hooks, bell. Art on My Mind: Visual Politics
1995, The New Press
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Added by: Quentin Pharr and Clotilde TorregrossaPublisher’s Note:
In Art on My Mind, bell hooks, a leading cultural critic, responds to the ongoing dialogues about producing, exhibiting, and criticizing art and aesthetics in an art world increasingly concerned with identity politics. Always concerned with the liberatory black struggle, hooks positions her writings on visual politics within the ever-present question of how art can be an empowering and revolutionary force within the black community.Comment (from this Blueprint): How we "consume" and why we "consume" certain aesthetic objects, as well as value them, is under critical scrutiny in this selection from hooks. She is particularly worried about conceptions and the consumption of what is beautiful when both are heavily influenced by negative social environments, such as pre-established standards based on classist, sexist, or racist power structures. She is also concerned with pointing out that, when we abide by certain power structures in what we consider beautiful objects and worthy of consumption, we often miss out on a great deal of beautiful things which are right before our eyes in everyday circumstances. In light of her discussion, we would do well to think about what might be influencing our conceptions of what is beautiful and how and why we consume beauty as we do.
Hovey, Jaime. Picturing Yourself: Portraits, Self-Consciousness, and Modernist Style
2006, in: A Thousand Words. Portraiture, Style, and Queer Modernism, Columbus: Ohio State University Press.
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Added by: Hans MaesSummary: Focuses on the modernist literary portrait in general and on Wilde's novel in particular. Also contains multiple references to painted portraits. Argues that queer modernist portraits concentrate on dynamic aspects of style and personality, presenting both the sitter's style and personality and the personality of the artist who renders her. Explores how style becomes another vehicle where a dangerous homosociality can be reduced into a manifestation of the merely particular (and vice versa).Comment: Useful in discussing portraiture, as well as depiction and representation in general.
Artworks to use with this text:
Oscar Wilde, The Picture of Dorian Gray (1890)
Cleverly framed as a story about a portrait within a portrait, and written by Wilde in part to demonstrate to his artistic nemesis James McNeil Whistler the superiority of writing to painting, Dorian serves to illustrate the central thesis of Hovey's study. Interweaves reflections on Wilde's personal style, his style as an author, the style of the painter and of the painting, the style of the characters in the book, and queer modernist style in general. Useful in discussing portraiture, as well as depiction and representation in general.
Artworks to use with this text:
Oscar Wilde, The Picture of Dorian Gray (1890)
Cleverly framed as a story about a portrait within a portrait, and written by Wilde in part to demonstrate to his artistic nemesis James McNeil Whistler the superiority of writing to painting, Dorian serves to illustrate the central thesis of Hovey's study. Interweaves reflections on Wilde's personal style, his style as an author, the style of the painter and of the painting, the style of the characters in the book, and queer modernist style in general.
Hrdy, Sarah Blaffer. Empathy, Polyandry, and the Myth of the Coy Female
1986, In Feminist Approaches to Science, Ruth Bleier, (ed.), New York: Pergamon.
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Added by: Benny GoldbergIntroduction: For over three decades, a handful of partially true assumptions were permitted to shape the construction of general evolutionary theories about sexual selection. These theories of sexual selection presupposed the existence of a highly discriminating, exually 'coy' female who was courted by sexually undiscriminating males. Work by female primatologists undermined these assumptions.Comment: This is an essential paper for any courses in standpoint epistemology, feminist philosophy of science, or general philosophy of science.
Hungerland, Isabel C.. The Logic of Aesthetic Concepts
1962, Proceedings and Addresses of the American Philosophical Association 36: 43 - 66.
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Added by: Chris Blake-Turner, Contributed by: Christy Mag UidhirIntroduction: There are two sorts of descriptions, or accounts, that we can give of works of art or of anything else that makes up our world of relatively stable objects. I can describe a painting, a chair, a mountain, or a man in terms of colors, shapes, spatial relation of parts, and so on. I can also describe the same four objects by talking about the dynamic ten sions of the first, or its lack of visual balance; the grace and elegance of the second; the gloominess or majesty of the third; and the trimness or gawkiness of the fourth. The first sort of description, or account, may answer a wide variety of general purposes, central among them that of identifying particular objects. A museum curator might so describe a painting for future reference in identifying the particular work of one painter; an auctioneer identifies pieces of furniture by such descriptions; a map-maker, a mountain; and a police department, a Man Wanted. The second sort of account of the same objects could not usefully serve such purposes. The second sort, usually if not always, is found in the context of the evaluating of objects. "This is a fine Sheraton chair-it is graceful, but sturdy." Here, relevant reasons are furnished for an aesthe tic rating of an object, and the first sort of description does not, and could not, serve this function
Hurd, Heidi. The Moral Magic of Consent
1996, Legal Theory 2(2): 121-146.
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Added by: Carl FoxAbstract: We regularly wield powers that, upon close scrutiny, appear remarkably magical. By sheer exercise of will, we bring into existence things that have never existed before. With but a nod, we effect the disappearance of things that have long served as barriers to the actions of others. And, by mere resolve, we generate things that pose significant obstacles to others' exercise of liberty. What is the nature of these things that we create and destroy by our mere decision to do so? The answer: the rights and obligations of others. And by what seemingly magical means do we alter these rights and obligations? By making promises and issuing or revoking consent When we make promises, we generate obligations for ourselves, and when we give consent, we create rights for others. Since the rights and obligations that are affected by means of promising and consenting largely define the boundaries of permissible action, our exercise of these seemingly magical powers can significantly affect the lives and liberties of othersComment: Good introduction to the topic of consent as it makes clear both how strange it is as a power and how pervasive it is in our moral practices. Goes on to provide an interesting argument for consent as a subjective mental state and offers an account of what that might be. Could support a lecture or seminar on consent, or would make good further reading if the topic is only touched on briefly.
Hurley, Susan. Luck and Equality
2001, Proceedings of the Aristotelian Society Supplementary Volume 75: 51-72.
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Added by: Simon FoktAbstract: I argue that the aim to neutralize the influence of luck on distribution cannot provide a basis for egalitarianism: it can neither specify nor justify an egalitarian distribution. Luck and responsibility can play a role in determining what justice requires to be redistributed, but from this we cannot derive how to distribute: we cannot derive a pattern of distribution from the 'currency' of distributive justice. I argue that the contrary view faces a dilemma, according to whether it understands luck in interpersonal or counterfactual terms.Comment: Useful as further reading on distributive justice, especially in connection to Ronald Dworkin's resource-egalitarian theory and Gerald Cohen's egalitarianism.
Hurley, Susan. Varieties of Externalism
2010, in The Extended Mind, ed. Richard Menary, MIT Press. 101-153.
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Added by: Nick NovelliAbstract: Externalism comes in varieties. While the landscape isn't tidy, I offer an organizing framework within which many of the forms it has taken (though perhaps not all) can be located. This taxonomy should be useful in itself. I'll also use it to survey and compare arguments for different kinds of externalism, while probing related intuitions.Comment: This paper offers a comprehensive taxonomy of types of externalism about mental states. It assumes some background knowledge of philosophy of mind and language, including a lot of the vocabulary of debates about content, but remains one of the easiest introductions to the positions in the debate between internalism and extended mind theory.
Hurley, Susan. Consciousness in Action
1998, Harvard University Press.
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Added by: Nick NovelliPublisher's Note: In this important book, Susan Hurley sheds new light on consciousness by examining its relationships to action from various angles. She assesses the role of agency in the unity of a conscious perspective, and argues that perception and action are more deeply interdependent than we usually assume. A standard view conceives perception as input from world to mind and action as output from mind to world, with the serious business of thought in between. Hurley criticizes this picture, and considers how the interdependence of perceptual experience and agency at the personal level (of mental contents and norms) may emerge from the subpersonal level (of underlying causal processes and complex dynamic feedback systems). Her two-level view has wide implications, for topics that include self-consciousness, the modularity of mind, and the relations of mind to world. The self no longer lurks hidden somewhere between perceptual input and behavioral output, but reappears out in the open, embodied and embedded in its environment. Hurley traces these themes from Kantian and Wittgensteinian arguments through to intriguing recent work in neuropsychology and in dynamic systems approaches to the mind, providing a bridge from mainstream philosophy to work in other disciplines. Consciousness in Action is unique in the range of philosophical and scientific work it draws on, and in the deep criticism it offers of centuries-old habits of thought.Comment: This book provides an interesting challenge to some standard assumptions about consciousness, action, and perception. The chapters are relatively self-contained, and can be read separately. The appendix of argument outlines is helpful as an aid to comprehension, and could serve as a valuable teaching tool in its own right.
Hurley, Susan. Perception and Action: Alternative Views
2001, Synthese 129(1): 3-40
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Added by: Nick NovelliAbstract: A traditional view of perception and action makes two assumptions: that the causal flow between perception and action is primarily linear or one-way, and that they are merely instrumentally related to each other, so that each is a means to the other. Either or both of these assumptions can be rejected. Behaviorism rejects the instrumental but not the one-way aspect of the traditional view, thus leaving itself open to charges of verificationism. Ecological views reject the one-way aspect but not the instrumental aspect of the traditional view, so that perception and action are seen as instrumentally interdependent. It is argued here that a better alternative is to reject both assumptions, resulting in a two-level interdependence view in which perception and action co-depend on dynamically circular subpersonal relations and as a result may be more than merely instrumentally interdependent. This is illustrated by reference to motor theories of perception and control theories of action.Comment: A great introduction to motor theories of perception and a great challenge to the traditional view of the senses and actions. Would be a useful source in any examination of philosophy of perception.
Hurley, Susan. Animal Action in the Space of Reasons
2003, Mind and Language 18(3): 231-256.
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Added by: Nick NovelliAbstract: I defend the view that we should not overintellectualize the mind. Nonhuman animals can occupy islands of practical rationality: they can have contextbound reasons for action even though they lack full conceptual abilities. Holism and the possibility of mistake are required for such reasons to be the agent's reasons, but these requirements can be met in the absence of inferential promiscuity. Empirical work with animals is used to illustrate the possibility that reasons for action could be bound to symbolic or social contexts, and connections are made to simulationist accounts of cognitive skills.Comment: An excellent argument in favour of a less-intellectual criteria for reason-having. The arguments are clear and compelling, though at least some familiarity with action theory would be helpful to give proper context. Recommended for higher-level or more in-depth examinations of reasons, as its relevance is partly dependent on some of the other arguments made on the subject.
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