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Added by: Xintong WeiAbstract:
A Source Book in Chinese Philosophy covers the entire historical development of Chinese philosophy from its ancient origins to today, providing the most wide-ranging and authoritative English-language anthology of Chinese thought available. This superb book brings together key selections from all the great thinkers and schools in every period—ancient, medieval, modern, and contemporary—and presents these texts in their entirety. Each selection is accompanied by explanatory aids and scholarly documentation that shed invaluable light on all aspects of Chinese thought. Featuring elegant and faithful translations of some of the most important classical writings, some translated here for the first time, A Source Book in Chinese Philosophy is an indispensable resource for students, scholars, and anyone interested in Chinese philosophy and culture.Xiangshan, Lu. Recorded Sayings2009, In Ivanhoe, Philip (ed.), Readings from the Lu-Wang School of Neo-Confucianism. Indianapolis, IN: Hackett Publishing Company-
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Added by: Xintong WeiAbstract:
This volume provides selected translations from the writings of Lu Xiangshan; Wang Yangming; and the Platform Sutra, a work which had profound influence on neo-Confucian thought. Each of these three sections is preceded by an introduction that sketches important features of the history, biography, and philosophy of the author and explores some of the main features and characteristics of his work. The range of genres represented—letters, recorded sayings, essays, meditations and poetry—provide the reader with insights into the philosophical and stylistic themes of this fascinating and influential branch of neo-Confucian thought.
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available in this Blueprint
Xuanzang. Chapter 23: Buddhist Idealism – Hsüan-tsang of theConsciousness-Only School1963, In Chan,Wing-tsit (ed.), A Sourcebook in Chinese Philosophy. Princeton University Press-
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Added by: Xintong WeiAbstract:
A Source Book in Chinese Philosophy covers the entire historical development of Chinese philosophy from its ancient origins to today, providing the most wide-ranging and authoritative English-language anthology of Chinese thought available. This superb book brings together key selections from all the great thinkers and schools in every period—ancient, medieval, modern, and contemporary—and presents these texts in their entirety. Each selection is accompanied by explanatory aids and scholarly documentation that shed invaluable light on all aspects of Chinese thought. Featuring elegant and faithful translations of some of the most important classical writings, some translated here for the first time, A Source Book in Chinese Philosophy is an indispensable resource for students, scholars, and anyone interested in Chinese philosophy and culture.Comment:
available in this Blueprint
Xunzi. Chapter Nine: Xunzi2023, In Ivanhoe, Philip and Van Norden, Bryan (eds.), Readings in Classical Chinese Philosophy, 3rd edition. Indianapolis, IN: Hackett Publishing Company-
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Added by: Xintong WeiAbstract:
The third edition of Ivanhoe and Van Norden's acclaimed anthology builds on the strengths of previous editions with the addition of new selections for each chapter; selections from Shen Dao; a new translation of the writings of Han Feizi; selections from two texts, highly influential in later Chinese philosophy, the Great Learning and Mean ; and a complete translation of the recently discovered text Nature Comes from the Mandate . Each section of this volume begins with a brief Introduction and concludes with a lightly annotated Selective Bibliography. Also included are four appendices: Important Figures, Important Periods, Important Texts, and Important Terms.Comment:
available in this Blueprint
Yagisawa, Takashi. Possible Objects2005, in Stanford Encyclopedia of Philosophy, ed. E.N. Zalta. Online: Stanford University.-
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Added by: Nick Novelli
Abstract: Deep theorizing about possibility requires theorizing about possible objects. One popular approach regards the notion of a possible object as intertwined with the notion of a possible world. There are two widely discussed types of theory concerning the nature of possible worlds: actualist representationism and possibilist realism. They support two opposing views about possible objects. Examination of the ways in which they do so reveals difficulties on both sides. There is another popular approach, which has been influenced by the philosophy of Alexius Meinong. The Meinongian approach is relevant to theorizing about possible objects because it attempts to construct a general theory of objects other than ordinary concrete existing objects. Independently of the debate about the nature of possible worlds or about Meinongianism, it is not always as straightforward as it may at first appear to determine whether putative possible objects are indeed possible. Another category of object similar to that of a possible object is the category of a fictional object. Although initially attractive, the idea that fictional objects are possible objects should not be accepted blindly. An important instance of theoretical usefulness of possible objects is their central role in the validation of two controversial theorems of a simple quantified modal logic.Comment: A good introduction to the different positions on possible objects, including their impact on modal logic. Would be a good starting point for a discussion of these issues in a metaphysics course, or as an introduction to these positions for an ontology of art/fiction course.
Yagisawa, Takashi. Against Creationism in Fiction2001, Noûs 35(s15): 153-172.-
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Added by: Nick Novelli
Abstract: Sherlock Holmes is a fictional individual. So is his favorite pipe. Our pre-theoretical intuition says that neither of them is real. It says that neither of them really, or actually, exists. It also says that there is a sense in which they do exist, namely, a sense in which they exist "in the world of" the Sherlock Holmes stories. Our pre-theoretical intuition says in general of any fictional individual that it does not actually exist but exists "in the world of" the relevant fiction. I wish to defend this pre-theoretical intuition. To do so, I need to defend two claims: that fictional individuals do not actually exist, and that they exist "in the world of" the relevant fiction. The aim of this paper is to defend the first claim.Comment: A good argument against the existence of fictional characters. Clear presentation of the logic involved in various claims. In addition to ontology of art, the case of fictional characters can be an interesting way to present the arguments about ontology and linguistic commitment more generally, and this paper would be useful in that role as well.
Yagisawa, Takashi. A New Argument Against the Existence Requirement2005, Analysis 65 (285): 39-42.-
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Added by: Nick Novelli
Abstract: It may appear that in order to be any way at all, a thing must exist. A possible - worlds version of this claim goes as follows: (E) For every x, for every possible world w, Fx at w only if x exists at w. Here and later in (R), the letter 'F' is used as a schematic letter to be replaced with a one - place predicate. There are two arguments against (E). The first is by analogy. Socrates is widely admired now but he does not exist now. So, it is not the case that for every x, for every time t, Fx at t only if x exists at t. Possible worlds are analogous to times. Therefore, (E) is false (cf., Kaplan 1973: 503 - 05 and Salmon 1981: 36 - 40). For the second argument, replace 'F' with 'does not exist'. (E) then says that for every x, for every possible world w, x does not exist at w only if x exists at w. This is obviously false. Therefore (E) is false (cf., Kaplan 1977: 498). Despite their considerable appeal, these arguments are not unassailable. The first argument suffers from the weakness inherent in any argument from analogy; the analogy it rests on may not.Comment: A very concise argument against the claim that existence is a prerequisite for having properties. This is a familiar claim, and this paper would be useful when it comes up to show that there is controversy about it. It does presuppose a basic understanding of possible world semantics, so should be reserved for courses where students already have a grasp of such semantics or the instructor wants to teach it beforehand.
Yangming, Wang. Instructions for Practical Living2014, In Tiwald, Justin and Van Norden, Bryan (ed.), Readings in Later Chinese Philosophy: Han Dynasty to the 20th Century. Cambridge: Hackett-
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Added by: Xintong WeiAbstract:
An exceptional contribution to the teaching and study of Chinese thought, this anthology provides fifty-eight selections arranged chronologically in five main sections: Han Thought, Chinese Buddhism, Neo-Confucianism, Late Imperial Confucianism, and the early Twentieth Century. The editors have selected writings that have been influential, that are philosophically engaging, and that can be understood as elements of an ongoing dialogue, particularly on issues regarding ethical cultivation, human nature, virtue, government, and the underlying structure of the universe. Within those topics, issues of contemporary interest, such as Chinese ideas about gender and the experiences of women, are brought to light.Comment:
available in this Blueprint
Yoshida Kenkō. Essays in Idleness: The Tsurezuregusa of Kenkō1998, Columbia University Press.-
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Added by: Meilin Chinn
Publisher's Note: Despite the turbulent times in which he lived, the Buddhist priest Kenkō met the world with a measured eye. As Emperor Go-Daigo fended off a challenge from the usurping Hojo family, and Japan stood at the brink of a dark political era, Kenkō held fast to his Buddhist beliefs and took refuge in the pleasures of solitude. Written between 1330 and 1332, Essays in Idleness reflects the congenial priest's thoughts on a variety of subjects. His brief writings, some no more than a few sentences long and ranging in focus from politics and ethics to nature and mythology, mark the crystallization of a distinct Japanese principle: that beauty is to be celebrated, though it will ultimately perish. Through his appreciation of the world around him and his keen understanding of historical events, Kenkō conveys the essence of Buddhist philosophy and its subtle teachings for all readers. Insisting on the uncertainty of this world, Kenkō asks that we waste no time in following the way of Buddha. In this fresh edition, Donald Keene's critically acclaimed translation is joined by a new preface, in which Keene himself looks back at the ripples created by Kenkō's musings, especially for modern readers.Comment: The writings of Kenkō, a 14th century court poet turned Japanese Buddhist priest, reflecting on a wide range of ordinary and extraordinary subjects in the random style of zuihitsu (“follow the brush”) Japanese composition. His essays were highly influential on Japanese aesthetics, especially the value placed on impermanent, irregular, and imperfect beauty, and the place of understatedness in a turbulent world. This text is best accessed by a reader with a basic understanding of Japanese aesthetics and Buddhism.
Related reading:
- Robert E. Carter The Japanese Arts and Self-Cultivation. Albany: State University of New York Press, 2008.
Yuriko Saito. Why Restore Works of Art?1985, The Journal of Aesthetics and Art Criticism 44(2):141-151.-
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Added by: Erich Hatala Matthes
Summary: Saito examines arguments concerning why artworks should be restored, which are couched in terms of a debate between "purist" and "integral/conservator" restoration. Purists believe artworks should only be cleaned, emphasizing the integrity of the material object, whereas integral restorationists are open to adding material to the work, emphasizing the integrity of the original aesthetic experience. Rather than embracing a particular side in this debate, Saito's discussion reveals how cultural/historical considerations can be as important to the debate over restoration as aesthetic considerations.Comment: This article offers a useful philosophical framework for thinking about the relationship among preservation, restoration, and authenticity. Using it alongside the following readings might be particularly good in inspiring further discussion: Coleman, Elizabeth Burns. “Aboriginal Painting: Identity and Authenticity.” Jeffers, Chike. “The Ethics and Politics of Cultural Preservation.” Young, James O. “Art, Authenticity and Appropriation.” Korsmeyer, Carolyn. “Real Old Things.” Karlström, Anna. “Authenticity.” This article offers a useful philosophical framework for thinking about the relationship among preservation, restoration, and authenticity. Using it alongside the following readings might be particularly good in inspiring further discussion: Coleman, Elizabeth Burns. “Aboriginal Painting: Identity and Authenticity.” Jeffers, Chike. “The Ethics and Politics of Cultural Preservation.” Young, James O. “Art, Authenticity and Appropriation.” Korsmeyer, Carolyn. “Real Old Things.” Karlström, Anna. “Authenticity.”
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Xi, Zhu. Chapter 34 Part B: The Complete Works of Chu Hsi
1963, In Chan,Wing-tsit (ed.), A Sourcebook in Chinese Philosophy. Princeton University Press
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