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Spaulding, Shannon. Imagination, Desire, and Rationality
2015, Journal of Philosophy 112 (9):457-476 (2015)
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Added by: Andrea Blomqvist
Abstract: We often have affective responses to fictional events. We feel afraid for Desdemona when Othello approaches her in a murderous rage. We feel disgust toward Iago for orchestrating this tragic event. What mental architecture could explain these affective responses? In this paper I consider the claim that the best explanation of our affective responses to fiction involves imaginative desires. Some theorists argue that accounts that do not invoke imaginative desires imply that consumers of fiction have irrational desires. I argue that there are serious worries about imaginative desires that warrant skepticism about the adequacy of the account. Moreover, it is quite difficult to articulate general principles of rationality for desires, and even according to the most plausible of these possible principles, desires about fiction are not irrational.

Comment: This would function well as a required reading in a week on why we have emotional reactions to fiction, probably in a course for senior undergraduate students. It is suitable for a philosophy of fiction module.

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Spaulding, Shannon. Simulation Theory
2016, In Amy Kind (ed.), Handbook of Imagination. Routledge Press. pp. 262-273.
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Added by: Andrea Blomqvist
Abstract: In this chapter, I discuss three aspects of the ST: the concept of simulation, high level simulation, and low level simulation. In the next section, I argue for a more precise characterization of the concept of simulation. In sections 3 and 4, I discuss high level simulation and lowI level simulations, which are quite different in some respects.

Comment: This article introduces the reader to Simulation Theory, and would be a good substitute on for any introductory text by Goldman. It would be suitable in any module on social cognition for any year.

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Stock, Kathleen. Fantasy, imagination, and film
2009, British Journal of Aesthetics 49 (4):357-369.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Abstract: In his article 'Fantasy, Imagination and the Screen' , Roger Scruton offers an account of fantasy, arguing that it is directed away from reality in some important sense, and that cinema is its natural representational medium. I address certain problems with Scruton's basic account, thereby producing a signifi cantly amended version, though one that owes a great debt to his. I explain why, as he says, much fantasy is signifi cantly directed away from reality; and conclude with some brief remarks about.

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Stock, Kathleen. Only imagine: fiction, interpretation and imagination
2017, Oxford: Oxford University Press
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Added by: Andrea Blomqvist
Abstract: In the first half of this book, I offer a theory of fictional content or, as it is sometimes known, 'fictional truth'.The theory of fictional content I argue for is 'extreme intentionalism'. The basic idea - very roughly, in ways which are made precise in the book - is that the fictional content of a particular text is equivalent to exactly what the author of the text intended the reader to imagine. The second half of the book is concerned with showing how extreme intentionalism and the lessons learnt from it can illuminate cognate questions in the philosophy of fiction and imagination. For instance, I argue, my position helps us to explain how fiction can provide us with reliable testimony; it helps explain the phenomenon of imaginative resistance; and it fits with, and so supports, a persuasive theory of the nature of fiction itself. In my final chapter, I show how attending to intentionalist practices of interpreting fictional content can illuminate the nature of propositional imagining itself.

Comment: This book would be good to read chapter by chapter in a module which focussed exclusively on it, perhaps with supplemantary readings which relate to the topic of each chapter. It would be a good for a third year module.

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Stock, Kathleen. Resisting Imaginative Resistance
2005, Philosophical Quarterly 55: 607-24.
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Added by: Andrea Blomqvist
Abstract: Recently, philosophers have identified certain fictional propositions with which one does not imaginatively engage, even where one is transparently intended by their authors to do so. One approach to explaining this categorizes it as 'resistance', that is, as deliberate failure to imagine that the relevant propositions are true; the phenomenon has become generally known (misleadingly) as 'the puzzle of imaginative resistance'. I argue that this identification is incorrect, and I dismiss several other explanations. I then propose a better one, that in central cases of imaginative failure, the basis for the failure is the contingent incomprehensibility of the relevant propositions.

Comment: The literature on imaginative resistance is a vast one in philosophy of fiction. This gives one response to the problem, and would be a useful text for students to have paired with Gendler's original paper on imaginative resistance.

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