Diversity Reading List

Abstract: This article presents a Kantian alternative to the mainstream approach in ethics concerning the phenomena that are widely thought to require a category of the supererogatory. My view is that the phenomena do not require this category of imperfect duties. Elsewhere I have written on Kant on this topic; here I shift my focus away from interpretive issues and consider the pros and cons of the Kantian approach. What background assumptions would lean one to favour the Kantian approach and what sorts would lean one to favour the mainstream approach? I also consider the possibility that in institutional contexts, there is a need for the category of the supererogatory. Here, it seems, we do need to know what we really have to do and what is beyond the call of duty; in this context, however, duty is not the Kantian moral notion, but rather is pegged to particular roles, or to the needs of the institution or group or club of which one is a member. But even here, I argue, the notion of the supererogatory is not crucial.

Publisher's Note: The emphasis on duly in Kant's ethics is widely held to constitute a defect. Marcia W. Baron develops and assesses the criticism, which she sees as comprising two objections: that duty plays too large a role, leaving no room for the supererogatory, and that Kant places too much value on acting from duty. Clearly written and cogently argued, Kantian Ethics Almost without Apology takes on the most philosophically intriguing objections to Kant's ethics and subjects them to a rigorous yet sympathetic assessment.

Abstract:

Historically, almost all psychological theories of emotion have proposed that emotional reactions are constituted by the body in some fashion, but those theories utilized a common metaphor that the body and mind are separate and independent forces in an emotional episode. Current embodiment theories of the mind challenge this assumption, however, by suggesting that the body helps to constitute the mind in shaping an emotional response. We briefly review new theories of embodied cognition in light of accumulating findings from emotion research, to lay the foundation for novel hypotheses about how the conceptual system for emotion is constituted and used. Finally, we discuss how an embodied perspective can help to usher in a paradigm shift in scientific approaches to what emotions are and how they work

Abstract: This chapter is based on the talk that I gave in August 2018 at the ICM in Rio de Janeiro at the panel on The Gender Gap in Mathematical and Natural Sciences from a Historical Perspective. It provides some examples of the challenges and prejudices faced by women mathematicians during last two hundred and fifty years. I make no claim for completeness but hope that the examples will help to shed light on some of the problems many women mathematicians still face today.

Publisher’s Note: Bartky draws on the experience of daily life to unmask the many disguises by which intimations of inferiority are visited upon women. She critiques both the male bias of current theory and the debilitating dominion held by notions of "proper femininity" over women and their bodies in patriarchal culture.

Abstract: The chapter addresses the philosophical issues raised by the use of hypothetical modeling in the social sciences. Hypothetical modeling involves the construction and analysis of simple hypothetical systems to represent complex social phenomena for the purpose of understanding those social phenomena. To highlight its main features hypothetical modeling is compared both to laboratory experimentation and to computer simulation. In analogy with laboratory experiments, hypothetical models can be conceived of as scientific representations that attempt to isolate, theoretically, the working of causal mechanisms or capacities from disturbing factors. However, unlike experiments, hypothetical models need to deal with the epistemic uncertainty due to the inevitable presence of unrealistic assumptions introduced for purposes of analytical tractability. Computer simulations have been claimed to be able to overcome some of the strictures of analytical tractability. Still they differ from hypothetical models in how they derive conclusions and in the kind of understanding they provide. The inevitable presence of unrealistic assumptions makes the legitimacy of the use of hypothetical modeling to learn about the world a particularly pressing problem in the social sciences. A review of the contemporary philosophical debate shows that there is still little agreement on what social scientific models are and what they are for. This suggests that there might not be a single answer to the question of what is the epistemic value of hypothetical models in the social sciences.

Abstract: I argue in this essay that there is an epistemic analogue of moral self-indulgence. Section 1 analyzes Aristotle's notion of moral temperance, and its corresponding vices of self-indulgence and insensibility. Section 2 uses Aristotle's notion of moral self-indulgence as a model for epistemic self-indulgence. I argue that one is epistemically self-indulgent only if one either: (ESI1) desires, consumes, and enjoys appropriate and inappropriate epistemic objects; or (ESI2) desires, consumes, and enjoys epistemic objects at appropriate and inappropriate times; or (ESI3) desires and enjoys epistemic objects too frequently, or to an inappropriately high degree, or consumes too much of them. We need not look far to locate the epistemically self-indulgent: philosophers, especially skeptics, are likely candidates.

Abstract: Aristotelian virtue theorists have emphasized the role of the self in developing virtue and in rehabilitating vice. But this article argues that, as Aristotelians, we have placed too much emphasis on self-cultivation and self-reform. Self-cultivation is not required for developing virtue or vice. Nor will sophia-inspired self-reform jumpstart change in the vicious person. In each case, the external environment has an important role to play. One can unwittingly acquire virtues or vices from one's environment. Likewise, a well-designed environment may be the key ingredient for jumpstarting change in the vicious person. Self-cultivation and late-stage self-reform are not ruled out, but the role of the self in character development and rehabilitation is not as exalted as we might have thought.

Abstract: What are the qualities of an excellent thinker? A growing new field, virtue epistemology, answers this question. Section I distinguishes virtue epistemology from belief-based epistemology. Section II explains the two primary accounts of intellectual virtue: virtue-reliabilism and virtue-responsibilism. Virtue-reliabilists claim that the virtues are stable reliable faculties, like vision. Virtue-responsibilists claim that they are acquired character traits, like open-mindedness. Section III evaluates progress and problems with respect to three key projects: explaining low-grade knowledge, high-grade knowledge, and the individual intellectual virtues.

Publisher's Note: During the Middle Ages and the Renaissance, women were blamed for having too much passion, imagination and sexual appetite. By the late eighteenth century, however, these qualities had been revalued and appropriated for male artists. The virtues attributed to the Romantic"genius" made him like a woman but not a woman. He belonged to a third, supermale sex. As new and old concepts of woman and genius clashed, there evolved a rhetoric of sexual apartheid which today still affects our perceptions of cultural achievement. Genius from the time of the Greeks has been defined as male. In this study, Christine Battersby traces the history of the concept of genius from ancient Rome to the present day, showing how pagan myths linking divinity with male procreativity have survived into our own time. The author explores the dilemma faced by female creators who have resisted the idea that Art requires "feminine" qualities of mind but male sexual energies. GENDER AND GENIUS argues, against those currently seeking to establish an aesthetics of the "feminine," that a feminist aesthetics must look to the achievements of women artists in the past as well as in the present.