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Added by: Simon Fokt, Contributed by: Ian James KiddAbstract: Confucius frequently employs the term xin 信 in the Analects. The frequency of his usage suggests that xin has a significant place within his ethics. The main aim of this article is to offer an account of the roles played by xin within Confucius' ethics. To have a clear understanding of these roles, however, one needs first to understand what Confucius encompasses within his notion of xin. The article begins by delineating the Confucian conception of xin, as presented in the Analects. The notion of xin is often taken to be isomorphic with the notion of trust. I argue that Confucius' notion of xin does not quite map onto the notion of trust as usually understood in contemporary Western contexts. To understand better what Confucian xin amounts to, I compare and contrast the Confucian conception of xin with contemporary Western accounts of trust by Baier, McLeod, and Mullin. This comparison helps elucidate what xin is as well as how xin relates to morality. With this in hand, the roles that Confucius ascribes to xin in social and political contexts are then delineated.Comment: Clear discussion of Confucian conceptions of trustworthiness and trust and their roles in the moral life. Useful for those who want to do comparative work with Chinese philosophy.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirAbstract: Can an ordinary viewer ever experience art - particularly politically charged, socially relevant art - in a neutral, detached, and objective way? The familiar philosophical notion of disinterestedness has its roots in eighteenth century theories of taste and was refined throughout the twentieth century. In contrast, many contemporary theorists have argued for what I call an 'interested approach' in order to expand beyond the traditional emphasis on neutrality and universality. Each group, in effect, has argued for the value of a work of art by excluding the other's approach. This essay will consider the legacy of the concept of disinterestedness for contemporary aesthetic theory in light of challenges posed by postmodern skepticism regarding the possibility of disinterestedness, and by the difficulties involved in appreciating political art with a disinterested attitude. My principal examples of political art will be drawn from feminist art. Unlike traditional philosophers, I will advocate that an interested stance toward art is, at times, inevitable and appropriate. I will so argue that not only feminist art- and by extension political art of all kinds - can be experienced disinterestedly, but that it should be. As a position inconsistent with both traditionalists and feminist critics of tradition, my recommendation of both disinterestedness and interestedness affords what I take to be the fullest and fairest experience of a work of art.
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, Contributed by: Quentin PharrPublisher’s Note:
In Plato's Republic, Socrates contends that philosophers make the best rulers because only they behold with their mind's eye the eternal and purely intelligible Forms of the Just, the Noble, and the Good. When, in addition, these men and women are endowed with a vast array of moral, intellectual, and personal virtues and are appropriately educated, surely no one could doubt the wisdom of entrusting to them the governance of cities. Although it is widely—and reasonably—assumed that all the Republic’s philosophers are the same, Roslyn Weiss argues in this boldly original book that the Republic actually contains two distinct and irreconcilable portrayals of the philosopher. According to Weiss, Plato’s two paradigms of the philosopher are the "philosopher by nature" and the "philosopher by design." Philosophers by design, as the allegory of the Cave vividly shows, must be forcibly dragged from the material world of pleasure to the sublime realm of the intellect, and from there back down again to the "Cave" to rule the beautiful city envisioned by Socrates and his interlocutors. Yet philosophers by nature, described earlier in the Republic, are distinguished by their natural yearning to encounter the transcendent realm of pure Forms, as well as by a willingness to serve others—at least under appropriate circumstances. In contrast to both sets of philosophers stands Socrates, who represents a third paradigm, one, however, that is no more than hinted at in the Republic. As a man who not only loves "what is" but is also utterly devoted to the justice of others—even at great personal cost—Socrates surpasses both the philosophers by design and the philosophers by nature. By shedding light on an aspect of the Republic that has escaped notice, Weiss’s new interpretation will challenge Plato scholars to revisit their assumptions about Plato’s moral and political philosophy.Comment: This text is an excellent companion text or further reading for Plato's Republic. But, for students or educators looking for more information on how Plato conceives of philosophers themselves, Socrates included, this text is essential. It also provides key insights beyond the standard discussion of how philosophers might fit into their broader societies - what roles they might play, how their societies might respond to them, and what obligations Plato thinks philosophers have, depending on what sort of philosopher they are. After reading this text, the various aspects of the allegory of the "cave" should be that much easier to interpret.
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Added by: Laura Jimenez, Contributed by: Pauline PhemisterAbstract: This new introduction to a philosophical classic draws on the reinterpretations of Descartes' thought of the past twenty-five years. Catherine Wilson examines the arguments of Descartes' famous Meditations, revealing how he constructs a theory of the mind, body, nature, and God from a premise of radical uncertainty. She discusses in detail the historical context of Descartes' writings and their relationship to early modern science, and at the same time she introduces concepts and problems that define the philosophical enterprise as it is understood today.Comment: Following closely the text of the Meditations and meant to be read alongside them, this survey is accessible to readers with no previous background in philosophy. It is well-suited to university-level courses on Descartes, but can also be read with profit by students in other disciplines.
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Abstract:
Reviving Confucianism with evolutionary and medical conceptual tools in the British Straits Settlements before the Pacific War, the Straits Chinese philosopher, physician, reformer, and revolutionary Lim Boon Keng (1869–1957) pathologized Eurocentrism as a disease under his innovative but also troubling system of medical Confucianism. According to Lim, Eurocentrism was caused by certain (Christian) metaphysical pathogens—speciesism and dualism in human nature—and its pathogenesis involves insensitivity and maladaptation to one’s environment at individual, national, and even ‘racial’ levels. For Lim, the signs and symptoms of individuals, nations, or ‘races’ suffering from Eurocentrism manifest as immoralities and injustices (commonly understood by contemporaneous theorists of evolution as atavism)—such as unjust wars—and degeneration in traits, physical or otherwise—such as indolence. In his attempt to overcome Eurocentrism in fin-de-siècle philosophical theories and practices, Lim’s medical Confucianism presents to us one of the earliest, systematic examples of a comprehensive Anglo-Chinese hybrid philosophy, attempting to tread a thin line between Eurocentrism and Sinocentrism by creating a new centre at imperial peripheries. However, Lim’s problematic, inherited conceptions of race and eugenics also present a cautionary tale of a doctor relying too much on his master’s tools in diagnostics and treatment.Comment: Considers a historical example of comparative philosophy, its promises and pitfalls. Can be a good basis for debate over the aims and content of comparison; first systematic articulation of Straits Chinese philosophy.
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Added by: Tammo LossauAbstract:
The pluralism of The Shadow of God invites us to also consider ‘non-Western’ ways of ‘coming to terms with the world’ in historical immortality and the project of reconciliation. I offer two methodological notes for any such undertaking. The first note elaborates on Rosen’s point that ‘“non-Western’ cultures have been heavily influenced by Western ones—even in their opposition to the West” by examining the forgotten Straits Chinese philosopher, Tan Teck Soon, in the context of fin-de-siècle British colonial Singapore. The second note concerns a commitment to anthropocentrism in such considerations and how it might condition our search for ‘non-Western’ ways out of the ‘spiritual situation of the West’, even if we are to find ‘non-Western’ cultures uninfluenced by ‘the West’ such as the early Daoist text of the Zhuangzi, which Tan based his version of historical immortality and attempt at the project of reconciliation uponComment: Discusses the limits of comparative lenses for discussing philosophical topics, given colonialism; can be used for debates on the universality of philosophical questions.
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Added by: Hans MaesSummary: Argues that ancient sculptural images of Mesopotamia, while non-naturalistic, should be regarded as portraits. The title is a reference to Nelson Goodman's shifting of the question 'What is art?' to 'When is art?' in his book Ways of World-Making.Comment: Useful in discussing portraiture, as well as depiction and representation in general.
Artworks to use with this text:
Standing sculptures of Gudea, ruler of Lagash (ca. 2110 BCE)
On the basis of detailed lexicographical and iconographical research, Winter concludes that these sculptures, with their recognizably broad face and chin, large ears, and muscular arms, were intended as portraits. Useful in discussing portraiture, as well as depiction and representation in general.
Artworks to use with this text:
Standing sculptures of Gudea, ruler of Lagash (ca. 2110 BCE)
On the basis of detailed lexicographical and iconographical research, Winter concludes that these sculptures, with their recognizably broad face and chin, large ears, and muscular arms, were intended as portraits.
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Added by: Andrea Blomqvist, Contributed by: Will HornettPublisher's Note: G. E. M. Anscombe’s Intention is a classic of twentieth-century philosophy. The work has been enormously influential despite being a dense and largely misunderstood text. It is a standard reference point for anyone engaging with philosophy of action and philosophy of psychology. In this Routledge Philosophy GuideBook, Rachael Wiseman situates Intention in relation to Anscombe’s moral philosophy and philosophy of mind considers the influence of Aquinas, Aristotle, Frege, and Wittgenstein on the method and content of Intention adopts a structure for assessing the text that shows how Anscombe unifies the three aspects of the concept of intention considers the influence and implications of the piece whilst distinguishing it from subsequent work in the philosophy of action Ideal for anyone wanting to understand and gain a perspective on Elizabeth Anscombe’s seminal work, this guide is an essential introduction, useful in the study of the philosophy of action, ethics, philosophy of psychology and related areas.Comment: Wiseman's guidebook is essential reading for a course directly on Anscombe's work and chapters or sections could be set alongside pieces by Anscombe. Early chapters could also be set for First Year introductory readings on Anscombe's approach to the philosophy of action and her place in the history of philosophy.
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Added by: Lea CantorAbstract:
Since Zhuangzi laments the human obsesssion with being right, he would be highly amused at the scholarly obsession with being right on the meaning of his text, especially on the matter of whether he ultimately believed in a right versus wrong. The fact is that he invites our obsession by raising the question and then refusing to answer it. In chapter two, we are invited to take a stance above the debating Confucians and Mohists. What one shis 是 the other feis 非 (what is 'right' for one is 'not right' for the other); what one feis the other shis. Argument is powerless to declare a victor. Zhuangzi asks, "Are there really shi and fei, or really no shi and fei?".
Comment: This remains one of the best and most accessible articles on the philosophy of the classical Daoist text Zhuangzi. It offers one of the clearest accounts in anglophone literature of the text's sceptical stance, highlighting the ethical and political stakes of disputes (including among Confucian and Mohist philosophers) to which the Zhuangzi refers in different parts of the text. The article does not presuppose any knowledge of classical Chinese, of the Zhuangzi, or of Chinese philosophy. The article makes a strong case for reading the Zhuangzi as displaying a sophisticated sceptical stance, the character of which will be of interest to anyone interested in scepticism quite generally (both ancient and modern). The article might be easily integrated into a general course on scepticism, the history of philosophy, classical Chinese philosophy, and/or Daoist philosophy.
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, Contributed by: Tammo LossauAbstract:
As a species, we have long been both settled and mobile, with some of us rooted in place and others more migratory. Mobility is not a new feature of human life; however, contemporary forms of mobility diminish geographical, cultural, and ecological rootedness and bring together people with many diverse ways of life. This cultural interchange offers both challenges and opportunities: challenges as people encounter unfamiliar contexts and navigate values and perspectives that differ radically from their own; and opportunities as new perspectives can generate new insights and possibilities for living well together. Along with this cultural exchange, there are significant pressures to reach common moral understanding on issues such as climate change, migration, humanitarian intervention, and responses to poverty. Global discourse is no longer governed exclusively by international political realism, and moral reasons are frequently invoked in international debates. In light of these contexts, many believe that we should view the world as a single moral community—we should be cosmopolitans—but precisely what this entails remains subject to debate. Do the Confucian Analects and the early Daoist text, the Zhuangzi, offer resources relevant to the contexts just described and to understanding what forms contemporary cosmopolitanism might take? The first, theoretical/textual portion of this chapter answers affirmatively, showing how insights can be gleaned from both traditions and how these insights complement one another. The Analects illustrates the importance of certain forms of rootedness and con nection for moral personhood, suggesting that cosmopolitanism needs to make space for sustained relations and take seriously the significance of culture. On the other hand, the Zhuangzi cautions against fixating too strongly on a single outlook and casts doubt on claims of a single, uniquely correct moral point of view. The second part of the chapter considers the relevance of these perspec tives for contemporary debates over cosmopolitanism and human rights. There we critique approaches that place too much weight on a universal moral minimum and show how both Confucian and Zhuangian insights may inform a genuinely multicultural cosmopolitanism.Comment: Good elaboration on the political implications of teh Zhuangzi. This text can be placed alongside Confucian writings on politics and ethics, to bring out the rivaling Daoist view. It could also be used in a course that covers muticulturalism as an idea.