena IvanovaAbstract: In this paper I argue that Poincare's acceptance of the atom does not indicate a shift from instrumentalism to scientific realism. I examine the implications of Poincare's acceptance of the existence of the atom for our current understanding of his philosophy of science. Specifically, how can we understand Poincare's acceptance of the atom in structural realist terms? I examine his 1912 paper carefully and suggest that it does not entail scientific realism in the sense of acceptance of the fundamental existence of atoms but rather, argues against fundamental entities. I argue that Poincare's paper motivates a non-fundamentalist view about the world, and that this is compatible with his structuralism.