Diversity Reading List

Content: Purdy offers a strong argument against overriding the decisions of pregnant women and tries to reconcile the significance of the dependence of the fetus on the mother with the mother's right to control her own body.

Abstract: Is it morally permissible for me to have children? 1A decision to procreate is surely one of the most significant decisions a person can make. So it would seem that it ought not to be made without some moral soul-searching. There are many reasons why one might hesitate to bring children into this world if one is concerned about their welfare. Some are rather general, like the deteriorating environment or the prospect of poverty. Others have a narrower focus, like continuing civil war in Ireland, or the lack of essential social support for childrearing persons in the United States. Still others may be relevant only to individuals at risk of passing harmful diseases to their offspring. There are many causes of misery in this world, and most of them are unrelated to genetic disease. In the general scheme of things, human misery is most efficiently reduced by concentrating on noxious social and political arrangements. Nonetheless, we shouldn't ignore preventable harm just because it is confined to a relatively small corner of life. So the question arises: can it be wrong to have a child because of genetic risk factors?2Unsurprisingly, most of the debate about this issue has focused on prenatal screening and abortion: much useful information about a given fetus can be made available by recourse to prenatal testing. This fact has meant that moral questions about reproduction have become entwined with abortion politics, to the detriment of both. The abortion connection has made it especially difficult to think about whether it is wrong to Prevent a child from coming into being since doing so might involve what many people see as wrongful killing; yet there is no necessary link between the two. Clearly, the existence of genetically compromised children can be prevented not only by aborting already existing fetuses but also by preventing conception in the first place. Worse yet, many discussions simply assume a particular view of abortion, without any recognition of other possible positions and the difference they make in how people understand the issues. For example, those who object to aborting fetuses with genetic problems often argue that doing so would undermine our conviction that all humans are in some important senseequal.3 However, this position rests on the assumption that conception marks the point at which humans are endowed with a right to life. So aborting fetuses with genetic problems looks morally the same as killing "imperfect" people without their consent. This position raises two separate issues. One pertains to the legitimacy of different views on abortion. Despite the conviction of many abortion activists to the contrary, I believe that ethically respectable views can be found on different sides of the debate, including one that sees fetuses as developing humans without any serious moral claim on continued life. There is no space here to address the details, and doing so would be once again to fall into the trap of letting the abortion question swallow up all others. Fortunately, this issue need not be resolved here. However, opponents of abortion need to face the fact that many thoughtful individuals do not see fetuses as moral persons. It follows that their reasoning process and hence the implications of their decisions are radically different from those envisioned by opponents of prenatal screening and abortion. So where the latter see genetic abortion as murdering people who just don't mea-sure up, the former see it as a way to prevent the development of persons who are more likely to live miserable lives. This is consistent with a worldview that values persons equally and holds that each deserves high quality life. Some of those who object to genetic abortion appear to be oblivious to these psychological and logical facts. It follows that the nightmare scenarios they paint for us are beside the point: many people simply do not share the assumptions that make them plausible. How are these points relevant to my discussion? My primary concern here is to argue that conception can sometimes be morally wrong on grounds of genetic risk, although this judgment will not apply to those who accept the moral legitimacy of abortion and are willing to employ pre-natal screening and selective abortion. If my case is solid, then those who oppose abortion must be especially careful not to conceive in certain cases, as they are, of course, free to follow their conscrence about abortion. Those like myself who do not see abortion as murder have more ways to prevent birth.

Publisher's Note: Controversies about abortion and women's reproductive technologies often seem to reflect personal experience, religious commitment, or emotional response. Laura M. Purdy believes, however, that coherent ethical principles are implicit in these controversies and that feminist bioethics can help clarify the conflicts of interest which often figure in human reproduction. As she defines the underlying issues, Purdy emphasizes the importance of taking women's interests fully into account. Reproducing Persons first explores the rights and duties connected with conception and pregnancy. Purdy asks whether conceiving a child or taking a pregnancy to term can ever be morally wrong. She challenges the thinking of those who feel the prospect of disability or serious genetic disease should not constrain conception or justify abortion. The essays next look at abortion from a variety of angles. One contends that killing fetuses is not murder; others emphasize the moral importance of access to abortion. Purdy considers the conflicting interests of women and men regarding abortion, and argues against requiring a husband's consent. The book concludes with a consideration of new reproductive technologies and arrangements, including the controversial issue of surrogacy, or contract pregnancy. Throughout, Purdy combines traditional utilitarianism with some of the most powerful insights of contemporary feminist ethics. Her provocative essays create guidelines for approaching new topics and inspire fresh thinking about old ones.

Abstract:
This case considers the politics of reuse in the realm of “Big Data.” It focuses on the history of a particular collection of data, extracted and digitized from patient records made in the course of a longitudinal epidemiological study involving Indigenous members of the Gila River Indian Community Reservation in the American Southwest. The creation and circulation of the Pima Indian Diabetes Dataset (PIDD) demonstrates the value of medical and Indigenous histories to the study of Big Data. By adapting the concept of the “digital native” itself for reuse, I argue that the history of the PIDD reveals how data becomes alienated from persons even as it reproduces complex social realities of the circumstances of its origin. In doing so, this history highlights otherwise obscured matters of ethics and politics that are relevant to communities who identify as Indigenous as well as those who do not.

Abstract:

This essay argues that Simone Weil appropriates Marx's notion of labor as life activity in order to reposition work as the site of spirituality. Rather than locating spirituality in a religious tradition, doctrine, profession of faith, or in personal piety, Weil places it in the capacity to work. Spirit arises in the activity of living, and more specifically in laboring—in one's engagement with materiality. Utilizing Marx's distinction between living and dead labor, I show how Weil develops a critique of capital as a “force” that disrupts the individual's relation to her own work by reducing it to the mere activity of calculable “production.” Capital reduces labor to an abstraction and thereby uproots human subjectivity, on a systemic scale, from its connection to living praxis, or what Weil calls spirituality. Life itself is exchanged for a simulacrum of life. In positioning living labor as spiritual, Weil's work offers a corrective to these deadening practices.

Abstract: Representationalist solutions to the qualia problem are motivated by two fundamental ideas: first, that having an experience consists in tokening a mental representation; second, that all one is aware of in having an experience is the intentional content of that representation. In particular, one is not aware of any intrinsic features of the representational vehicle itself. For example, when you visually experience a red object, you are aware only of the redness of the object, not any redness or red quale of your experience. You are aware of outer red without being aware of inner red. According to the representationalist, the phenomenal character of your experience is just (an element of) the intentional content of your representation. In effect, inner red just is outer red. For her part, the defender of qualia, or anyway the defender of qualia who will figure in the present discussion, grants that experiencing a red object involves mentally representing it, and that when you have such an experience you are aware of its intentional content. But she denies that that intentional content exhausts your awareness. The defender of qualia (call her 'Quale') contends that your mental vehicle is itself mentally or phenomenally red, and that in addition to the outer redness of the object, you are aware of this inner redness, the intrinsic phenomenal character of your representational vehicle. Thus, contra the representationalist (call him 'Rep'), you are not aware of the content of your representation without being aware of its intrinsic features

Abstract:
There are some long-standing social issues that imperil Black Americans' relationship with health and healthcare. These issues include racial disparities in health outcomes (Barr 2014), provider bias and racism lessening their access to quality care (Sabin et al. 2009), disproportionate police killings (DeGue, Fowler, and Calkins 2016), and white supremacy and racism which encourage poor health (Williams and Mohammed 2013). Bioethics, comprised of humanities, legal, science, and medical scholars committed to ethical reasoning is prima facie well suited to address these problems and influence solutions in the form of policy and education. Bioethics, however, so far has shown only a minimal commitment to Black racial justice.

Back Matter: This comprehensive text examines the history, significance, and philosophical dimensions of sport. Introduction to the Philosophy of Sport is organized to reflect the traditional division of philosophy into metaphysical, ethical, and sociopolitical issues, while incorporating specific concerns of today's athletic world, such as cheating, doping, and Title IX, where they are applicable. This approach provides students with a basic understanding of the philosophy of sport as a whole and better equips them to investigate specific issues. Introduction to the Philosophy of Sport is not only an outline of the discipline and a summary of much of its pioneering work, but also an invitation for students to join the conversation by connecting it to their own athletic experience.

Publisher's Note: The Blackwell Guide to Medical Ethics is a guide to the complex literature written on the increasingly dense topic of ethics in relation to the new technologies of medicine. Examines the key ethical issues and debates which have resulted from the rapid advances in biomedical technology Brings together the leading scholars from a wide range of disciplines, including philosophy, medicine, theology and law, to discuss these issues Tackles such topics as ending life, patient choice, selling body parts, resourcing and confidentiality Organized with a coherent structure that differentiates between the decisions of individuals and those of social policy

Abstract: Some claims about poems are uncontroversial: that a poem is composed in dactylic hexameter, as in Homer's epics, or in iambic pentameter, as in Shakespeare's sonnets, or in no particular traditional meter, as in most of e. e. cummings's work; that it rhymes following an abab pattern or that it does not; that it is very long, very short, or any length in between; that it employs sophisticated diction, archaic language, or common everyday words; that its similes and metaphors are novelor clich ?e. Such claims may easily be ascertained by those able to count syllables, those able to distinguish the stressed syllables from the unstressed dones, and those familiar with the varieties of poetic meter; by those able to tell whether two or more words sound alike; by those able to distinguish different text lengths; by those able to recognize when words are of the garden-variety kind. Except for familiarity with the kinds of poetic meter, 'those' are most of us. We may call these 'base,' 'lower level,' or 'structural' properties. At another level of description, poems may be tightly knit, unified, balanced, heavy and somber, light and jolly, and so on. The attributions in this case are still descriptive, but an evaluative judgment may be embedded in them, or it may be typically taken to be embedded, or intended to be embedded, in them. That is, a positive or negative valence may sometimes accompany the judgment that a poem is unified and balanced: one may find it good or bad in virtue of those characteristics (though one may also find it good or bad regardless of those characteristics). Further, justifications of why a poem is unified, balanced, and so on are made by reference to the qualities specified at the first level of description: it is unified because all the parts fit well together in some manner. We may call these 'aesthetic attributions'; as Jerrold Levinson puts it, here we have 'an overall impression afforded, an impression that cannot simply be identified with the structural properties that underpin it.' At a third level still, and in part in virtue of facts at the previous two levels, poems may be beautiful, terrific, or horrendously bad: here we have wholly evaluative attributions, or aesthetic judgments properly so-called. Note how there isan inverse proportion in informative value be-tween base properties and aesthetic judgments: base properties are informative about a work ('is in iambic pentameter') but not aesthetically evaluative and thus not aesthetically informative; aesthetic evaluations ('is beautiful') are aesthetically informative, but tell us nothing about the specific characteristics of a work. Aesthetic attributions fall in the middle also in that they may retain some of the informative value of either extreme: they may be somewhat structurally informative and some what aesthetically informative ('unified'). If it is true that these three levels are at once distinguishable and intrinsically related, some questions one may ask are: How are they related? How is our perception of a set of words arranged in a certain cadence and with breaks visually or aurally marked related to our perceiving in the mor attributing to them a certain set of aestheticqualities? How do we go from characteristics such as 'has lines of eighteen syllables, where a marked syllable is followed by two unmarked ones throughout' to 'is tightly knit' to 'is beautiful'? In other words, how do we move from purely descriptive attributes to aesthetic and evaluative ones? Anyone may count syllables, and most of us can more or less tell when a syllable is stressed relative to another that precedes or follows it. We may likewise be able to judge whether a metaphor is unusual or not simply by recalling whether we have heard anything like it in the past, or how unlike each other the terms of comparison are. That assessment may be accompanied by approval or disapproval; in itself it need not express either ('That's a novel metaphor: it is awful' is a perfectly sensible statement). Finally, when we move to 'beautiful' and 'moving,' we are making a judgment of taste: our approval is embedded in those terms. My concern in what follows is with the move from lower-level perceptual qualities to the attribution of aesthetic qualities. I am not concerned with how we go from there to an overall aesthetic evaluation. In my proposal, I question the much discussed wisdom handed down to us by Frank Sibley. I am referring to Sibley's famous claim, defended in 'Aesthetic Concepts' and related articles, that we are never, in any art form, warranted in making the (logical) jump from the description of non aesthetic properties to the ascription of aesthetic ones. In his words, Sibley claimed that 'there are no non aesthetic features which serve in any circumstances as logically sufficient conditions for applying aesthetic terms.' We cannot, for instance, go from 'employ[s] bright colors' to 'is lively and vigorous,' the way we can go from 'unmarried male' to 'bachelor' or from 'enclosed figure with four equal sides and four right angles' to 'square.' Surely we cannot, but why should anyone have thought otherwise? Aesthetic qualities are qualities, not concepts. As an attribute, 'graceful' more closely resembles 'hot' than it does 'square.' There is no reason to expect a one-to-one relationship between base properties and aesthetic attributions, but there is good reason to expect that a range of properties is clearly associated with a range of attributions, just as a range of temperatures is associated with feeling cold. Sibley also claimed that no particular base property or set thereof is necessary for any given aesthetic concept to apply. This is because things may have the same aesthetic quality for different reasons: 'one thing is graceful because of these features, another because of those, and so on almost endlessly.' I do not question whether Sibley's claims are defensible when it comes to vases, paintings, sculptures, or sonatas; indeed, his view is compelling as a general rule. However, it seems to me that some varieties of poetry provide, not an exception to Sibley's rule - I am not claiming logical entailments here, nor do I think any- one could - but evidence for what may be called a 'defeasible guarantee.' In at least some kinds of formal poetry, there is a sense in which a description in nonaesthetic terms sometimes ought to suffice, in virtue of what we may call 'psychoaesthetic' associations between the perception of formal features and felt aesthetic qualities, for the attribution of an aesthetic quality. Accordingly, my first goal in what follows is to show in what way I think it is sufficient and to provide some examples in support of that connection. I hope that from this it emerges that Sibley was wrong to hold that unless their relationship is a logicoconceptual one, no base properties ever suffice to warrant the ascription of an aesthetic quality.