Diversity Reading List

Abstract:
This work from one of the world's leading Islamic thinkers is a spiritual tour de force which explores the relationship between the human being and nature as found in many religious traditions, particularly its Sufi dimension. The author stresses the importance of a greater awareness of the origins of both the human being and nature as a means of righting the imbalance that exists in our deepest selves and in our environment.

Publisher's note: This unique book challenges the traditional distinction between eros, the love found in Greek thought, and agape, the love characteristic of Christianity. Focusing on a number of classic texts, including Plato's Symposium and Lysis, Aristotle's Ethics and Metaphysics, and famous passages in Gregory of Nyssa, Origen, Dionysius the Areopagite, Plotinus, Augustine, and Thomas Aquinas, the author shows that Plato's account of eros is not founded on self-interest. In this way, she restores the place of erotic love as a Christian motif, and unravels some longstanding confusions in philosophical discussions of love.

Abstract: An assumption in debates about the philosophical significance of miracles is that if a miracle (a violation of natural law or a permanently inexplicable event) were to occur, it would be evidence for the existence of the Christian God. The paper explores reservations by several philosophers about this connection between God and miracles, and presents arguments to show that if a miracle would occur there would be good reason to deny that God exists.

Publisher’s Note:
This book examines the work of Chicana artists, feminist Mexican-Americans who aim at interrogating their identity through art. In this chapter, Pérez examines what she regards as “the general intellectual vindication of Indigenous epistemologies that characterized much of the thought and art of the Chicana/o movement”. She argues that, in opposition to the male Chicano perspective that characterized the early movement, Chicana artists embrace their Indigenousness in a way that aims not simply at antagonizing Eurocentric culture, but that aims at “a genuinely more decolonizing struggle at the epistemological level”. The chapter focuses on writers Gloria Anzaldúa, Cherríe Moraga, Ana Castillo, and Sandra Cisneros, and on artists Frances Salomé España, Yreina Cervántez, and Esther Hernández.

Abstract: Theists believe God exists, atheists believe that God does not exist, and agnostics suspend judgment on the issue. But what do each of these mean by ‘God'? What is the concept of God that underlies the debate? This essay explains three important features of a widely-accepted idea of God and discusses some puzzles and paradoxes related to their application.

Abstract:
Abstract: History and literature provide striking examples of people who are morally admirable, in part, because of their profound faith in people’s decency. But moral philosophers have largely ignored this trait, and I suspect that many philosophers would view such faith with suspicion, dismissing it as a form of naïvete or as some other objectionable form of irrationality. I argue that such suspicion is misplaced, and that having a certain kind of faith in people’s decency, which I call faith in humanity, is a centrally important moral virtue. In order to make this view intuitively more plausible, I discuss two moral exemplars – one historical and the other literary – whose lives vividly exhibit such faith. Then I provide a rationale for the view that having such faith is morally admirable. Finally, I discuss cases in which someone’s faith in humanity can lead her to make judgments that are, to some degree, epistemically irrational. I argue that the existence of such cases does not pose a serious objection to the view that having faith in humanity is a moral virtue. Rather, it makes salient important limits on the role that epistemic, as opposed to practical, rationality should occupy in our ideals of how to live.

Abstract:

Synopsis generated from the paper: Ruether defines ecofeminism as the meeting of deep ecology and feminism. Deep ecology asks how symbolic, psychological, and ethical patterns of human–nature relation became destructive, while feminism, at its cultural level, charts how domination of women is linked to male monopolies of resources and power. She traces that link through Mediterranean and Western European culture. Early identification of women with nature and men with culture rests on women’s reproductive and maintenance labor, and is hardened by plow agriculture, property, and slavery, which treat women, slaves, animals, and land as linked forms of male property. In Near Eastern myth, the mother goddess is killed and made into the stuff of the cosmos; Hebrew scripture casts God as patriarchal lord and nature as under divine, then male, stewardship; Greek philosophy ties mother to matter and ranks male mind above female and animal bodies; Christian asceticism and medieval ambivalence deepen the repudiation of sexuality, women, and mortal nature. Calvinism strips nature of sacramental presence while keeping a demonic universe, and the Scientific Revolution secularizes nature into dead matter obedient to male scientific control, alongside colonial expropriation of land and labor. That industrial–colonial system now produces ecological crisis, poverty, and militarization. An ecofeminist ethic must replace hierarchical dualism with mutual interdependency: reintegrate human production into ecological patterns, reconceive God as the immanent life-source of the planetary community, convert men to equal share in nurture and household work, and accept mortality and the life cycle instead of fleeing them. Symbolic change must be matched by new social practice and solidarity with the victims of the present order.

Publisher’s Note:
Overview: Not focused on any one Upanishad in particular, it conveys the spirit in which the Upanishads were written and provides a short overview of their Metaphysics, Ethics and Epistemology.

Abstract:

This essay argues that Simone Weil appropriates Marx's notion of labor as life activity in order to reposition work as the site of spirituality. Rather than locating spirituality in a religious tradition, doctrine, profession of faith, or in personal piety, Weil places it in the capacity to work. Spirit arises in the activity of living, and more specifically in laboring—in one's engagement with materiality. Utilizing Marx's distinction between living and dead labor, I show how Weil develops a critique of capital as a “force” that disrupts the individual's relation to her own work by reducing it to the mere activity of calculable “production.” Capital reduces labor to an abstraction and thereby uproots human subjectivity, on a systemic scale, from its connection to living praxis, or what Weil calls spirituality. Life itself is exchanged for a simulacrum of life. In positioning living labor as spiritual, Weil's work offers a corrective to these deadening practices.

Summary: Saito presents the moral dimension of Japanese aesthetics in terms of two design principles: respect for the quintessential, innate characteristics of things and honor and responsiveness to human needs. She analyzes the sensitivity to objects and people at work in a wide range of Japanese arts and crafts, including garden design, haiku, painting, pottery, and food, emphasizing that the cultivation of a moral attitude toward things is often practiced through aesthetic means.