-
Expand entry
-
Added by: M. Jimena Clavel Vázquez and Andrés Hernández Villarreal
Publisher’s note: Examining a wide range of archaeological data, and using it to explore issues such as the sexual body, mind/body dualism, body modification, and magical practices, Lynn Meskell and Rosemary Joyce offer a new approach to the Ancient Egyptian and Mayan understanding of embodiment. Drawing on insights from feminist theory, art history, phenomenology, anthropology and psychoanalysis, the book takes bodily materiality as a crucial starting point to the understanding and formation of self in any society, and sheds new light on Ancient Egyptian and Maya cultures.
The book shows how a comparative project can open up new lines of inquiry by raising questions about accepted assumptions as the authors draw attention to the long-term histories and specificities of embodiment, and make the case for the importance of ancient materials for contemporary theorization of the body. For students new to the subject, and scholars already familiar with it, this will offer fresh and exciting insights into these ancient cultures.
Miranda, Dana Francisco. Critical commemorations2020, Journal of Global Ethics 16(3): 422-430-
Expand entry
-
Added by: Ten-Herng LaiAbstract:
Drawing on the works of Friedrich Nietzsche, this contribution will examine commemorative practices alongside critical modes of historical engagement. In Untimely Meditations, Friedrich Nietzsche documents three historical methodologies—the monumental, antiquarian and critical—which purposely use history in non-objective ways. In particular, critical history desires to judge and reject historical figures rather than repeat the past or venerate the dead. For instance, in recent protests against racism there have also been calls to decolonize public space through the defacement, destruction, and removal of monuments. There is thus much potential in critical history being used to address ongoing harms.Comment (from this Blueprint): This paper brings out nicely doubts on the objectivity of history as it is presented to us. The pretence of objective history can be used as an oppressive tool to delegitimise the critical reflection of the history of the marginalised. A particular point of interest is objecting to the standards of "greatness," which could be found very plausible. It seems that we have indeed been honouring people who have done great (from a certain point of view) but terrible things.
Misak, Cheryl. The American Pragmatists (The Oxford History of Philosophy)2013, Oxford: Oxford University Press.-
Expand entry
-
Added by: Jamie Collin
Publisher's Note: Cheryl Misak presents a history of the great American philosophical tradition of pragmatism, from its inception in the Metaphysical Club of the 1870s to the present day. She identifies two dominant lines of thought in the tradition: the first begins with Charles S. Peirce and Chauncey Wright and continues through to Lewis, Quine, and Sellars; the other begins with William James and continues through to Dewey and Rorty. This ambitious new account identifies the connections between traditional American pragmatism and twentieth-century Anglo-American philosophy, and links pragmatism to major positions in the recent history of philosophy, such as logical empiricism. Misak argues that the most defensible version of pragmatism must be seen and recovered as an important part of the analytic tradition.Comment: A good primary reading for courses on pragmatism or the history of American philosophy. Useful for both undergraduate and postgraduate courses.
Moeller, Sofie. The Court of Reason in Kant’s Critique of Pure Reason2013, Kant-Studien 104 (3):301-320.-
Expand entry
-
Added by: Chris Blake-Turner, Contributed by: Charlotte Sabourin
Abstract: The aim of the present paper is to discuss how the legal metaphors in Kant's Critique of Pure Reason can help us understand the work's transcendental argumentation. I discuss Dieter Henrich's claim that legal deductions form a methodological paradigm for all three Critiques that exempts the deductions from following a stringent logical structure. I also consider Rüdiger Bubner's proposal that the legal metaphors show that the transcendental deduction is a rhetorical argument. On the basis of my own reading of the many different uses of legal analogies in the first Critique, I argue that they cannot form a consistent methodological paradigm as Henrich and Bubner claim.Comment:
2009, In Leila Haaparanta (ed.), The Development of Modern Logic. Oxford University Press-
Expand entry
-
Added by: Franci MangravitiAbstract:
The chapter is an overview of Indian logic, with a general introduction followed by specialized sections on four different schools: Nyāya logic, Buddhist logic, Jaina logic, and Navya-Nyāya logic.
Comment: Can be used as a general reference for a course focusing on Indian logic. The various sections are independent, so each can on its own serve as a reading in any course wanting to include discussion of a particular system of logic (e.g. a general logic course, or a course in Indian philosophy).
Moland, Lydia. Hegel’s Philosophy of Art2017, In Dean Moyar (ed.), Oxford Handbook of Hegel. Oxford: Oxford University Press. pp. 559-580.-
Expand entry
-
Added by: Alison Stone
Abstract: Despite Hegel's effusive praise for art as one of the ways humans express truth, art by his description is both essentially limited and at perpetual risk of ending. This hybrid assessment is apparent first in Hegel's account of art's development, which shows art culminating in classical sculpture's perfect unity, but then, unable to depict Christianity's interiority, evolving into religion, surrendering to division, or dissipating into prose. It is also evident in his ranking of artistic genres from architecture to poetry according to their ability to help humans produce themselves both individually and collectively: the more adequately art depicts human self-understanding, the more it risks ceasing to be art. Nevertheless, art's myriad endings do not exhaust its potential. Art that makes humans alive to the unity and interdependence at the heart of reality continues to express the Idea and so achieves Hegel's ambitions for its role in human life.Comment: A concise overview of Hegel's aesthetics and philosophy of art. Could be used on an aesthetics course when covering Hegel, either as supplementary to a reading from Hegel or as primary reading introducing a further reading by Hegel the following week.
Morris, Rebecca Lea. Intellectual Generosity and the Reward Structure of Mathematics2021, Synthese, 199(1): 345-367.-
Expand entry
-
Added by: Fenner Stanley TanswellAbstract:
Prominent mathematician William Thurston was praised by other mathematicians for his intellectual generosity. But what does it mean to say Thurston was intellectually generous? And is being intellectually generous beneficial? To answer these questions I turn to virtue epistemology and, in particular, Roberts and Wood's (2007) analysis of intellectual generosity. By appealing to Thurston's own writings and interviewing mathematicians who knew and worked with him, I argue that Roberts and Wood's analysis nicely captures the sense in which he was intellectually generous. I then argue that intellectual generosity is beneficial because it counteracts negative effects of the reward structure of mathematics that can stymie mathematical progress.Comment (from this Blueprint): In this paper, Morris looks at ascriptions of intellectual generosity in mathematics, focusing on the mathematician William Thurston. She looks at how generosity should be characterised, and argues that it is beneficial in counteract some of the negative effects of the reward structure of mathematics.
Mukherji, Parul Dave. Who is afraid of Mimesis? Contesting the Common Sense of Indian Aesthetics through the Theory of ‘Mimesis’ or Anukaraṇa Vâda2016, In Arindam Chakrabarti (ed.). The Bloomsbury Research Handbook of Indian Aesthetics and the Philosophy of Art. New York: Bloomsbury Academic, 71-92.-
Expand entry
-
Added by: Meilin Chinn
Summary: A rejoinder to the claim that mimesis is unimportant in Indian art and aesthetics. Dave-Mukherji seeks to decolonize Indian aesthetics from its internalized Western ethnocentrism, according to which mimesis belongs to the domain of Western art and aesthetics, and open new, non-binary terrain for comparative aesthetics. She seeks to revive the complex theory of visual representation theorized in ancient Indian art treatises, particularly the concept of anukrti, a term she considers cognate to mimesis.Comment: This text is appropriate for a course in aesthetics and/or comparative aesthetics. It provides an excellent background for a cross-cultural discussion of mimesis.
Nelson, Lynn Hankinson, Nelson, Jack. Logic from a Quinean Perspective: An Empirical Enterprise2002, In Falmagne, R.J. and Hass, M. eds. Representing Reason: Feminist Theory and Formal Logic. Rowman & Littlefield-
Expand entry
-
Added by: Franci Mangraviti
From the Introduction: "Lynn Hankinson Nelson and Jack Nelson extend the work begun in the former’s book Who Knows: From Quine to a Feminist Empiricism, by showing that a Quinean understanding of logic as an empirical field implies that logic remains open to revision in light of fundamental shifts in knowledge. Nelson and Nelson point to the revisions in scientific understandings made possible by the incorporation of women and women’s lives as emblematic of the possible ways that feminist thought can provide a deep reworking of the structures of knowledge and thus potentially of logic. Although they are cautious of any conclusions that logic must change, their work offers a theoretical ground from which the effects of feminist theorizing on logic can be usefully explored."
Comment:
available in this Blueprint
Nersessian, Nancy. Creating Scientific Concepts2008, MIT Press.-
Expand entry
-
Added by: Laura Jimenez
Publisher's Note: How do novel scientific concepts arise? In Creating Scientific Concepts, Nancy Nersessian seeks to answer this central but virtually unasked question in the problem of conceptual change. She argues that the popular image of novel concepts and profound insight bursting forth in a blinding flash of inspiration is mistaken. Instead, novel concepts are shown to arise out of the interplay of three factors: an attempt to solve specific problems; the use of conceptual, analytical, and material resources provided by the cognitive-social-cultural context of the problem; and dynamic processes of reasoning that extend ordinary cognition. Focusing on the third factor, Nersessian draws on cognitive science research and historical accounts of scientific practices to show how scientific and ordinary cognition lie on a continuum, and how problem-solving practices in one illuminate practices in the other.Comment: Nersessian’s book has a two-fold foundation, first, the empirical analysis of two cases of scientific thinking (one from Maxwell and one from a verbal protocol of a scientist); second, philosophical and cognitive analysis of the overall picture of meaning change in science that is the result of her work. The book presents her argument via an introductory chapter, followed by five chapters that develop the argument. Chapter 4 is particularly interesting for the cognitive-scientist: in this chapter Nersessian develops her account of the basic cognitive processes that underlie model-based reasoning. The new approach to mental modeling and analogy, together with Nersessian’s cognitive-historical approach, make Creating Scientific Concepts equally valuable to cognitive science and philosophy of science. The book is accessible and well-written, and should be a relatively quick read for anyone with a previous background in the mentioned fields. It is mainly recommended for postgraduate courses.
Can’t find it?Contribute the texts you think should be here and we’ll add them soon!
-
-
-
This site is registered on Toolset.com as a development site. -
-
-
-
-
-
Meskell, Lynn M., Joyce, Resemary A.. Embodied Lives: Figuring Ancient Maya and Egyptian Experience
2003, Routledge
Comment (from this Blueprint): pp. 23-29 offer a useful discussion of the materiality of the Mayan conception of human beings.