Diversity Reading List

Comment: This book offers good preliminary introductions to a number of topics in ethics. Each section could be assigned individually as a starting point for the given topic. The sections on utilitarianism and consequentialism are particularly good introductions. Primarily of use to early undergraduates or students who have not studied ethics before.

Comment (from this Blueprint): Roege defends a nonreductive account of materialism, which, in her view, doesn't stand against feminist criticisms of physicalism. Similarly to Scheman's "Against Physicalism", Droeger argues that mainstream physicalist theories have ignored the role of the social in their explanations about the mental. Droeger offers an analysis of how feminist practices can illuminate work on the philosophy of mind by taking an interdisciplinary approach that brings together findings and viewpoints from different disciplines.

Comment: Duflo, of the MIT Poverty Action Lab and recent Nobel Prize Winner, summarizes some of the successes of randomized field evaluations in development economics. She then argues that the way forward for development economics should indeed involve some theorizing, but theorizing on the basis of our new empirical evidence - which might end up looking quite different from standard economic theory. This is a very useful (opinionated) introduction to field experiments for a week on field experiments in a philosophy of economics or philosophy of the social sciences course.

Comment: This book addresses important questions about formal languages: why formalization works and the limitations of formalization. The questions are answered from cognitive, historical and logical points of view. It is a good introductory material for teaching on formal language and psychology of reasoning.

Comment (from this Blueprint): This book by Dutilh Novaes recently won the coveted Lakatos Award. In it, she develops a dialogical account of deduction, where she argues that deduction is implicitly dialogical. Proofs represent dialogues between Prover, who is aiming to establish the theorem, and Skeptic, who is trying to block the theorem. However, the dialogue is both partially adversarial (the two characters have opposite goals) and partially cooperative: the Skeptic’s objections make sure that the Prover must make their proof clear, convincing, and correct. In this chapter, Dutilh Novaes applies her model to mathematical practice, and looks at the way social features of maths embody the Prover-Skeptic dialogical model.

Comment: This is a careful and comprehensive look at ethical questions surrounding the display of "subaltern" cultural heritage in museums. If you plan to assign a single reading on this topic, use this one.

Comment: The paper has implications reaching far beyond the pornography debate. Could similar power relations not impact art classification elsewhere? It might be useful to discuss this in the context of Larry Shiner's 'The Invention of Art,' where the historical processes leading to the establishment of the modern Western system of the arts are analysed, including examples such as the exclusion of weaving as it became a female-dominated profession. Reaching even further, this can be applied to attitudes to art of other cultures, with (post)colonial power relations impacting on the way works are classified. Finally, Eaton’s text can serve as a sceptical argument against the classificatory project altogether: could all our attempts to distinguish art from non-art be just expressions of discrimination along various lines of priviledge? The paper has implications reaching far beyond the pornography debate. Could similar power relations not impact art classification elsewhere? It might be useful to discuss this in the context of Larry Shiner's 'The Invention of Art,' where the historical processes leading to the establishment of the modern Western system of the arts are analysed, including examples such as the exclusion of weaving as it became a female-dominated profession. Reaching even further, this can be applied to attitudes to art of other cultures, with (post)colonial power relations impacting on the way works are classified. Finally, Eaton’s text can serve as a sceptical argument against the classificatory project altogether: could all our attempts to distinguish art from non-art be just expressions of discrimination along various lines of priviledge?

Comment:

Comment:

Comment (from this Blueprint): Eaton argues that what really matters in the distinction between pornography and erotic art, has little to do with artistic or aesthetic features, value, or function. Instead, the distinction follows social power structures along the class line: the priviledged reserve art status (and positive value) to works available only in an exclusive ‘private iconic circuit’ but are otherwise no different from those available in the ‘public iconic circuit’ and labelled pornography (and evaluated negatively). Eaton likens the distinction to that between two kinds of prostitute: a ‘courtesan’ and a ‘whore’, suggesting that in both cases the distinctions originate in class divisions and serve to reinforce them. Eaton’s text can serve as a great case study in the debate surrounding the distinction between low and high art, as well as a sceptical argument against the classificatory project altogether: could all our attempts to distinguish art from non-art be just expressions of discrimination along various lines of priviledge?