Yagisawa, Takashi. A New Argument Against the Existence Requirement
2005, Analysis 65 (285): 39-42.
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Added by: Nick NovelliAbstract: It may appear that in order to be any way at all, a thing must exist. A possible - worlds version of this claim goes as follows: (E) For every x, for every possible world w, Fx at w only if x exists at w. Here and later in (R), the letter 'F' is used as a schematic letter to be replaced with a one - place predicate. There are two arguments against (E). The first is by analogy. Socrates is widely admired now but he does not exist now. So, it is not the case that for every x, for every time t, Fx at t only if x exists at t. Possible worlds are analogous to times. Therefore, (E) is false (cf., Kaplan 1973: 503 - 05 and Salmon 1981: 36 - 40). For the second argument, replace 'F' with 'does not exist'. (E) then says that for every x, for every possible world w, x does not exist at w only if x exists at w. This is obviously false. Therefore (E) is false (cf., Kaplan 1977: 498). Despite their considerable appeal, these arguments are not unassailable. The first argument suffers from the weakness inherent in any argument from analogy; the analogy it rests on may not.Comment: A very concise argument against the claim that existence is a prerequisite for having properties. This is a familiar claim, and this paper would be useful when it comes up to show that there is controversy about it. It does presuppose a basic understanding of possible world semantics, so should be reserved for courses where students already have a grasp of such semantics or the instructor wants to teach it beforehand.
Yangming, Wang. Instructions for Practical Living
2014, In Tiwald, Justin and Van Norden, Bryan (ed.), Readings in Later Chinese Philosophy: Han Dynasty to the 20th Century. Cambridge: Hackett
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Added by: Xintong WeiAbstract:
An exceptional contribution to the teaching and study of Chinese thought, this anthology provides fifty-eight selections arranged chronologically in five main sections: Han Thought, Chinese Buddhism, Neo-Confucianism, Late Imperial Confucianism, and the early Twentieth Century. The editors have selected writings that have been influential, that are philosophically engaging, and that can be understood as elements of an ongoing dialogue, particularly on issues regarding ethical cultivation, human nature, virtue, government, and the underlying structure of the universe. Within those topics, issues of contemporary interest, such as Chinese ideas about gender and the experiences of women, are brought to light.Comment: available in this Blueprint
Yoshida Kenkō. Essays in Idleness: The Tsurezuregusa of Kenkō
1998, Columbia University Press.
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Added by: Meilin ChinnPublisher's Note: Despite the turbulent times in which he lived, the Buddhist priest Kenkō met the world with a measured eye. As Emperor Go-Daigo fended off a challenge from the usurping Hojo family, and Japan stood at the brink of a dark political era, Kenkō held fast to his Buddhist beliefs and took refuge in the pleasures of solitude. Written between 1330 and 1332, Essays in Idleness reflects the congenial priest's thoughts on a variety of subjects. His brief writings, some no more than a few sentences long and ranging in focus from politics and ethics to nature and mythology, mark the crystallization of a distinct Japanese principle: that beauty is to be celebrated, though it will ultimately perish. Through his appreciation of the world around him and his keen understanding of historical events, Kenkō conveys the essence of Buddhist philosophy and its subtle teachings for all readers. Insisting on the uncertainty of this world, Kenkō asks that we waste no time in following the way of Buddha. In this fresh edition, Donald Keene's critically acclaimed translation is joined by a new preface, in which Keene himself looks back at the ripples created by Kenkō's musings, especially for modern readers.Comment: The writings of Kenkō, a 14th century court poet turned Japanese Buddhist priest, reflecting on a wide range of ordinary and extraordinary subjects in the random style of zuihitsu (“follow the brush”) Japanese composition. His essays were highly influential on Japanese aesthetics, especially the value placed on impermanent, irregular, and imperfect beauty, and the place of understatedness in a turbulent world. This text is best accessed by a reader with a basic understanding of Japanese aesthetics and Buddhism.
Related reading:
- Robert E. Carter The Japanese Arts and Self-Cultivation. Albany: State University of New York Press, 2008.
Yun, SunInn. ‘Please Don’t Destroy Until it’s Completely Destroyed’: Acts of Education Towards Democracy
2021, Journal of Philosophy of Education, 55(3): 506–515
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Added by: Ten-Herng Lai & Chong-Ming LimAbstract:
The Black Lives Matter campaign has led many people around the world to reassess monuments that are installed in public spaces to commemorate historical figures. These reassessments raise questions about what it means to attack the statues of the past, what the rights and wrongs of such actions are, what this teaches us and how all this is passed on to the next generation. In line with this, I focus on a statue of the former dictator of Korea, Chun Doo-hwan, installed in 2019. The purpose of the statue was, however, somewhat different from that of many other statues currently at issue. It was erected for the purpose of humiliation rather than respect. By examining the case of the statue of Chun Doo-hwan in Korea, this paper discusses the nature of democracy in relation to these attacks on statues. In particular, it attempts to interpret the installation of the statue as a form of art for an emancipated community, where democracy is understood as involving a haunting of the collective memory. It concludes that democracy is something never to be grasped fully, something that slips away from its intentions and that is always to be tested and reconsidered. Finally, the paper addresses the educational significance of the statue in question in terms of how history is to be taught and how, in our interactions with the statues around us, the past is to be remembered.Comment (from this Blueprint): This paper explores the educational significance of commemorations in terms of how history is to be taught and how our past is to be remembered.
Zai, Zhang. Western Inscription
1963, in Wing-tsit Chan (ed.), A Sourcebook in Chinese Philosophy. Princeton: Princeton University Press
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Added by: Kas BernaysAbstract:
Zhang Zai’s Western Inscription articulates a metaphysical vision of universal kinship and moral obligation grounded in the shared substance of all beings. It became a foundational text in Neo-Confucianism, emphasizing compassion and cosmic unity.Comment (from this Blueprint): A very short (1-page) primary source which introduces the Neo-Confucian approach to the relationship between human beings and the rest of nature.
Zeami Motokiyo. Zeami: Performance Notes
2008, New York: Columbia University Press
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Added by: Meilin ChinnPublisher's Note: Zeami (1363-1443), Japan's most celebrated actor and playwright, composed more than thirty of the finest plays of no drama. He also wrote a variety of texts on theater and performance that have, until now, been only partially available in English. Zeami: Performance Notes presents the full range of Zeami's critical thought on this subject, which focused on the aesthetic values of no and its antecedents, the techniques of playwriting, the place of allusion, the training of actors, the importance of patronage, and the relationship between performance and broader intellectual and critical concerns. Spanning over four decades, the texts reflect the essence of Zeami's instruction under his famous father, the actor Kannami, and the value of his long and challenging career in medieval Japanese theater. Tom Hare, who has conducted extensive studies of no academically and on stage, begins with a comprehensive introduction that discusses Zeami's critical importance in Japanese culture. He then incorporates essays on the performance of no in medieval Japan and the remarkable story of the transmission and reproduction of Zeami's manuscripts over the past six centuries. His eloquent translation is fully annotated and includes Zeami's diverse and exquisite anthology of dramatic songs, Five Sorts of Singing, presented both in English and in the original Japanese.Comment: A compilation of writings on performance by the Japanese playwright, actor, and aesthetician, Zeami Motoyiko. His work addresses the principles of nō theater, including dramatic imitation, music, and movement, as well as ideas from Japanese philosophical aesthetics such as yūgen (“dark” or “mysterious”). Zeami also maintains a focus throughout his writings on jo-ha-kyū, a style of movement found in many Japanese arts, including theater, tea ceremony, and martial arts. This text is best used in a course on aesthetics, especially theater and cross-cultural aesthetics.
Zheng, Robin. Why Yellow Fever Isn’t Flattering: A Case Against Racial Fetishes
2016, Journal of the American Philosophical Association, 2(3): 400 - 419
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Added by: Emma Holmes, David MacDonald, Yichi Zhang, and Samuel Dando-MooreAbstract:
Most discussions of racial fetish center on the question of whether it is caused by negative racial stereotypes. In this paper I adopt a different strategy, one that begins with the experiences of those targeted by racial fetish rather than those who possess it; that is, I shift focus away from the origins of racial fetishes to their effects as a social phenomenon in a racially stratified world. I examine the case of preferences for Asian women, also known as ‘yellow fever’, to argue against the claim that racial fetishes are unobjectionable if they are merely based on personal or aesthetic preference rather than racial stereotypes. I contend that even if this were so, yellow fever would still be morally objectionable because of the disproportionate psychological burdens it places on Asian and Asian-American women, along with the role it plays in a pernicious system of racial social meanings.Comment (from this Blueprint): Zheng argues that some sexual desires are morally problematic - namely, racial fetishes. Some people defend racial fetishes by claiming they are mere aesthetic preferences, lacking racist content or origins. Zheng responds that they are objectionable regardless because of their role in the sexual objectification of certain racial groups. This is useful as a case study of a "bad" desire: is it really bad? What is bad about it? Can someone change it?
Zhuangzi, trans. Brook Ziporyn. Zhuangzi: The Complete Writings, translated and with introduction and notes by Brook Ziporyn
2020, Hackett Publishing
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, Contributed by: I Xuan ChongPublisher’s Note:
Brook Ziporyn's carefully crafted, richly annotated translation of the complete writings of Zhuangzi—including a lucid Introduction, a Glossary of Essential Terms, and a Bibliography—provides readers with an engaging and provocative deep dive into this magical work.Comment: This is a distinctly philosophical translation of the entire Zhuangzi. It is recommendeded, but should be read alongside A.C. Graham's and Watson's translations. This is essential reading on Daoism.
Zhuangzi, trans. A.C. Graham. Chuang Tzu: The Inner Chapters, translated, with Commentary, by A. C. Graham
2001, Hackett Publishing
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, Contributed by: I Xuan ChongPublisher’s Note:
A reliable translation and commentary of the core chapters of the Zhuangzi by a leading scholar.Comment: This is an essential partial translation of the Zhuangzi. Its commentary is very helpful. It is essential reading on Daoism.
Zhuangzi, trans. Burton Watson. The Complete Works of Chuang Tzu
1968, Columbia University Press
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, Contributed by: I Xuan ChongPublisher’s Note:
This is one of the standard and often-cited translations of the full text of the ZhuangziComment: This is one of the best and most literal complete translations of the Zhuangzi. It is essential reading on Daoism.
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