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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Abstract: This essay is about the relation between the expression and the arousal of emotion by music. I am assuming that music frequently expresses emotional qualities and qualities of human personality such as sadness, nobility, aggressiveness, tenderness, and serenity. I am also assuming that music frequently affects us emotionally: it evokes or arouses emotions in us. My question is whether there is any connection between these two facts, whether, in particular, music ever expresses emotion by virtue of arousing emotion. Of course, what it means to say that music expresses emotion is a contentious issue and I shall not be directly addressing it here, although what I say will have implications for any theory of musical expression. Nor will I be examining all the possible contexts in which music can be said to arouse emotion. My focus in this essay will be narrower. The question I shall try to answer is this: Are the grounds on which we attribute the expression of emotion to music ever to be identified with the arousal of that same emotion in listeners?Robinson, Jenefer, Ross, Stephanie. Women, Morality, and Fiction1990, Hypatia 5 (2):76-90.-
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Added by: Chris Blake-Turner, Contributed by: Christy Mag Uidhir
Abstract: We apply Carol Gilligan's distinction between a "male" mode of moral reasoning, focussed on justice, and a "female" mode, focussed on caring, to the reading of literature. Martha Nussbaum suggests that certain novels are works of moral philosophy. We argue that what Nussbaum sees as the special ethical contribution of such novels is in fact training in the stereotypically female mode of moral concern. We show this kind of training is appropriate to all readers of these novels, not just to women. Finally, we explore what else is involved in distinctively feminist readings of traditional novelsComment:
Root, Deborah. Fat-Eaters and Aesthetes: The Politics of Display1996, in Cannibal Culture: Art, Appropriation, and the Commodification of Difference. USA: Westview Press.-
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Added by: Erich Hatala Matthes
Summary: Root employs Méxica mythology as a lens for revealing the consumptive, and even cannibalistic, character of power. In particular, she points to the way colonial power sets up Westerners as "experts" and arbiters of art and culture, presenting appreciation of culture as a pretext for violence and control.Comment: This chapter serves as an introduction to Root's booklength study of these themes, so the presentation only gestures at these relationships and provides a brief selection of examples that illustrate them. However, if can be useful for raising initial questions about the relationships among power, art, and culture. It provides a counterpoint to a more sanguine perspective on cross-cultural appreciation expressed by Thomas Heyd in "Rock Art Aesthetics and Cultural Appropriation."
Rudder Baker, Lynne. Is the first-person perspective gendered?2022, In McWeeny, J. and Maitra, K. (eds) Feminist Philosophy of Mind. New York: Oxford University Press, pp. 41-53-
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Added by: Adriana Alcaraz Sanchez and Jodie RussellAbstract:
The notion of gender identity has been characterized as "one's sense of oneself as male, female or transgender." To have a sense of oneself at all, one must have a robust first-person perspective - a capacity to conceive of oneself as oneself in the first person. A robust first-person perspective requires that one have a language complex enough to express thoughts like "I wonder how I am going to die." Since a robust first-person perspective requires that one have a language, and languages embed whole worldviews, the question arises: in learning a language, does the robust first-person perspective itself introduce gender stereotypes? Without denying that we unconsciously acquire attitudes about gender that shape our normative expectations, this chapter argues that one's gender identity is not just attributable to the biases implicit in the language one speaks. So the robust first-person perspective itself is not responsible for which gender-specific attitudes a person acquires.Comment (from this Blueprint): Rudder Baker's chapter on the first-person perspective and gender identity is a great starting place to begin thinking about what it means to experience the world through the lens of gender. Rudder Baker's chapter also poses interesting thought experiements, such as whether a disembodied being would have a gender idetity (she argues "no") or whether it is possible to live in a gender-less society. The chapter also introduces the reader to the necessary conditons by which we might want to say that someone has a gender identity andso is a fruitful springboard for further and deeper discussions about not only gender, but language and personal identity more broadly.
Ruether, Rosemary R.. Symbolic and Social Connections of the Oppression of Women and the Domination of Nature1999, in Adams, C. J. (eds), Ecofeminism and the sacred, New York: Continuum.-
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Added by: Simon FoktAbstract:
Comment: This text offers an introduction to ecofeminism. It discusses the history of associating maleness with culture and femaleness with nature and identifies some of the issues which led to the current ecological crisis. The text has the potential to challenge received views and inspire a lively discussion, and as such it is best used as an introductory text in classes on environmental ethics and on feminist ethics.
Ruetsche,Laura. Interpreting Quantum Theories: The art of the possible2011, Oxford University Press.-
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Added by: Laura Jimenez
Publisher's Note: Traditionally, philosophers of quantum mechanics have addressed exceedingly simple systems: a pair of electrons in an entangled state, or an atom and a cat in Dr. Schrodinger's diabolical device. But recently, much more complicated systems, such as quantum fields and the infinite systems at the thermodynamic limit of quantum statistical mechanics, have attracted, and repaid, philosophical attention. Interpreting Quantum Theories has three entangled aims. The first is to guide those familiar with the philosophy of ordinary QM into the philosophy of 'QM infinity', by presenting accessible introductions to relevant technical notions and the foundational questions they frame. The second aim is to develop and defend answers to some of those questions. Does quantum field theory demand or deserve a particle ontology? How (if at all) are different states of broken symmetry different? And what is the proper role of idealizations in working physics? The third aim is to highlight ties between the foundational investigation of QM infinity and philosophy more broadly construed, in particular by using the interpretive problems discussed to motivate new ways to think about the nature of physical possibility and the problem of scientific realism.Comment: Really interesting book for postgraduate courses involving the study of interpretative theories of Quantum Mechanics. The argument is focused on the quantum theory of systems with infinitely many degrees of freedom. The philosophical approach is defended through careful attention to scientific details.
Russell, Gillian. Logic: A Feminist Approach2020, In Garchar, Kimberly K. and Shew, Melissa M. (Ed.). Philosophy for girls: An invitation to a life of thought, pp. 79-98-
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Added by: Franci MangravitiAbstract:
This chapter asks whether there is any such thing as feminist logic. It defines feminism and logic, and then goes on to present and evaluate four possible views, introducing and critiquing the work of Andrea Nye, Val Plumwood, and Susan Stebbing. It argues that Stebbing’s approach—on which feminism is one among many political applications of logic—is correct, but that feminist logic could do more, by providing a formal framework for the study of social hierarchies, much as it presently provides a formal framework for the study of numbers and similarity rankings among possible worlds.
Comment: Ideal for an intro course to either feminist philosophy or logic, to introduce possible interactions between the fields. More advanced courses (in either direction) might want to adopt G. Russell's "From Anti-Exceptionalism to Feminist Logic" instead, which covers the same topic in a lot more detail.
Russell, Gillian. From Anti-Exceptionalism to Feminist Logic2023, Hypatia, forthcoming-
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Added by: Franci MangravitiAbstract:
Anti-exceptionalists about formal logic think that logic is continuous with the sciences. Many philosophers of science think that there is feminist science. Putting these two things together: can anti-exceptionalism make space for feminist logic? The answer depends on the details of the ways logic is like science and the ways science can be feminist. This paper wades into these details, examines five different approaches, and ultimately argues that anti-exceptionalism makes space for feminist logic in several different ways.
Comment:
available in this Blueprint
Russell, Gillian. Social Spheres: Logic, Ranking, and Subordination2024, In R. Cook and A. Yap (eds.), Feminist Philosophy and Formal Logic. University of Minnesota Press-
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Added by: Franci Mangraviti and Viviane FairbankAbstract:
This paper uses logic - a formal language with models and a consequence relation - to think about the social and political topics of subordination and subordinative speech. I take subordination to be a matter of three things: i) ranking one person or a group of people below others, ii) depriving the lower-ranked of rights, and iii) permitting others to discriminate against them. Subordinative speech is speech - utterances in contexts - which subordinates. Section 1 introduces the topic of subordination using examples from the 1979 novel Kindred by Octavia Butler. Section 2 uses these examples to clarify and illustrate the definitions of subordination and subordinative speech. Sections 3 and 4 then develop a way of modeling subordination using a system of social spheres, an adaptation of (Lewis, 1973)'s approach to modeling the relation of comparative similarity on worlds for counterfactuals. Section 4 looks at three possible applications for this work: giving truth-conditions for social quantifiers, identifying fallacies involving such expressions, and explaining the pragmatics of subordinative speech. The last section anticipates objections and raises further questions.
Comment:
available in this Blueprint
Said, Edward W.. Orientalism1978, Pantheon Books.-
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Added by: Suddha Guharoy and Andreas SorgerPublisher’s Note:
More than three decades after its first publication, Edward Said's groundbreaking critique of the West's historical, cultural, and political perceptions of the East has become a modern classic.
In this wide-ranging, intellectually vigorous study, Said traces the origins of "orientalism" to the centuries-long period during which Europe dominated the Middle and Near East and, from its position of power, defined "the orient" simply as "other than" the occident. This entrenched view continues to dominate western ideas and, because it does not allow the East to represent itself, prevents true understanding. Essential, and still eye-opening, Orientalism remains one of the most important books written about our divided world.Comment (from this Blueprint): Orientalism is a classic text in postcolonial theory which successfully brought out the politics of ‘othering’. It shows how the ‘Orient’ was constructed by delineating it from the supposedly morally, culturally and politically advanced (and superior) ‘Occident’. The book is not so much about the East as much as it is about how the Orient was ‘produced’ by the imperial masters of Europe and America and perceived as the ‘other’ to the rest of the ‘civilized’ world. The author traces and examines various literary and political sources which originated and perpetuated Orientalism. The abstract gives an overview of the argument and introduces the reader to the rest of the book.
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Robinson, Jenefer. The expression and arousal of emotion in music
1994, Journal of Aesthetics and Art Criticism 52 (1):13-22.
Comment: