Tradition: Methodological -> Critical
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hooks, bell. Ain’t I A Woman? Black Women and Feminism
1981, South End Press

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Added by: Rebecca Buxton
Publisher’s Note:
In this classic study, cultural critic bell hooks examines how black women, from the seventeenth century to the present day, were and are oppressed by both white men and black men and by white women. Illustrating her analysis with moving personal accounts, Ain't I a Woman is deeply critical of the racism inherent in the thought of many middle-class white feminists who have failed to address issues of race and class. While acknowledging the conflict of loyalty to race or sex is still a dilemma, hooks challenges the view that race and gender are two separate phenomena, insisting that the struggles to end racism and sexism are inextricably intertwined.
Comment (from this Blueprint): This text discusses Black women's struggle against oppression and subjugation in America, focusing on white women's role in slavery. hooks argues that this history of slavery is directly linked to Black women's contemporary marginalization.
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hooks, bell. Art on My Mind: Visual Politics
1995, The New Press

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Added by: Quentin Pharr and Clotilde Torregrossa
Publisher’s Note:
In Art on My Mind, bell hooks, a leading cultural critic, responds to the ongoing dialogues about producing, exhibiting, and criticizing art and aesthetics in an art world increasingly concerned with identity politics. Always concerned with the liberatory black struggle, hooks positions her writings on visual politics within the ever-present question of how art can be an empowering and revolutionary force within the black community.
Comment (from this Blueprint): How we "consume" and why we "consume" certain aesthetic objects, as well as value them, is under critical scrutiny in this selection from hooks. She is particularly worried about conceptions and the consumption of what is beautiful when both are heavily influenced by negative social environments, such as pre-established standards based on classist, sexist, or racist power structures. She is also concerned with pointing out that, when we abide by certain power structures in what we consider beautiful objects and worthy of consumption, we often miss out on a great deal of beautiful things which are right before our eyes in everyday circumstances. In light of her discussion, we would do well to think about what might be influencing our conceptions of what is beautiful and how and why we consume beauty as we do.
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Hovey, Jaime. Picturing Yourself: Portraits, Self-Consciousness, and Modernist Style
2006, in: A Thousand Words. Portraiture, Style, and Queer Modernism, Columbus: Ohio State University Press.

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Added by: Hans Maes
Summary: Focuses on the modernist literary portrait in general and on Wilde's novel in particular. Also contains multiple references to painted portraits. Argues that queer modernist portraits concentrate on dynamic aspects of style and personality, presenting both the sitter's style and personality and the personality of the artist who renders her. Explores how style becomes another vehicle where a dangerous homosociality can be reduced into a manifestation of the merely particular (and vice versa).
Comment: Useful in discussing portraiture, as well as depiction and representation in general.

Artworks to use with this text:

Oscar Wilde, The Picture of Dorian Gray (1890)

Cleverly framed as a story about a portrait within a portrait, and written by Wilde in part to demonstrate to his artistic nemesis James McNeil Whistler the superiority of writing to painting, Dorian serves to illustrate the central thesis of Hovey's study. Interweaves reflections on Wilde's personal style, his style as an author, the style of the painter and of the painting, the style of the characters in the book, and queer modernist style in general. Useful in discussing portraiture, as well as depiction and representation in general.

Artworks to use with this text:

Oscar Wilde, The Picture of Dorian Gray (1890)

Cleverly framed as a story about a portrait within a portrait, and written by Wilde in part to demonstrate to his artistic nemesis James McNeil Whistler the superiority of writing to painting, Dorian serves to illustrate the central thesis of Hovey's study. Interweaves reflections on Wilde's personal style, his style as an author, the style of the painter and of the painting, the style of the characters in the book, and queer modernist style in general.

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Hrdy, Sarah Blaffer. Empathy, Polyandry, and the Myth of the Coy Female
1986, In Feminist Approaches to Science, Ruth Bleier, (ed.), New York: Pergamon.

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Added by: Benny Goldberg
Introduction: For over three decades, a handful of partially true assumptions were permitted to shape the construction of general evolutionary theories about sexual selection. These theories of sexual selection presupposed the existence of a highly discriminating, exually 'coy' female who was courted by sexually undiscriminating males. Work by female primatologists undermined these assumptions.
Comment: This is an essential paper for any courses in standpoint epistemology, feminist philosophy of science, or general philosophy of science.
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Humpherys, Rebekah. Contractarianism: On the Incoherence of the Exclusion of Non-Human Beings
2008, Percipi 2, 28-38
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Added by: Björn Freter, Contributed by: Rebekah Humphreys

Abstract: Although the practices of animal experimentation and intensive rearing involve a considerable amount of animal suffering they continue to be supported. Why is the suffering of animals in these practices so often accepted? This paper will explore some of the reasons given in support of the use of animals for such practices. In particular I will focus on contractarianism as one of the many positions that argues that morally relevant differences between species justify animal experimentation and factory farming. These differences include rationality and moral agency. On this position non-humans are excluded from direct moral concern on the basis that they lack such qualities. I will argue that in order for contractarianism to be coherent it necessarily has to include non-humans in the contract. This has implications for the application of contractarianism to the ethics of factory farming and animal experimentation.

Comment: Critically discusses Rawls' theory of justice in relation to issues in animal ethics.
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Humphreys. Dignity and its violation examined within the context of animal ethics
2016, Ethics and the Environment 21 (2):143-162
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Added by: Björn Freter, Contributed by: Rebekah Humphreys

Abstract: The word ‘dignity’ may be used in a presentational sense, for example, one might say “she presents herself with dignity”, or in a social sense, for example, one might say “she fulfilled her duty with dignity, or honour.” However, in this paper I will not be using ‘dignity’ in either of these senses. Rather, the sense of dignity I will be concerned with is one that is related to ideas about the value or worth of a being. This latter sense of dignity has a long history, and tends to be a concept that is thought to be applicable to human animals only, and more specifically to human persons—moral agents, capable of rationality, of directing their own lives, and of formulating...

Comment: Critically analyses the concept of dignity and provide argumentation as to why the concept, contrary to traditional understandings, is applicable to animals and their lives.
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Humphreys. Animal Thoughts on Factory Farms: Michael Leahy, Language and Awareness of Death
2008, Between the Species 13 (8): 1-16
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Added by: Björn Freter, Contributed by: Rebekah Humphreys
Abstract:

Abstract: The idea that language is necessary for thought and emotion is a dominant one in philosophy. Animals have taken the brunt of this idea, since it is widely held that language is exclusively human. Michael Leahy makes a case against the moral standing of factory-farmed animals based on such ideas. His approach is Wittgensteinian: understanding is a thought process that requires language, which animals do not possess. But he goes further than this and argues that certain factory farming methods do not cause certain sufferings to the animals used, since animals lack full awareness of their circumstances. In particular he argues that animals do not experience certain sufferings at the slaughterhouse since, lacking language, they are unaware of their fate . Through an analysis of Leahy’s claims this paper aims to explore and challenge both the idea that thought and emotion require language and that only humans possess language

Comment: Good for teaching issues in animal ethics as they relate to the cognitive capacities of animals.
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Humphreys, Rebekah, Watson, Kate. The Killing Floor and Crime Narratives: Marking Women and Nonhuman Animals
2019, Kate Watson, Katharine Cox (eds.), Tattoos in crime and detective narratives, Manchester University Press, 170-196
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Added by: Björn Freter, Contributed by: Rebekah Humphreys
Abstract:

This interdisciplinary chapter provides a literary reading and philosophical analyses of issues surrounding the depiction of women and of nonhuman animals in a subgenre of contemporary crime narratives – what this chapter terms ‘killing floor’ crime fiction. This is achieved through a focus on the function of the tattoo, ‘markings’ in a broad sense (both metaphorically and physically) and the gendered elements of animal representations in crime fiction. Through an analysis of the significance of marking skin, the chapter links the exploitation and objectification of the bodies of women and of nonhuman animals. In doing so, it compares the use of animals in modern-day killing floor practices and the position of women in contemporary crime fiction. Through forcible marking and scarification, this chapter raises pertinent interrelated ethical issues concerning the perceptions of women, their societal status and the commercial use of nonhuman animals.

Comment: Discusses links between the portrayal of animals of women in detective crime fiction, and relates to the work of Carol Adams and applies to modern-day practices that exploit animals.
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Humphreys, Rebekah. Biocentrism
2016, Encyclopedia of Global Bioethics, Springer
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Added by: Björn Freter, Contributed by: Rebekah Humphreys

Abstract: The orthodox approach to the environment and its inhabitants is deemed to be anthropocentric in that it recognises the moral standing of human beings alone, and as such other beings are given at the most indirect moral consideration when their interests conflict with the interests of humans. However, many global environmental problems and worldwide practices directly affect not just human beings but many other creatures too. In the light of this, the anthropocentric approach has been accused by some philosophers of being too narrowly focused on human interests to creditably account for the true extent of our moral obligations. This article provides a conceptual outline of biocentrism as an alternative approach to ethics; one which widens the moral scope to include all living beings as candidates deserving of moral consideration. The article also discusses how this approach might be applied to contemporary ethical issues which are international in their dimension, including environmental issues, as well as issues concerning our use of animals in worldwide human practices.

Comment: Provides a thorough and critical overview of debates in environmental ethics as they relate to biocentrism and applied issues (including climate change and our use of animals in modern-day practices).
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Humphreys, Rebekah. The Argument from Existence, Blood-Sports, and ‘Sport-Slaves’
2014, Journal of Agricultural and Environmental Ethics, 27 (2): 331-345
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Added by: Björn Freter, Contributed by: Rebekah Humphreys

Abstract: The argument from existence is often used as an attempted justification for our use of animals in commercial practices, and is often put forward by lay-persons and philosophers alike. This paper provides an analysis of the argument from existence primarily within the context of blood-sports (applying the argument to the example of game-birding), and in doing so addresses interesting and related issues concerning the distinction between having a life and living, or worthwhile life and mere existence, as well as issues surrounding our responsibilities to prospective and actual beings. However, my analysis of the argument will go beyond the animal ethics context; it is important that it does so in order to reveal the troublesome implications of the argument and to highlight the sorts of unethical practices it supports. In particular, in applying the argument to a relevant example concerning human beings, I will discuss how the argument from existence could be used to justify the ownership of slaves who were reared for slavery. My objective is to show just how problematic the argument from existence is, with the aim of laying the argument to rest once and for all.

Comment: This article would be useful in teaching the following areas: animal ethics, environmental ethics, certain sophisms (in relation to our use of animals in exploitative practices) ethics of bloodsports, issues of equality, speciesism, future creatures and their existence. This article would be useful in teaching the following areas: animal ethics, environmental ethics, certain sophisms (in relation to our use of animals in exploitative practices) ethics of bloodsports, issues of equality, speciesism, future creatures and their existence.
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