Gatens, Moira. The Art and Philosophy of George Eliot
2009, Philosophy and Literature 33(1): 73-90.
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Added by: Alison StoneAbstract: Much remains to be said about Eliot as a philosopher. I argue that her novels should be understood as attempts to practice philosophy in an alternative key. Her decision to write novels rather than conventional philosophy reflects her desire to actively engage the imaginative and affective, as well as the cognitive, powers of her readers. On her view the imagination grounds our disposition to feel sympathy for our fellow human beings. It is this disposition and its potential for refinement as moral knowledge that she sought to realize in her novels. An appreciation of her philosophical commitments is necessary in order to understand her efforts to construct an immanent ground for moral life. The parts played by the imagination, reason and emotion in the attainment of moral knowledge were of prime concern to both Spinoza and Feuerbach. Each philosopher offered an account of the relations between these capacities and argued for their reformation. This reformative task is one that Eliot attempted in her novels. The radical holism of Spinoza and Feuerbach resonates throughout her work. She had a deep suspicion of dualistic philosophies that separate reason and imagination. Like Spinoza and Feuerbach, she understood these ruptures within our capacities, indeed within our very being, to derive in large part from religion, especially Christianity. The reform of our habitual ways of understanding the world must therefore begin with critical reflection on religion.Comment: An article that explains the philosophical standpoint underlying George Eliot's fiction and argues that her fiction and her philosophical thinking need to be regarded as a whole. Could be used in a course covering nineteenth-century philosophy, either as supplementary reading or as a primary reading perhaps paired with a piece of writing by Eliot.
Gillespie, Susan D. The Extended Person in Maya Ontology
2021, Estudios Latinoamericanos, 41: 105 – 127
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Added by: M. Jimena Clavel Vázquez and Andrés Hernández VillarrealAbstract:
For the Maya reality is a unified whole within which every entity shares in the same fundamental animating principle. This is a relational ontology whereby no phenomenon is self-contained but emerges from relations with others, including humans and non-humans, in various fi elds of action. Th is ontology correlates with a more encompassing “process metaphysic” in which reality is in constant flux, continually “becoming.” The process metaphysic envisioned by philosopher Alfred North Whitehead provides a technical language for analyzing the composition and extension of Maya persons, using the model of personhood developed by anthropologist Marcel Mauss. In life individual Maya persons assembled divergent components endowed by their maternal and paternal ancestors, which were subsequently disassembled upon their deaths. They also assembled non-corporeal components–souls and names–that linked them to existences beyond the physical boundaries and timelines of their bodies. Aspects of personhood were also shared by objects worn or manipulated by humans. Persons were thus extended in space and in time, outliving individual human beings. Maya belief and practice reveals the fundamental process known as k’ex, “replacement” or “substitution,” accounts for much of the flux and duration of the universe as a Maya-specific mode of “becoming.”
Comment: available in this Blueprint
Girardot, Norman, Miller, James, Xiaogan, Liu (eds.). Daoism and Ecology: Ways within a Cosmic Landscape
2001, Cambridge, MA: Harvard University Center for the Study of World Religions
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Added by: Kas BernaysAbstract:
Until now, no single work has been devoted to both a scholarly understanding of the complexities of the Daoist tradition and a critical exploration of its contribution to recent environmental concerns. The authors in this volume consider the intersection of Daoism and ecology, looking at the theoretical and historical implications associated with a Daoist approach to the environment. They also analyze perspectives found in Daoist religious texts and within the larger Chinese cultural context in order to delineate key issues found in the classical texts. Through these analyses, they assess the applicability of modern-day Daoist thought and practice in China and the West, with respect to the contemporary ecological situation.Comment (from this Blueprint): An collection of essays which allows the reader to look in depth at any particular facets of Daoist ecology that might interest them.
Glaude, Eddie S.. In a Shade of Blue: Pragmatism and the Politics of Black America
2007, University of Chicago Press.
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Added by: Chris Blake-Turner, Contributed by: Bart SchultzPublisher's Note: In this timely book, Eddie S. Glaude Jr., one of our nation's rising young African American intellectuals, makes an impassioned plea for black America to address its social problems by recourse to experience and with an eye set on the promise and potential of the future, rather than the fixed ideas and categories of the past. Central to Glaude's mission is a rehabilitation of philosopher John Dewey, whose ideas, he argues, can be fruitfully applied to a renewal of African American politics. According to Glaude, Dewey's pragmatism, when attentive to the darker dimensions of life - or what we often speak of as the blues - can address many of the conceptual problems that plague contemporary African American discourse. How blacks think about themselves, how they imagine their own history, and how they conceive of their own actions can be rendered in ways that escape bad ways of thinking that assume a tendentious political unity among African Americans simply because they are black, or that short-circuit imaginative responses to problems confronting actual black people. Drawing deeply on black religious thought and literature, In a Shade of Blue seeks to dislodge such crude and simplistic thinking, and replace it with a deeper understanding of and appreciation for black life in all its variety and intricacy. Only when black political leaders acknowledge such complexity, Glaude argues, can the real-life sufferings of many African Americans be remedied. Heady, inspirational, and brimming with practical wisdom, In a Shade of Blue is a remarkable work of political commentary on a scale rarely seen today. To follow its trajectory is to learn how African Americans arrived at this critical moment in their history and to envision where they might head in the twenty-first centuryComment: A really terrific, historically sophisticated work that highlights how philosophical pragmatism can be developed in connection with critical race theory.
Goldberg, RoseLee. The Art of Ideas and the Media Generation
2001, in: Performance Art: From Futurism to the Present. New York: Thames & Hudson. 152-155.
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Added by: Rossen VentzislavovSummary: In this brief historical note, Goldberg outlines the artistic response to the political upheavals of the 1960's. The general spirit of civic disillusionment offered the best conditions for the re-evaluation of art and its supporting social institutions. Not surprisingly, a new animosity emerged towards the objects of art and their claim to aesthetic pleasure. The farthest possible opposite, which many artists readily embraced, was found in conceptual art, which prioritized ideas, relations and experiences over traditional aesthetic categories. Goldberg sees performance art as a potent embodied application of these new artistic concerns, and thus as a rightful heir to conceptual art. Furthermore, each sub-genre of performance art - from body art to live sculpture to discussions and performative scripts - retains a conceptual core that finds its roots in that decade of strife and controversy.Comment: This text offers a historical note on the relationship between conceptual art and performance art, and could be used in aesthetics classes focusing on either of those arts
Goldberg, RoseLee. The Body: Ritual, Living Sculpture, Performed Photography
2004, In: Performance: Live Art Since the 60's. New York: Thames & Hudson. 94-127.
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Added by: Rossen VentzislavovSummary: Goldberg sees the human body in performance art as a transmitter of erotics, gender tensions, cultural norms and political deviations. While two of the notable early works of performance art featured fully clothed male artists using naked female bodies (Yves Klein's Anthropometries of the Blue Period from 1960 and Piero Manzoni's Living Scupture from 1961), the work of female artists like Shigeko Kubota and Yoko Ono addressed the gender imbalance soon after. Goldberg sees the recognition of the body as "prime, raw material" as one of the central accomplishments of performance art. Through numerous examples she demonstrates how this notion enabled a spectrum of physical signification - from regarding the human body as a mere lump of undifferentiated flesh to capitalizing on its biological intricacies. Because of the irreducible intimacy of shared bodily experience, all creative choices along this spectrum - from the disquietingly erotic, to the anachronistically ritualistic, to the viscerally sacrificial - have affected the way we see art and the world around us.Comment: This historical overview of the use of the human body in early performance art can be in any class on body aesthetics or performance art, and can offer an interesting background reading on erotic art.
Goldberg, RoseLee. Identities: Feminism, Multiculturalism, Sexuality
2004, In: Performance: Live Art Since the 60's. New York: Thames & Hudson. 128-145.
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Added by: Rossen VentzislavovSummary: Goldberg provides a richly illustrated historical account of the intimate connection between identity and performance art. Starting from the feminist art of the 1960's, the recognition and assertion of identity was a fundamental bid for social visibility. The next frontier was social recognition, which concerned ethnic and sexual minorities as much as it did women. The final frontier - political equality - is one that is still out of reach. Still, according to Goldberg, performance art continues to chart new territories of identification. In fact, while at the outset performance art used early feminist writing as inspiration, Goldberg recognizes a gradual reversal - today's feminists are as likely to chart new philosophical directions as they are to follow the exploratory charge of their performance art counterparts.Comment: This text provides a historical background on the relationship between identity politics and art. It would be useful in classes on performance art, on the social context of art, as well as classes focusing on philosophy or race, gender and sexuality and ways to achieve social visibility.
Gorisse, Marie-Hélène. Jaina Philosophy
2025, in Edward N. Zalta & Uri Nodelman (eds.), The Stanford Encyclopedia of Philosophy
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Added by: Kas BernaysAbstract:
The Jains are those who consider that the teaching of the omniscient Jinas is the expression of the eternal essential nature of the universe. The only extant teaching is that of Mahāvīra (traditional dates 599–527/510 BCE, in Magadha, South of modern Bihar), the last Jina of the current cosmic period. In their practice, Jaina renunciants follow a rigorous method towards salvation, in which a non-violent way of life, the renunciation from a worldly ego, the dissociation of self and non-self, and a gradual purification of the self towards unobstructed knowledge, become as many different facets of the same effort to access to a superior order of being in which each self manifests its true nature. This path came to involve structured monastic and lay communities; sets of practices—ritual and devotional acts, ascetic practices, rules of life; as well as conceptions of the world deposited in canonical and post-canonical corpuses, in systematic treatises, or in narrative literature. Jaina Philosophy is the set of philosophical investigations developed by thinkers as they appear in these different corpuses (Malvania & Soni 2007; Potter & Balcerowicz 2013, 2014). While several trends can be observed from the canonical period to modern thinkers via the mystics, the following principles are shared: Jaina metaphysics is an atomist and dualist conception of the world, it focuses on the nature of the self, on that of karmic matter, as well as on their principles of association. Jaina ethics consists of practices focused on non-violence, non-absolutism and non-attachment, which aim to disentangle the self and karmic matter and which help one to reach omniscience. Besides, Jaina philosophers are particular renown for developing a realist epistemology centered on “many-sidedness”. Jaina philosophy is composed in Ardhamāgadhī, Jaina Māhārāṣṭrī, Śaurasenī, Sanskrit, Apabhraṃśa, Braj Bhāṣā, Kannada, Tamil, Gujarati, Hindi, to quote only the main languages. This entry provides Sanskrit terms only, because Sanskrit became the lingua franca of philosophical inter-doctrinal discussions in South Asia at the turn of the common era.Comment (from this Blueprint): Useful to assist in reading the primary source.
Graham, Jody L.. Does integrity require moral goodness?
2001,
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Added by: Clotilde Torregrossa, Contributed by: Simon FoktAbstract: Most accounts of integrity agree that the person of integrity must have a relatively stable sense of who he is, what is important to him, and the ability to stand by what is most important to him in the face of pressure to do otherwise. But does integrity place any constraints on the kind of principles that the person of integrity stands for? In response to several recent accounts of integrity, I argue that it is not enough that a person stand for what he believes in, nor even that he is committed to and stands for what, in his best judgement, is morally right. In our web of moral concepts integrity is internally related to a host of virtues which exclude weakness of will and dogmatism, and presuppose trustworthiness. Integrity requires that the principles stood for must be those that a morally good, morally trustworthy agent would stand for, and that the agent himself is morally trustworthy.
Grix, Marco, Watene, Krushil. Communities and Climate Change: Why Practices and Practitioners Matter
2022, Ethics & International Affairs, 36(2): 215-230
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Added by: Kas BernaysAbstract:
Communities most vulnerable to the effects of climate change, such as reduced access to material resources and increased exposure to adverse weather conditions, are intimately tied to a considerable amount of cultural and biological diversity on our planet. Much of that diversity is bound up in the social practices of Indigenous groups, which is why these practices have great long-term value. Yet, little attention has been given to them by philosophers. Also neglected have been the historical conditions and contemporary realities that constrain these practices and devalue the knowledge of their practitioners. In this essay, we make the case for preserving a diverse range of social practices worldwide, and we argue that this is possible only by strengthening the communities of practitioners who enact them in the contexts in which they are adaptive. By concentrating on Indigenous communities, we show how focusing on practices can transform how Indigenous and other local communities are represented in global climate-change conversations and policy as a matter of justice. More specifically, we argue that practice-centered thinking and local practices provide critical insights for determining the extent to which climate policies protect and enable transformative change.Comment (from this Blueprint): This piece considers how to directly integrate Indigenous viewpoints into considerations of climate and ecological action, which is argued for as a matter of justice. Of particular interest for the purpose of this list is the consideration of 'practice-centred thinking'.
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