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Added by: Tomasz Zyglewicz, Shannon Brick, Michael Greer
Introduction: The paucity of literature on the black woman is outrageous on its face. But we must also contend with the fact that too many of these rare studies must claim as their signal achievement the reinforcement of fictitious cliches. They have given credence to grossly distorted categories through which the black woman continues to be perceived.Davis, Nancy. Contemporary deontology1993, In Peter Singer (ed.), A Companion to Ethics. John Wiley & Sons.-
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Added by: Clotilde Torregrossa, Contributed by: Simon Fokt
Abstract: Many people profess to believe that acting morally, or as we ought to act, involves the self-conscious acceptance of some (quite specific) constraints or rules that place limits both on the pursuit of our own interests and on our pursuit of the general good. Though these people do not regard the furtherance of our own interests or the pursuit of the general good as ignoble ends, or ones that we are morally required to eschew, they believe that neither can be regarded as providing us with morally sufficient reason to take action. Those who hold such a view believe that there are certain sorts of acts that are wrong in themselves, and thus morally unacceptable means to the pursuit of any ends, even ends that are morally admirable, or morally obligatory. (How strong the prohibition is against performing such acts is a matter that will be taken up later.) Philosophers call such ethical views 'deontological' (from the Greek deon , 'duty'), and contrast them to views that are 'teleological' in structure (from telos , Greek for 'goal'). Those who hold teleological views reject the view that there are special kinds of acts that are right or wrong in themselves. For teleologists, the rightness or wrongness of our acts is determined by a comparative assessment of their consequences. [...] The focus of this essay is on deontological theories.Comment:
Dawn M Wilson. Facing the Camera: Self-portraits of Photographers as Artists2012, The Journal of Aesthetics and Art Criticism 70(1): 56-66.-
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Added by: Hans Maes
Introduction: Self-portrait photography presents an elucidatory range of cases for investigating the relationship between automatism and artistic agency in photography - a relationship that is seen as a problem in the philosophy of art. I discuss self-portraits by photographers who examine and portray their own identities as artists working in the medium of photography. I argue that the automatism inherent in the production of a photograph has made it possible for artists to extend the tradition of self-portraiture in a way that is radically different from previous visual arts.In Section I, I explain why self-portraiture offers a way to address the apparent conflict between automatism and agency that is debated in the philosophy of art. In Section II, I explain why mirrors play an important function in the production of a traditional self-portrait. In Sections III and IV, I discuss how photographers may create self-portraits with and without the use of mirrors to show how photography offers unique and important new forms of self-portraiture.Comment: Argues that the automatism inherent in the production of a photograph has made it possible for artists to extend the tradition of self-portraiture in a way that is radically different from previous visual arts. Demonstrates that automatism need not stand in competition or conflict with artistic agency.
Artworks to use with this text:
Ilse Bing, Self-portrait with Leica (1931)
It is usual for portraits to show a person's head either in profile or in a frontal position, but this self-portrait shows both alternatives simultaneously. It also depicts the presence of two mirrors in such a way that we are in a position to judge that the camera has recorded its own reflection. Thus, we see both the face of the artist and the "face" of the camera: it is a double self-portrait. Argues that the automatism inherent in the production of a photograph has made it possible for artists to extend the tradition of self-portraiture in a way that is radically different from previous visual arts. Demonstrates that automatism need not stand in competition or conflict with artistic agency.
Artworks to use with this text:
Ilse Bing, Self-portrait with Leica (1931)
It is usual for portraits to show a person's head either in profile or in a frontal position, but this self-portrait shows both alternatives simultaneously. It also depicts the presence of two mirrors in such a way that we are in a position to judge that the camera has recorded its own reflection. Thus, we see both the face of the artist and the "face" of the camera: it is a double self-portrait.
De Cruz, Helen. The Enduring Appeal of Natural Theological Arguments2014, Philosophy Compass 9/2: 145-153.-
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Added by: Jamie Collin
Abstract: Natural theology is the branch of theology and philosophy that attempts to gain knowledge of God through non-revealed sources. In a narrower sense, natural theology is the discipline that presents rational arguments for the existence of God. Given that these arguments rarely directly persuade those who are not convinced by their conclusions, why do they enjoy an enduring appeal? This article examines two reasons for the continuing popularity of natural theological arguments: (i) they appeal to intuitions that humans robustly hold and that emerge early in cognitive development; (ii) they serve an argumen- tative function by presenting particular religious views as live options. I conclude with observations on the role of natural theology in contemporary analytic philosophy of religion.Comment: This would be useful in a course on philosophy or religion, metaphysics (where arguments for and against the existence of God are being considered), epistemology or religious epistemology. The paper is clear and non-technical. It does not provide arguments for or against the existence of God but considers the debate as a whole. It may then be useful for scene-setting, or for placing previously considered arguments in their context.
de Haan, Sanneke. An Enactive Approach to Psychiatry2020, Philosophy, Psychiatry, and Psychology 27 (1), pp. 3-25-
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Added by: Maria Jimena Clavel VazquezAbstract:
This article addresses the integration problem in psychiatry: the explanatory problem of integrating such heterogeneous factors as cause or contribute to the problems at hand, ranging from traumatic experiences, dysfunctional neurotransmitters, existential worries, economic deprivation, social exclusion, and genetics. In practice, many mental health professionals work holistically in a pragmatic and eclectic way. Such pragmatic approaches often function well enough. Yet an overarching framework provides orientation, treatment rationale, a shared language for communication with all those involved, and the means to explain treatment decisions to health insurers and to society at large. It also helps to relate findings from different areas and types of research. In this article, I introduce an enactive framework that supports holistic psychiatric practice by offering an integrating account of how the diverse aspects of psychiatric disorders relate. The article starts with a short overview both of the four main dimensions of psychiatric disorders and of the currently available models. I then introduce enactivism and the enactive notion of sense-making. Subsequently, I discuss how this enactive outlook helps explicate the relation between the four dimensions and what that implies regarding the causality involved. The article concludes with an overview of treatment implications.Comment:
available in this Blueprint
De Jaegher, Hanne. Loving and knowing: reflections for an engaged epistemology2019, Phenomenology and the Cognitive Sciences 20(5), pp. 847-870-
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Added by: Maria Jimena Clavel VazquezAbstract:
In search of our highest capacities, cognitive scientists aim to explain things like mathematics, language, and planning. But are these really our most sophisticated forms of knowing? In this paper, I point to a different pinnacle of cognition. Our most sophisticated human knowing, I think, lies in how we engage with each other, in our relating. Cognitive science and philosophy of mind have largely ignored the ways of knowing at play here. At the same time, the emphasis on discrete, rational knowing to the detriment of engaged, human knowing pervades societal practices and institutions, often with harmful effects on people and their relations. There are many reasons why we need a new, engaged - or even engaging - epistemology of human knowing. The enactive theory of participatory sense-making takes steps towards this, but it needs deepening. Kym Maclaren's idea of letting be invites such a deepening. Characterizing knowing as a relationship of letting be provides a nuanced way to deal with the tensions between the knower's being and the being of the known, as they meet in the process of knowing-and-being-known. This meeting of knower and known is not easy to understand. However, there is a mode of relating in which we know it well, and that is: in loving relationships. I propose to look at human knowing through the lens of loving. We then see that both knowing and loving are existential, dialectic ways in which concrete and particular beings engage with each other.Comment:
available in this Blueprint
De Jaegher, Hanne, Ezequiel Di Paolo. Participatory sense-making: An enactive approach to social cognition2007, Phenomenology and the Cognitive Sciences, 6(4), pp. 485-507-
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Added by: Maria Jimena Clavel VazquezAbstract:
As yet, there is no enactive account of social cognition. This paper extends the enactive concept of sense-making into the social domain. It takes as its departure point the process of interaction between individuals in a social encounter. It is a well-established finding that individuals can and generally do coordinate their movements and utterances in such situations. We argue that the interaction process can take on a form of autonomy. This allows us to reframe the problem of social cognition as that of how meaning is generated and transformed in the interplay between the unfolding interaction process and the individuals engaged in it. The notion of sense-making in this realm becomes participatory sense-making. The onus of social understanding thus moves away from strictly the individual only.Comment:
available in this Blueprint
De Pizan, Christine. The Book of the City of Ladies1999, Penguin Classics; New Ed edition-
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Added by: Clotilde Torregrossa, Contributed by: Kathleen Gill (kagill@stcloudstate.edu)
Publisher's Note: Christine de Pizan (c.1364-1430) was France's first professional woman of letters. Her pioneering Book of the City of Ladies begins when, feeling frustrated and miserable after reading a male writer's tirade against women, Christine has a dreamlike vision where three virtues - Reason, Rectitude and Justice - appear to correct this view. They instruct her to build an allegorical city in which womankind can be defended against slander, its walls and towers constructed from examples of female achievement both from her own day and the past: ranging from warriors, inventors and scholars to prophetesses, artists and saints. Christine de Pizan's spirited defence of her sex was unique for its direct confrontation of the misogyny of her day, and offers a telling insight into the position of women in medieval culture.THE CITY OF LADIES provides positive images of women, ranging from warriors and inventors, scholars to prophetesses, and artists to saints. The book also offers a fascinating insight into the debates and controversies about the position of women in medieval culture.Comment:
De Toffoli, Silvia. Groundwork for a Fallibilist Account of Mathematics2021, The Philosophical Quarterly, 71(4).-
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Added by: Fenner Stanley TanswellAbstract:
According to the received view, genuine mathematical justification derives from proofs. In this article, I challenge this view. First, I sketch a notion of proof that cannot be reduced to deduction from the axioms but rather is tailored to human agents. Secondly, I identify a tension between the received view and mathematical practice. In some cases, cognitively diligent, well-functioning mathematicians go wrong. In these cases, it is plausible to think that proof sets the bar for justification too high. I then propose a fallibilist account of mathematical justification. I show that the main function of mathematical justification is to guarantee that the mathematical community can correct the errors that inevitably arise from our fallible practices.Comment (from this Blueprint): De Toffoli makes a strong case for the importance of mathematical practice in addressing important issues about mathematics. In this paper, she looks at proof and justification, with an emphasis on the fact that mathematicians are fallible. With this in mind, she argues that there are circumstances under which we can have mathematical justification, despite a possibility of being wrong. This paper touches on many cases and questions that will reappear later across the Blueprint, such as collaboration, testimony, computer proofs, and diagrams.
De Toffoli, Silvia, Giardino, Valeria. An Inquiry into the Practice of Proving in Low-Dimensional Topology2015, in From Logic to Practice, Gabriele Lolli, Giorgio Venturi and Marco Panza (eds.). Springer International Publishing.-
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Added by: Fenner Stanley TanswellAbstract:
The aim of this article is to investigate specific aspects connected with visualization in the practice of a mathematical subfield: low-dimensional topology. Through a case study, it will be established that visualization can play an epistemic role. The background assumption is that the consideration of the actual practice of mathematics is relevant to address epistemological issues. It will be shown that in low-dimensional topology, justifications can be based on sequences of pictures. Three theses will be defended. First, the representations used in the practice are an integral part of the mathematical reasoning. As a matter of fact, they convey in a material form the relevant transitions and thus allow experts to draw inferential connections. Second, in low-dimensional topology experts exploit a particular type of manipulative imagination which is connected to intuition of two- and three-dimensional space and motor agency. This imagination allows recognizing the transformations which connect different pictures in an argument. Third, the epistemic—and inferential—actions performed are permissible only within a specific practice: this form of reasoning is subject-matter dependent. Local criteria of validity are established to assure the soundness of representationally heterogeneous arguments in low-dimensional topology.Comment (from this Blueprint): De Toffoli and Giardino look at proof practices in low-dimensional topology, and especially a proof by Rolfsen that relies on epistemic actions on a diagrammatic representation. They make the case that the many diagrams are used to trigger our manipulative imagination to make inferential moves which cannot be reduced to formal statements without loss of intuition.
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Davis, Angela. The Black Woman’s Role in the Community of Slaves
1971, The Bancroft Library
Comment (from this Blueprint): Content warning: Details of cruelties of slavery, sexual assault. In this 1971 text written while incarcerated, Angela Davis makes an argument against the truth of a stereotype of the black enslaved woman. She argues that, contrary to popular belief, the stereotype of a black woman under slavery as the “matriarch” (i.e., dominating the men in their lives and colluding with the white slaver in black people’s oppression) is not true. Instead, she argues, appealing to empirical evidence and marxist theory, that black women’s position in the community of slaves uniquely positioned them to aid in liberation struggles. She argues it is empirically borne out that they in fact were crucial to both explicit and everyday resistance efforts.