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Added by: Giada FratantonioSummary: In the debate over the structure of epistemic justification, epistemologists have opposed foundationalism to coherentism. In this paper, the author argues for "Foundherentism".Comment: Great as a further reading in an undergraduate epistemology course on the topic of the structure of the epistemic justification.
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Added by: Giada FratantonioSummary: Survey article on feminist epistemology and its intersection with social epistemology. Includes discussion on topics such as the historical development of feminist epistemology as well as on epistemic injustice and the epistemology of ignorance.Comment: It can be used as introductory/overview reading for a course on feminism, as well as social epistemology.
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Added by: Giada FratantonioSummary: In this well known paper, the author argues that there are no categorical imperatives. In a nutshell, the author's logical outline runs - schematically - as follows: i) imperatives can be either categorical or imperative ii) moral imperatives are not categorical, iii) Therefore, there are hypotetical.Comment: This can be used as main text in an introductory undergraduate course on ethics or meta-ethics.
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Added by: Giada FratantonioSummary: The author presents an argument for disregarding scepticism. Although she does not commit herself to saying that scepticism is false, she argues that it is, not only practicaly, yet epistemologically responsible to assume scepticism to be false.Comment: This can be used as further reading for problematization of skepticism; it focusses on the epistemological problems of scepticism and discusses their practical implications.
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Added by: Giada FratantonioSummary: In this paper, the author addresses the problem of to what provides epistemic justification for taking someone's testimony as true. That is, to what extent testimony provides conveys warrant? More precisely, the author argues, contra C. J. A. Coady, that testimony does not easily provide warrant in most of the cases, yet the whether a testimony conveys warrant is context-sensitive: different levels of warrant are transmitted in different contexts.Comment: This could work as secondary reading for a postgraduate course in epistemology, focusin on the epistemology of testimony.
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Added by: Giada FratantonioSummary: In this paper, the author argues that epistemic justification is explained out by coherentism. Although coherence is not the ground of truth, it is the source of epistemic justification.Comment: This can be used as secondary/further reading for a postgraduate course in epistemology, focusing on the foundationalism/coherentism debate on epistemic justification.
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Added by: Simon Fokt
Abstract: In two essays in the ART/Artifact(1988) exhibition catalog, white American museum curator Susan Vogel and white American philosopher Arthur Danto pronounce that Africans do not distinguish between art and nonart. Although seemingly objective empirical statements, their assertions about Africa and its art are racially based ruminations of a white supremacist worldview. I argue that in theorizing within the category of race they produced racialized aesthetics that commit the Eurocentric fallacy of upholding systemic racist objectives. I argue that (1) their assertions fail to be about African art, but about hegemony and power; (2) as the longest enduring artistic activity of humanity, African art is an important check to racialized aesthetics; (3) art is produced outside the category of race and from a critically conscious awareness of the world; and (4) art bespeaks creativity and presupposes the artistic and moral values of a culture in the manipulation and transformation of physical reality.
Comment: Written in an engaging way, this paper invites the reader to re-evaluate some common assumptions about art from different cultures. Exposing the prevalent Western approach to African art as racialised, it can be a great tool in making students understand both the structural-societal, as well as own biases in approaching other cultures. Ngzewu defends a powerful thesis: that ‘the West’s conception of art and creativity presupposes white racial hegemony.’ She exposes the way in which Western art is tacitly assumed to be a yardstick against which all is measured, and the Westerners have become the ‘purveyors of knowledge’ who apply this yardstick to decide whether works of other cultures are art, all without any need to consult the creators of those works, or to revise own concept of art. As such, the paper can be very empowering to some students, while also being very uncomfortable to others – teaching it might require some skill in leading the discussion in a constructive way. The import of Ngzewu’s argumentis that while racism and white domination rest on the assumption of cognitive and moral superiority of white people, the approach to African art she criticises serves to reinforce this assumption. This can inspire further class discussion on the importance and value of aesthetics. Best used before assigning other texts on non-Western art, which should all be read in light of Ngzewu’s criticism. Written in an engaging way, this paper invites the reader to re-evaluate some common assumptions about art from different cultures. Exposing the prevalent Western approach to African art as racialised, it can be a great tool in making students understand both the structural-societal, as well as own biases in approaching other cultures. Ngzewu defends a powerful thesis: that ‘the West’s conception of art and creativity presupposes white racial hegemony.’ She exposes the way in which Western art is tacitly assumed to be a yardstick against which all is measured, and the Westerners have become the ‘purveyors of knowledge’ who apply this yardstick to decide whether works of other cultures are art, all without any need to consult the creators of those works, or to revise own concept of art. As such, the paper can be very empowering to some students, while also being very uncomfortable to others – teaching it might require some skill in leading the discussion in a constructive way. The import of Ngzewu’s argumentis that while racism and white domination rest on the assumption of cognitive and moral superiority of white people, the approach to African art she criticises serves to reinforce this assumption. This can inspire further class discussion on the importance and value of aesthetics. Best used before assigning other texts on non-Western art, which should all be read in light of Ngzewu’s criticism.
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Added by: Anne-Marie McCallion
Introduction: Is Aristotle inconsistent in the different things he says about προαιρεσις‚ mostly translated "choice", in the different parts of the Ethics? The following seems to be a striking inconsistency. In Book III (113a 4) he says that what is "decided by deliberation" is chosen, but he also often insists that the uncontrolled man, the άκρατης, does not choose to do what he does; that is to say, what he does in doing the kind of thing that he disapproves of, is not what Aristotle will call exer-cising choice; the uncontrolled man does not act from choice, έκ προαιρεσεως, or choosing, προαιρουμενος. However, in Book VI (1142b 18) he mentions the possibility of a calculating uncontrolled man who will get what he arrived at by calculation, έκ τουλογισμου ΤΕΥΞΕΤΑΙ, and so will have deliberated correctly: òρθως έσται βεβουλευμενος . Thus we have the three theses: (a) choice is what is determined by deliberation; (b) what the uncontrolled man does qua uncontrolled, he does not choose to do; (c) the uncontrolled man, even when acting against his convictions, does on occasion determine what to do by deliberation.
Comment: This text offers an in depth analysis of Aristotle’s account of choice and practical reasoning. This text would be suitable for advanced courses on Aristotle’s ethics or virtue ethics more broadly. It requires a good quantity of knowledge on Aristotle’s philosophy in order to be appropriately accessible and as such is recommended for postgraduate or advanced undergraduate students.
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Added by: Anne-Marie McCallion
Introduction: The history of Analytic Philosophy we are familiar with is a story about men. It begins with Frege, Russell, Moore. Wittgenstein appears twice, once as the author of the Tractatus and then again later as the author of the Philosophical Investigations. Between Wittgenstein’s first and second appearance are Carnap and Ayer and the all-male Vienna Circle. Then come the post-second-world war Ordinary Language Philosophers – Ryle, and Austin. After that Strawson and Grice, Quine and Davidson.
The male dominance is not just in the names of the ‘star’ players. Michael Beaney’s 2013 Oxford Handbook of the History of Analytic Philosophy begins by listing the 150 most important analytic philosophers. 146 of them are men. For women who wish to join in this conversation, the odds seem formidably against one.
Today we will be speaking about two of the four women who warrant an entry in Beaney’s list – Elizabeth Anscombe and Philippa Foot. We will be talking about them alongside two other women Iris Murdoch and Mary Midgley. We think they should also be in the top 150, but our broader aims are more ambitious than increasing the proportion of important women from 2.7% to 4%.
Comment: This text offers a very accessible introduction to the work of the Wartime Quartet as well as a biographical and historical overview of their philosophical school status. It would be suitable for history of philosophy courses – especially those which emphasise or centre upon 20th century analytic philosophy. This text will also be essential for students who wish to set-up an In Parenthesis reading group, please see here for more information: http://www.womeninparenthesis.co.uk/curated-resources/for-students/new-undergraduate-reading-list/#intro
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Added by: Anne-Marie McCallion and Giada Fratantonio
Introduction: Descartes and St Augustine share not only the argument Cogtto ergo sum - in Augustine Si fallor, sum (De Civitate Dei, XI, 26) - but also the corollary argument claiming to prove that the mind (Augustine) or, as Descartes puts it, this I, is not any kind of body. "I could suppose I had no body," wrote Descartes, "but not that I was not", and inferred that "this I" is not a body. Augustine says "The mind knows itself to think", and "it knows its own substance": hence "it is certain of being that alone, which alone it is certain of being" (De Trinitate, Book XI. Augustine is not here explicitly offering an argument in the first person, as Descartes is. The first-person character of Descartes' argument means that each person must administer it to himself in the first person; and the assent to St Augustine's various propositions will equally be made, if at all, by appropriating them in the first person. In these writers there is the assumption that when one says "I" or "the mind", one is naming something such that the knowledge of its existence, which is a knowledge of itself as thinking in all the various modes, determines what it is that is known to exist.
Comment: This text is best suited to more advanced readers. Anscombe shows that ‘I’ is not a referring expression by taking the arguments to this effect to their logical conclusions, thus demonstrating their absurdity. She then moves on, in light of this, to explore the relationship between our command of the first person and self-consciousness - thus demonstrating the pragmatic role of ‘I’. The text is quite dense and some knowledge of arguments to the effect that ‘I’ is a referring expression (as well as the common issues with these) is required. This text would be suitable for advanced courses on the philosophy of language, philosophy of mind or 20th century analytic philosophy.