Peng Feng. Li Yu’s Theory of Drama: A Moderate Moralism
2016, Philosophy East and West 66(1): 73-91.
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Added by: Meilin ChinnAbstract: This essay presents an interpretation of Li Yu’s theory of drama that takes it to be a moderate moralism that is different from Confucian radical moralism, Daoist radical autonomism, and the moderate autonomism of fiction. In addition to practical considerations, Li Yu’s moderate moralism of drama is based on his awareness of the ontological difference between drama and music, poetry, and fiction. Drama was seen by Li Yu as a synthetic art that includes music, poetry, and fiction. If radical autonomism is appropriate for the evaluation of music, radical moralism for poetry and prose, and moderate autonomism for fiction, then moderate moralism would be most appropriate in the evaluation of drama.Comment: Peng gives an account of the development of Chinese drama according to a contrast between Confucian moralism, in which morality controls aesthetics, and Daoist autonomism, in which aesthetics are autonomous from morality. He argues for an understanding of Li Yu’s theory of drama as a moderate moralism that evaluates drama according to a possible, yet contingent and unnecessary relation between moral and aesthetic virtue. This text is appropriate for a course on aesthetics and/or Chinese philosophy. It is particularly useful in discussions of the relationship between ethics and aesthetics.
Phemister, Pauline. The Rationalists: Descartes, Spinoza and Leibniz
2006, Polity.
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Added by: Clotilde Torregrossa, Contributed by: Pauline PhemisterPublisher's Note: Descartes, Spinoza and Leibniz stand out among their seventeenth-century contemporaries as the great rationalist philosophers. Each sought to construct a philosophical system in which theological and philosophical foundations serve to explain the physical, mental and moral universe. Through a careful analysis of their work, Pauline Phemister explores the rationalists seminal contribution to the development of modern philosophy. Broad terminological agreement and a shared appreciation of the role of reason in ethics do not mask the very significant disagreements that led to three distinctive philosophical systems: Cartesian dualism, Spinozan monism and Leibnizian pluralism. The book explores the nature of, and offers reasons for, these differences. Phemister contends that Spinoza and Leibniz developed their systems in part through engagements with and amendment of Cartesian philosophy, and critically analyses the arguments and contributions of all three philosophers. The clarity of the authors discussion of their key ideas including their views on knowledge, universal languages, the nature of substance and substances, bodies, the relation of mind and body, freedom, and the role of distinct perception and reason in morals will make this book the ideal introduction to rationalist philosophy
Pitts, Andrea J.. Toward an Aesthetics of Race: Bridging the Writings of Gloria Anzaldúa and José Vasconcelos
2014, Inter-American Journal of Philosophy, 5 (1): 80-100
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Added by: Adriana Clavel-VázquezAbstract:
This paper examines the relationship between the aesthetic frameworks of José Vasconcelos and Gloria Anzaldúa. Contemporary readers of Anzaldúa have described her work as developing an “aesthetics of the shadow,” wherein the Aztec conception of Nepantilism—i.e. to be “torn between ways”—provides a potential avenue to transform traditional associations between darkness and evil, and lightness and good. On this reading, Anzaldúa offers a revaluation of darkness and shadows to build strategies for resistance and coalitional politics for communities of color in the U.S. To those familiar with the work of Vasconcelos, Anzaldúa’s aesthetics appears to contrast sharply with his conceptions of aesthetic monism and mestizaje. I propose, however, that if we read both authors as supplementing one another’s work, we can see that their theoretical points of contrast and similarity help frame contemporary philosophical discussions of racial perception.Comment (from this Blueprint): In this paper, Pitts does two things that are relevant for the aims of this blueprint. First, she understands Anzaldúa to be in dialogue with, and as a continuation of, the Latin American philosophical tradition. In this sense, rather than seeing Latinx feminism as emerging simply from an opposition to the Anglo-American intellectual tradition, she sees it as inheriting and furthering a rich Latin American philosophical tradition that, although problematic at times, has plenty to offer to contemporary philosophical thought, and which has been unfortunately ignored for too long. Second, she brings forward the role that aesthetics plays in theorizing about race and mestizo identities in Latin America, and in the constitution of social identities, as well as the centrality of aesthetics in the Latin American philosophical tradition.
Pointon, Marcia. Portrait, Fact and Fiction
2013, in: Portrayal and the Search for Identity, Reaktion Books, pp. 23-46.
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Added by: Hans MaesSummary: Considers portraiture an unstable, destabilizing, potentially subversive art through which uncomfortable and unsettling convictions are negotiated. As such, it is primarily an instrumental art form, a kind of agency. Also argues that there is an element of the fictive involved in all portrait representations. Explains how portraiture is a slippery and seductive art.Comment: Useful in discussing portraiture, as well as depiction and representation in general.
Artworks to use with this text:
Garibaldi at Caprera, frontispiece of G.M. Trevelyan, Garibaldi and the Thousand, May 1860 (1931 edition)
A reproduction of a photograph of a copy of a many times copied portrait of the guerilla leader. Devoid of monetary or aesthetic value. Not very likely that Garibaldi looked like this or posed for the artist. The portrait works to endow the historical narrative with its illusion of a unified subject. Useful in discussing portraiture, as well as depiction and representation in general.
Artworks to use with this text:
Garibaldi at Caprera, frontispiece of G.M. Trevelyan, Garibaldi and the Thousand, May 1860 (1931 edition)
A reproduction of a photograph of a copy of a many times copied portrait of the guerilla leader. Devoid of monetary or aesthetic value. Not very likely that Garibaldi looked like this or posed for the artist. The portrait works to endow the historical narrative with its illusion of a unified subject.
Pointon, Marcia. Slavery and the Possibility of Portraiture
2013, in: Portrayal and the Search for Identity, Reaktion Books, pp. 47-73.
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Added by: Hans MaesSummary: Draws attention to the fact that portraits of slaves are rarely exhibited or discussed; and that not all images of slaves are portraits. Reflects on the dynamics of power involved in portraiture and on the relation between subject and viewer in particular. Includes extensive commentary on the historical development of portraiture and the place of portraits of slaves therein.Comment: Useful in discussing portraiture and depiction, as well as power relations and art's role in them in general.
Artworks to use with this text:
Francis Wheatley, A Family Group in a Landscape (c.1775)
A dark clad black boy stands motionless at the extreme left of the canvass, scarcely making into the group. He is literally in the shadows. Useful in discussing portraiture and depiction, as well as power relations and art's role in them in general.
Artworks to use with this text:
Francis Wheatley, A Family Group in a Landscape (c.1775)
A dark clad black boy stands motionless at the extreme left of the canvass, scarcely making into the group. He is literally in the shadows.
Pomeroy, Sarah B.. The study of women in antiquity: Past, present, and future
1991, American Journal of Philology 112 (2).
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Added by: Clotilde Torregrossa, Contributed by: Clotilde TorregrossaAbstract: The publication of Arethusa 6 in 1973 inaugurated the serious study of women in antiquity in our time. Classics was one of many disciplines to begin developing a subfield of women's studies in the early 1970s. Since then, has the study of women in antiquity become part of the "mainstream"? In order to answer this question I decided to examine articles and reviews published in current periodicals. I spent one day (October 1, 1990) skimming through the journals on display racks at the Ashmolean and Bodleian Libraries, assuming that they constituted a random sample. I looked at all the journals in Classics, Archaeology, and Ancient History that could conceivably have some material on women in antiquity. I checked only the titles listed in the main index of each journal; book reviews that were not listed in such an index were not noted. My criterion for including an article or review was that it could be of special value to someone teaching a specialised course or doing research on women in antiquity as well as to readers with a more casual interest in the subject. I do not claim any statistical significance for this survey. Nor is it intended to alert readers to a dearth of articles and reviews on ancient women in particular journals; for example, Arethusa frequently publishes work in this field, but I happened to examine a special issue on pastoral. I looked at forty-five journals. Of these, twenty-two did not have an article or review relevant to the study of ancient women. Twenty-three journals contained at least one title and of these Helios had devoted an entire issue to Feminist scholars, including those who are not specialists in classical antiquity, would probably be particularly interested in some of the articles in Helios and in Larissa Bonfante's study of nudity. The vast majority of the publications are traditional historical or literary studies. But I doubt that they would have been so numerous without the inspiration of feminism, however remote from the mind of some of the authors. This little survey confirmed my sense that the study of women has, indeed, become part, albeit a very small part, of the mainstream of Classical Studies.
Pomeroy, Sarah B.. The Pythagorean Women: Their History and Writings
2013, The Johns Hopkins University Press
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Added by: Clotilde Torregrossa, Contributed by: Bart SchultzPublisher's Note: In Pythagorean Women, classical scholar Sarah B. Pomeroy discusses the groundbreaking principles that Pythagoras established for family life in Archaic Greece, such as constituting a single standard of sexual conduct for women and men. Among the Pythagoreans, women played an important role and participated actively in the philosophical life. While Pythagoras encouraged women to be submissive to men, his reasoning was based on the desire to preserve harmony in the home. Pythagorean Women provides English translations of all the earliest extant examples of literary Greek prose by Neopythagorean women, shedding light on their attitudes about marriage, the home, music, and the cosmos. Pomeroy sets the Pythagorean and Neopythagorean women vividly in their historical, ecological, and intellectual contexts, illustrated with original photographs of sites and artifacts known to these women.Comment: Great work demonstrating how ancient Pythagorean philosophy welcomedwomen philosophers.
Radden, Jennifer. Symptoms in particular: feminism and the disordered mind
2022, In McWeeny, J. and Maitra, K. (eds) Feminist Philosophy of Mind. New York: Oxford University Press, pp.121-138
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Added by: Adriana Alcaraz Sanchez and Jodie RussellAbstract:
Contrary to influential medical and cognitivist models governing how mental disorder is usually understood today, the socially embedded, disordered "mind," or subject, of feminist theory leaves little room for idiopathic causal analyses, with their narrow focus on the brain and its functioning, and reluctant acknowledgment of symptoms. Mental disorder must originate well beyond the particular brain of the person with whom it is associated, feminist analyses imply. Because the voiced distress of the sufferer cannot be reduced to the downstream, "symptomatic" effects of brain dysfunction, symptoms can be seen differently, as central to the diagnostic identity, and constitutive of (at least some) disorders. And new attention is required for the testimony of women diagnosed with mental disorder, vulnerable as it is to epistemic injustices. Corrected explanations of women's mental disorder leave remaining concerns, both epistemological and ethical, over the madwoman narrating her symptoms.Comment (from this Blueprint): Radden's paper introduces the reader to broad concerns with the dominant medical model of disorder from a feminist perspective, highlighting the tension with a naturalistic, reductionist approach with the situated and ecological approach of Radden's feminism. This article touches on topics mentioned in other readings (such as enactive concpetions of mind and epistemic injustice) but contextualises them within the field of philosophy of psychiatry. As such, this article is a fruitful springboard for critically considering the nature of medicine and psychiatry from multiple angles. This chapter would be complimented by the further reading of Russell's (2023) paper on Enactive Psychiatry.
Radhakrishnan, Sarvepalli. The Philosophy of the Upanishads
1924, Unwin Brothers Limited.
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Added by: Clotilde Torregrossa, Contributed by: Peter JonesPublisher’s Note:
Overview: Not focused on any one Upanishad in particular, it conveys the spirit in which the Upanishads were written and provides a short overview of their Metaphysics, Ethics and Epistemology.
Radzins, Inese. Simone Weil on Labor and Spirit
2017, Journal of Religious Ethics 45 (2):291-308
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Added by: Deryn Mair ThomasAbstract:
This essay argues that Simone Weil appropriates Marx's notion of labor as life activity in order to reposition work as the site of spirituality. Rather than locating spirituality in a religious tradition, doctrine, profession of faith, or in personal piety, Weil places it in the capacity to work. Spirit arises in the activity of living, and more specifically in laboring—in one's engagement with materiality. Utilizing Marx's distinction between living and dead labor, I show how Weil develops a critique of capital as a “force” that disrupts the individual's relation to her own work by reducing it to the mere activity of calculable “production.” Capital reduces labor to an abstraction and thereby uproots human subjectivity, on a systemic scale, from its connection to living praxis, or what Weil calls spirituality. Life itself is exchanged for a simulacrum of life. In positioning living labor as spiritual, Weil's work offers a corrective to these deadening practices.
Comment: This text provides an in-depth analysis of Simone Weil's account of and philosophy on work and labor, through the theological lens of spirituality. It therefore offers a unique take on Weil's attempt to situate work and labor as activities of central import in human life. The text might be an interesting supplement to any upper-level undergraduate or graduate level courses explore the concept and value of work, or the historical treatment of the concept in western philosophy. It would also be useful as a companion or supplemental text in courses focused on exploring Simone Weil's philosophy and thought.
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